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Wing Chun

Chinese martial art

Wing Chun

Summary

Chinese martial art

FieldValue
image[[File:The age of 18 Bruce Lee and Ye Wen.jpg300px]]
imagecaptionIp Man and Bruce Lee practicing "双黐手" (Seung Chi Sau), meaning "double sticky hands"
nameWing Chun
focusStriking, grappling, trapping
countryFoshan, China
creatorNo definitive founder has been identified; there are eight distinct lineages with different stories regarding its conception.
For further information, see Branches of Wing Chun
parenthoodShaolin Kung Fu / Nanquan
descendant artsJeet Kune Do, German Jujutsu
famous_pract(see notable practitioners)

For further information, see Branches of Wing Chun

Wing Chun (Cantonese) or Yong Chun (Mandarin) (, lit. "singing spring") is a concept-based martial art, a form of Southern Chinese kung fu, and a close-quarters system of self-defense. It is a martial arts style characterized by its focus on close-quarters hand-to-hand combat, rapid-fire punches, and straightforward efficiency. It has a philosophy that emphasizes capturing and sticking to an opponent's centerline. This is accomplished using simultaneous attack and defense, tactile sensitivity, and using an opponent's force against them.

Wing Chun has various spellings in the West, but "Wing Chun" is the most common. The origins of Wing Chun are uncertain, but it is generally attributed to the development of Southern Chinese martial arts. There are at least eight distinct lineages, of which the Ip Man and Yuen Kay-shan lineages are the most prolific.

The martial art was brought to Hong Kong and then the rest of the world by Ip Man, with Bruce Lee being his most famous student. The Ving Tsun Athletic Association, founded in 1967 by Ip Man and his students, helped spread Wing Chun globally. Traditionally taught within a family system, modern Wing Chun lessons have taken on a more academic and commercial character.

Wing Chun gained popularity in the 2010s due to the Ip Man film series starring Donnie Yen and has been featured in video games like Tekken 7. Notable practitioners include Bruce Lee, Donnie Yen, Samuel Kwok, and Carlos Deleon.

Etymology

In Chinese, this martial art is referred to as 咏春拳 (simplified script) or 詠春拳 (traditional script). Though it is written in an almost identical way in traditional and simplified, it is not pronounced and transcribed in the same way according to the regions and their dialects: Yǒngchūn quán in Mandarin pinyin, Wing-Chun keen in Cantonese Wade–Giles. It is made up of two terms: 拳 (quan/kuen) which means "fist, boxing" and the term 詠春 (wing-chun, in Cantonese) meaning "singing spring". The full name is thus translated as "singing spring boxing".

In its short designation, the martial art is simply designated by these two sinograms:

  • the sinogram 詠 yǒng/wing: "to sing, to sing..."
  • the sinogram 春 chūn/chun: "spring, vitality..."

This martial art is sometimes referred to by 永春, characters different from 詠春, but pronounced and transcribed in the same way: They are literally translated as "eternal spring", the character 永 meaning "eternal, endless". These characters also designate the Yongchun region near the city of Quanzhou (Fujian).

If the use of 詠春 seems privileged today for Wing Chun styles, 永春 still appears in the name of other Southern Chinese martial arts (with 永春 often transcribed Weng Chun); for example jee shim weng chun and Yǒng Chūn Bái Hè Quán (永春白鶴拳).

Romanization

In the West, the name of this martial art has been transcribed variably due to the use of different or personal Chinese language romanization methods, and differences in pronunciation between Chinese languages (but Cantonese was often preferred) or according to Western languages. In addition, some Wing Chun masters voluntarily created their own terms, in order to dissociate their personal teaching from traditional teachings. For example, Yip Man's Ving Tsun or Leung Ting's Wing Tsun.

Finally, this martial art is pronounced quite identically in the West but is written with many spellings: Ving Tsun, Wing Tsun, Wing Tsung, Yong Chun, Weng Chun, Wyng Tjun, Ving Tjun, Wing Tzun, Wing Tschun. Wing Chun is the most common form, used to apply to all lineages of this martial art.

Context

Context of the name Wing Chun varies between various branches of Wing Chun. Common legend is that the name is derived from Yim Wing-chun, the mythical progenator of the martial art, who was a student of the legendary Abbess Ng Mui.

According to the Hung Suen / Hung Gu Biu lineage, the Ng Mui / Yim Wing Chun legend was conceived to protect the identity of Cheung Ng, a Shaolin monk who survived the Manchurian massacres and took refuge at Red Boat Opera. The "Yim Wing Chun" name was chosen for specific reasons, as Yim could be understood as the word for "Secret" or "Protected", and "Wing Chun" refers to Siu Lam Wing Chun Tong (the Always Spring Hall). With "Yim Wing Chun" being a secret code for "the secret art of Siu Lam Wing Chun Hall."

In the Pan Nam lineage, the "Wing" in Wing Chun comes from Chan Wing-wah, one of the founders of Hongmen. According to the Pao Fa Lien lineage, the name Wing Chun is a shortened form of the revolutionary motto, "Wing yun chi jee; Mo mong Hon Juk; Dai dei wu chun." A secret code that allowed the anti-Qing revolutionaries to recognize each other. Eventually, the codeword was shortened to Wing Chun (Always Spring.)

Origins

The definitive origin of Wing Chun remains unknown and is attributed to the development of Southern Chinese martial arts. Complications in the history and documentation of Wing Chun are attributed to the art being passed from teacher to student orally, rather than in writing. Another reason is the secrecy of its development, due to its connections to anti-Qing rebellious movements.

There are at least eight different distinct lineages of Wing Chun, each having its own history of origin. Additionally, there are competing genealogies within the same branch or about the same individual teacher. The eight distinct lineages of Wing Chun which have been identified are:

  • Ip Man
  • Yuen Kay-shan
  • Gu Lao Village
  • Nanyang / Cao Dean
  • Pan Nam
  • Pao Fa Lien
  • Hung Suen / Hung Gu Biu
  • Jee Shim

Regardless of the origins espoused by various Wing Chun branches and lineages, there is much third-party controversy and speculative theorizing regarding the true origins of Wing Chun. In the West, Wing Chun's history has become a mix of fact and fiction due to the impacts of early secrecy and modern marketing.

Modern Wing Chun

Of the eight Wing Chun lineages, the Ip Man and Yuen Kay-shan lineages are the most prolific branches of Wing Chun worldwide. The other lineages are pretty much unknown outside of China, except for the Pan Nam line, which survives in the USA and the Jee Shim / Weng Chun line with a strong presence in Germany. The Yuen Chai Wan form of Wing Chun has a notable presence in Vietnam, with this lineage having earned the moniker of "Vietnamese Wing Chun".

In 1949, Ip Man, considered the most important grandmaster of modern Wing Chun, brought the style from China to Hong Kong and eventually to the rest of the world. Yip Man's most famous student was Bruce Lee, who had studied under Yip Man before he moved to the United States.{{efn|name="Lee"|Lee was mainly taught Wing Chun by Wong Shun-leung, a senior student of Ip Man.

The Ving Tsun Athletic Association

The Ving Tsun Athletic Association was founded in 1967 by Cantonese master Ip Man and seven of his senior students so they could teach Wing Chun together and Ip Man would not take on all the work himself. The first public demonstration of the Wing Chun fighting system, according to Ip Man, took place in Hong Kong at an official exhibition fight in the winter of 1969 at what was then the Baptist College (now the Hong Kong Baptist University). Leung Ting, a student of Ip Man, invited his master and some well-known representatives of the martial arts scene of the time to the college and conducted the exhibition fights in front of a specialist audience. The Association helped Wing Chun to spread to the rest of the world.

International Wing Chun Organization (IWCO)

The International Wing Chun Organization (IWCO) was founded by Grandmaster Donald Mak in 1997, a respected Wing Chun practitioner and instructor who studied under the Great Grandmaster Chow Tze Chueng.

Characteristics

General

Wing Chun puts emphasis on economic movement and encourages its practitioners to "feel" through their opponents' defenses and to utilize the incoming attacks with parrying, deflection, rapid punches, and finger pokes. Slapping and defensive maneuvers are used to distract the opponent to make them shift their defenses away from their centerline.

Wing Chun favors a relatively high, narrow stance with the elbows close to the body. Within the stance, arms are generally positioned across the vital points of the centerline with hands in a vertical "wu sau" ("protecting hand" position). This puts the practitioner in a position to make readily placed blocks and fast-moving blows to vital striking points down the center of the body, i.e. the neck, chest, belly, and groin. Shifting or turning within a stance is done on the heels, balls, or middle (K1 or Kidney point 1) of the foot, depending on the lineage. Some Wing Chun styles discourage the use of high kicks because this risks counter-attacks to the groin. The practice of "settling" one's opponent to brace them more effectively against the ground helps one deliver as much force as possible.

Relaxation

Softness (via relaxation) and performance of techniques in a relaxed and controlled manner By training the physical, mental, breathing, energy, and force in a relaxed manner a "soft wholesome force" known as Chi is develop which is fundamental to Wing Chun. On "softness" in Wing Chun, Ip Man said during an interview:

Forms

Most common forms

Butterfly swords

The most common system of forms in Wing Chun consists of three empty hand forms, two weapon forms: the Dragon pole and Butterfly swords, and a wooden dummy form.

[[Hand-to-hand combat|Empty hand]]

Siu nim tau

The first and most important form in Wing Chun, siu nim tau (), is practiced throughout the practitioner's lifetime. It is the foundation or "seed" of the art, on which all succeeding forms and techniques are based. Fundamental rules of balance and body structure are developed here. Using a car analogy; for some branches this would provide the chassis and for others, this is the engine. It serves as the basic alphabet of the system. Some branches view the symmetrical stance as the fundamental fighting stance, while others see it as a training stance used in developing technique.

Although many of the movements are similar, siu nim tau varies significantly between the different branches of Wing Chun. In Ip Man's Wing Chun, the first section of the form is done by training the basic power for the hand techniques by tensing and relaxing the arms. In Moy Yat's Wing Chun, the first section of the form is done without muscle tension and slowly in a meditative, calm, and being "in the moment" way. In 1972, weeks before he died, Ip Man demonstrated Siu Nim Tau (also known as Siu Lim Tau) on film, showing how the form is to be performed.

Chum kiu

The second form, chum kiu , focuses on coordinated movement of body mass and entry techniques to "bridge the gap" between practitioner and opponent, and move in to disrupt their structure and balance. Close-range attacks using the elbows and knees are also developed here. It also teaches methods of recovering position and centerline when in a compromised position where Siu Nim Tau structure has been lost. For some branches, bodyweight in striking is a central theme, either from pivoting (rotational) or stepping (translational). Likewise, for some branches, this form provides the engine to the car. For branches that use the "sinking bridge" interpretation, the form has more emphasis on "uprooting", adding multi-dimensional movement and spiraling to the already developed engine.

Biu jee

The third and last form, biu jee , is composed of extreme short-range and extreme long-range techniques, low kicks and sweeps, and "emergency techniques" to counter-attack when structure and centerline have been seriously compromised, such as when the practitioner is seriously injured., As well as the pivoting and stepping developed in Chum Kiu, a third degree of freedom, involves more upper body, and stretching is developed for more power. Such movements include close-range elbow strikes and finger thrusts to the throat. For some branches, this is the turbo-charger of the car; for others, it can be seen as a "pit stop" kit that should never come into play, recovering your "engine" when it has been lost. Still, other branches view this form as imparting deadly "killing" and maiming techniques that should never be used without good reason. A common Wing Chun saying is, "Biu jee doesn't go out the door". Some interpret this to mean the form should be kept secret; others interpret it as meaning it should never be used if you can help it.

Wooden dummy

Mu ren zhuang () is performed on a wooden dummy, which serves as a training tool to teach the student the use of Wing Chun Kuen's 108 movements against a live opponent. There are many versions of this form which come from a variety of Wing Chun Kung Fu lineages.

Other forms

San Sik (Chinese: 散式; Cantonese Yale: Sáan Sīk; pinyin: Sǎn Shì; 'Separate forms'), along with the other three forms, is the basis of all Wing Chun techniques. They are compact in structure, and can be loosely grouped into three broad categories: (1) Focus on building body structure through basic punching, standing, turning, and stepping drills; (2) Fundamental arm cycles and changes, firmly ingraining the cardinal tools for interception and adaptation; (3) Sensitivity training and combination techniques.

Weapons

The Yuen Kay Shan / Sum Nung branch also historically trained to throw darts (Biu).

Notable practitioners

Bibliography

Notes

References

References

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  3. See Etymology
  4. « As the art grows in popularity, many different Romanizations for the Chinese character "Wing Chun" continue to be created, often as a result of the local dialect and pronunciation. This results in the ability to determine a lineage, student/teacher family tree, or origin, by the spelling alone. The most common spelling is "wing chun", which applies generally to all families. » - Wayne Belonoha, The Wing Chun Compendium, p.20
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  9. The Wing Chun compendium
  10. « As the art grows in popularity, many different romanizations for the Chinese character "wing chun" continue to be created, often as a result of the local dialect and pronunciation. This results in the ability to determine a lineage, student/teacher family tree, or origin, by the spelling alone. The most common spelling is "wing chun", which applies generally to all families. » - Wayne Belonoha, The Wing Chun compendium, p.20
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