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William Sethares
| Field | Value |
|---|---|
| name | William A. Sethares |
| birth_date | |
| birth_place | Massachusetts, U.S. |
| field | Signal processing and music theory |
| work_institution | University of Wisconsin–Madison |
| alma_mater | Cornell University |
| doctoral_advisor | Yao Leeh-ter |
| known_for | Consonance |
William A. Sethares (born April 19, 1955) is an American music theorist and professor of electrical engineering at the University of Wisconsin. In music, he has contributed to the theory of Dynamic Tonality and provided a formalization of consonance.
Consonance and dissonance
Among the earliest musical traditions, musical consonance was thought to arise in a quasi-mystical manner from ratios of small whole numbers. (For instance, Pythagoras made observations relating to this, and the ancient Chinese Guqin contains a dotted scale representing the harmonic series.) The source of these ratios, in the pattern of vibrations known as the harmonic series, was exposed by Joseph Sauveur the early 18th century and even more clearly by Helmholtz in the 1860s.
In 1965, Plomp and Levelt{{cite journal | hdl-access = free
In the 1990s, Sethares began exploring Plomp and Levelt's generalization, both mathematically and musically. His 1993 paper On the relationship between timbre and scale{{cite journal
In his 1998 book Tuning, Timbre, Spectrum, Scale,{{cite book
As one reviewer of the second edition{{cite book | author-link = Luca Turin | access-date = 2009-09-20
''Musica Facta''
Sethares' conception of consonance is one of the foundation-stones of a new research program called Musica Facta.
References
External resources
References
- ''Musica Facta'': http://musicafacta.org {{Webarchive. link. (2014-05-17)
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