Thuluth

History

Thuluth was first invented by the polymath and master calligrapher Ibn Muqla during the Islamic Golden Age.

Enormous contributions to the evolution of the Thuluth script occurred in the Ottoman Empire in three successive steps that Ottoman art historians call "calligraphical revolutions":

• The first revolution occurred in the 15th century and was initiated by the master calligrapher Sheikh Hamdullah.
• The second revolution resulted from the work of the Ottoman calligrapher Hâfız Osman in the 17th century.
• Finally, in the late 19th century, Mehmed Şevkî Efendi gave the script the distinctive shape it has today.

Artists

The best known artist to write the Thuluth script at its zenith is said to be Mustafa Râkım Efendi (1757–1826), a painter who set a standard in Ottoman calligraphy which many believe has not been surpassed to this day.

Usage

Thuluth is mainly used to write the headings of surahs, Qur'anic chapters, and also for Arabic writings in mosques. Some of the oldest copies of the Qur'an were written entirely in Thuluth. Later copies were written in a combination of Thuluth and either Naskh or Muhaqqaq. After the 15th century Naskh came to be used exclusively.

The script is used in the flags of Saudi Arabia and Afghanistan, where the text, Shahada al Tawhid, is written in Thuluth.

Style

An important aspect of Thuluth is the use of harakat ("hareke" in Turkish) to represent vowel sounds and of certain other stylistic marks to beautify the script. The rules governing the former are similar to the rules for any Arabic script. The stylistic marks have their own rules regarding placement and grouping which allow for great creativity as to shape and orientation. For example, one grouping technique is to separate the marks written below letters from those written above.

Scripts developed from ''Thuluth''

Since its creation, Thuluth has given rise to a variety of scripts used in calligraphy and over time has allowed numerous modifications. Jeli Thuluth was developed for use in large panels, such as those on tombstones. The Muhaqqaq script was developed by widening the horizontal sections of the letters in Thuluth. The Naskh script introduced a number of modifications resulting in smaller size and greater delicacy. Tawqi is a smaller version of Thuluth.

Ruq'ah was probably derived from Thuluth and Naskh.

Gallery

File:Thuluth - Yaqut al-Mustasimi.jpg|Line in thuluth written by Yaqut al-Musta'simi (d. 1298). Library of Congress. File:محراب اولجایتو.jpg|Mihrab in the winter prayer hall of the Jameh Mosque of Isfahan with inscription in carved stucco in thuluth designed by Haydar (d. 1325/1326) File:Khalili Collection Islamic Art gls 0172.4.jpg|Mamluk enamelled flask. Its shoulder bears a wide band with a dedication to an unnamed sultan in thuluth. Egypt or Syria, first half of the 14th century. Khalili Collection of Islamic Art. File:Illuminated opening of the Mamluk Qur'an (National Library of Egypt Masahif Rasid 14, ff.1b-2a).jpg|Opening pages from the Mamluk Qur'an with first verse of Al-Fatiha in monumental thuluth script. Egypt, late 1350s. Egyptian National Library. File:Album leaf (CBL T 426, f.1a).jpg|Album leaf from muraqqa by Sheikh Hamdullah in thuluth (upper panel) and naskh script. Istanbul, between 1500–1520 (illumination from 18th century). Chester Beatty Library. File:Southern Portal - Taj Mahal - Agra 2014-05-14 3793.JPG|Inscription in thuluth at the Southern Portal of Taj Mahal, designed by Amanat Khan Shirazi. Agra, between 1631–1638. File:Album leaf from a Muraqqa by Hafiz Osman (MIK I. 1985.11.9).jpg|Album leaf from muraqqa by Hâfiz Osman in thuluth (upper panel) and naskh script. Istanbul, 1693/1694. Museum of Islamic Art, Berlin. File:Signed Mustafa Rakım - Levha (calligraphic inscription) - Google Art Project.jpg|Levha (calligraphic inscription) in jeli thuluth by Mustafa Râkim. Istanbul, between 1809 –1826. Sakıp Sabancı Museum.

References

References

1. "Hüseyin Kutlu: Hat sanatı kalemi şevk edebilmektir - Kalem Güzeli".
2. Pritchett, Frances. "hamdullah1500s".
3. Üniversitesi, İstanbul. "İstanbul Üniversitesi - Tarihten Geleceğe Bilim Köprüsü - 145".
4. [[Wijdan Ali. Ali, Wijdan]]. "[http://www2.let.uu.nl/Solis/anpt/ejos/pdf4/07Ali.pdf From the Literal to the Spiritual: The Development of Prophet Muhammad's Portrayal from 13th Century Ilkhanid Miniatures to 17th Century Ottoman Art] {{webarchive. link. (2004-12-03 ". In ''Proceedings of the 11th International Congress of Turkish Art'', eds. M. Kiel, N. Landman, and H. Theunissen. No. 7, 1–24. Utrecht, The Netherlands, August 23–28, 1999, p. 7)
5. (1 October 2006). "Mehmed Şevki Efendi".
6. "Archived copy".
7. {{usurped
8. [http://calligrapher.blogsome.com/2006/04/20/rakim-mustafa-rakim-1757-1826/ Journal of Ottoman Calligraphy :: RAKIM: “Mustafa Rakim” (1757 - 1826) :: April :: 2006] {{webarchive. link. (2008-03-06)