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Terence Davies

English filmmaker (1945–2023)


Summary

English filmmaker (1945–2023)

FieldValue
nameTerence Davies
imagePublicity_Photo_of_Terence_Davies.jpg
captionDavies in 2021
birth_date
birth_placeLiverpool, England
death_date
death_placeMistley, England
years_active1976–2023
occupation
website

Terence Davies (10 November 1945 – 7 October 2023) was an English filmmaker. He is best known as the writer and director of autobiographical films, including Distant Voices, Still Lives (1988), The Long Day Closes (1992) and the collage film Of Time and the City (2008), as well as the literary adaptations The Neon Bible (1995), The House of Mirth (2000), The Deep Blue Sea (2011) and Sunset Song (2015). His final two feature films were centered on the lives of influential literary figures, Emily Dickinson in A Quiet Passion (2016) and Siegfried Sassoon in Benediction (2021). Davies was considered by some critics as one of the great British directors of his period.

Life and career

Early years and education

Terence Davies was born in Kensington, Liverpool, on 10 November 1945, as the youngest of ten children of working-class Catholic parents. Though he was raised Catholic by his deeply religious mother, at the age of 22 he rejected religion and considered himself an atheist. Davies's father, whom Davies remembered as "psychotic", died of cancer when Davies was seven years old. He recalled the period from then until he entered secondary school, at the age of 11, as the four happiest years of his life.

After leaving school at 16, Davies worked for ten years as a shipping office clerk and as an unqualified accountant, before leaving Liverpool in 1971 to attend Coventry Drama School.

Early short films

While at Coventry, Davies wrote the screenplay for what became his first autobiographical short, Children (1976), filmed under the auspices of the BFI Production Board.

First feature films

Davies's first two features, Distant Voices, Still Lives and The Long Day Closes, are autobiographical films set in Liverpool in the 1940s and 1950s. In reviewing Distant Voices, Still Lives, Jonathan Rosenbaum wrote that "years from now, when practically all the other new movies currently playing are long forgotten, it will be remembered and treasured as one of the greatest of all English films". In 2002, critics polled for Sight and Sound ranked Distant Voices, Still Lives as the ninth-best film of the previous 25 years. Jean-Luc Godard, often dismissive of British cinema in general, singled out Distant Voices, Still Lives as an exception, calling it "magnificent". The Long Day Closes was also praised by J. Hoberman as "Davies'[s] most autobiographical and fully achieved work".

Davies's next two features, The Neon Bible and The House of Mirth, were adaptations of novels by John Kennedy Toole and Edith Wharton respectively. The House of Mirth received favourable reviews, with Film Comment naming it one of the ten best films of 2000. Gillian Anderson won Best Performance in the Second Annual Village Voice Film Critics' Poll and the film was named the third best film of 2000 in the same poll.

Radio projects and ''Of Time and the City''

After completing The House of Mirth, Davies intended to make an adaptation of Sunset Song, a novel by Lewis Grassic Gibbon published in 1932, as his fifth feature, but financing proved difficult. Scottish and international backers left the project after the BBC, Channel 4 and the UK Film Council each rejected proposals for final funds. Davies apparently considered Kirsten Dunst for the lead role before the project was postponed. Afterwards, he wrote an original romantic comedy screenplay and an adaptation of Ed McBain's novel crime novel He Who Hesitates, neither of which were produced.

In the interim, Davies produced two works for radio, A Walk to the Paradise Garden, an original radio play broadcast on BBC Radio 3 in 2001, and a two-part adaptation of Virginia Woolf's novel The Waves, broadcast on BBC Radio 4 in 2007.

The long interval between films ended with his only documentary, Of Time and the City, which was premiered out of competition at the 2008 Cannes Film Festival. The work uses vintage newsreel footage, contemporary popular music and Davies's narration in a paean to Liverpool. It received positive reviews on its premiere.

In 2010, after completing Of Time and the City, Davies produced a third radio project, Intensive Care, a personal recollection of his youth and his relationship with his mother.

Later films

Davies's The Deep Blue Sea, based on the play by Terence Rattigan, was commissioned by the Rattigan Trust. The film was met with widespread acclaim, and Rachel Weisz won the New York Film Critics Circle Award for Best Actress and topped the Village Voice Film Critics' Poll for best lead female performance.

Davies finally found financing for Sunset Song in 2012, and it went into production in 2014. In October 2014 the film went into post-production. It was released in 2015.

Davies's next film was A Quiet Passion, based on the life of the American poet Emily Dickinson.

His last film, Benediction (2021), tells the story of the British war poet and memoirist Siegfried Sassoon.

In February 2023, it was announced that Davies was working on a film adaptation of Stefan Zweig's novel The Post Office Girl, though the project was subsequently abandoned due to a lack of funding. Davies said he was working on another script in September 2023, the month before he died. After his death, the script was revealed to be based on Janette Jenkins's novel Firefly, which focuses on the last five days in the life of playwright and composer Noël Coward.

Personal life and death

Davies lived in an 18th-century cottage in Mistley from the early 1990s until his death in 2023. Davies was openly gay and often explored gay themes in his work, though he said his most serious relationship was with a woman in the late 1970s, and that he later went "on to the gay scene for a couple of months" before deciding he was also uninterested in relationships with men.

Discussing the impact his childhood had on him, Davies described his father as a "psychotic" man who made him feel "terrified all the time", and that the years following his father's death were the happiest of his childhood. He stated, "The one thing I can't bear now is atmospheres. I can come into a room full of people and I can tell you who's had [an argument]. I always say: if I've upset you, just come out with it. If you cold-shoulder me, I instantly see [my father] sitting in the corner of the parlour and I'm a seven-year-old again."

On 7 October 2023, at the age of 77, Davies died of cancer at his home in Mistley.

Works

Source, unless specified: ;Feature films

YearTitle
1988Distant Voices, Still Lives
1992The Long Day Closes
1995The Neon Bible
2000The House of Mirth
2011The Deep Blue Sea
2015Sunset Song
2016A Quiet Passion
2021Benediction

;Documentaries

YearTitle
2008Of Time and the City

;Short films

YearTitleNotes
1976ChildrenAlso released in 1983 as part of the anthology film The Terence Davies Trilogy
1980Madonna and Child
1983Death and Transfiguration
2021But Why?Ephemeral film produced for the Vienna International Film Festival
2023Passing TimeProduced for the Film Fest Gent's 2x25 project

Bibliography

YearTitleNotes
1984url=https://www.amazon.co.uk/Terence-Davies/e/B001HPEZ9Y/url-status=deadarchive-url=https://web.archive.org/web/20210911221336/https://www.amazon.co.uk/Terence-Davies/e/B001HPEZ9Y/archive-date=11 September 2021title=Amazon.co.uk: Terence Davies: Books, Biography, Blogs, Audiobooks, Kindlewebsite=Amazon UK }}novel
1992A Modest Pageantcollected screenplays

Awards and nominations

YearAwardCategoryNominated workResult
1983Chicago International Film FestivalBest FeatureThe Terence Davies Trilogy
1988Cannes Film FestivalFIPRESCI PrizeDistant Voices, Still Lives
1988César AwardBest European Film
1988Locarno International Film FestivalGolden Leopard
1988Toronto International Film FestivalInternational Critics' Award
1988European Film AwardBest Film
1988Best Director
1988Best Music
1989London Film Critics Circle AwardBest Film
1989Best Director
1989Los Angeles Film Critics Association AwardBest Foreign Language Film
1990Independent Spirit AwardsBest Foreign Film
1990Belgian Film Critics AssociationGrand Prix
1990Amanda Award, NorwayBest International Film
1992Evening Standard British Film AwardBest ScreenplayThe Long Day Closes
1992Cannes Film FestivalPalme d'Or
1995The Neon Bible
2000USC Scripter AwardThe House of Mirth
2000Satellite AwardBest Adapted Screenplay
2000London Film Critics Circle AwardBritish Director of the Year
2000New York Film Critics Circle AwardBest Director
2000British Film Institute AwardBest British Independent Film
2001British Academy Film AwardsBest British Film
2007British Film Institute Fellowship
2008London Film Critics Circle AwardBritish Director of the YearOf Time and the City
2009New York Film Critics Circle AwardBest Non-Fiction Film
2009Chicago International Film FestivalBest Documentary
2009Australian Film Critics Association AwardBest Documentary
2011BFI London Film FestivalBest Film AwardThe Deep Blue Sea
2012Munich Film FestivalBest International Film
2012Cinequest Film FestivalMaverick Spirit Award
2016BFI London Film FestivalBest FilmA Quiet Passion
2016Film Fest GentGrand Prix
2017Dublin Film Critics' CircleBest Screenplay

References

References

  1. Thorpe, Vanessa. (7 October 2023). "Terence Davies, award-winning film-maker, dies at 77". The Guardian.
  2. "Debrett's People of Today – Terence Davies Esq.".
  3. Ellis, Jim. (11 November 2004). "Davies, Terence".
  4. Gilbey, Ryan. (20 May 2022). "'I wish I was very good-looking and very stupid': Terence Davies on sex, death and Benediction". [[The Guardian]].
  5. [http://www.bbc.co.uk/programmes/b00s1kw9 ''Intensive Care''], the autobiographical radio feature that Davies wrote and narrated for [[BBC Radio 3]] (broadcast 17 April 2010)
  6. (8 October 2023). "Terence Davies, acclaimed director of gritty but lyrical films of working-class life – obituary". [[The Daily Telegraph]].
  7. Hattenstone, Simon. (20 October 2006). "Bigmouth strikes again". [[The Guardian]].
  8. Rosenbaum, Jonathan. (18 August 1989). "Distant Voices, Still Lives". Chicago Reader.
  9. James, Nick. (2002). "Modern Times". BFI's Sight & Sound.
  10. Hoberman, Jim. (23 March 2012). "The Inner Light of Terence Davies". NYRblog.
  11. (2000). "Village Voice Critics Poll". The Village Voice.
  12. (25 April 2005). "English turn a deaf ear to Sunset Song". Times.co.uk.
  13. (24 October 2008). ""Liverpool is completely alien to me now, I just don't know it anymore" - An interview with Terence Davies".
  14. Ide, Wendy. (20 May 2008}}{{dead link). "Of Time and the City". Times.co.uk.
  15. "Intensive Care". BBC Radio 3.
  16. Scott, A.O.. (22 March 2012). "The Deep Blue Sea". NYTimes.
  17. (2012-02-17). "Terence Davies's Sunset Song gets green light at last". [[The Guardian]].
  18. Kemp, Stuart. (29 April 2014). "Terence Davies' 'Sunset Song' Begins Scottish Shoot".
  19. "Hurricane Films".
  20. (29 February 2012). "Terence Davies Adapting Richard McCann for 'Mother of Sorrows'".
  21. Smith, Harrison. (9 October 2023). "Terence Davies, lyrical British filmmaker, dies at 77". [[The Washington Post]].
  22. Newman, Nick. (19 September 2023). "Terence Davies on Bringing Poetry to Life, Directing His New Short, and Planning His Next Feature". The Film Stage.
  23. Newman, Nick. (14 October 2023). "Details Emerge on Terence Davies' Planned Noël Coward Biopic Firefly". The Film Stage.
  24. Koresky, Michael. (7 October 2023). "Terence Davies obituary: farewell to a British master of poetic cinema". [[British Film Institute]].
  25. Christopher, James. (11 October 2008). "Director Terence Davies returns with dazzling Of Time and the City". [[The Times]].
  26. Gilbey, Ryan. (8 October 2023). "Terence Davies obituary". The Guardian.
  27. (2021). "Viennale-Trailer 2021: But Why?".
  28. "Amazon.co.uk: Terence Davies: Books, Biography, Blogs, Audiobooks, Kindle".
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