Stabat Mater (art)

Description

In these depictions, the Virgin Mary and John the apostle are standing under the cross during the crucifixion of Christ, with only these three figures shown. Mary is almost always standing to the right hand side of the body of her son Jesus on the cross, with John standing to the left. It is distinguished from fully populated Crucifixion scenes where there may be considerable numbers of other figures, though these three have the same positions. It contrasts with depictions of the Swoon of the Virgin, where she is seen fainting; this is only seen from the late medieval period onwards.

In the Stabat Mater depictions the Virgin Mary is represented as an actor and spectator in the scene, a mystical emblem of faith in the Crucified Savior, an ideal figure at once the mother of Christ and the personified Church.

Biblical reference

In the Gospel of John, chapter 19:

Similar representations

In some depictions of the Crucifixion, Christ is alone in a "Christ on the Cross" scene, while in other representations, other people can be seen alongside Mary and John: the penitent thief, the impenitent thief, the women at the crucifixion, Roman soldiers, Jewish leaders, among others.

Stabat Mater is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Pietà.

In Christian tradition

The depictions generally reflect the first three lines of the "Stabat Mater" poem:

The concept is also present in other designs, e.g. the Miraculous Medal and the more general Marian Cross. The Miraculous Medal, by Saint Catherine Labouré in the 19th century, includes a letter M, representing the Virgin Mary under the Cross.

The Marian Cross is also used in the coat of arms of Pope John Paul II, about which the Vatican newspaper, L'Osservatore Romano, stated in 1978: "the large and majestic capital M recalls the presence of the Madonna under the Cross and Her exceptional participation in Redemption."

Gallery

File:Giovanni bellini, crocifissione del museo correr.jpg|Giovanni Bellini, 1455 File:Weyden Christ on the Cross with Mary and St John.jpg|Rogier van der Weyden, File:Pietro Perugino 040.jpg|Pietro Perugino, File:Foligno067.jpg|Noël Quillerier, Oratorio della Nunziatella, Foligno, Italy, 1625–1626 File:Wüger Kreuzigung.jpg|Gabriel Wuger, 1868

References

References

1. Arthur de Bles, 2004 ''How to Distinguish the Saints in Art by Their Costumes, Symbols and Attributes'' {{ISBN. 1-4179-0870-X page 35
2. Anna Jameson, 2006 ''Legends of the Madonna: as represented in the fine arts'' {{ISBN. 1-4286-3499-1 pp. 37–38
3. Ann Ball, 2003 ''Encyclopedia of Catholic Devotions and Practices'' {{ISBN. 0-87973-910-X page 356
4. [[L'Osservatore Romano]], 9 November 1978