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Santa Maria delle Grazie, Milan

Church and Dominican convent in Milan in Milan, Italy


Summary

Church and Dominican convent in Milan in Milan, Italy

FieldValue
building_nameChurch of Holy Mary of Grace
imageSanta Maria delle Grazie Milan 2013.jpg
captionHoly Mary's façade, in the background its dome, made by Bramante
locationMilan, Italy
geo
provinceArchdiocese of Milan
religious_affiliationRoman Catholic
riteRoman Rite
architectureyes
architectGuiniforte Solari
Donato Bramante
architecture_typeChurch
architecture_styleGothic (Nave)
Renaissance (Apse and Dome)
groundbreaking1463
year_completed1497
designation1WHS
designation1_offnameChurch and Dominican Convent of Santa Maria delle Grazie with "The Last Supper" by Leonardo da Vinci
designation1_date1980 (4th session)
designation1_number93
designation1_criteriai, ii,
designation1_typeCultural
designation1_free1nameState Party
designation1_free1value
designation1_free2nameRegion
designation1_free2valueEurope and North America

Chiesa di Santa Maria delle Grazie Donato Bramante Renaissance (Apse and Dome)

Santa Maria delle Grazie (English: "Holy Mary of Grace") is a church and Dominican convent in Milan, northern Italy, and a UNESCO World Heritage Site. The convent contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory.

History

Duke of Milan Francesco I Sforza ordered the construction of a Dominican convent and church at the site of a prior chapel dedicated to the Marian devotion of St Mary of the Graces. The main architect, Guiniforte Solari, designed the convent (the Gothic nave), which was completed by 1469. Construction of the church took decades. Duke Ludovico Sforza decided to have the church serve as the Sforza family burial site, and rebuilt the cloister and the apse, both completed after 1490. Ludovico's wife Beatrice was buried in the church in 1497.

The design of the apse of the church has been attributed to Donato Bramante, as his name is inscribed in a piece of marble in the church vaults delivered in 1494. However, some dispute that he worked on the church at all. According to one source, in 1492–1497 Bramante worked on the crossing and the dome as well the transept apses and the coir with apse; this source also attributes a plan and section of the building to Bramante. Some documents mention the name Amadeo, likely Giovanni Antonio Amadeo. There are similarities between this church and Amadeo's design for Santa Maria alla Fontana.

In 1543, the Titian altarpiece depicting Christ receiving the crown of thorns was installed in the Chapel of the Holy Crown, located on the right of the nave. The painting, looted by French troops in 1797, is now in the Louvre. This chapel is frescoed with Stories of the Passion by Gaudenzio Ferrari. In the small cloister adjacent to the tribune near the door that leads to the sacristy is a fresco by Bramantino. The church also contained frescoes depicting the Resurrection and Passion by Bernardo Zenale.

Composer and cellist Giovanni Perroni served as maestro di cappella at the cathedral from 1718–1720.

World War II

During World War II, on the night of 15 August 1943, an allied aerial bombardment hit the church and the convent. Much of the refectory was destroyed, but some walls survived, including the one that holds The Last Supper, which had been sand-bagged in order to protect it. Some preservation works are done to maintain it for the future. Previously distorted by attempts at restoration carried out over the centuries, Leonardo’s original painting has now emerged as a result of the work begun in 1978 and completed in 1999. This involved addressing complex problems as regards not only the painting itself but also the environment of the refectory in order to protect the work from the dust, fumes and humidity identified as the primary causes of its constant deterioration. It is believed that the current and future preservation works will keep the painting safe for many centuries to come.

Contemporary

Nowadays the Sacrestia vecchia, or the Old Sacristy, designed and constructed by Donato Bramante, is the seat of a Dominican Cultural Centre (Centro Culturale alle Grazie), in which the brethren organize and host conferences on various themes pertaining to spirituality, philosophy, art, literature and sociology, in addition to musical concerts and artistic exhibitions.

References

Footnotes

Citations

References

  1. Weigert, Hans. (1961). "Buildings of Europe: Renaissance Europe". [[The Macmillan Company]].
  2. "Guiniforte Solari".
  3. "Santa Maria delle Grazie & The Last Supper". Timeout.com.
  4. "A World History of Architecture" p. 301 (Michael Fazio, Marian Moffett 3rd Edition)
  5. Cited in the Italian Wikipedia entry
  6. Boni, Filippo de'. (1852). "''Biografia degli artisti ovvero dizionario della vita e delle opere dei pittori, degli scultori, degli intagliatori, dei tipografi e dei musici di ogni nazione che fiorirono da'tempi più remoti sino á nostri giorni. Seconda Edizione.''". Presso Andrea Santini e Figlio.
  7. [[Rudolf Schnitzler]]: "Perroni [Peroni], Giovanni", ''Grove Music Online'' ed. L. Macy (Accessed September 15, 2019), [http://www.grovemusic.com (subscription access)] {{Webarchive. link. (2008-05-16)
  8. "Santa Maria Delle Grazie".
Wikipedia Source

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