Skip to content
Surf Wiki
Save to docs
history

From Surf Wiki (app.surf) — the open knowledge base

Rondo Hatton

American journalist and actor (1894–1946)

Rondo Hatton

Summary

American journalist and actor (1894–1946)

FieldValue
nameRondo Hatton
imageRondoHatton.JPG
captionHatton's acromegalic features made him a Hollywood horror film icon
birth_date
birth_placeHagerstown, Maryland, U.S.
death_date
death_placeBeverly Hills, California, U.S.
resting_placeAmerican Legion Cemetery, Tampa, Florida
occupationJournalist, actor
years_active1927–1946 (actor)
spouse{{plainlist
* {{marriageElizabeth Immell James19261930enddivorced}}

Rondo Hatton (April 22, 1894 – February 2, 1946) was an American journalist and actor. After writing for The Tampa Tribune, Hatton found a career in film due to his unique facial features, which were the result of acromegaly. He headlined horror films with Universal Studios near the end of his life, earning him a reputation as a cult icon.

Early years

Hatton was born in the Kee Mar College girls' infirmary in Hagerstown, Maryland. The family moved several times during Hatton's youth before settling in Tampa, Florida. He starred in track and football at Hillsborough High School and was voted Handsomest Boy in his class his senior year.

Rondo Hatton as he appeared in the 1913 Hillsborough High School yearbook

In Tampa, Hatton worked as a sportswriter for The Tampa Tribune. He continued working as a journalist until after World War I, when the symptoms of acromegaly developed. Acromegaly distorted the shape of Hatton's head, face, and extremities in a gradual but consistent process. He eventually became severely disfigured by the disease. Because the symptoms developed in adulthood (as is common with the disorder), the disfigurement was incorrectly attributed later by film studio publicity departments to elephantiasis resulting from exposure to a German mustard gas attack during service in World War I. Hatton served in combat and served on the Pancho Villa Expedition along the Mexican border and in France during World War I with the United States Army, from which he was discharged due to his illness.

Career

Director Henry King noticed Hatton when he was working as a reporter with The Tampa Tribune covering the filming of Hell Harbor (1930) and hired him for a small role. After some hesitation, Hatton moved to Hollywood in 1936 to pursue a career playing similar, often uncredited, bit and extra roles. His most notable of these was as a contestant-extra in the "ugly man competition" (which he loses to a heavily made-up Charles Laughton) in the RKO production of The Hunchback of Notre Dame. He had another supporting-character role as Gabe Hart, a member of the lynch mob in the 1943 film of The Ox-Bow Incident.

Universal Studios used Hatton's unusual features to promote him as a horror star after he played the part of The Hoxton Creeper (aka The Hoxton Horror) in the studio's ninth Sherlock Holmes film, The Pearl of Death (1944). He made two films playing "the Creeper", House of Horrors and The Brute Man, which were both filmed in 1945 but not released until after his death in 1946.

Death

Around Christmas 1945, Hatton suffered a series of heart attacks, a direct result of his acromegalic condition.

Legacy

Hatton's nameand facehave become recurring humorous motifs in popular culture. In season 6, episode 4 of the 1970s television series The Rockford Files ("Only Rock-n-Roll Will Never Die, part 1"), Jim Rockford, exasperated at a friend who dismisses himself as unattractive, exclaims "You're no Rondo Hatton!" Hatton's physical likeness inspired the Lothar character in Dave Stevens's 1980s Rocketeer Adventure Magazine stories, and in Disney's 1991 film version, The Rocketeer, in which the character is played by actor Tiny Ron in prosthetic make-up.

The Scooby Doo cartoon series character The Creeper, who vaguely resembles Frankenstein's Monster, is likely based on Universal Studios' own "Creeper" from the 1946 film The House of Horrors, who was portrayed by Rondo Hatton, with Scooby Doo's Creeper seemingly being a caricature of Rondo in terms of hand size and facial features.

The 2000 AD comic book character Judge Dredd, who is rarely seen without his helmet, used "face-changing technology" to make himself look like Hatton in issue 52 (February 18, 1978)the first time the character's face was shown unobscured. The name "Rondo Hatton" was also in a list of suspects obtained by Dredd during the case. As the artist Brian Bolland revealed in an interview with David Bishop: "The picture of Dredd's facethat was a 1940s actor called Rondo Hatton. I've only seen him in one film." Additionally, the character The Creep in the Dark Horse Presents comic-book series strongly resembled Hatton.

Hatton is regularly name-checked in the novels of Robert Rankin, often referred to as "the now-legendary Rondo Hatton" and credited as appearing in films that are either fictional, or in which he clearly had no part, such as the Carry On films. Rankin's references to Hatton routinely occur in the form of "he had a Rondo Hatton" (hat on). Another namecheck occurs in Rafi Zabor's PEN/Faulkner-award-winning 1998 novel The Bear Comes Home, where the name is used as a nickname for good-natured but unrefined minor character Tommy Talmo. In the 2004 Stephen King novel, The Dark Tower VII, a character is described as looking "like Rondo Hatton, a film actor from the 1930s, who suffered from acromegaly and got work playing monsters and psychopaths". In the 1991 movie The Rocketeer, actor Tiny Ron Taylor, playing Nazi henchman Lothar, is made up with prosthetics to look like Hatton. The episode of Doctor Who entitled "The Wedding of River Song" features Mark Gatiss as a character whose appearance (achieved through prosthetics) is based on Hatton's, credited under the pseudonym Rondo Haxton for his performance.

A documentary produced in 2017, Rondo and Bob, and released in 2020, looks at the lives of Hatton and The Texas Chain Saw Massacre art director Robert A. Burns, a self-described expert on Hatton.

The Dark Horse comic The Creep focuses on Oxel Karnhus, a private detective with acromegaly, who was modelled after Hatton and his "Creeper" character.

The full story of Hatton's life is told in the Scott Gallinghouse book Rondo Hatton: Beauty Within the Brute (BearManor Media, 2019), which also includes exhaustive production histories of his Universal horror films.

Rondo Hatton Awards; cultural references

Since 2002, the Rondo Hatton Classic Horror Awards have paid tribute to Hatton in name and likeness. The physical award is a representation of Hatton's face, based on the bust of "The Creeper", whom Hatton portrayed in the 1946 Universal Pictures film House of Horrors.

Filmography

YearTitleRoleNotes
1927Uncle Tom's CabinSlaveFilm debut, Uncredited
1929Jungle DrumsShadowUncredited
1930Hell HarborDance Hall BouncerUncredited
1931Safe in HellJury MemberUncredited
1936Wolves of the SeaBar ProprietorUncredited (stock footage from Hell Harbor)
1938In Old ChicagoRondo - Body Guard
Alexander's Ragtime BandBarflyUncredited
1939Captain FuryConvict Sitting on FloorUncredited
The Big GuyConvictUncredited
The Hunchback of Notre DameUgly ManUncredited
1940Moon Over BurmaSailorUncredited
Chad HannaCanvasmanUncredited
1942It Happened in FlatbushBaseball Game SpectatorUncredited
The Cyclone KidTownsmanUncredited
Tales of ManhattanParty Guest(Fields sequence), Uncredited
The Moon and SixpenceThe LeperUncredited
Sin TownTownsmanUncredited
The Black SwanSailorUncredited
1943The Ox-Bow IncidentGabe HartUncredited
Sleepy LagoonHunchbackUncredited
1944Johnny Doesn't Live Here AnymoreGravesUncredited
The Pearl of DeathThe Hoxton Creeper
The Princess and the PirateGorillaUncredited
1945The Jungle CaptiveMoloch the Brute
The Royal Mounted Rides AgainBull Andrews
1946The Spider Woman Strikes BackMario the Monster Man
House of HorrorsThe Creeper
The Brute ManHal Moffat/The CreeperFinal film

References

References

  1. (June 27, 1999). "Floridian: In love with a monster". St Petersburg Times.
  2. (2012). "Character Actors in Horror and Science Fiction Films, 1930-1960". McFarland.
  3. "Scripts from the Crypt: The Brute Man". BearManor Media.
  4. (2015). "Hollywood Death and Scandal Sites: Seventeen Driving Tours with Directions and the Full Story". McFarland.
  5. (October 24, 2017). "Hillsborough High honors courage of horror-star alumnus The Creeper".
  6. Sullivan, Ed. (January 18, 1938). "Hollywood: All Around the Town". The Pittsburgh Press.
  7. (2010). "Horror Noir: Where Cinema's Dark Sisters Meet". McFarland.
  8. (September 2013). "A consensus on the diagnosis and treatment of acromegaly complications". Pituitary.
  9. (2011). "Universal Horrors: The Studio's Classic Films, 1931–1946". McFarland.
  10. "On eve of Memorial Day, candles at Tampa cemetery mark sacrifice of veterans". tampabay.com.
  11. Thargs Nerve Centre, prog 61{{citation needed. (August 2018)
  12. Bishop, David. (February 24, 2007). "28 Days of 2000 AD #24: Brian Bolland Pt. 1". Vicious Imagery.
  13. (October 7, 2011). "Extended Matt Smith and Mark Gatiss Interview - Doctor Who Confidential - Series 6 - BBC Three". BBC.
  14. "Info".
  15. "Screening and Press".
  16. "Rondo and Bob".
  17. (June 4, 2017). "Documentary on man who put the gore in 'Texas Chainsaw Massacre'". [[Austin American-Statesman]].
  18. [http://www.dreadcentral.com/news/92179/time-vote-13th-annual-rondo-hatton-classic-horror-awards Rondo Hatton Classic Horror Awards], dreadcentral.com; accessed August 30, 2016.
Wikipedia Source

This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page.

Want to explore this topic further?

Ask Mako anything about Rondo Hatton — get instant answers, deeper analysis, and related topics.

Research with Mako

Free with your Surf account

Content sourced from Wikipedia, available under CC BY-SA 4.0.

This content may have been generated or modified by AI. CloudSurf Software LLC is not responsible for the accuracy, completeness, or reliability of AI-generated content. Always verify important information from primary sources.

Report