Rock Carvings in Tanum

Petroglyphs

In total, there are thousands of images called the Tanum petroglyphs, on about 600 panels within the World Heritage Area. These are concentrated in distinct areas along a 25 km stretch, and covers an area of about 51 hectares (126 acres or 0.5 km2).

While the region was on the coastline when the drawings were made, it is now at an elevation of 25 m.

Scandinavian Bronze Age and Iron Age people were sophisticated craftsmen and very competent travelers by water. (Dates for ages vary with the region; in Scandinavia, the Bronze Age is roughly 1800 to 500 BC.) Many of the glyphs depict boats of which some seem to be of the Hjortspring boat type carrying around a dozen passengers. Wagons or carts are also depicted.

Other glyphs depict humans with a bow, spear or axe, and others depict hunting scenes. In all cases the pictures show people performing rituals. There is a human at a plough drawn by two oxen, holding what might be a branch or an ox-goading crop made of a number of strips of hide.

One of the larger rocks of Nordic Bronze Age petroglyphs in Scandinavia (at 22 metres tall and 6 metres wide), the Vitlyckehäll, is located in Tanumshede. It contains nearly 300 carvings of a variety of scenes, people, and objects.

The rock carvings are endangered by erosion due to acid rain and some are thus covered either permanently or during certain times of the year. Some have been painted red to make them more visible for tourists; a practice which has drawn criticism for removing the authenticity and original state of the drawings.

Recent history

The first records of the images inscribed at the site were made in 1627 when Peder Alfsön, a Norwegian doctor and lector, made ink drawings of some of the carvings. The first professional recordings were made in 1792 by Carl Gustaf Gottfried Hilfeling, who was sent by nobleman Pehr Tham to draw the carvings. A number of excavations and recordings took place over the course of the early 19th century, primarily led by Carl Georg Brunius and Axel Emmanuel Holmberg, who published research and debated at length the most likely era of their creation. Strong arguments for the now accepted era were not made until the late 19th century, when Oscar Montelius and Viktor Rydberg presented evidence linking the drawings to the Bronze Age. During the early 20th century, studies began to focus more on the meaning behind the drawings, rather than determining their age, but late 20th century work confirmed that the drawings were likely made during the Bronze Age.

The site was named a World Heritage Site by UNESCO in 1994; encompassing approximately 45 km2 in total. It is visited by approximately 100,000 people per year, though visitors are not permitted to walk on or touch the drawings.

Gallery

Tanumshede 2005 rock carvings 3.jpg|The Vitlycke flat rock Tanumshede 2005 rock carvings 7.jpg|Ship, animal Image:Tanum_carvings_grieving_woman.jpg|The Grieving Woman Image:Tanun_carvings_birds.jpg|Birds Image:Tanun_carvings_funeral boat.jpg|Boat Image:Tanun_carvings_charriot.jpg|Chariot Image:Tanun_carvings_snake.jpg|The Snake Image:Felsritzung Wal Vitlycke.jpg|Whale Image:29 Kugeln, evtl Kalender.JPG|29 balls in evening sunlight Image: LitslebyHällristning.jpg|Carvings featuring horse riders at Litselby

References

References

1. Centre, UNESCO World Heritage. "Rock Carvings in Tanum".
2. Douglas Price, Theron. (2015). "Ancient Scandinavia: An Archaeological History from the First Humans to the Vikings". Oxford University Press.
3. (Autumn 2008). "Places of Power: Control, Public Access and Authenticity at Rock Carvings in Tanum, Sweden and Val Camonica, Italy". Public Archaeology.
4. Douglas Price, Theron. (2013). "Europe Before Rome". OUP USA.
5. Johan Ling. (2015). "Picturing the Bronze Age". Oxbow Books.
6. [[Bertil Almgren]] (1987) ''Die Datierung Bronzezeitlicher Felszeichnungen in Westschweden'', Acta Musei Antiquitatum Septentrionalum Regiae Universitatis Upsaliensis VI. Uppsala: Uppsala Universitets Museum för Nordiska Fornsaker Gustavianum