Richard Rodgers Theatre

Site

The Richard Rodgers Theatre is on 226 West 46th Street, on the south sidewalk between Eighth Avenue and Broadway, near Times Square in the Theater District of Midtown Manhattan in New York City, New York, U.S. The square land lot covers 11295 ft2. The theater has a frontage of 112 ft on 46th Street and a depth of 100 ft.

The Richard Rodgers shares the block with the Music Box Theatre to the south, the Imperial Theatre to the west, and the New York Marriott Marquis to the east. Other nearby buildings include the Paramount Hotel (including Sony Hall) and Lena Horne Theatre to the northwest; the Hotel Edison and Lunt-Fontanne Theatre to the north; One Astor Plaza to the southeast; the Booth and Gerald Schoenfeld Theatres to the south; and the Bernard B. Jacobs, and John Golden Theatres to the southwest. Prior to the theater's construction, the site was occupied by six brownstone residences.

Design

The Richard Rodgers Theatre, originally the 46th Street Theatre, was designed by Herbert J. Krapp in the neo-Renaissance style and was constructed in 1924 for the Chanin brothers. Since 1990, the theater has been named after composer Richard Rodgers (1902–1979). It is operated by the Nederlander Organization.

Facade

The facade consists of two sections. The eastern section is wider and is symmetrical, containing the auditorium entrance. It is made of glazed white brick with white terracotta decorations. The upper stories of the auditorium-entrance section are designed as a colonnade with a central loggia. The western section, which contains the stage house, is seven stories high and contains a buff-brick facade. Early sources cite the theater facade as also containing limestone.

Auditorium section

The first story of the auditorium facade is symmetrically arranged, though the eastern section is shorter than its width. There is a water table made of terrazzo, above which are rusticated blocks. On the eastern side of the ground-floor facade, a double metal door connects to a service alley. To the right, or west, are three glass-and-aluminum double doors connecting with the box office lobby. Next to that, terrazzo steps lead to emergency-exit doors from the auditorium. The westernmost opening consists of a metal stage door. The ground story has wooden display boxes and is topped by a cornice. A marquee hangs over the center three openings; it replaced the original marquee, which has since been removed.

The auditorium's second and third stories contain outer bays that flank a loggia with three arches. Each arch has a keystone with a console bracket, and they are flanked by pilasters with Corinthian-style capitals with terracotta swans. The bottoms of the central bays contain an iron railing. Behind the arches is a fire stair and a brick wall with terracotta lyres, swags, and bellflowers. The outer bays contain white-brick wall sections, which are topped by swags and rectangular panels with masks. There are pilasters next to each of the outer bays, and a sign with the theater's name is suspended from the easternmost bay. Running above the facade is a entablature, containing a frieze with panels, shields, and rinceaux, as well as a cornice supported by terracotta modillions. The roof of the auditorium has a terracotta balustrade with urns that divide it into bays. The center three bays of the balustrade have latticework while the outer bays have shields and foliate decorations. Another brick parapet, with terracotta coping, runs behind the terracotta balustrade.

Stage-house section

The stage-house wing is utilitarian in design. The first story of the stage house contains a water table made of terrazzo. There are openings for the stage door, as well as larger doors to transport sets and other large items. On the upper stories, there are four window openings on each floor, as well as brick pilasters. Above the stage house's seventh floor is a cornice with modillions; it is made of sheet metal and decorated in the Adam style.

Auditorium

The auditorium has an orchestra level, one balcony, boxes, and a stage behind the proscenium arch. The auditorium space is designed with plaster decorations in low relief. According to the Nederlander Organization, the auditorium has 1,319 seats; meanwhile, The Broadway League cites a capacity of 1,400 seats and Playbill cites 1,321 seats. The original configuration had 1,500 seats, composed of 640 in the orchestra and 850 in the balcony, as well as eight boxes. The theater was initially decorated in red and gold. The auditorium's orchestra level and balcony are both accessed from the same lobby. This layout was part of an effort by Irwin Chanin to "democratize" the seating arrangement of the theater. For a similar reason, the Richard Rodgers was designed with a single balcony rather than the typical two, since Chanin perceived second balconies to be too distant.

Seating areas

The rear (east) end of the orchestra contains a promenade with decorative bands on its ceiling. The orchestra is raked, but its rear rows contain stadium seating that is more steeply sloped than the front rows. allowing the entrance foyer to be placed under the rear of the orchestra. This stadium seating configuration was supposedly used to improve visibility and acoustics, though the rear rows have poor visibility as a result of the steep slope. There is a double staircase to the balcony level from the center of the orchestra's rear section. A partial cross-aisle and a wrought-iron railing separate the orchestra's front and rear portions. There are exit doors from the partial wide aisles. Two aisles lead from the orchestra's front to the rear, connecting with the exit doors. The orchestra and its promenade contain walls with plasterwork paneling. There are arches along the orchestra's side walls, which contain shallow pilasters and moldings.

The balcony is cantilevered over the orchestra, reducing obstructed views from the rear rows of the orchestra. The balcony level is similarly divided into front and rear sections by an aisle halfway across the depth. There are decorative iron railings surrounding the double staircase from the orchestra to the balcony. The rear wall of the balcony promenade contains plasterwork panels, as at orchestra level. A technical booth is also installed on the rear wall. The plasterwork panels continue onto the walls. The balcony's underside has light fixtures, moldings, and plasterwork panels. The front railing has molded wave decorations and friezes with foliate motifs; these are obscured by light boxes.

On either side of the proscenium is a segmentally arched wall section with four boxes, arranged in two tiers. The fronts of the boxes are curved outward and contain molded wave decorations and friezes with foliate motifs. The undersides contain molded decorations with light fixtures. Above each arch is a medallion with swags.

Other design features

Next to the boxes is an elliptical proscenium arch. The archway is surrounded by a molded rounded band, containing a motif of a spiral leaf. There is a cartouche above the middle of the proscenium. Backstage, the theater was designed with 16 private rooms and five triple-sized rooms, connected to the stage by an elevator.

A sounding board curves onto the ceiling above the proscenium arch, separated from the proscenium and the ceiling by a pair of ribs. The sounding board is decorated with low relief plasterwork and latticework. The ceiling has a shallow dome surrounded by a molded band. There are bands within the dome itself, dividing the dome's surfaces into panels. The center of the dome has a plasterwork medallion at the center, from which hangs a chandelier. The rest of the ceiling, surrounding the dome, is divided into panels by moldings. These panels contain grilles as well as medallions in low relief.

History

Times Square became the epicenter for large-scale theater productions between 1900 and the Great Depression. During the 1900s and 1910s, many theaters in Midtown Manhattan were developed by the Shubert brothers, one of the major theatrical syndicates of the time. The Chanin brothers developed another grouping of theaters in the mid-1920s. Though the Chanins largely specialized in real estate rather than theaters, Irwin Chanin had become interested in theater when he was an impoverished student at the Cooper Union. He subsequently recalled that he had been "humiliated" by having to use a separate door whenever he bought cheap seats in an upper balcony level.

Development and early years

Chanin acquired the residences at 226 to 236 West 46th Street in January 1924. Two months later, the Chanin Construction Company filed plans for the construction of a new theater on 46th Street, to cost $1.1 million. Irwin Chanin was a newcomer to the Broadway theater industry, so he hired Herbert Krapp, an experienced architect who had designed multiple Broadway theaters for the Shubert brothers. Krapp designed the theater's facade in a more ornate manner than his previous commissions. Irwin Chanin, who built the theater with his brother Henry, wished to lure visitors with architecture because they did not have the booking chain or an established reputation in the theatrical industry. The New York Times quoted Irwin as saying: "We hope with this particular theater to carry out the new modern thought in the art of the theatrical world."

The Chanins had no experience in operating theaters, and they hired Andrew J. Cobe to lease the theater to an operator. In October 1924, the Shuberts leased Chanin's 46th Street Theatre for twenty-one years at a cost of $2 million. The theater's owners received a $625,000 loan the following January, and the Chanins finalized their lease that month. Krapp designed the 46th Street Theatre with ornate decorations, including theatrical masks, in sharp contrast to simpler brick-faced theaters that he had designed for the Shuberts.

The 46th Street, as the theater was called, officially opened on February 8, 1925, with a production of Is Zat So?. Most of the 46th Street's early runs consisted of shows that were transferred from other theaters, including Is Zat So?, which had transferred from the 39th Street Theatre. The Greenwich Village Follies was staged at the 46th Street in December 1925, after which Is Zat So? returned to the theater to complete its run. Following this were John Colton's The Shanghai Gesture in 1926 and an eight-week long engagement by Sacha Guitry and his wife Yvonne Printemps later that year. The Spider premiered in 1927, followed by a short run of Baby Mine. The 46th Street's first hit was Laurence Schwab's musical Good News, which opened in September 1927 and ran 551 performances. Schwab and his collaborators staged another hit in 1929, the golf-themed Follow Thru, with 401 performances. The decade ended with Top Speed, which featured Ginger Rogers in her Broadway debut.

1930s to 1950s

The early 1930s opened with two hits: the revue Sweet and Low in 1930 and You Said It the next year. With the Chanins experiencing financial trouble, the Shuberts acquired the fee to the theater's site in January 1931 for about $1.2 million. The Chanins' name was removed from the theater in 1932, and Margaret Sullavan appeared in the drama Happy Landing the same year. This was followed by two transfers: Of Thee I Sing and Autumn Crocus. The 46th Street then staged Howard Lindsay's comedy She Loves Me Not in 1933, which had 367 performances. The Farmer Takes a Wife, which opened the next year, featured Henry Fonda in his Broadway premiere alongside Margaret Hamilton. After Cole Porter's Anything Goes was staged at the 46th Street in 1935, the theater hosted short-lived productions for several years. Olsen and Johnson's hit revue Hellzapoppin opened at the 46th Street in 1938, succeeded by Porter's DuBarry Was a Lady in 1939.

Porter produced another musical, Panama Hattie, which opened in 1940 and ran for 501 performances. During the early 1940s, the 46th Street hosted productions including Junior Miss (1941), Beat the Band (1942), and Sons o' Fun (1943). Also in 1943, the United States Army staged a single performance of five plays written and performed by soldiers, which raised $100,000 for charity. One Touch of Venus appeared at the 46th Street in 1944, running 567 performances, and the hit Dark of the Moon followed the next year. The theater was sold to Robert W. Dowling's City Investing Company in early 1945, but the Shuberts successfully sued to block the City Investing Company from acquiring the theater until Dark of the Moon closed. The 46th Street's next production was a transfer of the operetta The Red Mill. Finian's Rainbow opened in 1947, ultimately running for 725 performances. A smoker's promenade opened in the adjacent alley in 1948, with murals depicting eight productions at the theater.

The theater hosted Love Life in 1948 and Regina in 1949, both produced by Cheryl Crawford. In 1950, the 46th Street Theatre hosted Arms and the Girl, featuring Nanette Fabray, for 134 performances. Frank Loesser's musical Guys and Dolls opened the same year, with about 1,200 performances over the next three years. The next production to be staged was Ondine in 1954, followed the same year by On Your Toes and The Bad Seed. The three subsequent productions at the 46th Street Theatre, from 1955 to early 1960, all featured singer and dancer Gwen Verdon, who won the Tony Award for Best Actress in a Musical for all of these productions. These were Damn Yankees in 1955, New Girl in Town in 1957, and Redhead in 1959. Three short-lived productions were staged between New Girl in Town and Redhead.

1960s to 1980s

In March 1960, Lester Osterman bought the 46th Street Theatre from the City Investing Company, having already acquired the Eugene O'Neill Theatre from City Investing. After short runs of Christine and a revival of Finian's Rainbow, the theater continued to produce major musicals into that decade. These included Tenderloin, which opened in 1960 and starred Maurice Evans. The next hit was How to Succeed in Business Without Really Trying, which opened in 1961 and ran for 1,417 performances. The theater also hosted a memorial for lyricist Oscar Hammerstein II during 1962. The 46th Street then hosted Do I Hear a Waltz?, which opened in 1965 and was the only collaboration between composer Richard Rodgers and lyricist Stephen Sondheim. The theater's late-1960s hits were I Do! I Do!, a 1967 play that featured only Mary Martin and Robert Preston, and 1776, a musical that opened in 1969.

After 1776 moved to another theater, the 46th Street hosted the revival of No, No, Nanette with Ruby Keeler in 1971, which ran for 855 performances. The theater subsequently hosted Clare Boothe Luce's The Women in 1973, followed the same year by Raisin, the latter of which ran for 847 performances. Next was a revival of the Noël Coward play Private Lives in 1975; the musical Chicago was also revived later that year, lasting 898 performances. The theater hosted Working briefly in 1978, and that production's producers Stephen R. Friedman and Irwin Meyer bought Osterman's ownership stake. The 46th Street then staged The Best Little Whorehouse in Texas, an off-Broadway transfer, for 1,584 performances between 1978 and 1982.

Meyer and Friedman had placed the theater for sale by 1980, and they sought to rename the theater after Ethel Merman, but this did not happen. Both the Shubert Organization and the Nederlander Organization were interested in acquiring the theater. In 1981, the Nederlanders purchased a half-interest in the 46th Street. The musical Nine opened at the theater the next year and ran until February 1984. Jerry Weintraub also purchased a stake in the operation of the 46th Street in 1984. This was followed by Neil Simon's Brighton Beach Memoirs in 1985, then Joseph Kesselring's Arsenic and Old Lace in 1986. August Wilson's play Fences opened in 1987 and ran for 526 performances. The 46th Street then hosted revivals of Born Yesterday and The Merchant of Venice in 1989.

The New York City Landmarks Preservation Commission (LPC) started to consider protecting the 46th Street Theatre as a landmark in 1982, with discussions continuing over the next several years. The LPC designated the 46th Street's facade and interior as landmarks on November 17, 1987. This was part of the commission's wide-ranging effort in 1987 to grant landmark status to Broadway theaters. The New York City Board of Estimate ratified the designations in March 1988. The Nederlanders, the Shuberts, and Jujamcyn collectively sued the LPC in June 1988 to overturn the landmark designations of 22 theaters, including the 46th Street, on the merit that the designations severely limited the extent to which the theaters could be modified. The lawsuit was escalated to the New York Supreme Court and the Supreme Court of the United States, but the designations were ultimately upheld in 1992.

1990s to present

On March 27, 1990, at a luncheon to benefit the New York Public Library for the Performing Arts, the Nederlanders renamed the theater to honor the composer Richard Rodgers. The first production to be staged at the renamed theater was Alexander H. Cohen and Hildy Parks's Accomplice, and the musical Oh, Kay! was revived later in 1990. The Neil Simon play Lost in Yonkers opened in 1991, ultimately running 780 performances. The Boys Choir of Harlem appeared at the Richard Rodgers in 1993, followed the same year by Fool Moon. Simon's Laughter on the 23rd Floor, which also opened in late 1993, lasted for 320 performances. How to Succeed in Business Without Really Trying returned to the Richard Rodgers in 1995 and had 548 performances. This was followed by two musicals with scores by John Kander and Fred Ebb: a revival of Chicago in 1996 and Steel Pier in 1997. During late 1997, the musical Side Show was staged at the Richard Rodgers; it flopped despite positive reviews. Conversely, Footloose opened the next year, and it ran 737 performances over two years, despite negative reviews.

Seussical, which opened in 2000, ended up closing after six months at a $10 million loss. In 2001, several Broadway performers and directors launched a celebration of Rodgers's work at the theater, a year before what would have been his 100th birthday. The same year saw the premiere of another Simon hit, 45 Seconds from Broadway. This was followed in 2002 by a run of Private Lives and a comparatively much longer run of Movin' Out, which ran for four years. The musical Tarzan appeared at the Richard Rodgers in 2006, and the theater was renovated with the addition of the Richard Rodgers Gallery, a space with to memorabilia of the composer. This was followed in 2007 by Cyrano de Bergerac, then by Lin-Manuel Miranda's musical In The Heights from 2008 to 2011. The theater's other productions of the early 2010s included Bengal Tiger at the Baghdad Zoo in 2011; Porgy and Bess and Lewis Black's Running on Empty in 2012; and Cat on a Hot Tin Roof and The Rascals: Once Upon a Dream in 2013.

In 2013, the Richard Rodgers underwent a $3.5 million renovation conducted by EverGreene Architectural Arts. Up to 20 layers of paint were removed, and light-gray wall patterns and proscenium murals were installed. In addition, all 1,319 seats were replaced and a second arch in front of the original proscenium was removed. The first production at the renovated theater was Romeo and Juliet, which had a limited engagement; it was succeeded by If/Then in 2014. As part of a settlement with the United States Department of Justice in 2014, the Nederlanders agreed to improve disabled access at their nine Broadway theaters, including the Richard Rodgers. Miranda's musical Hamilton opened at the theater in 2015 and has performed there since then. All Broadway theaters temporarily closed on March 12, 2020, due to the COVID-19 pandemic. The Richard Rodgers reopened on September 14, 2021, with performances of Hamilton.

Notable productions

The Richard Rodgers Theatre has housed 11 Tony Award-winning Best Plays and Best Musicals, more than any other Broadway theater. In order of when the productions won, these are Guys and Dolls (1951 Best Musical), Damn Yankees (1956 Best Musical), Redhead (1959 Best Musical), How to Succeed in Business Without Really Trying (1962 Best Musical), 1776 (1969 Best Musical), Raisin (1974 Best Musical), Nine (1982 Best Musical), Fences (1987 Best Play), Lost in Yonkers (1991 Best Play), In the Heights (2008 Best Musical), and Hamilton (2016 Best Musical). Productions are listed by the year of their first performance.

46th Street Theatre

Richard Rodgers Theatre

Box office record

Hamilton achieved the box office record for the Richard Rodgers Theatre. The production grossed $4,041,493 for the week ending December 30, 2018, with a top ticket price of $849 and 101.87% of the theatre's gross potential. Hamilton's gross for the week of December 30, 2018, was the highest-grossing week for any show in Broadway history at the time.

References

Notes

Citations

Sources

References

1. {{harvnb. Landmarks Preservation Commission. 1987
2. {{harvnb. Landmarks Preservation Commission Interior. 1987
3. {{cite aia5
4. "226 West 46 Street, 10036". [[New York City Department of City Planning]].
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6. (March 30, 1924). "Plan $1,100,000 Theater For 46th Street Block". The New York Herald, New York Tribune.
7. {{harvnb. Landmarks Preservation Commission. 1987
8. The exterior and interior designs were particularly ornate, even when compared with other Broadway theaters, because the 46th Street was the first theater developed by [[Irwin Chanin]].{{cite NY1930|page=231}}
9. (March 5, 2014). "Richard Rodgers Theatre".
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11. {{harvnb. Morrison. 1999
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13. (1925). "Chanin Forty-sixth Street Theatre, New York City". Architecture and Building.
14. (February 8, 1925). "Chanin's Theater at 46th Street Opens With "Is Zat So?": Playhouse Dedicated by Borough President Miller Is Leased to Shuberts for Twenty-one Years". The New York Herald, New York Tribune.
15. {{harvnb. Landmarks Preservation Commission. 1987
16. {{harvnb. Landmarks Preservation Commission. 1987
17. {{harvnb. Landmarks Preservation Commission. 1987
18. {{harvnb. Morrison. 1999
19. {{harvnb. Landmarks Preservation Commission Interior. 1987
20. "Richard Rodgers Theatre". Nederlander Organization.
21. Allen, Kelcey. (January 22, 1925). "Amusements: Shuberts To Open New Theatre On 46th Street In February.". Women's Wear.
22. {{harvnb. Landmarks Preservation Commission Interior. 1987
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25. (February 11, 1925). "Legitimate: Stadium Construction in New Chanin's". Variety.
26. {{harvnb. Bloom. 2007
27. {{harvnb. Landmarks Preservation Commission Interior. 1987
28. {{harvnb. Landmarks Preservation Commission Interior. 1987
29. {{harvnb. Landmarks Preservation Commission Interior. 1987
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33. (October 8, 1927). "The Chanins of Broadway". New York Daily News.
34. (January 24, 1926). "Who are the Chanins?". The New York Times.
35. Mullett, Mary B.. (Aug 1928). "The Chanins of Broadway". American Magazine.
36. (January 15, 1924). "Builder Enlarges Site For 48th St. Building". New-York Tribune.
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38. (15 Oct 1924). "Pictures: Inside Stuff".
39. (October 7, 1924). "Shuberts Lease New Chanin Theater For $2,000,000: Building Now Being Erected in 46th St., Near Broadway; $10,000,000 Involved in Rental of Lyric". The New York Herald, New York Tribune.
40. (October 8, 1924). "Shuberts Lease Chanin Theatre.". The New York Times.
41. (October 8, 1924). "New Chanin Leased". Variety.
42. (January 19, 1925). "$625,000 Lent on New Chanin Theater in 46th Street". The New York Herald, New York Tribune.
43. (January 22, 1925). "Musicians Hope for a Compromise; To Confer on Higher Pay and Longer Season With Orchestra Managers". The New York Times.
44. Allen, Kelcey. (February 9, 1925). "Amusement Notes: New Chanin's 46th Street Opened Saturday". Women's Wear.
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49. (December 25, 1925). "Village Follies Has Dainty Beauty; Hassard Short, the New Director of New Revue -- Irene Delroy Scores.". The New York Times.
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52. (September 7, 1926). "'The Shanghai Gesture' Resumes.". The New York Times.
53. Times, Wireless To the New York. (December 15, 1926). "Guitrys Are Coming for a Season Here; French Stars to Play Eight Weeks at Chanin's Forty-sixth Street Theatre.". The New York Times.
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55. The Broadway League. (March 22, 1927). "The Spider – Broadway Play – Original".
56. The Broadway League. (June 9, 1927). "Baby Mine – Broadway Play – 1927 Revival".
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60. (November 27, 1929). "'Follow Thru' Run to End on Dec. 21; Musical Comedy That Opened Last January to Be Succeeded at Chanin's by "Top Speed". The New York Times.
61. Barnes, Howard. (December 26, 1929). "'Top Speed': Balton, Kalmar and Ruby Musical at Chanin's". New York Herald Tribune.
62. The Broadway League. (December 25, 1929). "Top Speed – Broadway Musical – Original".
63. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
64. (November 18, 1930). "'Sweet and Low' Has Audacious Fun; Fannie Brice, George Jessel and James Barton Starred in Musical Revue.". The New York Times.
65. Atkinson, J. Brooks. (January 20, 1931). "The Play; Collegiate.". The New York Times.
66. (January 30, 1931). "Shuberts Acquire Chanin's Theatre; Producers Buy Fee of Building in West 46th St. Held Under Lease by Them". The New York Times.
67. (January 30, 1931). "Chanin Theater Is Bought by The Shuberts: Paid $1,200,000 for 1,113-Seat House in 46th St., Accordingto Really Reports". New York Herald Tribune.
68. Botto, Louis. (2010). "At This Theatre". Applause.
69. The Broadway League. (March 26, 1932). "Happy Landing – Broadway Play – Original".
70. Allen, Kelcey. (March 28, 1932). "Happy Landing Offers Good Entertainment: Story Of Small Town Boy Who Made Good Is Basis For Interesting Aviation Play — Margaret Sullavan Scores In Dramatic Role.". Women's Wear.
71. {{harvnb. Botto. Mitchell. 2002
72. Atkinson, J. Brooks. (January 3, 1932). "'Of Thee I Sing'; Stinging Satire of National Politics in a Hilarious and Original Musical Comedy". The New York Times.
73. Morgan, Charles. (November 13, 1932). ""Autumn Crocus's" Author Tries Again". The New York Times.
74. Crowther, Bosuey. (December 17, 1933). "Making a Silk Purse of a Novel; Something About the Way iii Which Howard Lindsay Put "She Loves Me Not" On the Stage". The New York Times.
75. The Broadway League. (November 20, 1933). "She Loves Me Not – Broadway Play – Original".
76. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
77. Atkinson, Brooks. (October 31, 1934). "The Play; Customs and Manners of the Erie Canalers in 'The Farmer Takes a Wife'". The New York Times.
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82. (October 30, 1940). "News of the Stage; 'Panama Hattie' Opens Tonight--Dramatists Guild Council Approves Film Backing for Plays". The New York Times.
83. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
84. (July 24, 1943). "News of the Theater: 'Junior Miss' to Close Run Tonight, Reducing Current Shows in City to Nineteen". New York Herald Tribune.
85. Atinson, Brooks. (October 15, 1942). "The Play in Review; In 'Beat the Band' the Brass Players Blow a Music Show Into the Forty-sixth Street Theatre for George Abbott". The New York Times.
86. (March 29, 1943). "Sons o' Fun' Moves Tonight". The New York Times.
87. Nichols, Lewis. (June 15, 1943). "5 Soldier Plays a Quintuple Hit; One-Act Pieces by Army Men Entertain Notable Audience at 46th Street Theatre". The New York Times.
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91. Allen, Kelcey. (April 2, 1945). "Theatres: Amusement Notes". Women's Wear Daily.
92. (July 26, 1945). "Shuberts Upheld by Court". The New York Times.
93. Vandamm. (November 25, 1945). "News and Gossip of the Rialto; Holdover Carries On". The New York Times.
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95. Zolotow, Sam. (January 10, 1947). "'Finian's Rainbow' Will Open Tonight; Fourth Arrival of the Week, Harburg-Saidy Musical Will Bow at the 46th Street". The New York Times.
96. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
97. Mccord, Bert. (May 25, 1948). "News of the Theater: Seeds in Wind' on Tonight". New York Herald Tribune.
98. Calta, Louis. (October 7, 1948). "'Love Life' in Bow to Rialto Tonight; Cheryl Crawford to Offer New $200,000 Musical at the 46th Street Theatre". The New York Times.
99. The Broadway League. (October 31, 1949). "Regina – Broadway Musical – Original".
100. Zolotow, Sam. (October 31, 1949). "Regina,' Musical, Will Open Tonight; Blitzstein Version of 'Little Foxes' to Be Unveiled at the 46th Street Theatre". The New York Times.
101. {{harvnb. Bloom. 2007
102. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
103. Calta, Louis. (February 2, 1950). "Premiere to Night for New Musical; 'Arms and the Girl,' Bowing at the 46th Street Theatre, Has $453,766 Advance Sale Delay for Menotti Work Miscellaneous Items". The New York Times.
104. The Broadway League. (February 2, 1950). "Arms and the Girl – Broadway Musical – Original".
105. Zolotow, Sam. (November 24, 1950). "'Guys and Dolls' in Debut Tonight; Typifies Theme". The New York Times.
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107. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
108. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
109. Funke, Lewis. (May 6, 1955). "Theatre: The Devil Tempts a Slugger; Damn Yankees' Tells Tale of Witchery". The New York Times.
110. Atkinson, Brooks. (May 15, 1957). "The Theatre: Singing Anna Christie; 'New Girl in Town' Opens at 46th St.". The New York Times.
111. Zolotow, Sam. (January 26, 1960). "Redhead' Is Going on Tour of West; Musical Will Leave Here on March 19 for Chicago -- Revue Gets New Name". The New York Times.
112. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
113. (March 9, 1990). "Legitimate: Lester Osterman Buys 46th St. Theatre, N.Y.; Previously Took O'Neill". Variety.
114. (March 3, 1960). "Osterman, Producer, Buys 46th St. Theatre". The New York Times.
115. (May 6, 1960). "$370,000 'Christine' May End After 10 Days". The New York Times.
116. The Broadway League. (January 10, 1947). "Finian's Rainbow – Broadway Show – Musical".
117. Lapham, Lewis. (June 5, 1960). "Finian's Loyal Cast Is Saddened". New York Herald Tribune.
118. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
119. Calta, Louis. (October 17, 1961). "'How to Succeed' Is Doing Business; New Musical a Hit With the Critics and at Box Office". The New York Times.
120. Funke, Lewis. (April 9, 1962). "Tribute Paid to Hammerstein In a Program Filled With Song; Late Lyricist Honored at the 46th Street Theatre Friends and Stage Leaders Offer Biography in Words and Music". The New York Times.
121. {{harvnb. Botto. Mitchell. 2002
122. Kerr, Walter. (December 6, 1966). "Theater: Musical 'I Do! I Do!' Arrives; Robert Preston Stars With Mary Martin". The New York Times.
123. Funke, Lewis. (March 18, 1969). "'1776' Reaps Fruit Of Long Research". The New York Times.
124. Gent, George. (January 21, 1971). "'Nanette' Brings Out the Nostalgia Buffs". The New York Times.
125. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
126. Barnes, Clive. (April 26, 1973). "Stage: A Not So Naughty 'Women' Opens With a Stellar Cast". The New York Times.
127. Campbell, Barbara. (October 27, 1973). "Cast of 'Raisin' Works as Close as a Bunch of Grapes". The New York Times.
128. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
129. Barnes, Clive. (February 7, 1975). "'Private Lives,' Still Surprising, Returns". The New York Times.
130. Barnes, Clive. (August 15, 1975). "Liza Minnelli Lends Talents to 'Chicago'". The New York Times.
131. Corry, John. (May 19, 1978). "Broadway". The New York Times.
132. (September 20, 1978). "Legitimate: Osterman's Sole Title". Variety.
133. (1978-06-08). "'Whorehouse' moving uptown". New York Daily News.
134. Corry, John. (March 23, 1982). "'Johnny Jones' Shuts, 'Whorehouse' Closing". The New York Times.
135. (13 Aug 1980). "Legitimate: Dicker Sale Of 46th St. Theatre; Meyer-Friedman Asking $5-Mil". Variety.
136. Larkin, Robert W.. (October 13, 1980). "Merman couldn't ask for anything more". Newsday.
137. Krebs, Judith Cummings Albin. (September 10, 1980). "Notes on People; Alf Landon Celebrates Grand Old Age of 93 Henry Fonda Very Busy, and Delighted to Be, at 75 Sophia Loren Faces Jail and Fine in Tax Case New Michelle Marvin Case Tribute to Ethel Merman No Objection, but Not on My Block, Please". The New York Times.
138. (September 3, 1980). "Legitimate: Shuberts Bidding For 46th Street; Would Need Justice Dept. Okay". Variety.
139. Fields, Larry. (September 18, 1980). "Mr. Schwartz Will See You Now". Philadelphia Daily News.
140. Lawson, Carol. (April 15, 1981). "News of the Theater; 3d Play in Talley Cycle Opens June 11". The New York Times.
141. Rich, Frank. (May 10, 1982). "Theater: 'Nine,' a Musical Based on Fellini's '8 1/2'". The New York Times.
142. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
143. Lawson, Carol. (January 20, 1984). "Broadway". The New York Times.
144. Freedman, Samuel G.. (September 26, 1984). "Weintraub Buys Interest in Nederlander Theaters". The New York Times.
145. (September 27, 1984). "Hollywood figure buys into theaters". Newsday.
146. {{harvnb. Botto. Mitchell. 2002
147. Rich, Frank. (June 27, 1986). "The Stage: 'Arsenic and Old Lace' Revival". The New York Times.
148. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
149. Rich, Frank. (March 27, 1987). "Theater: Family Ties in Wilson's 'Fences". The New York Times.
150. (June 15, 1988). "'Fences' Closing Sunday". The New York Times.
151. (June 10, 1989). "'Born Yesterday' Closing". The New York Times.
152. Rich, Frank. (December 20, 1989). "Review/Theater; 'Merchant' Restored as a Comedy". The New York Times.
153. Dunlap, David W.. (October 20, 1982). "Landmark Status Sought for Theaters". The New York Times.
154. Shepard, Joan. (August 28, 1985). "Is the final curtain near?". New York Daily News.
155. Dunlap, David W.. (November 18, 1987). "Plan Blocked for Tower Atop Landmark". The New York Times.
156. Dunlap, David W.. (November 22, 1987). "The Region; The City Casts Its Theaters In Stone". The New York Times.
157. Purdum, Todd S.. (March 12, 1988). "28 Theaters Are Approved as Landmarks". The New York Times.
158. Dunlap, David W.. (June 21, 1988). "Owners File Suit to Revoke Theaters' Landmark Status". The New York Times.
159. Dunlap, David W.. (May 27, 1992). "High Court Upholds Naming Of 22 Theaters as Landmarks". The New York Times.
160. (April 4, 1990). "Legit: Richard Rodgers makes his marquee on 46th Street". Variety.
161. Koenenn, Joseph C.. (March 28, 1990). "Theater Renamed for Richard Rodgers". Newsday.
162. (June 12, 1990). "'Accomplice' Closes". The New York Times.
163. The Broadway League. (April 26, 1990). "Accomplice – Broadway Play – Original".
164. Rich, Frank. (November 2, 1990). "Review/Theater; David Merrick Presents 'Oh Kay!'". The New York Times.
165. Rich, Frank. (February 22, 1991). "Review/Theater; Simon on Love Denied". The New York Times.
166. (January 5, 1993). "Four Shows Close Out Their Broadway Runs". The New York Times.
167. Holden, Stephen. (January 20, 1993). "Review/Music; Celebration of Black Culture". The New York Times.
168. Fox, Margalit. (January 17, 1993). "Young Harlem Broadway Bound". Newsday.
169. {{harvnb. Botto. Mitchell. 2002
170. Rich, Frank. (November 23, 1993). "Review/Theater; The Backstage View of TV's Golden Age". The New York Times.
171. (July 23, 1994). "Simon Play to Close". The New York Times.
172. Canby, Vincent. (March 24, 1995). "Theater Review: How to Succeed in Business Without Really Trying; Climbing The Ladder, Song by Song". The New York Times.
173. (July 4, 1996). "How to Succeed' Closing". The New York Times.
174. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
175. Brantley, Ben. (November 15, 1996). "A Lively Legacy, A Come-Hither Air". The New York Times.
176. Brantley, Ben. (April 25, 1997). "Party's Over, Chum, Just Keep Dancing". The New York Times.
177. Canby, Vincent. (October 26, 1997). "Sunday View; 'Side Show' Asks, What Is Normal?". The New York Times.
178. Lyman, Rick. (December 23, 1997). "Defeated, 'Side Show' Is Closing Jan. 3". The New York Times.
179. Lyman, Rick. (March 6, 1998). "Ob Stage and Off; Six Degrees Of 'Footloose'". The New York Times.
180. (June 22, 2000). "'Footloose' to Close". The New York Times.
181. {{harvnb. Botto. Mitchell. 2002
182. Brantley, Ben. (December 1, 2000). "Theater Review; The Cat! The Whos! The Places They Go!". The New York Times.
183. Pogrebin, Robin. (July 18, 2001). "The Places It Didn't Go; How a Small Success Was Puffed Into a Big Flop". The New York Times.
184. (July 12, 2001). "In Focus: Richard Rodgers Centennial Launched". Back Stage.
185. Brantley, Ben. (2001-11-12). "Theater Review; Broken Lives and Healing at the Coffee Shop". The New York Times.
186. Brantley, Ben. (2002-04-29). "Theater Review; Take Hate, Add Love and Shake Tenderly for a Coward Cocktail". The New York Times.
187. Winer, Linda. (2008-03-10). "Power and grace intersect at 181st Street". Newsday.
188. (August 31, 2013). "Broadway's Richard Rodgers Theatre Gets $3.5 Million Renovation".
189. Hetrick, Adam. (August 23, 2013). "Richard Rodgers Theatre Undergoes $3.5 Million Renovation".
190. Dziemianowicz, Joe. (August 23, 2013). "Whoa, 'Romeo': Richard Rodgers Theatre spruces up for Orlando Bloom".
191. (January 29, 2014). "9 Broadway theaters to gain disabled accessibility".
192. (February 11, 2015). "9 Broadway theaters to gain disabled accessibility".
193. Paulson, Michael. (March 12, 2020). "Broadway, Symbol of New York Resilience, Shuts Down Amid Virus Threat". The New York Times.
194. Paulson, Michael. (September 14, 2021). "Broadway's Biggest Hits Reopen in Festive Night of Theater". The New York Times.
195. "Facts & Trivia".
196. Rabinowitz, Chloe. "Theater Stories: ''Hamilton'' Tidbits, Tony Award Records and More About the Richard Rodgers Theatre!". BroadwayWorld.com.
197. The Broadway League. (January 5, 1925). "Is Zat So? – Broadway Play – Original".
198. The Broadway League. (December 24, 1925). "The Greenwich Village Follies [1925] – Broadway Musical – Original".
199. {{harvnb. Landmarks Preservation Commission. 1987
200. The Broadway League. (September 6, 1927). "Good News – Broadway Musical – Original".
201. The Broadway League. (January 9, 1929). "Follow Thru – Broadway Musical – Original".
202. {{harvnb. Landmarks Preservation Commission. 1987
203. The Broadway League. (November 17, 1930). "Sweet and Low – Broadway Musical – Original".
204. The Broadway League. (January 19, 1931). "You Said It – Broadway Musical – Original".
205. The Broadway League. (December 26, 1931). "Of Thee I Sing – Broadway Musical – Original".
206. The Broadway League. (November 19, 1932). "Autumn Crocus – Broadway Play – Original".
207. The Broadway League. (September 12, 1932). "Counsellor-at-Law – Broadway Play – 1932 Revival".
208. The Broadway League. (October 30, 1934). "The Farmer Takes a Wife – Broadway Play – Original".
209. The Broadway League. (November 21, 1934). "Anything Goes – Broadway Musical – Original".
210. The Broadway League. (January 5, 1938). "Right This Way – Broadway Musical – Original".
211. The Broadway League. (September 22, 1938). "Hellzapoppin – Broadway Musical – Original".
212. {{harvnb. Landmarks Preservation Commission. 1987
213. The Broadway League. (October 19, 1938). "Knickerbocker Holiday – Broadway Musical – Original".
214. The Broadway League. (December 6, 1939). "Du Barry Was a Lady – Broadway Musical – Original".
215. The Broadway League. (October 30, 1940). "Panama Hattie – Broadway Musical – Original".
216. The Broadway League. (November 18, 1941). "Junior Miss – Broadway Play – Original".
217. The Broadway League. (October 14, 1942). "Beat the Band – Broadway Musical – Original".
218. {{harvnb. Landmarks Preservation Commission. 1987
219. The Broadway League. (November 1, 1941). "Sons o' Fun – Broadway Musical – Original".
220. The Broadway League. (October 7, 1943). "One Touch of Venus – Broadway Musical – Original".
221. The Broadway League. (March 14, 1945). "Dark of the Moon – Broadway Play – Original".
222. The Broadway League. (October 16, 1945). "The Red Mill – Broadway Musical – 1945 Revival".
223. The Broadway League. (January 10, 1947). "Finian's Rainbow – Broadway Musical – Original".
224. The Broadway League. (October 7, 1948). "Love Life – Broadway Musical – Original".
225. The Broadway League. (November 24, 1950). "Guys and Dolls – Broadway Musical – Original".
226. {{harvnb. Landmarks Preservation Commission. 1987
227. The Broadway League. (February 18, 1954). "Ondine – Broadway Play – Original".
228. The Broadway League. (October 11, 1954). "On Your Toes – Broadway Musical – 1954 Revival".
229. The Broadway League. (December 8, 1954). "The Bad Seed – Broadway Play – Original".
230. The Broadway League. (May 5, 1955). "Damn Yankees – Broadway Musical – Original".
231. The Broadway League. (May 14, 1957). "New Girl in Town – Broadway Musical – Original".
232. {{harvnb. Landmarks Preservation Commission. 1987
233. The Broadway League. (December 28, 1958). "Ages of Man – Broadway Play – Original".
234. The Broadway League. (February 5, 1959). "Redhead – Broadway Musical – Original".
235. The Broadway League. (April 28, 1960). "Christine – Broadway Musical – Original".
236. The Broadway League. (October 17, 1960). "Tenderloin – Broadway Musical – Original".
237. The Broadway League. (May 18, 1961). "Donnybrook! – Broadway Musical – Original".
238. The Broadway League. (October 14, 1961). "How to Succeed in Business Without Really Trying – Broadway Musical – Original".
239. The Broadway League. (March 18, 1965). "Do I Hear a Waltz? – Broadway Musical – Original".
240. {{harvnb. Landmarks Preservation Commission. 1987
241. The Broadway League. (October 4, 1965). "Pickwick – Broadway Musical – Original".
242. The Broadway League. (December 5, 1966). "I Do! I Do! – Broadway Musical – Original".
243. The Broadway League. (February 7, 1968). "The Price – Broadway Play – Original".
244. The Broadway League. (March 16, 1969). "1776 – Broadway Musical – Original".
245. The Broadway League. (January 19, 1971). "No, No, Nanette – Broadway Musical – 1971 Revival".
246. The Broadway League. (April 25, 1973). "The Women – Broadway Play – 1973 Revival".
247. The Broadway League. (October 18, 1973). "Raisin – Broadway Musical – Original".
248. {{harvnb. Landmarks Preservation Commission. 1987
249. The Broadway League. (February 6, 1975). "Private Lives – Broadway Play – 1975 Revival".
250. The Broadway League. (June 3, 1975). "Chicago – Broadway Musical – Original".
251. The Broadway League. (May 14, 1978). "Working – Broadway Musical – Original".
252. The Broadway League. (June 19, 1978). "The Best Little Whorehouse in Texas – Broadway Musical – Original".
253. The Broadway League. (May 9, 1982). "Nine – Broadway Musical – Original".
254. The Broadway League. (March 27, 1983). "Brighton Beach Memoirs – Broadway Play – Original".
255. The Broadway League. (June 26, 1986). "Arsenic and Old Lace – Broadway Play – 1986 Revival".
256. The Broadway League. (March 26, 1987). "Fences – Broadway Play – Original".
257. The Broadway League. (January 29, 1989). "Born Yesterday – Broadway Play – 1989 Revival".
258. The Broadway League. (December 19, 1989). "The Merchant of Venice – Broadway Play – 1989 Revival".
259. The Broadway League. (October 1, 1990). "Oh, Kay! – Broadway Musical – 1990 Revival".
260. The Broadway League. (February 21, 1991). "Lost in Yonkers – Broadway Play – Original".
261. The Broadway League. (February 25, 1993). "Fool Moon – Broadway Special – Original".
262. The Broadway League. (November 22, 1993). "Laughter on the 23rd Floor – Broadway Play – Original".
263. {{harvnb. Botto. Mitchell. 2002
264. The Broadway League. (December 22, 1994). "A Christmas Carol – Broadway Play – 1994 Revival".
265. The Broadway League. (March 23, 1995). "How to Succeed in Business Without Really Trying – Broadway Musical – 1995 Revival".
266. The Broadway League. (November 14, 1996). "Chicago – Broadway Musical – 1996 Revival".
267. The Broadway League. (April 24, 1997). "Steel Pier – Broadway Musical – Original".
268. The Broadway League. (October 16, 1997). "Side Show – Broadway Musical – Original".
269. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
270. The Broadway League. (October 22, 1998). "Footloose – Broadway Musical – Original".
271. The Broadway League. (November 30, 2000). "Seussical – Broadway Musical – Original".
272. The Broadway League. (November 11, 2001). "45 Seconds From Broadway – Broadway Play – Original".
273. {{harvnb. Bloom. 2007
274. The Broadway League. (April 28, 2002). "Private Lives – Broadway Play – 2002 Revival".
275. Isherwood, Charles. (November 20, 2005). "'Movin' Out' Moves Out, and Just When It Was Really Getting Going". The New York Times.
276. The Broadway League. (October 24, 2002). "Movin' Out – Broadway Musical – Original".
277. The Broadway League. (May 10, 2006). "Tarzan – Broadway Musical – Original".
278. Brantley, Ben. (May 11, 2006). "Tarzan Arrives on Broadway, Airborne". The New York Times.
279. The Broadway League. (October 1, 2007). "Cyrano de Bergerac – Broadway Play – 2007 Revival".
280. Brantley, Ben. (November 2, 2007). "Rapier Wit and a Nose for Poetry". The New York Times.
281. The Broadway League. (March 9, 2008). "In the Heights – Broadway Musical – Original".
282. Ryzik, Melena. (March 14, 2008). "Heights Before Broadway". The New York Times.
283. The Broadway League. (March 31, 2011). "Bengal Tiger at the Baghdad Zoo – Broadway Play – Original".
284. Isherwood, Charles. (April 1, 2011). "Ghostly Beast Burning Bright in Iraq". The New York Times.
285. The Broadway League. (January 12, 2012). "The Gershwins' Porgy and Bess – Broadway Musical – 2012 Revival".
286. Brantley, Ben. (January 13, 2012). "A New Storm's Brewing Down on Catfish Row". The New York Times.
287. The Broadway League. (October 9, 2012). "Running On Empty – Broadway Special – Original".
288. Isherwood, Charles. (October 11, 2012). "His Knickers May Be in a Twist". The New York Times.
289. The Broadway League. (January 17, 2013). "Cat on a Hot Tin Roof – Broadway Play – 2013 Revival".
290. Brantley, Ben. (January 18, 2013). "A Storm From the South, Brewing in a Bedroom". The New York Times.
291. The Broadway League. (April 16, 2013). "The Rascals: Once Upon A Dream – Broadway Special – Original".
292. McKinley, James C. Jr.. (February 21, 2013). "Reunited, the Rascals Bring Their Act to Broadway".
293. The Broadway League. (September 19, 2013). "Romeo and Juliet – Broadway Play – 2013 Revival".
294. Lee, Felicia R.. (November 20, 2013). "'Romeo and Juliet' Will Close on Dec. 8".
295. The Broadway League. (March 30, 2014). "If/Then – Broadway Musical – Original".
296. Brantley, Ben. (March 31, 2014). "Stuck at the Crossroads Between Fate and Choice". The New York Times.
297. The Broadway League. (August 6, 2015). "Hamilton – Broadway Musical – Original".
298. (August 7, 2015). "'Hamilton' Opens on Broadway With The Roots, Fireworks & Famous Faces – Billboard".
299. (March 10, 2019). "Production Gross".
300. (January 2, 2018). "Broadway sees highest-grossing week in history".