Revolutionary Road

Plot summary

Set in 1955, the novel focuses on the hopes and aspirations of Frank and April Wheeler, self-assured Connecticut suburbanites who see themselves as very different from their neighbors in the Revolutionary Hill Estates. In the opening scene, April stars in an embarrassingly bad amateur dramatic production of The Petrified Forest. After the performance, Frank and April have a fight on the side of the highway, and Frank later begins an affair with his office colleague Maureen Grube.

Seeking to break out of their suburban rut (and consequently blaming herself for all of Frank's "problems"), April convinces Frank they should move to Paris, where she will work and support him while he realizes his vague ambition to be something other than an office worker. The promise of France brings the two together in love and excitement again, and Frank seemingly ends his relationship with Maureen. While April sees the emigration as an opportunity to escape their bland environment, Frank's plans are more driven by vanity of his own intelligence, which April panders to. When the dull and prim neighbor Mrs. Givings begins bringing her "insane" son John around to the Wheelers' house for regular lunches, John's honest and erratic condemnation of his mother's suburban lifestyle strikes a chord with the Wheelers, particularly Frank.

Their plans to leave the United States begin to crumble when April conceives their third child, and Frank begins to identify with his mundane job when the prospect of a promotion arises. After arguing over the possibility of aborting the pregnancy, Frank tries to manipulate April into seeking psychiatric help for her troubled childhood. April, overwhelmed by the situation, suffers something of an identity crisis and sleeps with her neighbor Shep Campbell, while Frank resurrects his relationship with Maureen. Having attempted to self-abort her pregnancy, April is rushed to the hospital where she dies from blood loss. Frank, scarred by the ordeal and feeling deep guilt over the outcome, is left a hollow shell of a man. Parenting duties are largely shifted to his brother and sister-in-law, with Frank visiting on weekends. Thus, the Wheeler children's youths begin to mirror the youth of their mother, who was primarily brought up by a slew of relatives while her parents visited infrequently.

Themes

In the October 1999 issue of the Boston Review, Yates was quoted on his central theme: "If my work has a theme, I suspect it is a simple one: that most human beings are inescapably alone, and therein lies their tragedy." For all their personal hopes and dreams, Frank and April are unable to communicate them to each other; this syndrome is also seen in the other characters, Shep and Milly Campbell, and Mr. and Mrs. Givings. The Wheelers' frustrations and yearnings for something better represent the tattered remnants of the American Dream.

Literary significance

Stewart O'Nan probed the neglect of Yates in "The Lost World of Richard Yates: How the Great Writer of the Age of Anxiety Disappeared from Print".

Prominent authors, such as William Styron, Kurt Vonnegut, and Tennessee Williams, wrote blurbs that appeared on the dust jacket.

Film adaptation

Main article: Revolutionary Road (film)

Screenwriter Justin Haythe adapted the novel for filming. Directed by Sam Mendes, the picture stars Kate Winslet and Leonardo DiCaprio, while co-starring Kathy Bates and Michael Shannon. It opened December 26, 2008 to generally favorable reviews and grossed $76 million at the box office.

References

References

1. Osborn, Carly. (May 14, 2020). "Tragic Novels, René Girard and the American Dream". Bloomsbury.
2. Mullan, John. (October 8, 2004). "Sweet Sorrow".
3. (1994). "The Cambridge History of American Literature: Volume 7, Prose Writing, 1940-1990". Cambridge University Press.
4. (February 19, 1961). "Books". [[Argus-Leader]].
5. Ford, Richard. (April 9, 2000). "American beauty (Circa 1955)". [[The New York Times]].
6. [https://web.archive.org/web/20051019053903/http://www.time.com/time/2005/100books/the_complete_list.html "All-Time 100 Novels"], ''Time'', 2005.
7. [[DeWitt Henry. Henry, DeWitt]] and Clark, Geoffrey. "[https://www.pshares.org/issues/fall-2011/archive-interview-richard-yates An Interview with Richard Yates]," ''[[Ploughshares]]'', Winter 1972.
8. John Mullan,[https://www.theguardian.com/books/2004/sep/18/featuresreviews.guardianreview26 "Left unsaid"], ''[[The Guardian]]'', September 18, 2004.
9. [[Stewart O'Nan]]. [https://web.archive.org/web/20040217105839/http://bostonreview.net/BR24.5/onan.html "The Lost World of Richard Yates: How the Great Writer of the Age of Anxiety Disappeared from Print"]. ''[[Boston Review]]'', October/November 1999.
10. Venant, Elizabeth. (1989-07-09). "A Fresh Twist in the Road : For Novelist Richard Yates, a Specialist in Grim Irony, Late Fame's a Wicked Return".
11. [http://www.boxofficemojo.com/movies/?id=revolutionaryroad.htm "Revolutionary Road (2008)"]. ''[[Box Office Mojo]]''. Retrieved August 16, 2012.