Release Me (Eddie Miller song)

Writing credits

Although Eddie Miller later claimed to have written the song in 1946—only being able to record it himself in 1949—he actually co-wrote it with Robert Yount in 1949. As they were working at that time with Dub Williams, a pseudonym of James Pebworth, they gave him one-third of the song. The song was released with the writing credited to Miller-Williams-Gene, as Yount was using his stage name of Bobby Gene.

Although the owner of 4 Star Records, William McCall, would usually add his pseudonym "W.S. Stevenson" to the credit of songs he published, he failed to do so in 1949. However, in 1957, Miller and Yount entered into a new publishing agreement with 4 Star Records, in which "W.S. Stevenson" replaced Williams as co-writer.

Yount signed away his royalty rights to William McCall in 1958, after which the credits to the song officially became "Miller-Stevenson", although multiple variations also existed. For example, Engelbert Humperdinck's United Kingdom 45 is credited to Eddie Miller, Robert Yount, Dub Williams and Robert Harris. The Harris credit, however, turned out to be another pseudonym for James Pebworth (along with Dub Williams).

With the bankruptcy of Four Star’s successor in interest, the copyright to the song was acquired by Acuff-Rose Music. When the initial term of copyright ended in 1983, it was renewed for a second term. Between 1983 and 1985 Acuff-Rose paid royalties to Yount, until they were notified by the family of the deceased William McCall of the 1958 assignment. Acuff-Rose then suspended payments until the dispute between the claimants was resolved. On December 24, 1996 the United States Courts of Appeals, Ninth Circuit, upheld the claim of the McCalls.

In country music

| A-side = I'll Be There (If You Ever Want Me) James Pebworth Robert Yount

| B-side = Don't Feel Rained On James Pebworth Robert Yount

In country music, "Release Me" became a hit for Jimmy Heap, Kitty Wells, and Ray Price, all in 1954. Even though Price had several major hits beforehand, "Release Me" is sometimes considered his breakthrough hit. The song had elements of the shuffle, Price's signature sound that would become more evident on future successes such as "Crazy Arms."

Price's version was part of a double-A sided hit, paired with another song that introduced fans to the shuffle: "I'll Be There (If You Ever Want Me)" Both sides went on to become major hits for Price, with "Release Me" peaking at No. 6 and "I'll Be There" stopping at No. 2.

Engelbert Humperdinck version

| B-side = Ten Guitars

• Pop
• country{{cite book|title= Electric Shock: From the Gramophone to the iPhone - 125 Years of Pop Music|first=Peter|last=Doggett|date= 1 January 2015|chapter= Flying Through the Air|page= 389|publisher=The Bodley Head|location= London|isbn=978-1-847-92218-2 James Pebworth Robert Yount

In 1965, Engelbert Humperdinck, who at the time was performing under the name of Gerry Dorsey, met up again with an old friend of his, Gordon Mills. By that time Mills was successfully managing Tom Jones. Mills added Dorsey to his management roster and changed his name. As Humperdinck, the singer released a couple of near misses in the UK although one song, "Dommage, Dommage", was successful in Europe.

Early in 1967, Humperdinck was asked to stand in for Dickie Valentine, who was ill, on Sunday Night at the London Palladium, a TV variety show that was one of the highest-rating programs in the UK at the time. He sang "Release Me" on the show. It reached number one in the UK Singles Chart on 2 March and stayed there for six weeks, keeping "Penny Lane" / "Strawberry Fields Forever" by the Beatles off the top spot, the first time the Beatles had not reached the top since their debut single. Humperdinck's recording stayed in the charts for a record fifty-six consecutive weeks.

The B-side, "Ten Guitars", became a surprise hit in New Zealand among young Maori moving to the cities for work, and, not long after, the wider New Zealand music scene as well. Ten Guitars later served as the name for a documentary on New Zealand popular music.

British journalist and author Peter Hitchens has described Humperdinck's hugely successful version as "the real revolutionary anthem of the Sixties" and "far more influential than Bob Dylan", drawing a comparison between the song's lyrics and the desire of the public to be released from the social conservatism that had prevailed in society until the 1960s.

Chart performance

References

References

1. Whitburn, Joel. (2004). "Top R&B/Hip-Hop Singles: 1942-2004". Record Research.
2. Ami Sedghi. (4 November 2012). "UK's million-selling singles: the full list". Guardian.
3. "Wired For Sound: Eddie Miller on 4-Star 1407".
4. "Dub Williams".
5. "FindLaw's United States Ninth Circuit case and opinions.".
6. Kutner, Jon. (2010-05-26). "1000 UK Number One Hits". Omnibus Press.
7. Stanley, Bob. (13 September 2013). "Yeah Yeah Yeah: The Story of Modern Pop". Faber & Faber.
8. Rice, Jo. (1982). "The Guinness Book of 500 Number One Hits". Guinness Superlatives Ltd.
9. (2004-12-19). "Desert Island Discs - Castaway : Engelbert Humperdinck". BBC.
10. "NZ Folk Song * Ten Guitars". Folksong.org.nz.
11. "Ten Guitars - Television". NZ On Screen.
12. "Stigma: A Political History". [[BBC Radio 4]].
13. "Flavour of New Zealand, 12 May 1967".