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Psychological fiction

Literary genre


Summary

Literary genre

FieldValue
namePsychological Fiction
alt_namePsychological Realism
authorVarious
origin19th century
characteristicsInterior characterization, exploration of characters' mental and emotional states, emphasis on the characters' psychological development and motivations
subgenresPsychological thriller, psychological horror, psychological drama, psychological science fiction
related_genresMystery, drama, thriller, horror, gothic fiction, detective fiction
notable_worksThe Tale of Genji, The Red and the Black, The Brothers Karamazov, Crime and Punishment, The Light Infantry Ball
writersFyodor Dostoyevsky, Henry James, Knut Hamsun, Patrick McGrath, Arthur Miller, Edith Wharton
contextLiterature
literature_placeWorldwide
historyOriginated in the 19th century, with notable developments in the works of Fyodor Dostoyevsky and Knut Hamsun
media_typeNovels, short stories, plays

In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. Psychological realism is achieved with deep explorations and explanations of the mental states of the character's inner person, usually through narrative modes such as stream of consciousness and flashbacks.

Early examples

Yingying's Biography by Yuan Zhen, written in 9th-century Tang China, is a pioneering work of psychological fiction in the form of a short story (chuanqi). The Tale of Genji by Lady Murasaki, written in 11th-century Japan, was and is considered by many, including Jorge Luis Borges, as the first full-length psychological novel. French theorists Gilles Deleuze and Félix Guattari, in A Thousand Plateaus, evaluated the 12th-century Arthurian author Chrétien de Troyes' Lancelot, the Knight of the Cart and Perceval, the Story of the Grail as early examples of the style of the psychological novel.{{cite book |translator-last=Massumi |translator-first=Brian

Stendhal's The Red and the Black and Madame de La Fayette's The Princess of Cleves are considered the first precursors of the psychological novel. The modern psychological novel originated, according to The Encyclopedia of the Novel, primarily in the works of Nobel laureate Knut Hamsun – in particular, Hunger (1890), Mysteries (1892), Pan (1894) and Victoria (1898).

Notable examples

One of the greatest writers of the genre was Fyodor Dostoyevsky. His novels deal strongly with ideas, and characters who embody these ideas, how they play out in real world circumstances, and the value of them, most notably The Brothers Karamazov and Crime and Punishment.

In the literature of the United States, Henry James, Patrick McGrath, Arthur Miller, and Edith Wharton are considered "major contributor[s] to the practice of psychological realism."

Subgenres

Psychological thriller

Main article: Psychological thriller

A subgenre of the thriller and psychological novel genres, emphasizing the inner mind and mentality of characters in a creative work. Because of its complexity, the genre often overlaps and/or incorporates elements of mystery, drama, action, slasher, and horror — often psychological horror. It bears similarities to the Gothic and detective fiction genres.

Psychological horror

Main article: Psychological horror

A subgenre of the horror and psychological novel genres that relies on the psychological, emotional and mental states of characters to generate horror. On occasions, it overlaps with the psychological thriller subgenre to enhance the story suspensefully.

Psychological drama

Main article: Psychological drama

A subgenre of the drama and psychological novel genres, focuses upon the emotional, mental, and psychological development of characters in a dramatic work. One Flew Over the Cuckoo's Nest (1975) and Requiem for a Dream (2000), both based on novels, are notable examples of this subgenre.

Psychological science fiction

Psychological science fiction refers to works that focus is on the character's inner struggle dealing with political or technological forces. A Clockwork Orange (1971) is a notable example of this genre.

References

References

  1. The Penguin Dictionary of Literary Terms and Literary Theory Third Edition (1991) J.A. Cuddon, Ed. p. 709.
  2. A Handbook to Literature Fourth Edition (1980), C. Hugh Holman, Ed., pp. 357–358
  3. W. J. Leatherbarrow. (18 July 2002). "The Cambridge Companion to Dostoevskii". Cambridge University Press.
  4. [[Jorge Luis Borges]], ''The Total Library'': {{quote. [''The Tale of Genji'', as translated by [[Arthur Waley]],] is written with an almost miraculous naturalness, and what interests us is not the exoticism — the horrible word — but rather the human passions of the novel. Such interest is just: Murasaki's work is what one would quite precisely call a psychological novel. ... I dare to recommend this book to those who read me. The English translation that has inspired this brief insufficient note is called ''The Tale of Genji''.
  5. (2014). "Encyclopedia of the Novel". Routledge.
  6. (2011). "Northern Europe". [[Blackwell Publishing]].
  7. N. Baym, et al. Eds. ''The Norton Anthology of American Literature: Shorter Seventh Edition'', New York: W.W. Norton Co. 2008, p. 1697
  8. link. (2018-06-14 , Accessed November 3, 2013, "...characteristics of the genre as “a dissolving sense of reality; reticence in moral pronouncements; obsessive, pathological characters; the narrative privileging of complex, tortured relationships” ( Munt 1994)...")
  9. "Subgenre - Psychological Drama".
  10. Movies, All. (24 February 2020). "Science Fiction » Psychological Sci-Fi".
  11. "SFE: Psychology".
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