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Production sound mixer
Member of a film crew or television crew
Member of a film crew or television crew


The recorded production soundtrack is later combined with other elements, i.e. effects, music, narration, Foley or re-recorded dialog by automated dialogue replacement (ADR).
Often, when taping on video, the sound recordist may record (single system) audio directly onto the camera rather than use a separate medium (double system), although a separate copy is often made, as it both provides an extra copy which may have more tracks and also may include other sound captured without the camera.
The sound mixer is considered a department head, and is thus completely responsible for all aspects of production sound including the hiring of a boom operator and utility sound technician, planning the technical setup involving sound including both sound equipment and ancillary devices involved in syncing and time offsets, anticipating and discussing sound-related problems with the rest of the crew, and ordering and preparing the sound equipment to be used on the set.
References
- David Yewdall. The Practical Art of Motion Picture Sound. Focal Press, 1999.
- Vincent Magnier, Le guide de la prise de son pour l'image. Éditions Dunod/INA, 2007.
- John Purcell, Dialogue Editing for Motion Pictures: A Guide to the Invisible Art. Focal Press, 2009.
- Jay Rose, Producing Great Sound for Film and Video. Focal Press, fourth edition 2014 Book info.
- MasterClass. “What Is a Production Sound Mixer? Understanding the Role of Production Sound Mixer on a Film Set - 2022.” MasterClass, MasterClass, 17 Aug. 2021, https://www.masterclass.com/articles/what-is-a-production-sound-mixer-understanding-the-role-of-production-sound-mixer-on-a-film-set.
- Baskerville, D., & Baskerville, T. (1995). Music Business Handbook & Career Guide (11th ed.). Sage Publications.
References
References
- Staff, Masterclass. (2021-08-17). "What is a production sound mixer?".
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