Neo-pop

Context

Neo-pop art's visuals don't retain many aspects of traditional pop art but rather convey its ideas into modern times. Neo-pop takes elements from pop art like its emphasis on popular culture, consumerism, and mass media and its bright color palette. The visuals are mainly rooted in vibrant colors, diverse patterns (like polka dots, flowers, hearts, stars, lines, etc.), and a mix of imagery from everyday life, like advertisements and pop culture. Neo-pop artists often took inspiration from celebrities, cartoons, and iconic trademarks to make their artworks. Defined as a resurgence of the aesthetics and ideas from the mid-20th century movement capturing the characteristics of pop art like intentional kitsch and interest in commercialism.

Notable artists

The term (which was originated in 1992 by Japanese critic Noi Sawaragi) refers to artists influenced by pop art and popular culture imagery, such as Jeff Koons, Romero Britto, Damien Hirst and Peter Mars, but also artists working in graffiti and cartoon art, such as Keith Haring and Kenny Scharf.

Japanese artist Takashi Murakami is described as the first of the Japanese neo-pop artists to "break the ice in terms of recycling Japanese pop culture". Japanese neo-pop known as Superflat is associated with the otaku subculture and the obsessive interests in anime, manga and other forms of pop culture. Artist Kenji Yanobe exemplifies this approach to art and fandom.

References

References

1. Fred S. Kleiner, Helen Gardner, Christin J. Mamiya, Richard G. Tansey, ''Gardner's Art Through the Ages'', Chapters 19–34, Thomson Wadsworth, 2004, pp. 1068. {{ISBN. 0-534-64091-5
2. [https://mymodernmet.com/contemporary-pop-art-artists/ Contemporary Pop Artists Who Keep the Movement Alive Today — My Modern Met]
3. [https://www.carredartistes.com/en-us/blog/the-kings-of-neo-pop The Kings of Neo Pop]
4. "Bio {{!}} Keith Haring".
5. Peter Childs, Mike Storry, ''Encyclopedia of Contemporary British Culture'', Taylor & Francis, 1999, p. 413. {{ISBN. 0-415-14726-3
6. "Index of /arts".
7. Smith, Roberta. "From a mushroom cloud, a burst of art reflecting Japan's psyche". ''The New York Times'' 8, no. 04 (2005): B28.
8. Munroe, Alexandra. "Introducing Little Boy". In ''Little Boy: The Arts of Japan's Exploding Subcultures'', edited by Takashi Murakami. pp. 241–61. Exh. cat. New York: Japan Society; New Haven: Yale University Press, 2005.