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Minneapolis sound

Subgenre of funk rock

Summary

Subgenre of funk rock

Field	Value
name	Minneapolis sound
image	Prince 1980 (cropped).jpg
caption	Prince (pictured in 1980) was a pioneer of Minneapolis Sound
stylistic_origins
cultural_origins	Late 1970s, Minneapolis, Minnesota, U.S.
derivatives	Dance-pop
other_topics	Prince

The Minneapolis sound is a subgenre of funk rock that incorporates elements of new wave and synth-pop. Started at Sound 80 with tracks like "Funkytown" by Lipps Inc. and pioneered by Minneapolis-based musician Prince and André Cymone beginning in the late 1970s, the musical style's heyday extended through the late 1980s. The style was often heard at city clubs like First Avenue and was exemplified by Prince-affiliated acts, including the Time, Vanity 6, Apollonia 6, Sheila E., the Family, Wendy & Lisa, Brownmark, Jimmy Jam & Terry Lewis, Morris Day, and Jesse Johnson, and by acts neither affiliated with Prince nor native to Minneapolis, such as Flint, Michigan's Ready for the World.

According to the Rolling Stone Album Guide, "the Minneapolis sound... loomed over mid-'80s R&B and pop, not to mention the next two decades' worth of electro, house, and techno."

Identifying characteristics

While the Minneapolis sound incorporates many of funk's quintessential elements, it bears several distinguishing characteristics:

Synthesizers generally replace horn sections of trumpets and saxophones, and are used more as accent than as fill or background.
The rhythm is often faster and generally less syncopated than traditional funk, owing much to new wave music. At the same time, dominant rhythm lines are often accented with repeating percussive fills at fixed intervals, often courtesy a Linn or other drum machine.
Lead guitar is frequently much louder and more aggressively processed during solos than in most traditional funk, while a wah-wah effect is heavily relied upon for rhythm guitar accompaniments.
Compositions often incorporate orchestral string arrangements, adding a symphonic pathos.
The "bottom" of the sound is less bass-heavy than traditional funk; drums and keyboards fill more of the "bottom".

Sources

{{Cite web| last = Ohmes | first = Jeremy | title = The Minneapolis Sound| work = PopMatters| date = June 4, 2009

References

Campbell, Michael. (2008). "Popular Music in America: The Beat Goes On". Cengage Learning, 2008.
(2004). "[[The New Rolling Stone Album Guide]]". Simon and Schuster.

Wikipedia Source

This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page.

20th-century-music-genres prince-(musician) culture-of-minneapolis funk-rock

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