Mangas

Overview

Mangas was a label for men belonging to the Greek working class, behaving in a particularly arrogant/presumptuous way, and dressing with a very typical vesture composed of a woolen hat (kavouraki, καβουράκι), a jacket (they usually wore only one of its sleeves), a tight belt (used as a knife case), stripe pants, and pointy shoes. Other features of their appearance were their long moustache, their bead chaplets (κομπολόγια, sing. κομπολόι), and their idiosyncratic manneristic limp-walking (κουτσό βάδισμα). A related social group were the Koutsavakides (κουτσαβάκηδες, sing. κουτσαβάκης); the two terms are occasionally used interchangeably. Manges are also notable for being closely associated with the history of rebetiko.

Etymology

The three most probable etymologies of the word Mangas are the following:

• From the Turkish manga "small military troop" via Albanian mangë.
• From the Latin manica (from the same root as Modern Greek μανίκι "sleeve") "hand-related" (cf. the sound change from the Latin manicus to the Spanish mango "handle").
• According to a more marginal proposal, its origin is from the Latin mango, -onis "dealer, trader".

In popular culture

Most rebetiko songs refer to manges, even when this is not explicit, as rebetiko was part of this subculture. Examples are: "Στην Υπόγα" ("In the Basement", by Kostis, 1930), "Ο Μάγκας του Βοτανικού" ("The Mangas of Votanikos", by Kasimatis, 1934). The admiration of manges was carried on with the later genre of Greek music Laïko. Examples are: "Πού 'σουν μάγκα το Χειμώνα" ("Where Were You, Mangas, During the Winter", by Giorgos Mouflezis, 70s), and others.

Karagiozis shadow plays portray a recurrent character called Stavrakas, Σταύρακας.

In modern Greek language, mangas has become a synonym for "swash guy, swagger" or (in dialogue) simply "dude"; depending on context it may have more negative ("bully, thug, hooligan") or more positive ("brave, crafty man, lad") connotations.

Notes

Bibliography

• Stasinopoulos, Epaminondas. Η Αθήνα του περασμένου αιώνα (1830–1900) – Last Century's Athens (1830–1900), Athens, 1963 .

References

1. Petropoulos, Elias. (2000). "Songs of the Greek Underworld: The Rebetika Tradition". Saqi Books.
2. According to lexicographer Menos Filintas (Μένος Φιλήντας) their name comes from [[Kottabos (game)
3. ''[[Triantafyllidis Dictionary
4. [[Georgios Babiniotis. Babiniotis, Georgios]]. ''[[Dictionary of Modern Greek]]'' (2nd edition), Athens: Lexicology Centre, 2002. {{ISBN. 960-86190-1-7.
5. Andriotis, Nikolaos. ''Ετυμολογικό λεξικό της κοινής νεοελληνικής'' (''Etymologiko lexiko tis koinis neoellinikis''), Manolis Triantafyllidis Foundation, 1995.