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Mahendravarman I

Pallava emperor from 590 to 630

Mahendravarman I

Summary

Pallava emperor from 590 to 630

FieldValue
nameMahendravarman I
imageMahendravarman I.jpg
captionSculpture of Mahendravarman I with his queens at Varaha Cave Temple.
successionPallava emperor
reign590–630
predecessorSimhavishnu
successorNarasimhavarman I
issueNarasimhavarman I
dynastyPallava
fatherSimhavishnu
motherDaughter of Vikramendra Varma II
religionJainism
Shaivism

Shaivism

Mahendravarman I (reigned 590–630) was a Pallava emperor who ruled over a realm covering the southern portions of present-day Andhra region and northern regions of what forms present-day Tamil Nadu in India, in the early 7th century. He was a scholar, a painter, an architect and a musician. He was the son of Simhavishnu, who defeated the Kalabhras and re-established the Pallava kingdom.

During his reign, the Chalukya monarch Pulakeshin II attacked the Pallava realm. The Pallavas fought a series of wars in the northern Vengi region, before Mahendravarman decimated his chief enemies at Pullalur (according to Pallava grants at Kuram, Kasakudi and Tadantottam). Although Mahendravarman saved his capital, he lost the northern provinces to Pulakeshin. Tamil literature flourished under his rule, with the rise in popularity of Tevaram written by Appar and Sambandhar. Mahendravarman I was the author of the play Mattavilasa Prahasana which is a Sanskrit satire. During his period "Bhagavadajjukam", another satire (prahasanam), was written by Bodhayana. King Mahendravarman mentioned this on a stone inscription in Mamandur along with his own Mattavilasa Prahasanam.

Mahendravarman was succeeded to the throne by his more famous son Narasimhavarman I in 630 CE, who defeated Pulakeshin II of the Chalukya dynasty and ransacked the Chalukyan capital city of Vatapi (also known as Badami).

Patronage of arts and architecture

[[Bhima Ratha]], which is part of the [[Pancha Rathas]] group of monuments, located in [[Mahabalipuram]] (Mamallapuram), [[Tamil Nadu]], India.

Construction of these started in the reign of Mahendravarma I. Mahendravarman was a great patron of letters and architecture. He constructed the Mahabalipuram Lighthouse and Kanchi University where Vedas, Buddhism, Jainism, Painting, Music & Dance were taught. He was the pioneer of the Rock-cut Architecture amongst the Pallavas. The inscription at the rock-cut Mandagapattu Tirumurti Temple hails him as Vichitrachitta and claims that the temple was built without wood, brick, mortar or metal. The five-celled cave temple at Pallavaram was also built during his reign as was the Kokarneswarar Temple, Thirukokarnam of Pudukottai, Tamil Nadu. He made Kudimiya malai Inscription. His paintings are found in Sittanavasal Cave (Tamil Nadu).

Fine examples of his rock-cut temples can be witnessed at Mahabalipuram, (Satyagirinathar and Satyagirishwarar twin temples), Seeyamangalam (the Avanibhajana Pallaveswaram Siva temple) in North Arcot district and the upper rock-cut temple at Trichy. Apart from the Siva temples, Mahendravarma also excavated a few Vishnu cave temples, the Mahendravishnugrha at Mahendravadi, and the Ranganatha Temple at Singavaram in present-day Gingee (then North Arcot district).

He was also the author of the play Mattavilasa Prahasana, a farce concerning Buddhist and Saiva ascetics. He is also claimed to be the author of another play called Bhagavadajjuka,. This is evident by the inscriptions found at Mamandur cave shrines (near Kanchipuram - this place is mentioned as Dusi Mamandur to avoid confusions with other places by the same name). However, there is an alternate view that attributes this play to Bodhayana.

Religion

[[Varaha Cave Temple]] built by Mahendravarman I

Mahendravarman was initially a patron of Jainism, but he converted to the Shaiva tradition under the influence of the Shaiva saint Appar. According to Divyacharitam, a Sanskrit work on the life of Alvars that was written in 12th century, the image of Yatotkara Perumal (Vishnu), enshrined in Kanchipuram, was carried out of the city along with his devotee Tirumalisai Alvar, because the latter faced persecution and exile from the king, who had at least temporarily come under the influence of Jainism.

Notes

References

References

  1. Sivaramamurti, C.. (1979). "Early Andhra Art and Iconography". Government of Andhra Pradesh.
  2. Rao, P. Raghunadha. (1993). "Ancient and Medieval History of Andhra Pradesh". Sterling Publishers.
  3. (2005). "History of the World: Earliest Times to the Present Day". World Publications Group.
  4. Seventeen, Volume. (1885). "Indian kingdoms by royal asiatic society of great britain". Royal asiatic society of great Britain.
  5. [[#Sastri. Sastri 2008]], p. 136
  6. Bodhayan's Bhagwatajjukam edited by Veturi Prabhakara Sastri, Manmanjari Publications, Hyderabad, 2nd edition 1986, for more information Veturi Prabhakara Sastri Memorial Trust, 2-2-18/15/18/D/1, Bagh Amberpet, Hyderabad 500013
  7. "Historical Inscriptions Of Southern INida". Kitabistam,Allahabad.
  8. Sen, Sailendra. (2013). "A Textbook of Medieval Indian History". Primus Books.
  9. Gopal, Madan. (1990). "India through the ages". Publication Division, Ministry of Information and Broadcasting, Government of India.
  10. [[#Sastri. Sastri 2008]], p. 412
  11. [[#Sastri. Sastri 2008]], p. 413
  12. [[#Sastri. Sastri 2008]], p. 313
  13. (2016). "Jainism - Its relevance to psychiatric practice; with special reference to the practice of Sallekhana". Indian J Psychiatry.
  14. [[#Malla. C. 2004]], pp. 5-6
  15. Gopalan, R.. (1928). "History of the Pallavas of Kanchi".
  16. [[#Sastri. Sastri 2008]], p. 382–383
  17. [[#Stein. Stein]], p. 122
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