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List of chorale harmonisations by Johann Sebastian Bach

None

Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:

four-part harmony
SATB vocal forces
pre-existing hymn tune allotted to the soprano part
text treatment:
- homophonic
- no repetitions (i.e., each syllable of the hymn text is sung one time)

Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant:

Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known.
All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints. Apart from the Three Wedding Chorales collection (BWV 250–252), these are copies by other scribes and prints only published after the composer's death, lacking context information, such as instrumental accompaniment, for the individual harmonisations.

Apart from homophonic choral settings, Bach's Lutheran hymn harmonisations also appear as:

sung chorale fantasias in some of Bach's larger vocal works
hymn melodies for which Bach composed or improved a thorough bass accompaniment, for instance as included in Georg Christian Schemelli's Musicalisches Gesang-Buch
harmonisations included in purely instrumental compositions, most typically organ compositions such as chorale preludes or chorale partitas.

History

The compositions by Johann Sebastian Bach that had been printed during his lifetime were nearly exclusively instrumental works. Moreover, by the time Bach died in 1750 it was forgotten that a few of his vocal works (BWV 71, BWV 439–507,...) had indeed been printed in the first half of the 18th century. In the period between the publication of The Art of Fugue in the early 1750s, and the publication of further works from 1800, only one group of Bach's works was published: his four-part chorales.

The most complete 18th century publication of chorales by J. S. Bach is Carl Philipp Emanuel Bach's edition in four volumes, published by Breitkopf from 1784 to 1787. About half of the chorale harmonisations in this collection have their origin in other extant works by Bach. This collection went through four more editions and countless reprintings until 1897. Several other collections of chorales by J. S. Bach were published, some of these using the original C-clefs or different texts.

The loss of musical material from Bach's death to the first printings of chorale collections may have been substantial. Not only are many works the chorales were extracted from no longer extant but there is no way of knowing how much of all the harmonisations that were once compiled the current collections include. For example, there is no way of knowing how many of the 150 harmonisations first proposed for sale in 1764 also appear in Princess Anna Amalia's manuscript which ultimately forms the basis of the Breitkopf edition. As to the chorale melodies with figured bass, current collections include less than one hundred of them whereas those proposed for sale in 1764 numbered 240.

The chorale harmonisations BWV 250–438 were probably all extracted from lost larger vocal works. For six of them the work they have been derived from has been identified. Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.

Some harmonisations exist in different keys, i.e. pitches, in 18th-century sources: for instance a Bach cantata autograph gives the four-part chorale in one key, and the same harmonisation is found in one or more of the early chorale compilations in a different key.

Manuscripts

The first record of the existence and sale of groups of collected chorale harmonisations and chorale melodies with figured bass extracted from larger works by J.S. Bach is from 1764, fourteen years after Bach's death. In that year the firm Breitkopf und Sohn announced for sale manuscript copies of 150 chorale harmonisations and 240 chorale melodies with figured bass by J.S. Bach.

In 1777 Johann Kirnberger started an active letter campaign to induce Breitkopf to publish a complete set of chorale harmonisations. Kirnberger's letters emphasize his motivation to have the chorales printed in order to preserve them for the benefit of future generations. The manuscript to be used once belonged to C. P. E. Bach, who sold it through Kirnberger to Princess Anna Amalia of Prussia (for twelve louis d'or). It is presumed that this manuscript contained neither the text of the chorales nor any reference to the larger works from which the harmonisations had been taken. The manuscript's harmonisations extracted only the vocal parts and ignored the instrumental parts and the continuo, even though all of Bach's chorale settings included both instrumental parts and continuo. The instrumental parts were either independent, so called obbligato instrumental parts, or mostly doubled the vocal parts sometimes separating from it for a very few beats, and the continuo had its bass mostly double the vocal bass at the lower octave, but could also separate from it for a very few beats. Finally in some cases, for reasons unknown, whoever extracted the chorale from the larger work, changed the key of the setting.

; "Y" manuscript hypothesis : Hypothetical early autograph collection of chorale harmonisations from which Bach would have selected settings he later integrated into his larger vocal works.

; Larger vocal works manuscripts : Mostly extant as autograph score and/or as parts written out under Bach's supervision: many of these works, such as cantatas and Passions, include four-part chorales

; Three Wedding Chorales autograph : Bach's autograph of the wedding chorales BWV 250–252, written between 1734 and 1738.

; Dietel manuscript, a.k.a. Dietel Collection and, in German, Choralsammlung Dietel : : Earliest of the extant larger collection of chorale harmonisations manuscripts. It contains 149 chorale harmonisations (not 150 as is written on its title page) and originated around 1735. The music in the manuscript was copied by Johann Ludwig Dietel, one of Bach's pupils from the Thomasschule.{{cite web | access-date = 4 June 2017

Printed editions

A few chorale harmonisations had been published before Bach adopted them into his larger vocal works, and are therefore listed as spurious in the third annex of the BWV catalogue:

, also known as closing movement of cantata BWV 27: five-part harmonisation published, for instance, in Vopelius' 1682 Neu Leipziger Gesangbuch, p. 947.
Cantata BWV 43, movement 11: harmonisation by published in 1652, later adopted in Vopelius' Neu Leipziger Gesangbuch: "Ermuntre dich, mein schwacher Geist", p. 70.
Cantata BWV 8, movement 6 (BWV 8/6): Daniel Vetter's four-part setting of "Liebster Gott, wann werd ich sterben", published in 1713. Several more harmonisations stay close to the version published by Vopelius: for example "Christus, der ist mein Leben", BWV 281, is a variant of the harmonisation found in the Neu Leipziger Gesangbuch, with added embellishments and the harmonic structure altered for one of the tune's four phrases.

Printed collections of Bach's harmonisations usually provide an alphabetical collation of the chorales, that is, ranged alphabetically by text incipit of the hymn. Some editions contain an alphabetical index at the end of the compilation, for instance at the end of the final volume of C. P. E. Bach's 18th-century collection. Other editions, such as the Breitkopf compilations of 1892 and 1899, present the chorales themselves in alphabetical order. However, not all of these alphabetical collations result in analogous chorale sequences. Some major differences in this respect result from chorales that are known by different names: in that case it depends on the editor which name is used for the collation. For example, the melody of "Ach, lieben Christen, seid getrost" also being known as "Wo Gott der Herr nicht bei uns hält" it is an editor's discretion whether BWV 256 is found early on or near the end of an alphabetically sorted collection.

18th century

Main article: 18th-century prints of Bach's four-part chorales

Some of Bach's voice and thoroughbass settings published in Georg Christian Schemelli's 1736 Musicalisches Gesang-Buch are better known in their four-part realisation included in the chorale harmonisation collections.

; Chorales published by Birnstiel (200) : In 1765 F. W. Birnstiel published 100 chorales in Berlin. The edition had been initiated by F. W. Marpurg and completed, edited and supplemented with a preface and a list of errata by C. P. E. Bach. A second volume of 100 was issued by the same publisher in 1769, edited by J. F. Agricola. C. P. E. Bach criticised this publication as being full of mistakes in an article which was published in Hamburg in the Staats- und Gelehrte Zeitung des Hamburgischen unpartheyeschen Correspondenten on 30 May 1769, in which he also claimed that some of the chorale harmonisations included in the volume had not been composed by his father.

; C. P. E. Bach's edition for Breitkopf (371) : After Kirnberger died in 1783, C. P. E. Bach became Breitkopf's editor for the chorales, which he then published in four parts: :* Vol. I (1784): Nos. 1–96 :* Vol. II (1785): Nos. 97–194 :* Vol. III (1786): Nos. 195–283 :* Vol. IV (1787): Nos. 283–370 : Since the number 283 was used twice (last number of Vol. III and first number of Vol. IV), the collection actually contained 371 items. The collection also contained several doubles (e.g. No. 156 is identical to No. 307): it totalled 348 independent harmonisations.

19th century

C. P. E. Bach's selection of 371 chorale harmonisations was republished a few times in the 19th century, for instance by Carl Ferdinand Becker in 1832 (third edition), and by Alfred Dörffel in 1870.

; Bach Gesellschaft (larger vocal works + 3 + 185): The Bach-Gesellschaft Ausgabe (BGA, Bach Gesellschaft edition) kept the chorale settings that were part of a larger vocal work (cantata, motet, Passion or oratorio) together with these larger vocal works and added the Three Wedding Chorales to its 13th volume containing wedding cantatas. The remaining separate four-part chorales, purged from doubles, were ordered alphabetically and numbered from 1 to 185 in the 39th volume which was published in 1892.

; Richter's edition for Breitkopf (389) : In the late 19th century Bernhard Friedrich Richter collected all straightforward chorale harmonisations that had appeared in the BGA edition —including as well the separate ones as those from larger vocal works—, added a "Herr Gott, dich loben alle wir" harmonisation from a variant version of Cantata 130, and numbered all of these chorales in alphabetical order. The set contained a few doubtful and spurious settings (e.g. from Telemann cantatas which at the time were still attributed to Bach), but four-part settings which were part of a more complex texture (e.g. the fifth movement of Cantata 22 where the vocal homophony is supplemented by instrumental figuration) were not always included by Richter. The set was published by Breitkopf as Joh. Seb. Bach: 389 Choral-Gesänge für gemischten Chor in 1899.

20th century

The Bach-Werke-Verzeichnis, published in 1950, did not assign a separate BWV number to harmonisations contained in extant larger vocal works such as cantatas and Passions. The Three Wedding Chorales were assigned the numbers 250 to 252, and the 185 (+1: see below) four-part chorales contained in Vol. 39 of the BGA edition were given, in the same order, the numbers 253 to 438.

; Terry (405) : Published in 1929, Charles Sanford Terry's J. S. Bach's Four-Part Chorales contains 405 chorale harmonisations and 95 melodies with figured bass. The collection was reprinted 1964, with a foreword by Walter Emery.

; Riemenschneider (371) : Albert Riemenschneider's collection of 371 chorales was published in 1941. It contained the same 371 settings as the C. P. E. Bach edition for Breitkopf, but with a few differences in the collation. In some cases Riemenschneider restored some information about obbligato instrumental parts based on extant larger works, e.g. his No. 270 from cantata BWV 161, or about the continuo bass line if this does not exactly coincide with the vocal bass, e.g. his No. 29 from cantata BWV 32 and his No. 35 from the Christmas Oratorio. Riemenschneider did however not restore original keys to the extant larger works, but instead kept the chorales in the keys as they had been published in the Breitkopf collection, e.g. his No. 22, in E-flat major, comes from cantata BWV 180 where it is in F major. At times the key signature in Riemenschneider's edition does not correspond to the key, for instance No. 19, in G minor but written with a "Dorian" G key signature. This too is presumably reproduced from the Breitkopf edition, which would have followed a common 17th- and 18th-century practice.

; Editio Musica Budapest (388) : Editio Musica Budapest (EMB) published Imre Sulyok's edition of 388 chorale harmonisations in 1982. With a few differences (e.g. a de-doubling of the near-identical BWV 253 and 414, and some differences in the collation) the collection is largely comparable to the Richter edition.

; Kalmus (389) : Kalmus republished the 389 chorales of Richter's collection.

; NBA : The New Bach Edition published the Three Wedding Chorales and the four-part chorales contained in the Dietel collection in 1991 (Series III, Vol. 2/1). The chorales from C. P. E. Bach's collection were published in 1996 (Series III, Vol. 2/2). Vol. 3 of the same series, published in 2002, contains a few chorales of doubtful authenticity found in other manuscripts and early editions. Vol. 9 of the second series, published in 2000, contains a few doubtful chorales found in various Passions. Better known chorale harmonisations are also contained in other volumes of series I (cantatas), II (Passions and oratorios) and V (e.g. BWV 299 as contained in the Notebook for Anna Magdalena Bach).

21st century

; Czarnecki (413) : Christopher Czarnecki (editor). J.S. Bach 413 Chorales. SeeZar Publications, 2014.

; Dahn (420) : Luke Dahn (editor). J.S. Bach Chorales: a new critical and complete edition arranged by BWV catalogue number with text and historical contextual information included for each chorale with numerous indices included in the appendix. LuxSitPress, 2017.

Chorale harmonisations in various collections

Most of Bach's known chorale harmonisations are movements in his extant cantatas, motets, Passions and oratorios. These are compositions which have a BWV number ranging from 1 to 249. BWV 250 to 438 is the range of the separate four-part chorales. Chorale harmonisations with a number above 438 are mostly later additions to the BWV catalogue. The 5th chapter of the 1998 edition of the Bach-Werke-Verzeichnis (BWV2a) contains the chorales BWV 250–438, and some later additions (BWV 500a, 1084, 1089 and 1122–1126).

Numbering conventions

All BWV numbers used in the listings below are according to the latest version of the Bach-Werke-Verzeichnis and further updates of these numbers found at the Bach Digital website. When a BWV number is followed by a slash ("/"), the number or letter after that slash indicates the movement in the composition.

Settings from Schemellis Gesangbuch are indicated by their BWV number (BWV 439–507), by the number of the hymn in the original publication (Nos. 1–954), and, between brackets, the number of the setting in Vol. 39 of the BGA edition (1–69).

A cross-reference between Lutheran hymns, their Zahn number, and their appearance in compositions by Bach (including, but not limited to, the chorale harmonisations) can be found pp. 471–481 of BWV2a.

column	content	Chorale text
1	Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections.
2	Zahn number of the chorale melody. When the data in the Zahn column starts with N that refers to "Nachtrag von vier Melodien" (supplement of four melodies), pp. 566–568 in Zahn's 1893 last volume: the number after the slash refers to the place of the melody in this sequence of four.
3	{{flatlist	Sorted by BWV number, the table has these subdivisions:
4	Number of the chorale setting in Richter's 19th-century compilation of chorale harmonisations. These are also known as Kalmus numbers while that publisher reissued Richter's compilation of 389 chorales. Richter/Kalmus Nos. 130, 219 and 387 are not included in the table: see "In church cantatas" section below.
5	Numbers as in C. P. E. Bach's 18th-century publication of his father's chorales. The two No. 283 chorales are distinguished as "283" for the one included in Vol. III, and "283bis" for the one included in Vol. IV.
6	Numbers as in Riemenschneider's 1941 publication of the chorales.
7	External links in this column go to chorale pages at Luke Dahn's website.
8	Bach Compendium (BC) series F; external links in this column go to the Bach Digital Work page about the chorale

Chorale text	Zahn	BWV	389	CPE	EMB--	Rie.	Notes	BC F
From church cantatas, Ascension Oratorio	(Zahn)	1–197a	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Wie schön leuchtet der Morgenstern (v. 7)	8359	1/6	378		EMB --		0001_6	—
Ach Gott, vom Himmel sieh darein (v. 6)	4431	2/6	7	262	EMB 7 --	262	0002_6	3.2a/b
Ach Gott, wie manches Herzeleid (v. 18)	553a	3/6	8	156	EMB --	156	0003_6	87.2a/b
307	308
Christ lag in Todesbanden (v. 7)	7012a	4/8	41	184	EMB --	184	0004_8	26.3b
Wo soll ich fliehen hin (v. 11)	2164	5/7	28	303	EMB --	304	0005_7	20.2b
Erhalt uns, Herr, bei deinem Wort (v. 2)	350	6/6	79	72	EMB --	72	0006_6	56.1a/b
Christ unser Herr zum Jordan kam (v. 7)	7246	7/7	44		EMB --		0007_7	—
Liebster Gott, wenn werd ich sterben (v. 5)	6634	8/6	227	43	EMB --	43	0008_6; Spurious	131.1a/b
Liebster Gott, wenn werd ich sterben	6634	8/6*			EMB --		≈BWV 8/6; ≈BWV 483	131.1c
Es ist das Heil uns kommen her (vv. 7–8)	4430	9/7	87	289	EMB --	290	0009_7	59.2a/b
Meine Seele erhebt den Herren (doxology)	7372~	10/7	122	357	EMB --	358	0010_7; Tune: German Magnificat (metric)	140.3a/b
Du Lebensfürst, Herr Jesu Christ (v. 4)	5741	11/6	82	342	EMB --	343	0011_6; (BWV 11 = Ascension Oratorio)	57.3
Was Gott tut, das ist wohlgetan (v. 6)	5629	12/7	340		EMB --		0012_7; ≈BWV 69a/6	—
In allen meinen Taten (v. 15)	2293b	13/6	295	103	EMB --	103	0013_6	166.3; —
Wär Gott nicht mit uns diese Zeit (v. 3)	4434	14/5	330	182	EMB --	182	0014_5	188.1a/b
Helft mir Gotts Güte preisen (v. 5)	5267	16/6	125	99	EMB --	99	0016_6	80.2a/b
Nun lob, mein Seel, den Herren (v. 3)	8244	17/7	271	6	EMB --	7	0017_7	153.3a/b
(v. 8)	7549	18/5	73	100	EMB--	100	0018_5	52.1b/c
126	126
Freu dich sehr, o meine Seele (v. 9)	6543	19/7	99	297	EMB --	298	0019_7	208.7b
O Ewigkeit, du Donnerwort (vv. 11, 16)	5820	20/7, /11	276	26	EMB --	26	0020_7_11	156.2
Herr Christ, der einge Gottessohn (v. 5)	4297a	22/5			EMB --		0022_5	—
O Gott, du frommer Gott (v. 1)	5148	24/6		336	EMB --	337	0024_6	157; —
Treuer Gott, ich muss dir klagen (v. 12)	6543	25/6	101	254	EMB --	254	0025_6	208.1b; —
282	282
Ach wie flüchtig, ach wie nichtig (v. 8)	1887	26/6	11	48	EMB --	48	0026_6	6.1
Helft mir Gotts Güte preisen (v. 6)	5267	28/6	124	23	EMB --	23	0028_6	80.1a/b; —
88	88
Nun lob, mein Seel, den Herren (v. 5)	8244	29/8	272	116	EMB --	116	0029_8	153.4b
Tröstet, tröstet meine Lieben (v. 3)	6543	30/6	103	76	EMB --	76	0030_6	208.6b
Wenn mein Stündlein vorhanden ist (v. 5)	4482a,b	31/9	357		EMB --		0031_9	201.5
Weg, mein Herz, mit den Gedanken (v. 12)	6543	32/6	102	29	EMB --	29	0032_6	208.4b
Allein zu dir, Herr Jesu Christ (v. 4)	7292b	33/6	16	13	EMB --	13	0033_6	11.2a/b
Wie schön leuchtet der Morgenstern (v. 7)	8359	36.4/5					209.2a
Wie schön leuchtet der Morgenstern (v. 6)	8359	36/4	377	85	EMB --	86	0036_4	209.2b
195	195
304	305
Nun komm, der Heiden Heiland (v. 8)	1174	36/8	264	28	EMB --	28	0036_8	151.2a/b
Ich dank dir, lieber Herre (v. 4)	5354b	37/6	178	340	EMB --	341	0037_6	101.3a/b
Aus tiefer Not schrei ich zu dir (v. 5)	4437	38/6	31	10	EMB --	10	0038_6	22.1a/b
Kommt, laßt euch den Herren lehren (v. 6)	6543	39/7	104	67	EMB --	67	0039_7	208.5b/c
Wir Christenleut habn jetzund Freud (v. 3)	2072	40/3	379	320	EMB --	321	0040_3	210.2a/b
Schwing dich auf zu deinem Gott (v. 2)	4870	40/6	305	142	EMB --	142	0040_6	172.1a/b
Freuet euch, ihr Christen alle (v. 4)	7880a	40/8	105	8	EMB --	8	0040_8	67.1a/b
Jesu, nun sei gepreiset (v. 3)	8477a	41/6		11	EMB --	11	0041_6; ≈BWV 171/6	118.3a; —
Verleih uns Frieden gnädlich (complete)	1945	42/7	322	91	EMB --	91	0042_7; Text version:	182.2
259	259
Du Lebensfürst, Herr Jesu Christ (vv. 1, 13)	5741	43/11	81	102	EMB --	102	0043_11; Spurious	57.1a
In allen meinen Taten (v. 9)	2293b	44/7	296	354	EMB --	355	0044_7	166.4b
O Gott, du frommer Gott (v. 2)	5206b	45/7	278	84	EMB --	85	0045_7	45.4a/b
O großer Gott von Macht (v. 9)	5101a	46/6		81	EMB --	82	0046_6	158.1b
Warum betrübst du dich, mein Herz (v. 11)	1689	47/5	333	94	EMB --	94	0047_5	189.3a/b
Ach Gott und Herr (v. 4)	2051	48/3	4	279	EMB --	279	0048_3	2.2a/b
Herr Jesu Christ, ich schrei zu dir (v. 12)	4486	48/7	144	266	EMB --	266	0048_7	202.4b
Herr Jesu Christ, du höchstes Gut
In dich hab ich gehoffet, Herr (v. 1)	2461	52/6	212		EMB --		0052_6	—
Werde munter, mein Gemüte (v. 6)	6551	55/5	362	95	EMB --	95	0055_5	206.5a/b
Du, o schönes Weltgebäude (v. 6)	6773	56/5	72	86	EMB --	87	0056_5	50.2a/b
Hast du denn, Jesu, dein Angesicht (v. 6)	1912a	57/8	231	90	EMB --	90	0057_8	78.1a/b; —
Komm, Heiliger Geist, Herre Gott (v. 1)	7445a	59/3	220		EMB --		0059_3; ≈BWV 175/7	—
Es ist genug (v. 5)	7173	60/5	91	216	EMB --	216	0060_5	60.1
Nun komm, der Heiden Heiland (v. 8)	1174	62/6	265	170	EMB --	170	0062_6	151.1a/b/c
Gelobet seist du, Jesu Christ (v. 7)	1947	64/2	108	160	EMB --	160	0064_2	69.3a/b
Was frag ich nach der Welt (v. 1)	5206b	64/4	280	255	EMB --	255	0064_4	45.3
Jesu, meine Freude (v. 5)	8032	64/8	200	138	EMB --	138	0064_8	116.2a/b
Ein Kind geborn zu Bethlehem (v. 4)	192b	65/2	302	12	EMB --	12	0065_2	169.1b
Ich hab in Gottes Herz und Sinn (v. 10)	7568	65/7	346	41	EMB --	41	0065_7	194.1b
Christ ist erstanden (v. 3)	8584	66/6	37		EMB --		0066_6	25.2
Erschienen ist der herrlich Tag (v. 1)	1743	67/4	83		EMB --		0067_4	—
Du Friedefürst, Herr Jesu Christ (v. 1)	4373	67/7	68	42	EMB --	42	0067_7	49.2; —
Es woll uns Gott genädig sein (v. 3)	7247	69/6	97	332	EMB --	333	0069_6	66.4b
Was Gott tut, das ist wohlgetan (v. 6)	5629	69a/6		292	EMB --	293	0069a_6; ≈BWV 12/7	193.4c
Freu dich sehr, o meine Seele (v. 10)	6543	70/7	98		EMB --		0070_7	—
Meinen Jesum laß ich nicht, weil ... (v. 5)	3449	70/11	243	347	EMB --	348	0070_11	141.4b
Was mein Gott will, das g'scheh allzeit (v. 1)	7568	72/6	344		EMB --		0072_6	—
Von Gott will ich nicht lassen (v. 9)	5264b	73/5	328	191	EMB --	191	0073_5	185.4b
Gott Vater, sende deinen Geist (v. 2)	2496c	74/8	223	369	EMB --	370	0074_8	128.2b
Was Gott tut, das ist wohlgetan (vv. 5–6)	5629	75/7, /14			EMB --		0075_7_14; =BWV 100/6	—
Es woll uns Gott genädig sein (vv. 1, 3)	7247	76/7, /14			EMB --		0076_7_14	—
Wenn einer alle Ding verstünd (v. 8)?	4431	77/6	6	253	EMB --	253	0077_6; No autograph text: added later	3.3b
O Gottes Sohn, Herr Jesu Christ (v. 5)?
Ach Gott, vom Himmel sieh darein
Jesu, der du meine Seele (v. 12)	6804	78/7	188	296	EMB --	297	0078_7	187.4a/b
Nun danket alle Gott (v. 1)	5142	79/3	259		EMB --		0079_3	—
Nun laßt uns Gott dem Herren (v. 8)	159	79/6	267		EMB --		0079_6	—
Ein feste Burg ist unser Gott (v. 1)	7377	80.2/1					—
Ein feste Burg ist unser Gott (v. 4)	7377	80/8	76	273	EMB --	273	0080_8	53.4a/b
Jesu, meine Freude (v. 2)	8032	81/7	197	323	EMB --	324	0081_7	116.3a/b
Mit Fried und Freud ich fahr dahin (v. 4)	3986	83/5	250	324	EMB --	325	0083_5	144.2a/b
Wer weiß, wie nahe mir mein Ende (v. 12)	2778	84/5	373	112	EMB --	112	0084_5	205.2a/b/c
Ist Gott mein Schild und Helfersmann (v. 4)	2542	85/6	216	122	EMB --	122	0085_6	111.1a/b
Es ist das Heil uns kommen her (v. 11)	4430	86/6	86	4	EMB --	4	0086_6	59.1a/b
Selig ist die Seele (v. 9)	8032	87/7	201	96	EMB --	96	0087_7	116.4b
Wer nur den lieben Gott läßt walten (v. 8)	2778	88/7	368	104	EMB --	104	0088_7	205.5a/b
Wo soll ich fliehen hin (v. 7)	2164	89/6	26	281	EMB --	281	0089_6	20.4a/b
Nimm von uns, Herr, du treuer Gott (v. 7)	2561	90/5	319	267	EMB --	267	0090_5	181.3b
Gelobet seist du, Jesu Christ (v. 7)	1947	91/6	109	53	EMB --	51	0091_6	69.2a/b
Ich hab in Gottes Herz und Sinn (v. 12)	7568	92/9	347		EMB --		0092_9	—
Wer nur den lieben Gott läßt walten (v. 7)	2778	93/7	369		EMB --		0093_7	—
Was frag ich nach der Welt (vv. 7–8)	5206b	94/8	281	290	EMB --	291	0094_8	45.5
Wenn mein Stündlein vorhanden ist (v. 4)	4482a,b	95/7	356		EMB --		0095_7	201.6b
Herr Christ, der einge Gottessohn (v. 5)	4297a	96/6	128	302	EMB --	303	0096_6	81.2a/b
In allen meinen Taten (v. 9)	2293b	97/9	297		EMB --		0097_9; ≈BWV 392	166.9b/c
Was Gott tut, das ist wohlgetan (v. 6)	5629	99/6	341		EMB --		0099_6	—
Was Gott tut, das ist wohlgetan (v. 6)	5629	100/6			EMB --		0100_6; =BWV 75/7, /14	193; —
Nimm von uns, Herr, du treuer Gott (v. 7)	2561	101/7	318	291	EMB --	292	0101_7	181.1a/b
So wahr ich lebe, spricht dein Gott (v. 6)	2561	102/7	320	110	EMB --	110	0102_7	181.2b
Barmherzger Vater, höchster Gott (v. 9)	7568	103/6	348	120	EMB --	120	0103_6	194.6b/c
348	349
Der Herr ist mein getreuer Hirt (v. 1)	4457	104/6	13	125	EMB --	125	0104_6	10.2; —
325	326	10.2b
Jesu, der du meine Seele (v. 11)	6804	105/6			EMB --		0105_6	187.6b
Was willst du dich betrüben (v. 7)	5264b	107/7	327		EMB --		0107_7	—
Gott Vater, sende deinen Geist (v. 10)	2496c	108/6	224	46	EMB --	45	0108_6	128.1b
Wir Christenleut habn jetzund Freud (v. 5)	2072	110/7	380	57	EMB --	55	0110_7	210.1a/b
Was mein Gott will, das g'scheh allzeit (v. 4)	7568	111/6	345		EMB --		0111_6	—
Der Herr ist mein getreuer Hirt (v. 5)	4457	112/5	14	312	EMB --	313	0112_5	10.3a/b
352	353
Herr Jesu Christ, du höchstes Gut (v. 1)	4486	113/1			EMB --		0113_1	—
Herr Jesu Christ, du höchstes Gut (v. 8)	4486	113/8	142	293	EMB --	294	0113_8	202.3a/b
Ach lieben Christen, seid getrost (v. 6)	4441a	114/7	386	300	EMB --	301	0114_7	212.4a/b
Mache dich, mein Geist, bereit (v. 10)	6274a	115/6	312	38	EMB --	38	0115_6	179.1b/c
Du Friedefürst, Herr Jesu Christ (v. 7)	4373	116/6	69		EMB --		0116_6	—
Sei Lob und Ehr dem höchsten Gut (vv. 4, 9)	4430	117/4, /9	90	248	EMB --	248	0117_4_9	59.3b
353	354	59.3a/c
Herr Gott, dich loben wir (vv. 38–41)	8652	119/9	134		EMB --		0119_9	—
Herr Gott, dich loben wir (vv. 34–41)	8652	120/6	135		EMB --		0120_6	—
Lobe den Herren, den mächtigen ... (vv. 4–5)	1912a	120a/8	230		EMB --		0120a_8; ≈BWV 137/5	—
Christum wir sollen loben schon (v. 8)	297	121/6	42	55	EMB --	56	0121_6	29.1a/b
Das neugeborne Kindelein (v. 4)	491	122/6	57	52	EMB --	53	0122_6	37.1a/b
178	178
Liebster Immanuel, Herzog ... (v. 6)	4932c	123/6	229	194	EMB --	194	0123_6	132.1a/b
Meinen Jesum laß ich nicht, weil ... (v. 6)	3449	124/6	246		EMB --		0124_6	—
Mit Fried und Freud ich fahr dahin (v. 4)	3986	125/6	251		EMB --		0125_6	—
Verleih uns Frieden gnädlich (complete)	1945	126/6	321	215	EMB --	215	0126_6; Text version:	182.1b
Herr Jesu Christ, wahr Mensch und Gott (v. 8)	2570	127/5	147	283bis	EMB --	384	0127_5	199.1a/b
(v. 4)	5206b	128/5	279		EMB --		0128_5	—
Gelobet sei der Herr, mein Gott (v. 5)	5206b	129/5			EMB --		0129_5	45; —
Herr Gott, dich loben alle wir (v. 11)	368	130/6	131		EMB --		0130_6; Bach struck v. 12 in cantata	105.3b
Ich freue mich in dir (v. 4)	5187	133/6	181	61	EMB --	60	0133_6	164.1a/b
Ach Herr, mich armen Sünder (v. 6)	5385a	135/6	156		EMB --		0135_6	—
Wo soll ich fliehen hin (v. 9)	2164	136/6	27	330	EMB --	331	0136_6	20.5b
Lobe den Herren, den mächtigen ... (v. 5)	1912a	137/5	230		EMB --		0137_5; ≈BWV 120a/8	78.2c
Wohl dem, der sich auf seinen Gott (v. 5)	2383	139/6	238		EMB --		0139_6	—
Wachet auf, ruft uns die Stimme (v. 3)	8405	140/7	329	179	EMB --	179	0140_7	186.1a/b/c
Was Gott tut, das ist wohlgetan (v. 1)	5629	144/3	338	64	EMB --	65	0144_3	193.1
Was mein Gott will, das g'scheh allzeit (v. 1)	7568	144/6	343	265	EMB --	265	0144_6	194.4
Auf, mein Herz, des Herren Tag (v. 1)	3432b	145/a	209	337	EMB --	338	0145a	123.2a
Erschienen ist der herrlich Tag (v. 4)	1743	145/5	84	17	EMB --	17	0145_5	16.1a/b
Freu dich sehr, o meine Seele (v. 1)?	6551	146/8	360		EMB --		0146_8; Text: proposal Martin Petzold	—
Jesu, meiner Seelen Wonne (vv. 6, 16)	6551	147/6, /10			EMB --		0147_6_10; aka Jesu, Joy of Man's Desiring	—
Wo soll ich fliehen hin	2164	148/6	29	25	EMB --	25	0148_6; Textless in cantata	20.1b
Herzlich lieb hab ich dich, o Herr (v. 3)	8326	149/7	155		EMB --		0149_7	—
Lobt Gott, ihr Christen, allzugleich (v. 8)	198	151/5	235	54	EMB --	54	0151_5	127.3a/b
Schau, lieber Gott, wie meine Feind (v. 1)	4431	153/1	5	3	EMB --	3	0153_1	3.1b
Befiehl du deine Wege (v. 5)	5385a	153/5	160	21	EMB --	21	0153_5	92.3b
Ach Gott, wie manches Herzeleid (vv. 16–18)	553a	153/9	9	217	EMB --	217	0153_9	87.1a/b
Jesu, meiner Seelen Wonne (v. 2)	6551	154/3	365	233	EMB --	233	0154_3; ≈BWV 359	206.1a/b/3b
Meinen Jesum laß ich nicht, weil ... (v. 6)	3449	154/8	244	152	EMB --	152	0154_8	141.2
Es ist das Heil uns kommen her (v. 12)	4430	155/5	88	334	EMB --	335	0155_5	59.2a/b
(v. 1)	4438	156/6	150	316	EMB --	317	0156_6	23.2
Meinen Jesum laß ich nicht, weil ... (v. 6)	3449	157/5	245		EMB --		0157_5	—
Christ lag in Todesbanden (v. 5)	7012a	158/4	40		EMB --		0158_4; ≈BWV 279	26.4b
Jesu Leiden, Pein und Tod (v. 33)	6288b	159/5	194	59	EMB --	61	0159_5	115.1a/b
Herzlich tut mich verlangen (v. 4)	5385a	161/6	161	270	EMB --	270	0161_6	92.13b/c
Alle Menschen müssen sterben (v. 7)	6783	162/6	18		EMB --		0162_6	—
Herr Christ, der einge Gottessohn (v. 5)	4297a	164/6	127	101	EMB --	101	0164_6	81.1a/b
Nun laßt uns Gott dem Herren (v. 5)	159	165/6	266		EMB --		0165_6	—
Wer weiß, wie nahe mir mein Ende (v. 1)	2778	166/6	372	204	EMB --	204	0166_6	205.3
Nun lob, mein Seel, den Herren (v. 5)	8244	167/5			EMB --		0167_5	—
Herr Jesu Christ, du höchstes Gut (v. 8)	4486	168/6	143	92	EMB --	92	0168_6	202.2a/b
Nun bitten wir den Heiligen Geist (v. 3)	2029	169/7	256	97	EMB --	97	0169_7	147.2a/b
Jesu, nun sei gepreiset (v. 2)	8477a	171/6	204		EMB --		0171_6; ≈BWV 141/6; BGA: v. 3 per P 94	—
Wie schön leuchtet der Morgenstern (v. 4)	8359	172/6	376	322	EMB --	323	0172_6	209.4b
Herzlich lieb hab ich dich, o Herr (v. 1)	8326	174/5	153	56	EMB --	58	0174_5	91.2
O Gottes Geist, mein Trost und Rat (v. 9)	7445a	175/7	220		EMB --		0175_7; ≈BWV 59/3	126.1b
Was alle Weisheit in der Welt (v. 8)	7246	176/6	45	119	EMB --	119	0176_6	65.2
Ich ruf zu dir, Herr Jesu Christ (v. 5)	7400	177/5	183	71	EMB --	71	0177_5	103.2a/b/c
Wo Gott der Herr nicht bei uns hält (vv. 7–8)	4441a	178/7	384		EMB --		0178_7	—
Ich armer Mensch, ich armer Sünder (v. 1)	2778	179/6	371	338	EMB --	339	0179_6	205.6a/b
Schmücke dich, o liebe Seele (v. 9)	6923	180/7	304	22	EMB --	22	0180_7	171.1a/b/c
Zeuch ein zu deinen Toren (v. 5)	5267	183/5	126	123	EMB --	123	0183_5	80.3b
O Herre Gott, dein göttlich Wort (v. 8)	5690	184/5	283	14	EMB --	14	0184_5	159.1a/b/c
Ich ruf zu dir, Herr Jesu Christ (v. 1)	7400	185/6	184		EMB --		0185_6	103.3b
Singen wir aus Herzensgrund (v. 4)	4816	187/7	308	109	EMB --	109	0187_7	33.1
Auf meinen lieben Gott (v. 1)	2164	188/6	25		EMB --		0188_6	—
Jesu, nun sei gepreiset (v. 2)	8477a	190/7	205	326	EMB --	327	0190_7	118.2
Treuer Gott, ich muss dir klagen (v. 6)	6543	194/6	100	63	EMB --	64	0194_6	208.2b
256	256
Wach auf, mein Herz, und singe (vv. 9–10)	159	194/12	268	93	EMB --	93	0194_12	152.2a/b/c
257	257
Nun danket all und bringet Ehr (v. 1)	198	195/6	236		EMB --		0195_6	—
Nun bitten wir den Heiligen Geist (v. 3)	2029	197/5	255	83	EMB --	84	0197_5	147.3a/b
Wer nur den lieben Gott läßt walten (v. 7)	2778	197/10	370	66	EMB --	62	0197_10	205.7a/b
Ich freue mich in dir (v. 4)	5206b	197a/7			EMB --		0197a_7; ≈BWV 398	45.2b
From motets	(Zahn)	226–229	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Komm, Heiliger Geist, Herre Gott (v. 3)	7445a	226/2	221	69	EMB --	69	0226_2	126.2a/b/c
Jesu, meine Freude (vv. 1, 6)	8032	227/1, 11	196	263	EMB --	263	0227_1_11	116.5
Jesu, meine Freude (v. 2)	8032	227/3	198		EMB --		0227_3; SSATB	116.6a/b
Jesu, meine Freude (v. 4)	8032	227/7	199	283	EMB --	283	0227_7	116.7a/b
Komm, Jesu, komm (v. 11)		229/2	222		EMB --		052141864X}}, pp. 38–40	—
From St Matthew Passion	(Zahn)	244–244b	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Herzliebster Jesu (v. 1)	983	244/3	166	78	EMB --	78	0244_3	93.3
O Welt, sieh hier dein Leben (v. 5)	2293b	244/10	294	117	EMB --	117	0244_10	166.6b
O Haupt voll Blut und Wunden (v. 5)	5385a	244/15	163	98	EMB --	98	0244_15; ≈BWV 244/17	92.5c
O Haupt voll Blut und Wunden (v. 6)	244/17	0244_17; ≈BWV 244/15
Was mein Gott will, das g'scheh allzeit (v. 1)	7568	244/25	342	115	EMB --	115	0244_25	194.7
Meinen Jesum laß ich nicht, weil ... (v. 6)	3449	244b/29	247		EMB --		0244b_29	—
In dich hab ich gehoffet, Herr (v. 5)	2461	244/32	213	118	EMB --	118	0244_32	108.2a/b
O Welt, sieh hier dein Leben (v. 3)	2293b	244/37	292	50	EMB --	50	0244_37	166.7b
Werde munter, mein Gemüte (v. 6)	6551	244/40	361	121	EMB --	121	0244_40	206.6a/b/c
Befiehl du deine Wege (v. 1)	5385a	244/44	159	87	EMB --	80	0244_44	92.6b
Herzliebster Jesu (v. 4)	983	244/46	167	105	EMB --	105	0244_46	93.4a/b
O Haupt voll Blut und Wunden (vv. 1–2)	5385a	244/54	162	74	EMB --	74	0244_54	92.7
O Haupt voll Blut und Wunden (v. 9)	5385a	244/62	164	89	EMB --	89	0244_62	92.8a/b
From St John Passion	(Zahn)	245	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Herzliebster Jesu (v. 7)	983	245/3	168	58	EMB --	59	0245_3; Two versions (2nd in CPE, Rie.,...)	93.1a/b/c
Vater unser im Himmelreich (v. 4)	2561	245/5	317	47	EMB --	47	0245_5; Two versions (1st =BWV 416)	181.4a/c
O Welt, sieh hier dein Leben (vv. 3–4)	2293b	245/11	293	62	EMB --	63	0245_11; ≈BWV 395	166.5a/b/c; —
Jesu Leiden, Pein und Tod (v. 10)	6288b	245/14	192	82	EMB --	83	0245_14	115.2a/b
Christus, der uns selig macht (v. 1)	6283b	245/15	49	80	EMB --	81	0245_15	31.2
Herzliebster Jesu (vv. 8–9)	983	245/17	169	111	EMB --	111	0245_17	93.2a/b
Durch dein Gefängnis, Gottes Sohn (1 v.)	2383	245/22	239	309	EMB --	310	0245_22	137.3b
Valet will ich dir geben (v. 3)	5404a	245/26	315	108	EMB --	108	0245_26	180.2a/b
Jesu Leiden, Pein und Tod (v. 20)	6288b	245/28	193	106	EMB --	106	0245_28	115.3a/b
Christus, der uns selig macht (v. 8)	6283b	245/37	50	113	EMB --	113	0245_37	31.3a/b
Herzlich lieb hab ich dich, o Herr (v. 3)	8326	245/40	154	107	EMB --	107	0245_40	91.3a/b
From Christmas Oratorio	(Zahn)	248	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Wie soll ich dich empfangen (v. 1)	5385a	248/5	165	344	EMB --	345	0248_5	92.9b
Vom Himmel hoch, da komm ich her (v. 13)	346	248/9		45	EMB --	46	0248_9	184.2b
Ermuntre dich, mein schwacher Geist (v. 9)	5741	248/12	80	9	EMB --	9	0248_12	57.2a/b
360	361
Schaut, schaut, was ist für Wunder dar (v. 8)	346	248/17	323		EMB --		0248_17	184.3b
Wir singen dir, Immanuel (v. 2)	346	248/23		343	EMB --	344	0248_23	184.3b
Gelobet seist du, Jesu Christ (v. 7)	1947	248/28	110		EMB --		0248_28	69.4a/b
Fröhlich soll mein Herze springen (v. 15)	6461	248/33	335	139	EMB --	139	0248_33	190.2b
Lasst Furcht und Pein (v. 4)	2072	248/35	381	359	EMB --	360	0248_35	210.3b
Hilf, Herr Jesu, laß gelingen (v. 5)	N/1	248/42		367	EMB --	368	0248_42	98.1c
Nun, liebe Seel, nun ist es Zeit (v. 5)	2461	248/46	214	77	EMB --	77	0248_46	108.3b
Ihr Gestirn, ihr hohlen Lüfte (v. 9)	3614	248/53	114	34	EMB --	35	0248_53	73.1b
Ich steh an deiner Krippen hier (v. 1)	4429a	248/59	263	361	EMB --	362	0248_59	150.2b
Ihr Christen, auserkoren (v. 4)	5385a	248/64			EMB --		0248_64	92.14b
Three Wedding Chorales	(Zahn)	250–252	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Was Gott tut, das ist wohlgetan	5629	250	339	346		--347	0250; Three Wedding Chorales No. 1	193.3
Sei Lob und Ehr dem höchsten Gut	4430	251	89	328		--329	0251; Three Wedding Chorales No. 2	59.4
Nun danket alle Gott	5142	252	258	329		--330	0252; Three Wedding Chorales No. 3	148.2
186 four-part chorales in BGA Vol. 39	(Zahn)	253–438	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Ach bleib bei uns, Herr Jesu Christ	493	253	1	177		Rie.--177	0253; ≈BWV 414	35.1
Ach Gott, erhör mein Seufzen	1831a	254	2	186		Rie.--186	0254	1.1
Ach Gott und Herr	2051	255	3	40		Rie.--40	0255	2.1
Ach lieben Christen, seid getrost	4441a	256	385	31		Rie.--31	0256	212.3
Wär Gott nicht mit uns diese Zeit	4441a	257	388	284		Rie.--285	0257	212.1
Wo Gott der Herr nicht bei uns hält	4441a	258	383	335		Rie.--336	0258; ≈BWV 488: Schemelli No. 881 (63)	212.2
Ach, was soll ich Sünder machen	3573b	259	10	39		Rie.--39	0259	5.1
Allein Gott in der Höh sei Ehr	4457	260	12	249		Rie.--249	0260	10.1
Allein zu dir, Herr Jesu Christ	7292b	261	15	358		Rie.--359	0261	11.1
Alle Menschen müssen sterben	6778	262	17	153		Rie.--153	0262	8.1
Alles ist an Gottes Segen	3842f	263	19	128		Rie.--128	0263	12.1
Als der gütige Gott	1645	264	20	159		Rie.--159	0264	13.1
Als Jesus Christus in der Nacht	258	265	21	180		Rie.--180	0265	14.1
Als vierzig Tag nach Ostern warn	1743	266	22	208		Rie.--208	0266	15.1
An Wasserflüssen Babylon	7663	267	23	5	23--	5	0267	17.1a/b/c
Ein Lämmlein geht und trägt die Schuld	308	309
Auf, auf, mein Herz, und du mein ganzer ...	824	268	24	124		Rie.--124	0268	19.1
Aus meines Herzens Grunde	5269	269	30	1		Rie.--1	0269	21.1
Befiehl du deine Wege	5385a	270	157	285		Rie.--286	0270	92.1
Befiehl du deine Wege	5385a	271	158	366		Rie.--367	0271	92.2
Befiehl du deine Wege	5393	272	32	339		Rie.--340	0272; Setting likely by C. P. E. Bach	136.2
Christ, der du bist der helle Tag	384	273	33	230		Rie.--230	0273	24.1
Christe, der du bist Tag und Licht	343	274	34	245		Rie.--245	0274	27.1
Christe, du Beistand deiner Kreuzgemeine	993	275	35	210		Rie.--210	0275	28.1
Christ ist erstanden	8584	276	36	197		Rie.--197	0276	25.1
Christ lag in Todesbanden	7012a	277	38	15		Rie.--15	0277	26.2
Christ lag in Todesbanden	7012a	278	39	370		Rie.--371	0278	26.1
Christ lag in Todesbanden	7012a	279	40	261		Rie.--261	0279; ≈BWV 158/4	26.4b
Christ unser Herr zum Jordan kam	7246	280	43	65		Rie.--66	0280	65.1
Christus, der ist mein Leben	132	281	46	7		Rie.--6	0281	30.1
Christus, der ist mein Leben	132	282	47	315		Rie.--316	0282; Included in BWV 95/1	30.2
Christus, der uns selig macht	6283b	283	48	198	51--	198	0283	31.1
306	307
Christus ist erstanden, hat überwunden	6240c	284	51	200		Rie.--200	0284	32.1
Da der Herr Christ zu Tische saß	2503	285	52	196		Rie.--196	0285	34.1
Danket dem Herrn, denn er ist sehr...	12	286	53	228		Rie.--228	0286	183.1
Dank sei Gott in der Höhe	5391	287	54	310		Rie.--311	0287	119.1
Das alte Jahr vergangen ist	381c	288	55	162		Rie.--162	0288	36.1
Das alte Jahr vergangen ist	381c	289	56	313		Rie.--314	0289	36.2
Das walt Gott Vater und Gott Sohn	673	290	58	224		Rie.--224	0290	38.1
Das walt mein Gott	4217	291	59	75		Rie.--75	0291	39.1
Den Vater dort oben	4795	292	60	239		Rie.--239	0292	40.1
Der du bist drei in Einigkeit	335	293	61	154		Rie.--154	0293	42.1
Der Tag, der ist so freudenreich	7870	294	62	158		Rie.--158	0294	43.1
Des Heilgen Geistes reiche Gnad	3706	295	63	207		Rie.--207	0295	178.1
Die Nacht ist kommen	5001	296	64	231		Rie.--231	0296	44.1
Die Sonn hat sich mit ihrem Glanz	923	297	65	232		Rie.--232	0297; ≈BWV 447: Schemelli No. 40 (3)	161.1
Dies sind die heilgen zehn Gebot	1951	298	66	127		Rie.--127	0298	46.1
Dir, dir, Jehova, will ich singen	3068	299	67	209		Rie.--209	AMBII]] 39; ≈BWV 452: S 397 (32)	47.1
Du großer Schmerzensmann	5159	300	70	164		Rie.--167	0300	51.1
Du, o schönes Weltgebäude	6773	301	71	137		Rie.--134	0301	50.1
Ein feste Burg ist unser Gott	7377	302	74	20		Rie.--20	0302	53.1b
Ein feste Burg ist unser Gott	7377	303	75	250		Rie.--250	0303	53.2b
Eins ist not, ach Herr, dies Eine	7127	304	77	280		Rie.--280	0304	54.1
Erbarm dich mein, o Herre Gott	5851	305	78	33		Rie.--34	0305	55.1
Erstanden ist der heilge Christ	1746	306	85	176		Rie.--176	0306	58.1
Es ist gewißlich an der Zeit	4429a	307	262	260		Rie.--260	0307	150.1
Es spricht der Unweisen Mund wohl	4436	308	92	27		Rie.--27	0308	62.1
Es stehn vor Gottes Throne	4298	309	93	166		Rie.--166	0309	63.1
Es wird schier der letzte Tag herkommen	1423	310	94	238		Rie.--238	0310	64.1
Es woll uns Gott genädig sein	7247	311	95	16		Rie.--16	0311	66.2
Es woll uns Gott genädig sein	7247	312	96	351		Rie.--352	0312	66.1
Für Freuden laßt uns springen	2339	313	106	163		Rie.--163	0313	68.1
Gelobet seist du, Jesu Christ	1947	314	107	287		Rie.--288	0314	69.1
Gib dich zufrieden und sei stille	7417a	315	111	271		Rie.--271	0315	70.1
Gott, der du selber bist das Licht	5814	316	112	225		Rie.--225	0316	71.1
Gott der Vater wohn uns bei	8507	317	113	134		Rie.--135	0317	72.1
Gottes Sohn ist kommen	3294	318	115	18		Rie.--18	0318	143.1a/b
Gott hat das Evangelium	1788	319	116	181		Rie.--181	0319	74.1
Gott lebet noch	7951	320	117	234		Rie.--234	0320; ≈BWV 461: Schemelli No. 488 (37)	75.1
Gottlob, es geht nunmehr zu Ende	2855	321	118	192		Rie.--192	0321	77.1
Gott sei gelobet und gebenedeiet	8078	322	119	70		Rie.--70	0322	76.1
Gott sei uns gnädig und barmherzig	7372	323	120	319		Rie.--320	0323; Tune: German Magnificat (metric)	140.2
Meine Seele erhebet den Herren	7372~	324	121	130		Rie.--130	0324; Tune: German Magnificat (chant)	140.1
Heilig, heilig (or)
Sanctus, Sanctus Dominus Deus Sabaoth	8633	325	123	235	122--	235	0325	79.1
318	319
Herr Gott, dich loben alle wir	368	326	129	167		Rie.--164	0326	105.1
Vor deinen Thron tret ich hiermit	368	327	132	333		Rie.--334	0327	105.2
Herr Gott, dich loben wir	8652	328	133	205		Rie.--205	0328	83.1
Herr, ich denk an jene Zeit	4840	329	136	212		Rie.--212	0329	134.1
Herr, ich habe mißgehandelt	3695	330	137	35		Rie.--33	0330	84.2
Herr, ich habe mißgehandelt	3695	331	138	286		Rie.--287	0331	84.1b
Herr Jesu Christ, dich zu uns wend	625	332	139	136		Rie.--136	0332	85.1
Herr Jesu Christ, du hast bereit't	4711	333	140	226		Rie.--226	0333	86.1
Herr Jesu Christ, du höchstes Gut	4486	334	141	73		Rie.--73	0334	202.1
Herr Jesu Christ, meins Lebens Licht	314	335	145	294	143--	295	0335	170.1a/b
O Jesu, du mein Bräutigam	236	236
Herr Jesu Christ, wahr Mensch und Gott	423	336	146	189		Rie.--189	0336	88.1
Herr, nun laß in Friede	3302	337	148	190		Rie.--190	0337	89.1
Herr, straf mich nicht in deinem Zorn	4606a	338	149	221		Rie.--221	0338	90.1
Wer in dem Schutz des Höchsten ist	4438	339	151	144	149--	144	0339	23.1a/b
	317	318
Herzlich lieb hab ich dich, o Herr	8326	340	152	277		Rie.--277	0340	91.1
Heut ist, o Mensch, ein großer Trauertag	8569(A)	341	170	168		Rie.--168	0341	94.1A
Heut triumphieret Gottes Sohn	2585	342	171	79		Rie.--79	0342	95.1
Hilf, Gott, daß mirs gelinge	4329	343	172	199	170--	199	0343	96.1
301	302
Hilf, Herr Jesu, laß gelingen	3687a	344	173	155		Rie.--155	0344	97.1
Ich bin ja, Herr, in deiner Macht	5878	345	174	251		Rie.--251	0345	99.1
Ich dank dir, Gott, für all Wohltat	8090b	346	175	223		Rie.--223	0346	100.1
Ich dank dir, lieber Herre	5354b	347	176	2		Rie.--2	0347	101.2
Ich dank dir, lieber Herre	5354b	348	177	272		Rie.--272	0348	101.1
Ich dank dir schon durch deinen Sohn	247b	349	179	188		Rie.--188	0349	4.1
Ich danke dir, o Gott, in deinem Throne	3199	350	180	229		Rie.--229	0350	139.1
Ich hab mein Sach Gott heimgestellt	1679	351	182	19		Rie.--19	0351	102.1
Jesu, der du meine Seele	6804	352	185	37		Rie.--37	0352	187.3
Jesu, der du meine Seele	6804	353	186	269		Rie.--269	0353	187.1
Jesu, der du meine Seele	6804	354	187	368		Rie.--369	0354	187.2
Jesu, der du selbsten wohl	6335	355	189	169		Rie.--169	0355	112.1
Jesu, du mein liebstes Leben	7891	356	190	243		Rie.--243	0356	113.1
Jesu, Jesu, du bist mein	6446	357	191	244		Rie.--244	0357; ≈BWV 470: Schemelli No. 741 (53)	114.1
Jesu, meine Freude	8032	358	195	355		Rie.--356	0358	116.1
Jesu meiner Seelen Wonne	6551	359	363	364		Rie.--365	0359	206.1b
Jesu, meiner Seelen Wonne	6551	360	364	349		Rie.--350	0360	206.2
Jesu, meines Herzens Freud	4798d	361	202	264		Rie.--264	0361	117.1
Jesu, nun sei gepreiset	8477a	362	203	252		Rie.--252	0362	118.1
Jesus Christus, unser Heiland, der von uns ...	1576	363	206	30		Rie.--30	0363	121.1
Jesus Christus, unser Heiland, der den Tod ...	1978	364	207	174		Rie.--174	0364	120.1
Jesus, meine Zuversicht	3432b	365	208	175		Rie.--175	0365	123.1
Ihr Gestirn, ihr hohlen Lüfte	3703	366	210	161		Rie.--161	0366	104.1
In allen meinen Taten	2276	367	211	140		Rie.--140	0367	107.1
In dulci jubilo	4947	368	215	143		Rie.--143	0368	110.1
Keinen hat Gott verlassen	5395	369	217	129		Rie.--129	0369	124.1
Komm, Gott Schöpfer, Heiliger Geist	295	370	218	187		Rie.--187	0370	125.1
Kyrie, Gott Vater in Ewigkeit	8600	371	225	132		Rie.--132	0371	129.1
Lass, o Herr, dein Ohr sich neigen	6863	372	226	218		Rie.--218	0372	82.1
Liebster Jesu, wir sind hier	3498b	373	228	131	226--	131	0373	133.1
327	328
Lobet den Herren, denn er ist sehr ...	975	374	232	227		Rie.--227	0374	135.1
Lobt Gott, ihr Christen, allzugleich	198	375	233	276		Rie.--276	0375	127.1b
Lobt Gott, ihr Christen, allzugleich	198	376	234	341		Rie.--342	0376	127.2
Machs mit mir, Gott, nach deiner Güt	2383	377	237	44		Rie.--44	0377	137.1
Mein Augen schließ ich jetzt	1067	378	240	258		Rie.--258	0378	138.1
Meinen Jesum laß ich nicht, Jesus ...	3448a	379	241	151		Rie.--151	0379	122.1
Meinen Jesum laß ich nicht, weil ...	3449	380	242	298		Rie.--299	0380	141.1b
Meines Lebens letzte Zeit	6380	381	248	345		Rie.--346	0381	142.1
Mit Fried und Freud ich fahr dahin	3986	382	249	49		Rie.--49	0382	144.1
Mitten wir im Leben sind	8502	383	252	214		Rie.--214	0383	145.1
Nicht so traurig, nicht so sehr	3355	384	253	149		Rie.--149	0384	146.1
Nun bitten wir den Heiligen Geist	2029	385	254	36		Rie.--36	0385	147.1
Nun danket alle Gott	5142	386	257	32		Rie.--32	0386; Leuthen Chorale	148.1
Nun freut euch, Gottes Kinder all	364	387	260	185		Rie.--185	0387	106.1
Nun freut euch, lieben Christen g'mein	4427	388	261	183		Rie.--183	0388	149.1
Nun lob, mein Seel, den Herren	8244	389	269	268		Rie.--268	0389	153.1
Nun lob, mein Seel, den Herren	8244	390	270	295		Rie.--296	0390	153.2
Nun preiset alle Gottes Barmherzigkeit	4089a	391	273	222		Rie.--222	0391	154.1
Nun ruhen alle Wälder	2293b	392	298	288		Rie.--289	0392; ≈BWV 97/9	166.9c
O Welt, sieh hier dein Leben	2293b	393	289	275		Rie.--275	0393	166.1a/b
O Welt, sieh hier dein Leben	2293b	394	290	365		Rie.--366	0394	166.2
O Welt, sieh hier dein Leben	2293b	395	291	362		Rie.--363	0395	166.5c
	212b	396	274	240		Rie.--240	0396	155.1
O Ewigkeit, du Donnerwort	5820	397	275	274		Rie.--274	0397; ≈BWV 513: Notebook AMB II No. 42	156.1
O Gott, du frommer Gott	5206b	398	277	311		Rie.--312	0398; ≈BWV 197a/7	45.2b
O Gott, du frommer Gott	5148	399	282	314		Rie.--315	0399	157.1
O Herzensangst, o Bangigkeit	1003	400	284	173		Rie.--173	0400	160.1
O Lamm Gottes, unschuldig	4361a	401	285	165		Rie.--165	0401	162.1
O Mensch, bewein dein Sünde groß	8303	402	286	201	286--	201	0402	61.1
305	306
O Mensch, schau Jesum Christum an	3994c	403	287	203		Rie.--203	0403	163.1
O Traurigkeit, o Herzeleid	1915	404	288	60		Rie.--57	0404	165.1b
O wie selig seid ihr doch, ihr Frommen	1583	405	299	213		Rie.--213	0405; ≈BWV 495: Schemelli No. 894 (65)	167.1
O wie selig seid ihr doch, ihr Frommen	1581	406	300	219		Rie.--219	0406	7.1
O wir armen Sünder	8187h	407	301	202		Rie.--202	0407	168.1
Schaut, ihr Sünder	8569(B)	408	303	171		Rie.--171	0408	94.1B
Seelenbräutigam	3255b	409	306	141		Rie.--141	0409	173.1
Sei gegrüßet, Jesu gütig	3889b	410	307	172		Rie.--172	0410; ≈BWV 499: Schemelli No. 293 (22)	174.1
Singt dem Herrn ein neues Lied	6424	411	309	246		Rie.--246	0411	175.1
So gibst du nun, mein Jesu, gute Nacht	849	412	310	206		Rie.--206	0412; ≈BWV 501: Schemelli No. 315 (26)	177.1
Sollt ich meinem Gott nicht singen	7886b	413	311	220		Rie.--220	0413; ≈BWV 481: Schemelli No. 281 (18)	130.1
Uns ist ein Kindlein heut geborn	493	414	313	148		Rie.--148	0414; ≈BWV 253	35.2
Valet will ich dir geben	5404a	415	314	24		Rie.--24	0415	180.1
Vater unser im Himmelreich	2561	416	316	47		Rie.--47	0416; =BWV 245/5 (first version)	181.4a
Von Gott will ich nicht lassen	5264b	417	324	363		Rie.--364	0417	185.1
Von Gott will ich nicht lassen	5264b	418	325	331		Rie.--332	0418	185.2
Von Gott will ich nicht lassen	5264b	419	326	114		Rie.--114	0419	185.3
Warum betrübst du dich, mein Herz	1689	420	331	145		Rie.--145	0420	189.2
Warum betrübst du dich, mein Herz	1689	421	332	299		Rie.--300	0421	189.1a/b
Warum sollt ich mich denn grämen	6461	422	334	356		Rie.--357	0422	190.1a/b
Was betrübst du dich, mein Herze	6830	423	336	237		Rie.--237	0423	191.1
Was bist du doch, o Seele, so betrübet	1837	424	337	193		Rie.--193	0424; ≈BWV 506: Schemelli No. 779 (55)	192.1
Was willst du dich, o meine Seele, kränken	7844	425	349	241		Rie.--241	0425	195.1
Weltlich Ehr und zeitlich Gut	4975	426	351	211		Rie.--211	0426	197.1
Wenn ich in Angst und Not	4233	427	352	147		Rie.--147	0427	200.1
Wenn mein Stündlein vorhanden ist	4482a,b	428	353	321		Rie.--322	0428	201.3
Wenn mein Stündlein vorhanden ist	4482a,b	429	354	51		Rie.--52	0429	201.1
Wenn mein Stündlein vorhanden ist	4482a,b	430	355	350		Rie.--351	0430	201.2
Wenn wir in höchsten Nöten sein	394	431	358	68		Rie.--68	0431	203.1
Wenn wir in höchsten Nöten sein	394	432	359	247		Rie.--247	0432	203.2
Wer Gott vertraut, hat wohl gebaut	8207b	433	366	135		Rie.--137	0433	204.1
Wer nur den lieben Gott läßt walten	2778	434	367	146		Rie.--146	0434	205.1
Wie bist du, Seele, in mir so gar betrübt	4092	435	374	242		Rie.--242	0435	207.1
Wie schön leuchtet der Morgenstern	8359	436	375	278		Rie.--278	0436	209.1
Wir glauben all an einen Gott, Schöpfer ...	7971	437	382	133		Rie.--133	0437	211.1
Wo Gott zum Haus nicht gibt sein Gunst	305	438	389	157		Rie.--157	0438	213.1
Other chorale harmonisations	(Zahn)	*441–deest**	(389)	(CPE)	(Rie.)	(↑ Go to top of table ↑)	(BC F)
Auf, auf, mein Herz, mit Freuden	5243	441*			EMB --		0441; ≈BWV 441, Schemelli No. 320 (27)	18.1
Beschränkt, ihr Weisen dieser Welt	7765	443*			EMB --		≈BWV 443, Schemelli No. 689 (47)	265
Brunnquell aller Güter	6252b	445*			EMB --		≈BWV 445, Schemelli No. 335 (29)	247
Der Tag mit seinem Lichte	7512b	448*			EMB --		≈BWV 448, Schemelli No. 43 (4)	222
Dich bet ich an, mein höchster Gott	2437	449*			EMB --		≈BWV 449, Schemelli No. 396 (31)	249
Ich bin ja, Herr, in deiner Macht	5869a	464*			EMB --		≈BWV 464, Schemelli No. 861 (58)	276
Jesu, deine Liebeswunden	1302	471*			EMB --		≈BWV 471, Schemelli No. 139 (10)	228
Kommt, Seelen, dieser Tag	5185	479*			EMB --		≈BWV 479, Schemelli No. 936 (67)	285
Kommt wieder aus der finstern ...	4709	480*			EMB --		≈BWV 480, Schemelli No. 938 (68)	286
Mein Jesu! was vor Seelenweh	8383	487*			EMB --		≈BWV 487, Schemelli No. 283 (19)	237
Selig, wer an Jesum denkt	4846	498*			EMB --		≈BWV 498, Schemelli No. 292 (21)	239
So gehst du nun, mein Jesu, hin	7631b	500*			EMB --		≈BWV 500, Schemelli No. 296 (23)	241
So gehst du nun, mein Jesu, hin (1 v.)	7631b	500a			EMB --		0500a; Fr. St Mark Pass. past.; ≈BWV 500
Steh ich bei meinem Gott	5207	503*			EMB --		≈BWV 503, Schemelli No. 945 (69)	287
Christus, der uns selig macht (1 v.)	6283b	1084			EMB --		1084; From St Mark Passion pasticcio	(D 5b/6)
Da Jesus an dem Kreuze stund	1706	1089			EMB --		1089	109.1
Denket doch, ihr Menschenkinder		1122			EMB --		1122	41.1
Wo Gott zum Haus nicht gibt sein Gunst	305	1123			EMB --		1123	213.2
Ich ruf zu dir, Herr Jesu Christ	7400	1124			EMB --		1124	103.1
O Gott, du frommer Gott	5206b	1125			EMB --		1125	45.1
Lobet Gott, unsern Herren	5393	1126			EMB --		1126	136.1
Welt, ade! Ich bin dein müde (v. 1)	6531	Anh. 170	350	150	EMB --	150	SSATB]]; Spurious	196; —
O Traurigkeit, o Herzeleid (1 v.)	1915	deest			EMB --		deest; From St Mark Passion pasticcio	—
Welt, tobe wie du willst	—	deest					198.1

In larger vocal works

More than 200 of Bach's over 400 homophonic chorale harmonisations survived in his larger vocal works.

In church cantatas

Four-part chorales also appearing as cantata movements composed by Johann Sebastian Bach (verse incipits, and their translations by Pamela Dellal, from the Emmanuel Music website unless otherwise indicated): BWV 1/6: "Wie bin ich doch so herzlich froh" ("How happy I am", v. 7 of "Wie schön leuchtet der Morgenstern") • 2/6: "Das wollst du, Gott, bewahren rein" ("This, God, you would keep pure", v. 6 of Ach Gott, vom Himmel sieh darein") • 3/6: "Erhalt mein Herz im Glauben rein" ("If my heart remains pure in faith", v. 18 of "Ach Gott, wie manches Herzeleid") • 4/8 • 5/7 • 6/6 • 7/7 • 9/7 • 10/7 • 12/7 • 13/6 • 14/5 • 16/6 • 17/7 • 18/5 • 19/7 • 20/7=/11 • 22/5 • 24/6 • 25/6 • 26/6 • 28/6 • 29/8 • 30/6 • 31/9 • 32/6 • 33/6 • 36/4 and /8 • 37/6 • 38/6 • 39/7 • 40/3, /6 and /8 • 41/6 • 42/7 • 44/7 • 45/7 • 46/6 • 47/5 • 48/3 and /7 • 52/6 • 55/5 • 56/5 • 57/8 • 59/3 • 60/5 • 62/6 64. • 64/2, /4 and /8 • 65/2 and /7 • 66/6 • 67/4 and /7 • 69/6 • 69a/6 • 70/7 and /11 • 72/6 • 73/5 • 74/8 • 75/7=/14 • 76/7=/14 • 77/6 • 78/7 79. • 79/3 and /6 • 80/8 • 81/7 • 83/5 • 84/5 • 85/6 • 86/6 • 87/7 • 88/7 • 89/6 • 90/5 • 91/6 • 92/9 • 93/7 • 94/8 • 95/1 (extract: 282) and /7 • 96/6 • 97/9 • 99/6 • 100/6 • 101/7 • 102/7 • 103/6 • 104/6 • 105/6 • 107/7 • 108/6 • 110/7 • 111/6 • 112/5 • 113/1 and /8 • 114/7 • 115/6 • 116/6 • 117/4=/9 • 119/9 • 120/6 • 120a/8 • 121/6 • 122/6 • 123/6 • 124/6 • 125/6 • 126/6 • 127/5 • 128/5 • 129/5 • 130/6 • 133/6 • 135/6 • 136/6 • 137/5 • 139/6 • 140/7 • 144/3 and /6 • 145/a and /5 • 146/8 • 147/6=/10 • 148/6 • 149/7 • 151/5 153. • 153/1, /5 and /9 • 154/3 and /8 • 155/5 • 156/6 • 157/5 • 158/4 • 159/5 • 161/6 • 162/6 • 164/6 • 165/6 • 166/6 • 167/5 • 168/6 • 169/7 • 171/6 • 172/6 • 174/5 • 175/7 • 176/6 • 177/5 • 178/7 • 179/6 • 180/7 • 183/5 • 184/5 • 185/6 • 187/7 • 188/6 • 190/7 • 194/6 and /12 • 195/6 • 197/5 and /10 • 197a/7 (≈398)

Spurious chorale harmonisations in Bach's autographs: BWV 8/6 • 27/6 (=Anh. 170) • 43/11

Chorale harmonisations from spurious or doubtful cantatas (or: cantata versions) in the Richter/Kalmus collection of 389 chorale harmonisations: No. 130: from a doubtful version of BWV 130 • No. 219: BWV 218/5 = TWV 1:634/5: "Komm, Gott Schöpfer, Heiliger Geist", by Telemann • No. 387: BWV 219/5 = TWV 1:1328/5: "Wo Gott der Herr nicht bei uns hält", by Telemann

In motets

Chorale harmonisations appearing in Bach's motets: BWV 226/2 • 227/1=/11, /3 (SSATB) and /7 • 229/2

In Passions

In ''St Matthew Passion''

Four-part chorales appearing in the St Matthew Passion: BWV 244/3, /10, /15≈/17, /25, /32, /37, /40, /44, /46, /54 and /62 • 244b/29

In ''St John Passion''

Four-part chorales appearing in the St John Passion: BWV 245/3, /5 (=BWV 416), /11, /14, /15, /17, /22, /26, /28, /37 and /40

In ''St Mark Passion'' pasticcio

For his own performances of the Jesus Christus ist um unsrer Missetat willen verwundet Passion Bach composed and/or reworked a few of its chorales: No. 9b: "So gehst du nun, mein Jesu" (BWV 500a) • No. 14: "O hilf Christe, Gottes Sohn" (BWV 1084) • No. 29: "O Traurigkeit, o Herzeleid" (BWV deest)

In other Passions

St Mark

St Luke

Wer ist der, so von Edom kömmt pasticcio

In oratorios

''Ascension Oratorio''

Four-part chorale appearing in the Ascension Oratorio: BWV 11/6

''Christmas Oratorio''

Four-part chorales in Bach's Christmas Oratorio, BWV 248: Part I/5 and /9 • II/3, /8 and /14 • III/5, /10 and /12 • IV/7 • V/4 and /11 • VI/6 and /11

In chorale collections

Somewhat less than 200 of Bach's chorale harmonisations only survived in early collections containing multiple, usually short, works.

''Three Wedding Chorales'', BWV 250–252

BWV 250: "Was Gott tut, das ist wohlgetan"
BWV 251: "Sei Lob und Ehr dem höchsten Gut"
BWV 252: "Nun danket alle Gott"

186 four-part chorales in BGA Vol. 39, BWV 253–438

The Bach Gesellschaft published 185 four-part chorales in the 39th volume of its complete Bach-edition. The BWV 253–438 range, which, in its original collation, was based on the BGA publication does however contain 186 chorales. The difference is that BWV 279, (near-)identical to BWV 158/4, was not retained in the BGA set:

BGA No. 26 → "Christ lag in Todesbanden", BWV 278
not in BGA Vol. 39: "Christ lag in Todesbanden", BWV 279 (≈BWV 158/4, in BGA Vol. 32)
BGA No. 27 → "Christ unser Herr zum Jordan kam", BWV 280 |}

In the 1725 ''Notebook for Anna Magdalena Bach''

Included in the second Notebook for Anna Magdalena Bach (started 1725): BWV 299: "Dir, dir, Jehova, will ich singen" (included as No. 39, in both a four-part chorale version and a voice and bass version) • BWV 397: "O Ewigkeit, du Donnerwort" (included as No. 42 in a voice and bass version = BWV 513)

With a voice and bass variant in ''Schemellis Gesangbuch''

Two-part versions in Schemellis Gesangbuch: No. 40 (3), BWV 447 → BWV 297 • No. 281 (18), BWV 481 → BWV 413 • No. 293 (22), BWV 499 → BWV 410 • No. 296 (23), BWV 500 ↔ BWV 500a, four-part variant in St Mark Passion pasticcio • No. 315 (26), BWV 501 → BWV 412 • No. 320 (27), BWV 441 → BWV 441* or deest • No. 397 (32), BWV 452 → BWV 299 • No. 488 (37), BWV 461 → BWV 320 • No. 741 (53), BWV 470 → BWV 357 • No. 779 (55), BWV 506 → BWV 424 • No. 881 (63), BWV 488 → BWV 258 • No. 894 (65), BWV 495 → BWV 405

Other four-part chorales in early manuscripts

Authenticated as Bach's after the first edition (1950) of the Bach-Werke-Verzeichnis: BWV 1089: "Da Jesus an dem Kreuze stund" • BWV 1122: "Denket doch, ihr Menschenkinder" • BWV 1123: "Wo Gott zum Haus nicht gibt sein Gunst" • BWV 1124: "Ich ruf zu dir, Herr Jesu Christ" • BWV 1125: "O Gott, du frommer Gott" • BWV 1126: "Lobet Gott, unsern Herren" • BWV deest: "Liebster Gott, wenn werd ich sterben"

References

Sources

Preface in English and German.
Johann Theodor Mosewius. Johann Sebastian Bach in seinen Kirchen-Cantaten und Choralgesängen. Berlin: T. Trautwein, 1845.
{{cite book | author-link1= Johannes Zahn

References

[[Carl Philipp Emanuel Bach]] and [[Johann Friedrich Agricola]]. "[[Bach's Nekrolog]]" (full title: [https://archive.org/stream/bub_gb_lfQ4AAAAIAAJ#page/n1037/mode/2up "VI. Denkmal dreyer verstorbenen Mitglieder der Societät der musikalischen Wissenschafften; C. Der dritte und letzte ist der im Orgelspielen Weltberühmte HochEdle Herr Johann Sebastian Bach, Königlich-Pohlnischer und Churfürstlich Sächsicher Hofcompositeur, und Musikdirector in Leipzig"]), pp. 158–176 in [[Lorenz Christoph Mizler]]'s ''{{Interlanguage link multi. Musikalische Bibliothek. de'', Volume IV Part 1. Leipzig, Mizlerischer Bücherverlag, 1754 – [https://archive.org/stream/bub_gb_lfQ4AAAAIAAJ#page/n1046/mode/1up pp. 167–168]
989003631
§ "Dietel (A1)" in [http://www.bach-chorales.com/EarlyCollectionsKey.htm Quick key to the early chorale collections] at {{url. www.bach-chorales.com
{{IMSLP. 149 Chorales, D-LEb Peters Ms. R 18 (Bach, Johann Sebastian)
{{BDh. 1481. 0. 2018-05-29. Work
{{BDh. 58. 000. 2020-04-24. Work. Gott fähret auf mit Jauchzen BWV 43
{{BDh. 9. 0000. 2020-04-08. Work. Liebster Gott, wenn werd ich sterben [1st version] BWV 8.1
(1713). "Musicalische Kirch- und Hauß-Ergötzlichkeit".
Luke Dahn. [http://www.bach-chorales.com/BWV0281.htm BWV 281] at {{url. bach-chorales.com, 2017
''Johann Sebastian Bach's Werke'' (BGA), [[Bach Gesellschaft. Bach-Gesellschaft Leipzig]], ed. [[Franz Wüllner]], [[Breitkopf & Härtel]], vol 39 (1892) and ''Schlußband'' (final volume) (1899).
Bach: Choralgesänge]]'')
{{RISM. 00000990003404; copy in Leipzig City Library: [https://www.bach-digital.de/receive/BachDigitalSource_source_00021445 D-LEm II. 1. 4° 103] at [[Bach Digital]] website
[[Charles Sanford Terry (historian). Charles Sanford Terry]] (editor). ''The Four-Part Chorals of J. S. Bach: With the German Text of the Hymns and English Translations''. Travis and Emery, 2009. {{ISBN. 1906857245
[[Albert Riemenschneider]] (editor). ''Bach: 371 Harmonized Chorales and 69 Chorale Melodies with Figured Bass''. New York: [[G. Schirmer]], 1941.
Imre Sulyok (editor). ''J. S. Bach: Vierstimmige Choralgesänge''. Editio Musica Budapest, 1982 ([http://www.kotta.info/en/product/40101/BACH-JOHANN-SEBASTIAN-388-Four-Part-Chorales pocket score] edited by János Dobra: 1988)
''Johann Sebastian Bach: 389 Chorales for SATB voices with German Text''. [[Edwin F. Kalmus. Kalmus]], 1985. {{ISBN. 0769244203
[[Georg Christian Schemelli]], editor; Johann Sebastian Bach, composer and arranger. [http://www.mdz-nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb10592514-8 ''Musicalisches Gesang-Buch, darinnen 954 geistreiche, sowohl alte als neue Lieder und Arien, mit wohlgesetzten Melodien, in Discont und Baß, befindlich sind: Vornehmlich denen Evangelischen Gemeinen im Stifte, Naumburg-Zeitz gewidmet''.] Leipzig: [[Bernhard Christoph Breitkopf]], 1736
[[scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian). BGA Vol. 39 (1893), pp. 277ff.]]
[[Uwe Wolf (musicologist)
Anja Morgenstern (editor), Henry S. Drinker (translator). "Foreword", p. 4 in [https://www.carus-verlag.com/en/composers/bach/cantatas/all-bach-cantatas/johann-sebastian-bach-wir-muessen-durch-viel-truebsal.html ''Johann Sebastian Bach: Wir müssen durch viel Trübsal in das Reich Gottes eingehen BWV 146 / BC A 70''] (Partitur/Full score). Carus, 2004
Daniel R. Melamed. [https://books.google.com/books?id=JDlBMqI628UC ''J. S. Bach and the German Motet''.] Cambridge University Press, 1995. {{ISBN|052141864X}}, [https://books.google.com/books?id=JDlBMqI628UC&pg=PA38 pp. 38–40]
[[Bach Digital]] Work {{BDW. 0342 at Bach Digital website
[http://www.emmanuelmusic.org/notes_translations/nt_notes_transl_cantatas.htm#pab1_7 Bach Notes and Translations] at {{url. www.emmanuelmusic.org
[[Bach Digital]] Work {{BDW. 1339 at Bach Digital website
[[Bach Digital]] Work {{BDW. 0571 at Bach Digital website
[[Bach Digital]] Work {{BDW. 1270 at Bach Digital website
[[Bach Digital]] Work {{BDW. 1679 at Bach Digital website
[http://www.bach-chorales.com/SchemelliRealizations.htm Four–part Realizations of Two–Part Schemelli Chorales] at {{url. bach-chorales.com

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