Landscape (play)

Setting

The play is set in the kitchen of a country house. The design is minimalist in nature, consisting of a few kitchen appliances and a long kitchen table. Beth sits in an armchair to the left of the table, and Duff in a chair at the opposite end.

Plot

There is virtually no plot to the play. The focus is on the interaction, or lack of it, between the two characters. The text requires that "Duff refers normally to Beth but does not appear to hear her voice" and "Beth never looks at Duff and does not appear to hear his voice. Both characters are relaxed, in no sense rigid."

Production history

Landscape was written for the stage, but the official theatre censor, the Lord Chamberlain, refused it a licence unless Pinter removed its strong language. The official report read: "The nearer to Beckett, the more portentous Pinter gets. This is a long one-act play without any plot or development ... a lot of useless information about the treatment of beer ... And of course, there have to be the ornamental indecencies." Theatre censorship in Britain was abolished that same year and Landscape was staged by the Royal Shakespeare Company in London on 2 July 1969 with Ashcroft as Beth and David Waller as Duff, directed by Peter Hall. A film was made of the Peter Hall production with Ashcroft and Waller; it is currently available on DVD from Films Media Group of Princeton, New Jersey.

The play was produced at the Royal National Theatre in November 1994 with Penelope Wilton as Beth and Ian Holm as Duff, directed by the author. This production was also broadcast on BBC Radio 4 in 1995.

The National Theatre revived the play in 2008 with Clare Higgins and Simon Russell Beale. A third radio version was broadcast by the BBC in May 2008 with Wilton again as Beth and the author playing Duff.

Notes

Sources

• Gale Steven H. 1996. Encyclopedia of British Humorists: Geoffrey Chaucer to John Cleese. London: Taylor & Francis. .
• Pinter, Harold. 1978. Plays: Three. London: Methuen. .

References

1. [https://www.theguardian.com/artanddesign/2008/jan/11/heritage.theatre ''The Guardian'' 11 January 2008]
2. Epilogue: Beyond Menace http://www.ohiostatepress.org/books/Complete%20PDFs/Burkman%20Dramatic/09.pdf
3. Pinter, p. 175
4. What plot there is exists only in the stories told by the characters. Beth reminisces to herself of a past romantic episode, whether with Duff or another man is not made clear. Duff talks of more practical matters, and finally has a short outburst of anger, evidently in frustration. Beth continues her romantic reverie as the play ends.Pinter, pp. 177–98
5. Gale, p. 849
6. Pinter declined to change his text. The play was first presented as a [[Radio play
7. [http://www.haroldpinter.org/plays/plays_landscape2.shtml haroldpinter.org]
8. [https://web.archive.org/web/20021223215300/http://www.bbc.co.uk/bbcfour/pinter/pinter-classics.shtml#landscape bbc.co.uk]
9. [http://www.nationaltheatre.org.uk/37790/productions/landscape-and-a-slight-ache.html www.nationaltheatre.org.uk] {{webarchive. link. (10 May 2009)
10. [http://britishlibrary.typepad.co.uk/pinter_archive_blog/2008/05/pinter-the-acto.html britishlibrary.typepad.co.uk] {{webarchive. link. (2 October 2011)