Karkadann

Evolution of descriptions

An early description of the karkadann comes from the 10/11th century Persian scholar Al-Biruni (973–1048). He describes an animal which has "the build of a buffalo...a black, scaly skin; a dewlap hanging down under the skin. It has three yellow hooves on each foot...The tail is not long. The eyes lie low, farther down the cheek than is the case with all other animals. On the top of the nose there is a single horn which is bent upwards." A fragment of Al-Biruni preserved in the work of another author adds a few more characteristics: "the horn is conical, bent back towards the head, and longer than a span...the animal's ears protrude on both sides like those of a donkey, and...its upper lip forms into a finger-shape, like the protrusion on the end of an elephant's trunk." These two descriptions leave no doubt that the Indian Rhinoceros is the basis for the animal.

After Al-Biruni, Persian scholars took his description and formed ever more fanciful versions of the beast, aided by the absence of first-hand knowledge and the difficulty of reading and interpreting old Arabic script. A decisive shift in description concerned the horn: where Al-Biruni had stuck to the short, curved horn, later writers made it a long, straight horn, which was shifted in artists' representations from the animal's nose to its brow.

The Persian physician Zakariya al-Qazwini (Al-Qazwini, d. 1283) is one of the writers who at the end of the thirteenth century links the karkadann's horn with poison, Later authors had the horn perspire when poison is present, suggesting the horn is an antidote and connecting it to alicorn, though this connection is not made by all writers.

In the 14th century, Ibn Battuta, in his travelogue, calls the rhinoceros he saw in India a karkadann, and describes it as a ferocious beast, driving away from its territory animals as big as the elephant; this is the legend that is told in One Thousand and One Nights in the "Second Voyage of Sinbad the Sailor".

The karkadann is referred to by Elmer Suhr as the "Persian version of the unicorn". The name appears also in medieval European bestiaries, such as those from Escorial and Paris, where the name karkadann appears in the captions of unicorn illustrations.

Horn

Al-Qazwini, one of the earliest authors to claim the horn is an antidote to poison, also notes that it is used in the manufacturing of knife handles. According to Chris Lavers, The Natural History of Unicorns, khutu, a somewhat enigmatic material possibly consisting of ivory or bone, had been ascribed alexipharmic properties. Both of these "enigmatic horns," Lavers argues, were used in making cutlery, and so became associated; this is how in the 13th century Al-Qazwini could consider karkadann horn as an antidote, and this is how the karkadann became associated with the unicorn.

Name

The name karkadann is a variation of the Kurdish name which means donkey with one horn [Kar kit Dan]. Persian kargadan, or Sanskrit kartajan, which is said to mean "lord of the desert". Fritz Hommel suspects that the word entered Semitic languages via Arabs from Abyssinia. Other spellings and pronunciations include karkaddan, karkadan, and karkend.

It has been conjectured that the mythical karkadann may have an origin in an account from the Mahabharata.

The initial portion of Persian kargadan resembles the Sanskrit word "khaRga" for rhinoceros also meaning sword, where "R" represents a retroflex flap sound. The rhinoceros is "sword horned".

The karkadann in modern scholarship and culture

Scholarship on the karkadann

Much of the available material on the karkadann was collected by Richard Ettinghausen in his 1950 publication The Unicorn, a book highly praised and often referred to as a standard reference on the unicorn.

Notable appearances and references

The karkadann is the topic of a long poem by Tawfiq Sayigh (d. 1971), "A Few Questions I Pose to the Unicorn," which was hailed by Jabra Ibrahim Jabra as "the strangest and most remarkable poem in the Arabic language."

Modern Iraq still has a tradition of "tears of the karkadann," dumiu al-karkadan, which are reddish beads used in the Misbaha, the Muslim prayer beads (subuhat). The accompanying legend says that the rhinoceros spends days in the desert looking for water; when he does, he first weeps "out of fatigue and thirst-pain." These tears, as they fall into the water of the drinking hole, turn into beads.

Peter Beagle (author of The Last Unicorn) wrote a story, "My Son Heydari and the Karkadann," in The Overneath (c)2017.

References

References

1. Suhr, Elmer G.. (1964). "An Interpretation of the Unicorn". [[Folklore Society.
2. Rice, D.S.. (1955). "Rev. of Ettinghausen, ''The Unicorn''". Bulletin of the School of Oriental and African Studies, University of London.
3. Lavers, Chris. (2010). "The Natural History of Unicorns". RandomHouse.
4. Ettinghausen, Richard. (1950). "The Unicorn". Freer Gallery of Art. Occasional Papers 1.
5. Burton, Richard. (1885). "The Book of Thousand Nights and One Nights". Digireads.com.
6. Suhr, Elmer G.. (1965). "An Interpretation of the Medusa". [[Folklore Society.
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10. Lane, Edward William. (1841). "The thousand and one nights, commonly called, in England, the Arabian nights' entertainments".
11. Manguel, Alberto. (2000). "The dictionary of imaginary places". Houghton Mifflin Harcourt.
12. Ettinghausen, Richard. (1955). "Late Classical and Medieval Studies in Honor of Albert Mathias Friend Jr.". Princeton UP.
13. Vajda, Georges. (1971). "Deux commentaires karaïtes sur l'ecclésiaste". Brill.
14. Sarton, George. (1951). "Seventy-Seventh Critical Bibliography of the History and Philosophy of Science and of the History of Civilization (To March 1951)". [[Isis (journal).
15. Souchal, Geneviève. (1980). "Rev. of Freeman, ''The Unicorn Tapestries''". [[The Art Bulletin]].
16. Stetkevych, Jaroslav. (2002). "In Search of the Unicorn: The Onager and the Oryx in the Arabic Ode". [[Journal of Arabic Literature]].
17. Zahra, A. Hussein Ali. (1999). "The Aesthetics of Dissonance: Echoes of Nietzsche and Yeats in Tawfiq Sayigh's Poetry". [[Journal of Arabic Literature]].