John Knoll

Career

One of the original creators of Adobe Photoshop (along with his brother, Thomas Knoll), he has also worked as visual effects supervisor on the Star Wars prequels and the 1997 special editions of the original trilogy. He also served as ILM's visual effects supervisor for Star Trek Generations and Star Trek: First Contact, as well as the Pirates of the Caribbean series. Along with Hal Hickel, Charles Gibson and Allen Hall, Knoll and the trio's work on Pirates of the Caribbean: Dead Man's Chest earned them the Academy Award for Best Visual Effects.

Knoll has been praised by directors James Cameron, Gore Verbinski, Guillermo del Toro, and Brad Bird. Del Toro, who worked with Knoll for the first time on Pacific Rim, stated "He basically has the heart of a kid and the mind of a scientist, and that's a great combination."

Knoll is also the inventor of Knoll Light Factory, a lens flare generating software inspired by his work at Industrial Light and Magic. He was the Computer Graphics Project Designer on The Abyss, an achievement which earned ILM its tenth Oscar, and worked on two Star Trek episodes: Star Trek: The Next Generations pilot episode ("Encounter at Farpoint") and the Star Trek: Deep Space Nine episode "Explorers".

Knoll had a cameo appearance in Star Wars Episode I: The Phantom Menace as a fighter pilot, helped pitch the story of Rogue One, a feature film set in the Star Wars series, for which he also worked as writer and executive producer.

John Knoll reflected on his work with George Lucas on the Star Wars prequel trilogy: "I still feel like I owe George a lot to have been given that opportunity. On those three films, I feel like I got a whole career's worth of experience packed into eight years. George never constricted his thinking to what he knew for sure the tools were capable of; his attitude was, "Yeah, well, I'm writing what I want to see, so you guys will figure it out." I loved that he would constantly throw those challenges out with the confidence [that] you guys will figure it out. That was great."

In 2016, John Knoll and his brother Thomas were inducted into the International Photography Hall of Fame and Museum.

At the 2019 Oscars, John and his brother Thomas were awarded a Scientific and Engineering Award for the original architecture, design and development of Photoshop.

Filmography

Film

Television

Awards

Books

• John Knoll, J. W. Rinzler: Creating the Worlds of Star Wars: 365 Days with CDROM; Book about the Making of the Star Wars Saga;

References

References

1. Cohen, David. (May 23, 2013). "Industrial Light & Magic Ups John Knoll to Chief Creative Officer (EXCLUSIVE)".
2. [[79th Academy Awards#Awards]]
3. Cohen, David. (May 28, 2013). "John Knoll Hailed By Helmers Bird, Verbinski, del Toro and Cameron".
4. "Red Giant - Products - Knoll Light Factory 3.0 - More Info".
5. Barry, Nathan. (10 February 2012). "Some Good Things About The Phantom Menace".
6. Frei, Vincent. (January 9, 2017). "ROGUE ONE – A STAR WARS STORY: John Knoll – Overall VFX Supervisor & Chief Creative Officer – Industrial Light & Magic".
7. Brooks, Dan. (May 24, 2019). ""All Films Are Personal": An Oral History of Star Wars: Episode I The Phantom Menace". Star Wars.
8. "John Knoll".
9. (February 9, 2019). "Scientific & Technical Awards {{!}} 2019". Academy of Motion Picture Arts and Sciences.
10. (February 9, 2019). "Scientific & Technical Awards 2019". The Academy of Motion Picture Arts and Sciences.
11. (February 26, 2017). "The 89th Academy Awards - 2017". The Academy of Motion Picture Arts and Sciences.
12. (February 24, 2008). "The 80th Academy Awards - 2008". The Academy of Motion Picture Arts and Sciences.
13. (February 25, 2007). "The 79th Academy Awards - 2007". The Academy of Motion Picture Arts and Sciences.
14. (February 29, 2004). "The 76th Academy Awards - 2004". The Academy of Motion Picture Arts and Sciences.
15. (March 23, 2003). "The 75th Academy Awards - 2003". The Academy of Motion Picture Arts and Sciences.
16. (March 26, 2000). "The 72nd Academy Awards - 2000". The Academy of Motion Picture Arts and Sciences.