Jane Wyman

Early life

Sarah Jane Mayfield was born on January 5, 1917, in St. Joseph, Missouri, to Gladys Hope (** Christian; 1891–1960) and Manning Jeffries Mayfield (1895–1922). Her father was a meal company laborer and her mother was a doctor's stenographer and office assistant. Wyman was an only child. Her birth parents were married in March 1916 in Jackson County, Missouri. The 1920 census showed her to be three years old on January 15, 1920, and living in Philadelphia, Pennsylvania.

In October 1921, her parents divorced and her father died unexpectedly three months later. After his death, her mother moved to Cleveland, Ohio, leaving her to be reared by her neighbors Emma (née Reiss) and Richard D. Fulks, the chief of detectives in Saint Joseph. She took their surname unofficially, including in her school records and on her marriage certificate to first husband Ernest Wyman. The Fulks’ had two older children who were sometimes referenced as siblings.

Her unsettled family life resulted in few pleasurable memories. Wyman later said, "I was raised with such strict discipline that it was years before I could reason myself out of the bitterness I brought from my childhood."

In 1928, aged 11, she moved to California with her foster mother, returning to Missouri in 1930, attending Lafayette High School in Saint Joseph. That same year, she began a radio singing career, calling herself Jane Durrell and altering her birthdate by three years to allow her to work because she was legally under-aged.

After dropping out of Lafayette High School in 1932 at age 15, she returned to Hollywood, taking on odd jobs as a manicurist and a switchboard operator.

Career

1932–1936: Early years in Hollywood

“I knew only one person who might give me a job. LeRoy Prinz, the famous Hollywood dance coach, Dad Prinz’s son”.

Jane Wyman, 1964}}

"This (Paramount Pictures ) is where it all started, honey…I came out here from Missouri and became one of the Leroy Prinz dancers." Jane Wyman, 1968}}

Jane Wyman began her 60-year show business career as an extra on The Kid from Spain (1932), Gold Diggers of 1933 (1933), Elmer, the Great (1933), and Harold Teen (1934). She had taken classes with Edward Albert Prinz (Dad Prinz) at Prinz’s Dancing Academy back in St. Joseph, Missouri. Dad Prinz’s son LeRoy Prinz was now a successful Dance Director at Paramount Pictures.

Prinz hired Wyman for the chorus of College Rhythm (1934), Rumba (1935), All the King's Horses (1935), Stolen Harmony (1935), Broadway Hostess (1935), and Anything Goes (1936). In between pictures at Paramount she did King of Burlesque (1936) and George White's 1935 Scandals (1935) at Fox.

She then went to Universal Studios for My Man Godfrey (1936).

1936–1944: Career at Warner Bros.

Jane Wyman signed her first contract with Warner Bros. in 1936 and stayed for the next two decades. Miracle in the Rain (1956) would become the last film she completed under contract to the studio. It was released on April 7, 1956 almost exactly twenty years after she signed her inaugural contract.

“Bill (Demarest) shopped me to Bryan Foy, who ran the B movie unit at Warners, and he put me under contract-65$ a week with options for renewal every 6 months.”

Jane Wyman, 1974}}

At Warner Bros, Wyman was in Freshman Love (1936) and Bengal Tiger (1936), Stage Struck (1936), Cain and Mabel (1936), and Here Comes Carter (1936).

Wyman had her first big role, both singing and dancing in a Dick Foran Western The Sunday Round-Up (1936).

Wyman had small parts in Polo Joe (1936), and Gold Diggers of 1937 (1936) but a bigger one in Smart Blonde (1936), the first of the Torchy Blane series. She appeared in Ready, Willing and Able (1937), The King and the Chorus Girl (1937), and Slim (1937). She had the lead in Little Pioneer (1937), a short, and parts in The Singing Marine (1937).

By the time Wyman starred in Public Wedding (1937), a "B" picture, she was already divorced from first husband Ernest Wyman. She retained use of the surname for the remainder of her career.

She had a supporting part in Mr. Dodd Takes the Air (1937) and was the female lead in some "B" films, such as The Spy Ring (1938) (at Universal), He Couldn't Say No (1938) with Frank McHugh and Wide Open Faces (1938) with Joe E. Brown.

Wyman was borrowed by MGM to play a supporting part in The Crowd Roars (1938).

Back at Warner Brothers, Wyman was cast as one of the leads in Brother Rat (1938) for Hal B. Wallis. It co-starred Ronald Reagan, Priscilla Lane, Wayne Morris and Eddie Albert.

Wyman was borrowed by 20th Century Fox for a supporting role in Tail Spin (1939), followed by The Kid from Kokomo (1939) with Pat O'Brien and Morris. She played the title role in Torchy Blane..Playing with Dynamite (1939).

Now established, Wyman was cast in Kid Nightingale (1939) with John Payne, Private Detective (1939) with Foran, Brother Rat and a Baby (1940) with Reagan, An Angel from Texas (1940) with Albert, *Flight Angels * (1940), and Gambling on the High Seas (1940) with Wayne Morris.

Wyman had supporting roles in "A" films such as My Love Came Back (1940), starring Olivia de Havilland and Jeffrey Lynn. She and Reagan were in Tugboat Annie Sails Again (1940). Wyman was a supporting role to Ann Sheridan in Honeymoon for Three (1941) and was Dennis Morgan's leading lady in Bad Men of Missouri (1941).

Wyman made The Body Disappears (1941) with Jeffrey Lynn and You're in the Army Now (1941) with Jimmy Durante; in the latter she and Regis Toomey had the longest screen kiss in cinema history: 3 minutes and 5 seconds.

Wyman did Larceny, Inc. (1942) with Edward G. Robinson, and My Favorite Spy (1942) with Kay Kyser.

At Twentieth Century Fox, Wyman was a supporting actor to Betty Grable in Footlight Serenade (1942) then back at Warners supported Olivia de Havilland in Princess O'Rourke (1943).

Warners teamed Wyman with Jack Carson in *Make Your Own Bed * (1944) and The Doughgirls (1944), then she was top billed in Crime by Night (1944). She was one of many stars to cameo in Hollywood Canteen (1944).

1945–1956: Leading roles and critical acclaim

Wyman finally gained critical attention with The Lost Weekend (1945), made by the team of Billy Wilder and Charles Brackett. Wilder had wanted Katharine Hepburn or Barbara Stanwyck for the female lead but Brackett had been impressed by Wyman’s performance in Princess O'Rourke. Wyman called it "a small miracle"."Deaf Girl Role Helps Jane Wyman Career: Deaf Role Helps Jane Wyman Up" Hopper, Hedda. Los Angeles Times October 3, 1948: D1.

Wyman remained a supporting actor in One More Tomorrow (1946), and Night and Day (1946). However Wyman was borrowed by MGM for the female lead in The Yearling (1946), and was nominated for the 1946 Academy Award for Best Actress.

She was leading lady for Dennis Morgan in Cheyenne (1947) and James Stewart in RKO's Magic Town (1947).

Her breakthrough role was playing a deaf-mute rape victim in Johnny Belinda (1948). Wyman spent over six months preparing for the film which was an enormous hit and won Wyman a Best Actress Oscar. She was the first person in the sound era to earn the award without speaking a line of dialogue. In an amusing acceptance speech, Wyman took her statue and said only, "I accept this, very gratefully, for keeping my mouth shut once. I think I'll do it again."

Wyman was now a top-billed star. She did two comedies, A Kiss in the Dark (1948) with David Niven and The Lady Takes a Sailor (1949) with Morgan, then made a thriller in England, Stage Fright (1950) for Alfred Hitchcock.

She played Laura in The Glass Menagerie (1950), and went to MGM for Three Guys Named Mike (1951), a popular comedy.

Frank Capra used her as Bing Crosby's leading lady in Here Comes the Groom (1951) at Paramount, then she had the lead role in RKO's The Blue Veil (1951), a melodrama that was a big box office hit and earned her an Oscar nomination.

Wyman was one of many stars in Warner Bros' Starlift (1951). She was the female lead in The Story of Will Rogers (1952) and Paramount reunited her and Crosby in Just for You (1952). Wyman expressed interest around this time of doing no more "weepy" roles.

Columbia cast her in a musical, Let's Do It Again (1953) with Ray Milland, then at Warners she was in So Big (1953), a melodrama.

Wyman had a huge success when producer Ross Hunter cast her alongside Rock Hudson in Magnificent Obsession (1954). It earned her another Oscar nomination.

Wyman and Hudson were promptly reteamed on All That Heaven Allows (1955). Pine-Thomas Productions put Wyman in Lucy Gallant (1955) with Charlton Heston. She did Miracle in the Rain (1956) with Van Johnson. Wyman was meant to follow this with Annabella but it appears to have not been made.

1951–1953: Recording career

Jane Wyman's brief recording career with Decca Records extended between 1951 and 1953. She recorded a few solo tracks along with duets and novelty songs achieving three Billboard top 30 hits and appearing on one #1 album.

“Singing I love, and the way I sing isn’t any work at all… if the people don’t mind, why the heck should I?”

Jane Wyman, 1952}}

;Decca Albums

• Selections from the Paramount Picture "Just for You" (1952): Bing Crosby, Jane Wyman, The Andrews Sisters, Jud Conlon's Rhythmaires and the Dave Barbour Orchestra
  • Studio cast recording of the music from the film Just for You (1952)
• Danny Kaye sings Hans Christian Andersen (1952): Danny Kaye with Jane Wyman, Gordon Jenkins and his Chorus and Orchestra
  • This studio cast recording of the music from the film Hans Christian Andersen (1952) spent 17 weeks at #1 on the Billboard “Best Selling Popular Albums Chart” in 1953. Wyman is featured most prominently duetting with Kaye on the track "No Two People" and is also credited with contributing vocals to other tracks.

;Decca Singles

• "In the Cool, Cool, Cool of the Evening"/"Misto Cristofo Colombo" (1951): Bing Crosby and Jane Wyman with Matty Matlock's All Stars and the Four Hits and a Miss, from the film Here Comes the Groom (1951)
  • "In the Cool..." peaked at #11 on the Billboard charts. Hoagy Carmichael (music) and Johnny Mercer (lyrics) won the 1951 Academy Award for Best Original Song. Jane Wyman and Danny Kaye performed it at the 24th Academy Awards.
• "How d'ye Do and Shake Hands"/"Black Strap Molasses" (1951): Danny Kaye, Jimmy Durante, Jane Wyman and Groucho Marx with the Sonny Burke Orchestra
  • "Black Strap..." peaked at #29 on the Billboard charts.
• "Why Didn't I?"/"Blow Out the Candle" (1951)
• "I Love That Feelin'"/"It Was Nice While the Money Rolled In" (1951): with The Four Hits and the Dave Barbour Orchestra
• "Checkin' My Heart"/"He's Just Crazy For Me" (1952): with the Dave Barbour Orchestra, from the film Just for You (1952)
• "Zing a Little Zong"/"The Maiden of Guadalupe" (1952): Bing Crosby and Jane Wyman with Jud Conlon's Rhythmaires and the Nathan Van Cleave Orchestra, from the film Just for You (1952)
  • "Zing a..." peaked at #18 on the Billboard charts and #10 on the UK Singles charts. Harry Warren (music) and Leo Robin (lyrics) were nominated for the 1952 Academy Award for Best Original Song. Peggy Lee and Johnny Mercer performed it at the 25th Academy Awards on NBC.
• "I Never Heard You Say"/"Doodle Bug Rag" (1952): with Hoagy Carmichael
• "I'm Takin' a Slow Burn"/"It Was Great While It Lasted" (1953): with the Sonny Burke Orchestra, from the film Let's Do It Again (1953)

1955–1967: Career in television

Jane Wyman, 1981}}

Wyman's television acting debut was the 1955 episode "Amelia" of the anthology series General Electric Theater produced by MCA Inc.'s Revue Studios and hosted by her former husband Ronald Reagan.

On August 30, 1955 just a year after Magnificent Obsession became Wyman's biggest hit and her first #1 film at the weekly box office her eponymous weekly television anthology series made its debut on NBC.

Wyman announced her first TV series The Jane Wyman Show (1955–58) in 1955. In its first season it was known as Jane Wyman Presents the Fireside Theatre then the Jane Wyman Theatre and finally The Jane Wyman Show. Wyman hosted every episode, acted in half, and was a producer.

When The Jane Wyman Show ended Wyman was no longer a film star, but she remained in demand. She replaced the ailing Gene Tierney in Holiday for Lovers (1959) for Fox, and next appeared in Disney's Pollyanna (1960) and Bon Voyage! (1962).

Wyman continued to guest star on TV shows like Checkmate, Bob Hope Presents the Chrysler Theatre, The Investigators, Wagon Train, and Insight.

"Something happened in the sixties," she later said. "it seemed that the time didn't permit women to be part of it except in a sort of secondary sort of way which I resented. I kept telling myself 'I didn't want to play Whatever Happened to Baby Jane." So she went into semi-retirement around 1962.

1968–1993: Brief retirement and career resurgence

Wyman focused on painting. She made the occasional acting appearance, mostly on television.

“I’m ready to work, but they just haven’t gotten around to me yet”

Jane Wyman, 1968}}

In 1966, Reginald Denham announced Wyman would appear in a play Wonderful Us based on the Parker–Hulme murder case but it was not produced.

She returned to films with How to Commit Marriage (1969).

Wyman continued to work in the 1970s, guest starring on My Three Sons; The Bold Ones: The New Doctors; The Sixth Sense; and Owen Marshall, Counselor at Law and her first film for television, The Failing of Raymond (1971). She starred in a pilot for a TV series Amanda Fallon but it was not picked up.

She was offered roles of "murderers, old ladies that were senile – they were awful. The weirdest kind of writing." After five years of retirement living in Carmel painting and focusing on her philanthropic work she took her first acting role since 1974. She accepted a featured role in the television movie, The Incredible Journey of Doctor Meg Laurel (1979). She then guest starred on Charlie's Angels and The Love Boat.

In the spring of 1981, Wyman's career enjoyed a resurgence when she was cast as the scheming Californian vintner and matriarch Angela Channing in The Vintage Years, which was retooled as the primetime soap opera Falcon Crest. Wyman said she wanted to make it as it was a change from "the four handkerchief bits" she was known for. "You just can't miss on a thing like this," she added.Jane Wyman: 'I Always Did Four-Handkerchief Roles. Until Now.': Jane Wyman By Marianne Constantinou. The New York Times November 29, 1981: D29.

Then relatively unknown Lorenzo Lamas appeared as Angela's irresponsible grandson, Lance Cumson. The on- and off-screen chemistry between Wyman and Lamas helped fuel the series' success.

For her role as Angela Channing, Wyman was nominated for a Soap Opera Digest Award five times (for Outstanding Actress in a Leading Role and for Outstanding Villainess: Prime Time Serial), and was also nominated for a Golden Globe award in 1983 and 1984. She won in 1984 for Best Performance By an Actress in a TV Series. Later in the show's run, Wyman suffered several health problems. In 1986 abdominal surgery caused her to miss two episodes. She was plagued with fatigue during the 1988–1989 season, and her health continued to deteriorate. Later in 1989 she collapsed on the set and was hospitalized due to problems with diabetes and a liver ailment. Her doctors told her that she should end her acting career. Wyman was absent for most of the ninth and final season of Falcon Crest in 1989–1990.

Against her doctor's advice, she returned for the final three episodes in 1990, even writing a soliloquy for the series finale. Wyman appeared in 208 of the show's 227 episodes.

After Falcon Crest, Wyman acted only once more, playing Jane Seymour's screen mother in a 1993 episode of Dr. Quinn, Medicine Woman. In all, Wyman had starred in 83 movies and two successful TV series, and was nominated for an Academy Award four times, winning once.

Personal life

Marriages

Jane Wyman was married five times, to four men. Her last marriage to Fred Karger ended in 1965 and she never remarried.

Ernest Wyman

At age 16, Wyman married salesman Ernest Eugene Wyman in Los Angeles, California, on April 8, 1933. She recorded her name as 'Jane Fulks', foster parents Emma and Richard Fulks, and her age as 19 on the wedding certificate. Though the couple divorced after just two years, she retained the name Wyman professionally for the rest of her life.

Myron Futterman

Wyman was 20 when she married dress manufacturer Myron Martin Futterman in New Orleans on June 29, 1937. She wanted children but he did not, and they separated after only three months. They were divorced on December 5, 1938.

Ronald Reagan

In 1938, Wyman co-starred with Ronald Reagan in Brother Rat (1938). They were engaged at the Chicago Theatre, and married on January 26, 1940, at the Wee Kirk o' the Heather in Glendale, California. She and Reagan had two biological daughters: Maureen in 1941, and Christine in 1947 (born prematurely and died the following day). They adopted a son, Michael, in 1945.

In the aftermath of the premature birth and subsequent death of their infant daughter Christine on June 26, 1947 Wyman separated from Reagan. Wyman’s divorce from Reagan was granted on June 28, 1948 and finalized on July 18, 1949. Wyman leased a home in Palm Springs, California. Wyman, who was a registered Republican, said that their divorce was due to political differences; Ronald Reagan was still a Democrat at the time.

When Reagan was inaugurated as president on January 20, 1981, Wyman became the first ex-wife of a U.S. president in American history. Although she remained silent during Reagan's political career, she told a newspaper interviewer in 1968, after Reagan was elected governor of California in 1966, that her silence was not because she was bitter or because she did not agree with him politically:

When Reagan died in 2004, Wyman issued a statement, saying, "America has lost a great president. And a great, kind and gentle man."

Frederick Karger

On November 1, 1952, Wyman married German-American Hollywood music director and composer Frederick M. "Fred" Karger at El Montecito Presbyterian Church in Santa Barbara. They separated on November 7, 1954, and were granted an interlocutory divorce decree on December 7, 1954; the divorce was finalized on December 30, 1955.

They remarried on March 11, 1961, and Karger divorced her again on March 9, 1965. According to The New York Times' report of the divorce, the bandleader charged that the actress "had walked out on him." Wyman had a stepdaughter, Terry, from Karger's marriage to Patti Sacks.

Wyman, who had converted to Catholicism in 1953, never remarried. She was a member of the Good Shepherd Parish and the Catholic Motion Picture Guild in Beverly Hills, California.

Later life

After Falcon Crest ended, Wyman made a guest appearance on the CBS series Dr. Quinn, Medicine Woman and then completely retired from acting; she spent her retirement painting and entertaining friends. Wyman was a recluse and made only a few public appearances in her last years in part due to suffering from arthritis. Wyman also suffered from Type 1 diabetes from a very young age. She attended the funeral of her long-time friend Loretta Young in 2000. She attended her daughter's funeral in 2001 after Maureen died of melanoma, and Ronald Reagan's funeral in 2004.

Death

On September 10, 2007, Wyman died in her sleep of natural causes at her home in Rancho Mirage, California, at age 90. Her son Michael Reagan released a statement saying:

Wyman was a devout Catholic for nearly 55 years. She was lay tertiary of the Dominican Order of the Catholic Church. As a lay Dominican, the full Dominican habit is available at death, if desired. Therefore, Wyman chose to be buried in the full habit of the Dominican Order. She was interred at Forest Lawn Mortuary and Memorial Park in Cathedral City, California.

Filmography

Film

Box office ranking

For several years, film exhibitors voted Wyman as among the most popular stars in the country. Annual Top Ten Money Making Stars Poll rankings:

• 1949 – 25th (US), 6th (UK)
• 1952 – 15th (US)
• 1953 – 19th (US)
• 1954 – 9th (US)
• 1955 – 18th (US)
• 1956 – 23rd (US)

Top-Grossing Films

Between 1944 and 1962, Wyman was either a supporting or leading player in seven top-ten grossing films. Below are their rankings by year:

• 1944 - Hollywood Canteen - No. 8
• 1945 - The Lost Weekend - No. 8
• 1946 - The Yearling - No. 9
• 1946 - Night and Day - No. 7
• 1948 - Johnny Belinda - No. 4
• 1954 - Magnificent Obsession - No. 9
• 1962 - Bon Voyage! - No. 9

Television

Radio appearances

Awards and nominations

• Jane Wyman's imprints were set in concrete in front of Grauman's Chinese Theatre on September 17, 1952.
• Jane Wyman has two stars on the Hollywood Walk of Fame: one for motion pictures, at 6607 Hollywood Boulevard; and one for television, at 1620 Vine Street. Both from the inaugural placement of stars in 1960.

References

References

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