Hi-hat

Description

The hi-hat has two cymbals, which are typically between 13-15 in. They are mounted on a stand, which is linked to a pedal operated by the user's foot so the upper cymbal can move up and down.

Standard terminology has evolved. Open and closed hi-hat refer to notes struck while the two cymbals are apart or together (open or closed), while pedal hi-hat refers to parts or notes played solely with the pedal used to strike the two cymbals. Most cymbal patterns consist of both open and closed notes.

Clutch

The standard clutch uses a knurled collar partially threaded below the cymbal and a pair of knurled rings above it. The collar is tightened against the end of the thread, while the rings are tightened against each other. Drop-clutches are also used to lock and release hi-hats while both feet are in use playing double bass drums.--

History

Initial versions of the hi-hat were called clangers, which were small cymbals mounted onto a bass drum rim and struck with an arm on the bass drum pedal. Then came shoes, which were two hinged boards with cymbals on the ends that were clashed together. A standard size was 10 in, some with heavy bells up to 5 in wide.

Hi-hats that were raised and could be played by hand as well as foot may have been developed around 1926 by Barney Walberg of the drum accessory company Walberg and Auge. The first recognized master of the new instrument was "Papa" Jo Jones, whose playing of timekeeping "ride" rhythms while striking the hi-hat as it opened and closed inspired the innovation of the ride cymbal. The editor of the 2008 Jazz Profiles article made specific mention of others who are thought to have invented the hi-hat, including Papa Jo Jones and Kaiser Marshall. A 2013 Modern Drummer article credits Papa Jo Jones with being the first to use brushes on drums and shifting time keeping from the bass drum to the hi-hat (providing a "swing-pulse focus").

Use

When struck closed or played with the pedal, the hi-hat gives a short, crisp, muted percussive sound, referred to as a "chick". Adjusting the gap between the cymbals can alter the sound of the open hi-hat from a shimmering, sustained tone to something similar to a ride cymbal. When struck with a drumstick, the cymbals make either a short, snappy sound or a longer sustaining sandy sound depending on the position of the pedal.

It can also be played just by lifting and lowering the foot to clash the cymbals together, a style commonly used to accent beats 2 and 4 in jazz music. In rock music, the hi-hats are commonly struck every beat, or on beats 1 and 3, while the cymbals are held together. The drummer can control the sound by foot pressure. Less pressure allows the cymbals to rub together more freely, giving both greater sustain and greater volume for accent or crescendo. In shuffle time, a rhythm known as "cooking" is often employed. To produce this the cymbals are struck twice in rapid succession, being held closed on the first stroke and allowed to open just before the second, then allowed to ring before being closed with a chick to complete the pattern (the cymbals may or may not be struck on the chick).

In much hip-hop, the hi-hat is hit with drumsticks in a simple eighth-note pattern, although this playing is usually done by a drum machine or from an old recording from which the sound of a hi-hat is recorded and loaded into a sampler or similar recording-enabled equipment from which it is triggered. --

References

Sources

References

1. (August 2004). "Audio Graffiti: Guide to Drum & Percussion Notation".
2. Nichols, Geoff. (1997). "The Drum Book: The History of the Rock Drum Kit". [[Balafon Books]].
3. "Drumming Innovators: Papa Jo Jones".
4. "Papa Jo Jones: The Bridge". [[Modern Drummer Magazine]].