Herbert Ross

Early life

Ross was born on May 13, 1927, in Brooklyn, New York, the son of Louis Chester Ross, a postal clerk, and his wife Martha (née Grundfast). His parents were Russian-Jewish immigrants. When Ross was nine, his mother died and his father moved the family to Miami and opened a luncheonette.

After dropping out of high school, Ross went to New York to pursue an acting career but became smitten with dance and studied dance.

Career

Theatre

Dancer

In 1942, Ross' stage debut came as "Third Witch" in a touring company of Macbeth. The next year brought his first Broadway performance credits with Something for the Boys, as a dancer. Ross was a dancer in Follow the Girls (1943–44), Laffing Room Only (1944–45), Beggar's Holiday (1946–47), and Look, Ma, I'm Dancin'!.

Choreographer

By 1950, he was a choreographer with the American Ballet Theatre and choreographed his first Broadway production, the Arthur Schwartz-Dorothy Fields musical adaptation of A Tree Grows in Brooklyn (1951). For TV he choreographed All Star Revue, The Milton Berle Show, and The Steve Allen Plymouth Show. Ross's first film assignment came as an uncredited choreographer on Carmen Jones (1954).

Back on Broadway he choreographed House of Flowers (1954) for Peter Brook, and The Body Beautiful (1958). He choreographed some TV specials: The Jerry Lewis Show (1957), Wonderful Town (1958), Meet Me in St Louis (1959) and A Christmas Festival (1959). On Broadway Ross directed and choreographed a revival of Finian's Rainbow (1960). In 1965, Ross choreographed the original production of On a Clear Day, You Can See Forever and, without credit, took over the helm from the director of record, Robert Lewis, when the musical ran into trouble in Boston during its pre-Broadway tryout tour.

Ross went to England where he choreographed the feature film The Young Ones (1961), starring Cliff Richard. He returned to Broadway to be musical director on The Gay Life (1961–62) and I Can Get It for You Wholesale (1962), the latter directed by Arthur Laurents and starring Barbra Streisand. He choreographed The Bacchantes (1961) in Italy. Ross then choreographed a second Cliff Richard musical in England, Summer Holiday (1963). On Broadway he choreographed Tovarich (1963) with Vivien Leigh and Anyone Can Whistle (1964) with Laurents. For TV he did musical numbers for The Fantasticks (1964), The Bell Telephone Hour, Delia Scala Show (1962), Rinaldo in campo (1963), and The Nut House!! (1964) and staged numbers for the films Inside Daisy Clover (1965), Who's Afraid of Virginia Woolf? (1966) and Doctor Dolittle (1967).

On Broadway Ross directed and choreographed Kelly (1965), and choreographed Do I Hear a Waltz? (1965) and On a Clear Day You Can See Forever (1965-66). He did some additional staging on The Apple Tree (1966–67) directed by Mike Nichols. Ross was choreographer and director of musical numbers for Funny Girl (1968), produced by Ray Stark.

Film

His film directorial debut came with the musical version of Goodbye, Mr. Chips (1969), made by MGM-British, with Peter O'Toole and Petula Clark. It was produced by Arthur P. Jacobs who had made Doctor Dolittle two years prior, and just like that film, Goodbye, Mr. Chips was a box-office disappointment. However, Ross' second feature as director, The Owl and the Pussycat (1970), was a big hit. The film was produced by Ray Stark and stars Streisand.

Ross did T.R. Baskin (1971) then Play It Again, Sam (1972), the latter produced by Jacobs and starring Woody Allen based on his play. Ross made The Last of Sheila (1973) co-written by Stephen Sondheim and Anthony Perkins, and Funny Lady (1975) with Stark and Streisand. Ross directed The Sunshine Boys (1975) based on a play and script by Neil Simon, starting a long collaboration between the two men; Stark produced. Ross directed The Seven-Per-Cent Solution (1976), and The Turning Point (1977); Ross produced the latter.

Ross had two big hits with Simon scripts produced by Stark, The Goodbye Girl (1977) and California Suite (1978). Ross returned to Broadway to direct Neil Simon's Chapter Two (1977–79). After doing the ballet film Nijinsky (1980) he directed Simon's I Ought to Be in Pictures (1980–81) on Broadway. He followed this with Pennies from Heaven (1981) and the film version of I Ought to Be in Pictures (1982). His last film with Simon was Max Dugan Returns (1983).

Later career

Ross had a huge hit with Footloose (1984). He followed this with two comedies, Protocol (1984) with Goldie Hawn and The Secret of My Success (1987) with Michael J. Fox. Less successful was Dancers (1987).

Ross had one last big hit with another play adaptation, Steel Magnolias (1989). In the 1990s, he directed My Blue Heaven (1990), True Colors (1991), Undercover Blues (1993) and Boys on the Side (1995).

Personal life

In 1959, he married Nora Kaye, a ballerina, with whom he produced four films. In 1987, his wife Nora died of cancer.

In September 1988, he married for the second time to Lee Radziwiłł, the younger sister of former First Lady Jacqueline Kennedy Onassis. The marriage ended in divorce in 2001, shortly before his death. In 2013, Radziwiłł described their relationship as follows:

On October 9, 2001, Ross died from heart failure in New York City. A memorial was held for him at the Majestic Theater on West 44th Street in New York where Leslie Browne, Barbara Cook, Arthur Laurents, Marsha Mason, Mike Nichols and Mary-Louise Parker spoke of Ross. He was interred with Kaye in the Westwood Village Memorial Park Cemetery in Los Angeles.

Tennis

A lifetime tennis enthusiast, Ross lost his only known match to Steve Olson.

Works

Film

Television

Theatre

Awards and nominations

Directed Academy Award Performances

Under Ross' direction, these actors have earned Oscar nominations and wins for their performances in these respective roles.

References

References

1. "Herbert Ross Biography (1927-2001)".
2. (November 12, 1978). "That Hollywood Touch". The New York Times.
3. (11 October 2001). "Herbert Ross, Broadway Choreographer Turned Hollywood Director, Dies at 74". [[The New York Times]].
4. (6 January 1994). "Review/Dance; From Perfectionism to Pastiche In the Films of Herbert Ross". [[The New York Times]].
5. (20 November 1977). "On Stage and Screen, It's All Coming Up Ross's". [[The New York Times]].
6. (25 October 1987). "DANCE VIEW; Dancers': More Than Meets The Eye". [[The New York Times]].
7. (3 February 1995). "FILM REVIEW; Another Buddy Story, With a Twist or Two". [[The New York Times]].
8. (19 February 1995). "TAKING THE CHILDREN; Zipping Through School, but, Boy, Is He Dumb". [[The New York Times]].
9. (26 June 1943). "NORA KAYE MAKES 'SWAN LAKE' DEBUT; Her Performance High Point of Ballet Program at the Lewisohn Stadium EGLEVSKY AS THE PRINCE Markova, Massine, Laing and Tudor Dance in 'Aleko' --'Bluebeard' Also Seen". [[The New York Times]].
10. (8 June 1977). "Nora Kaye Recollects". [[The New York Times]].
11. (5 January 1988). "Nora Kaye Honored In Memorial Tribute By Artist Colleagues". [[The New York Times]].
12. (12 August 1999). "Anthony Stanislas Radziwill, 40, Award-Winning TV Producer". [[The New York Times]].
13. (24 September 1988). "Lee Bouvier Radziwill Weds Herbert Ross, Film Director". [[The New York Times]].
14. (September 24, 1988). "Lee Bouvier Radziwill Weds Herbert Ross, Film Director". [[New York Times]].
15. (February 7, 2013). "The Real Lee Radziwill". [[The New York Times Magazine]].
16. (12 October 2001). "Paid Notice: Deaths ROSS, HERBERT D.". [[The New York Times]].
17. (16 October 2001). "Paid Notice: Deaths ROSS, HERBERT". [[The New York Times]].
18. (14 December 2001). "Memorial for Herbert Ross". [[The New York Times]].
19. [http://www.nndb.com/people/415/000032319/ NNDB]