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Harvey (1950 film)

1950 film by Henry Koster

Harvey (1950 film)

1950 film by Henry Koster

FieldValue
nameHarvey
imageHarvey 1950 poster.jpg
captionOriginal poster
directorHenry Koster
producerJohn Beck
based_on
screenplayMary Chase
Oscar Brodney
Myles Connolly (Uncredited)
starring{{Plainlist
musicFrank Skinner
cinematographyWilliam H. Daniels
editingRalph Dawson
studioUniversal Pictures
distributorUniversal Pictures
released
runtime104 minutes
countryUnited States
languageEnglish
gross$2.6 million (US rentals)

Oscar Brodney Myles Connolly (Uncredited)

  • James Stewart
  • Josephine Hull
  • Charles Drake
  • Cecil Kellaway
  • Jesse White
  • Victoria Horne
  • Wallace Ford
  • Peggy Dow

Harvey is a 1950 American comedy-drama film based on Mary Chase's 1944 play of the same name, directed by Henry Koster, and starring James Stewart, Josephine Hull, Charles Drake, Cecil Kellaway, Jesse White, Victoria Horne, Wallace Ford, and Peggy Dow. The story centers on a man whose best friend is a púca named Harvey, a 6 ft tall white invisible rabbit, and the ensuing debacle when the man's sister tries to have him committed to a sanatorium.

Plot

Elwood P. Dowd is an amiable but eccentric man whose best friend is an invisible, 6 ft white rabbit named Harvey. As described by Elwood, Harvey is a púca, a benign but mischievous creature from Celtic mythology. Elwood spends most of his time taking Harvey around town, drinking at various bars and introducing Harvey to almost everyone he meets, much to the puzzlement of strangers although Elwood's friends have accepted Harvey's (supposed) existence. His older sister Veta and his niece Myrtle Mae live with him in his large estate, but have become social outcasts along with Elwood due to his obsession with Harvey.

After Elwood ruins a party Veta and Myrtle Mae arranged in secret, Veta finally tries to have him committed to a local sanatorium. In exasperation she admits to the attending psychiatrist, Dr. Sanderson, that she sees Harvey once in a while herself. Mistaking Veta for the real mental case, Sanderson has Elwood released and Veta locked up. Dr. Chumley, head of the sanatorium, discovers the mistake and realizes he must bring Elwood back, searching the town with Wilson, an orderly. With Veta's help, Chumley eventually tracks Elwood to his favorite bar, "Charlie's", and decides to confront him.

Four hours later, Wilson returns to the sanatorium and learns from Sanderson and nurse Kelly that Chumley and Elwood had not returned. They all go to Charlie's and find Elwood alone; he explains that Chumley wandered off with Harvey after several rounds of drinks. As they converse, Elwood encourages Sanderson and Kelly to dance, rekindling their romantic relationship. Elwood eventually explains that he met Harvey one night several years ago after escorting a drunk friend to a taxi, and they had since enjoyed going to bars and socializing with other patrons to hear their grand life stories and aspirations. Convinced Elwood is insane and may have harmed Chumley, Wilson calls the police and has Elwood escorted back to the sanatorium.

Chumley returns to the sanatorium disheveled and paranoid, and is followed by an invisible presence who opens and closes locked doors. When the others arrive, Chumley invites Elwood to his office. In private, Chumley says that he now knows Harvey is real, and Elwood explains Harvey's various powers, including his ability to stop time, send anyone to any destination for as long as they like, and then bring them back without a minute passing. Chumley expresses his fantasy to go to Akron with a beautiful woman for two weeks. Veta arrives with Judge Gaffney and Myrtle Mae, prepared to commit Elwood, but are convinced by Sanderson that an injection of a serum called Formula 977 will stop Elwood from "seeing the rabbit".

As they prepare the injection, Veta tries to pay the cab driver but, emptying her purse, is unable to find her smaller coin purse. She interrupts the injection procedure and asks Elwood to pay the driver. Warmed by Elwood's kindness, the cab driver explains how he has driven many people to the sanatorium to receive the same formula, warning Veta that Elwood will soon become "a perfectly normal human being, and you know what stinkers they are." Veta is upset by this, and halts the injection; she then finds her coin purse, and realizes that Harvey had intervened to save her brother. Wilson and Myrtle Mae, who had met at Elwood's house, reveal that they have become a couple, and Elwood invites Wilson over for tomorrow night's dinner.

Leaving the institute, Elwood sees Harvey on the porch swing. Harvey tells him that he has decided to stay and take Chumley on his fantasy trip to Akron. Dejected, Elwood walks out the gate, but when it is closed he sees Harvey coming back. The gate lever is then moved to the open position by an unseen force. Elwood happily says "Well, thank you, Harvey; I prefer you too", and they follow Veta and Myrtle Mae along the road and into the sunrise.

Cast

  • James Stewart as Elwood P. Dowd
  • Josephine Hull as Veta Louise Simmons
  • Peggy Dow as Miss Kelly
  • Charles Drake as Dr. Sanderson
  • Cecil Kellaway as Dr. Chumley
  • Victoria Horne as Myrtle Mae Simmons
  • Jesse White as Wilson
  • William H. Lynn as Judge Gaffney
  • Wallace Ford as E. J. Lofgren, the taxi driver
  • Nana Bryant as Mrs. Chumley
  • Grayce Mills as Aunt Ethel
  • Clem Bevans as Mr. Shimelplatzer, the gatekeeper

In addition, "Harvey as Himself" is shown in an on-screen credit as the final shot of the film.

Reception

James Stewart in a promotional photo advertising the film

Reviews from critics were mostly positive. Bosley Crowther of The New York Times wrote that "so freely flowing is the screenplay which Mrs. Chase and Oscar Brodney have prepared, so vivid and droll is the direction which Henry Koster has given it and, particularly, so darling is the acting of James Stewart, Josephine Hull and all the rest that a virtually brand new experience is still in store for even those who saw the play." Variety wrote that the play "loses little of its whimsical comedy charm in the screen translation", and that Stewart "would seem the perfect casting for the character so well does he convey the idea that escape from life into a pleasant half-world existence has many points in its favor." Harrison's Reports wrote, "A brief synopsis cannot do justice to the humor in the story, much of it delightful and some of it hilarious. Stewart is excellent in the leading role; his casual ease and amiability, and the quiet manner in which he explains his relationship with 'Harvey,' are fascinating." Richard L. Coe of The Washington Post called it "one of the most beguiling comedies possible ... I'm certain you'll admire the able playing of Stewart and the marvelous out-of-this-world perplexity of the superb Mrs. Hull. Both are Academy Award performances."

John McCarten of The New Yorker called it "a movie that only a case-hardened wowser would fail to find beguiling. Even if you saw the play, I don't think your familiarity with the alcoholic hallucinations of Elwood P. Dowd, the hero, will diminish your enjoyment of the film, and though James Stewart, who plays Dowd in the picture, doesn't bring to his part all the battered authority of Frank Fay, the originator of the role, he nevertheless succeeds in making plausible the notion that Harvey, the rabbit, would accept him as a pal." The Monthly Film Bulletin was less positive, writing that "Harvey himself scarcely begins to exist for the audience until the last few minutes. In his absence, the humours that can be extracted from the more obvious aspects of lunacy or suspected lunacy are wrung rather dry."

TV Guide says James Stewart gave "one of his finest performances in this lighthearted film", and it currently has five out of five stars on their site.

Stewart took a percentage of the profits. In 1953, William Goetz estimated that Stewart had earned $200,000 from the film, equivalent to $ million in .

Home media

In March 1990, Stewart recorded a special narrative introduction, which was combined with many of the film's still photos and added to the film's original release on VHS. MCA Home Video released Harvey on VHS in 1990. The special narrative introduction also appears on at least one DVD release of the film.

Awards and honors

AwardCategoryNominee(s)Result
Academy AwardsBest ActorJames Stewart
Best Supporting ActressJosephine Hull
Golden Globe AwardsBest Motion Picture – Drama
Best Actor in a Motion Picture – DramaJames Stewart
Best Supporting Actress – Motion PictureJosephine Hull
Hugo AwardsBest Dramatic PresentationHenry Koster, Oscar Brodney,
Myles Connolly and Mary Chase

James Stewart later declared in an interview that Josephine Hull had the most difficult role in the film, since she had to believe and not believe in the invisible rabbit... at the same time.

The film is recognized by American Film Institute in these lists:

  • 2000: AFI's 100 Years...100 Laughs – #35
  • 2005: AFI's 100 Years...100 Movie Quotes:
    • Elwood P. Dowd: "Well, I've wrestled with reality for thirty five years, Doctor, and I’m happy to state I finally won out over it." – Nominated
  • 2008: AFI's 10 Top 10:
    • #7 Fantasy Film

References

References

  1. "1951 Retro-Hugo Awards". The Hugo Awards.
  2. 'The Top Box Office Hits of 1951', ''Variety'', January 2, 1952
  3. Crowther, Bosley. (December 22, 1950). "The Screen In Review". [[The New York Times]].
  4. (October 18, 1950). "Harvey". [[Variety (magazine).
  5. (October 14, 1950). "'Harvey' with James Stewart and Josephine Hull". [[Harrison's Reports]].
  6. Coe, Richard L.. (December 25, 1950). "It's a Happy Yule With 'Harvey' Here". [[The Washington Post]].
  7. McCarten, John. (December 23, 1950). "The Current Cinema".
  8. (January 1951). "Harvey". [[The Monthly Film Bulletin]].
  9. "Harvey (1950)".
  10. "Harvey".
  11. Scheuer, Philip K. (July 24, 1955). "A TOWN CALLED HOLLYWOOD: Top Stars Now Share in Profits of Major Pictures". Los Angeles Times.
  12. "AFI's 100 Years...100 Laughs". [[American Film Institute]].
  13. "AFI's 100 Years...100 Movie Quotes Nominees".
  14. "AFI's 10 Top 10: Top 10 Fantasy". [[American Film Institute]].
  15. Oliver Jones. (1999-04-06). "Miramax to redo 'Harvey'". [[Variety (magazine).
  16. Michael Fleming. (2001-11-28). "Mazin inks to pen 'Harvey' update". [[Variety (magazine).
  17. Michael Fleming. (2003-03-11). "Travolta has ears for 'Harvey'". [[Variety (magazine).
  18. Michael Fleming. (2009-08-02). "Spielberg hops to 'Harvey' remake". [[Variety (magazine).
  19. Gregg Kilday. (2009-08-02). "Spielberg picks next directing job: 'Harvey'". [[The Hollywood Reporter]].
  20. Sampson, Mike. (2009-12-04). "Spielberg drops Harvey". JoBlo.com.
  21. (3 August 2009). "Spielberg hops onto update of rabbit tale 'Harvey'".
  22. Busch, Anita. (2018-12-19). "'Harvey': Netflix Working To Pull 6ft. Rabbit Out Of Hat". [[Deadline Hollywood]].
  23. sarah. (1 September 1971). "Mr. Horatio Knibbles (1971)". IMDb.
  24. Pekar, Harvey and R. Crumb, "The Harvey Pekar Name Story", ''American Splendor'' #2 (1977).
  25. [https://www.imdb.com/title/tt0042546/movieconnections "Harvey: Movie Connections,"] {{Webarchive. link. (August 27, 2011 IMDB. Retrieved Oct. 12, 2020.)
  26. (October 22, 2002). "Richard Kelly". Future Movies.
  27. Schildcrout, Jordan. (2019). "In the Long Run: A Cultural History of Broadway's Hit Plays". Routledge.
  28. Lucy Burton, "Manchester-firm JMW has acquired local specialist property and litigation firm Goodman Harvey, set up in 2004 by an ex-Halliwells partner and an imaginary rabbit", [http://www.thelawyer.com/firms/uk-200-101-to-150/jmw-acquires-manchesters-goodman-harvey/3005353.article ''The Lawyer''] {{Webarchive. link. (October 16, 2015 , 30 May 2013)
  29. (July 20, 2018). "Her's Interview with Sofia Loporcaro {{!}} Citadel Festival 2018".
  30. Mackay, Emily. (25 August 2018). "Ones to watch: Her's". [[The Guardian]].
  31. Krebs, Jane. (28 May 2021). "The Anthropocene Reviewed: Essays on a Human-Centered Planet".
  32. Foster, Rebecca. (2021-09-01). "Finishing 20 Books of Summer: The Anthropocene Reviewed by John Green".
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