Gregg Araki

Early life and education

Araki was born in Los Angeles on December 17, 1959, to Japanese American parents. He grew up in nearby Santa Barbara, California, and enrolled in college at the University of California, Santa Barbara. He graduated with a B.A. from UCSB in 1982. He later attended the University of Southern California's School of Cinematic Arts, where he graduated with a Master of Fine Arts in 1985.

Career

Low-budget beginnings

Araki made his directorial debut in 1987 with Three Bewildered People in the Night. With a budget of only $5,000 and using a stationary camera, he told the story of a romance between a video artist, her sweetheart, and her gay friend. Two years later, Araki followed up with The Long Weekend (O' Despair), another film with a $5,000 budget. His third film, The Living End (1992), saw an increase to $25,000. Director Jon Jost lent him camera equipment and provided spare film stock. He often had to shoot his early movies spontaneously and without proper permits.

Despite the financial constraints, Araki's films received critical acclaim. He received awards from the Locarno International Film Festival and the Los Angeles Film Critics Association, with an additional nomination for a Sundance Film Festival award.

''Teenage Apocalypse'' trilogy

The trilogy saw Araki work increasingly with more notable actors and actresses including Rose McGowan, Margaret Cho, Parker Posey, Guillermo Díaz, Ryan Phillippe, Heather Graham, and Mena Suvari among others.

The trilogy received varying degrees of reviews, from a thumbs down and "zero stars" by Roger Ebert to "Literally the Best Thing Ever" by Rookie, and was eventually heralded as cult classics.

Subsequent efforts

Araki's following film, Splendor (1999), was both an homage to screwball comedies of the 1940s and 1950s and a response to the controversy surrounding his ongoing relationship (despite Araki self-identifying as gay) with actress Kathleen Robertson. Hailed as the director's most optimistic film to date, it made its premiere at the 1999 Sundance Film Festival.

Araki's next project was the ill-fated MTV production This Is How the World Ends, originally planned with a budget of $1.5 million. He viewed it as a chance to reach the masses through MTV's viewership and signed on to do the project despite the budget being cut to $700,000. Araki wrote, directed, and shot the pilot episode, but ultimately MTV decided against the project and the effort never aired.

Following a short hiatus, Araki returned in 2004 with the critically acclaimed Mysterious Skin, based on the 1995 Scott Heim novel of the same name. This marked Araki's first work with someone else's source material.

Araki's next feature was the stoner comedy Smiley Face (2007), featuring Anna Faris, Adam Brody, and John Krasinski, written by Dylan Haggerty. It marked a stark change from the dark, heavy drama of Mysterious Skin, a change purposely planned by Araki. It received very favorable reviews, with some describing it as another of Araki's potential cult classics.

Kaboom marked Araki's tenth film and made its premiere at the 2010 Cannes Film Festival. It was awarded the first ever Queer Palm for its contribution to lesbian, gay, bisexual, and transgender issues.

Araki followed that film with White Bird in a Blizzard (2014), which was given limited release to mixed reviews. Araki returned to television with the 2019 series Now Apocalypse, co-executive produced by Gregory Jacobs and Steven Soderbergh on Starz.

Araki's next film, the comedy/thriller I Want Your Sex, will star Olivia Wilde, Cooper Hoffman, and Charli XCX. The screenplay was written by Araki and Karley Sciortino.

Style

One notable feature of Araki's work is the frequent presence of shoegaze music. This was first seen in the soundtrack of Totally Fucked Up, and was also substantially featured in the films Nowhere and Mysterious Skin. Both The Living End and Nowhere owe their titles to this shoegaze influence: The Living End after The Jesus and Mary Chain song of the same name, and Nowhere after Ride's album Nowhere.

Awards and honors

In 2010, Kaboom was named the first-ever winner of the Cannes Film Festival Queer Palm. Araki has also been honored with the 2006 Filmmaker on the Edge Award at the Provincetown International Film Festival. In 2013, Araki was recognized by the Museum of Arts and Design in New York City with the retrospective God Help Me: Gregg Araki.

Personal life

Araki has previously self-identified as "a gay Asian American". However, he had a relationship with actress Kathleen Robertson from 1997 to 1999. In a 2014 interview, at which time he was in a relationship with a male partner, Araki said: "I don't really identify as anything", adding "I'd probably identify as gay at this point, but I have been with women."

Filmography

Film

Television

References

References

1. Rich, B. Ruby. (March 26, 2013). "New Queer Cinema: The Director's Cut". [[Duke University Press]].
2. Prono, Luca. (December 30, 2007). "Encyclopedia of Gay and Lesbian Popular Culture". [[ABC-CLIO]].
3. Hart, Kylo-Patrick R.. (September 20, 2010). "Images for a Generation Doomed: The Films and Career of Gregg Araki". [[Rowman & Littlefield]].
4. "UCSB Notable Alumni: Art". UC Santa Barbara Alumni Association.
5. (January 29, 2007). "USC Filmmakers Descend on Sundance".
6. Chua, Lawrence. (Fall 1992). "Gregg Araki". New Art Publications.
7. (August 28, 1992). "A LOST GENERATION".
8. (December 21, 1989). "Do The Right Thing wins honors". [[The Item]].
9. O'Connell, Ryan. (January 31, 2011). "The Work of Gregg Araki: Teenagers, Aliens and Shoegaze".
10. Taubin, Amy. (September 7, 1999). "Market Forces". [[The Village Voice]].
11. Ebert, Roger. (November 10, 1995). "The Doom Generation".
12. Cills, Hazel. (June 13, 2012). "Literally the Best Thing Ever: Gregg Araki's Totally Effed-Up L.A.". [[Rookie (magazine).
13. McAllister, Matt. (September 6, 2011). "Gregg Araki Interview: At World's End".
14. "1999 Sundance Film Festival - Splendor". [[Sundance Film Festival]].
15. (October 21, 2010). "Fifty Contemporary Film Directors". [[Routledge]].
16. Smith, Damon. (February 2008). "Rebel, Rebel". [[Bright Lights Film Journal]].
17. Konrad, Todd. "Smiley Face".
18. Mottram, James. (January 26, 2007). "Brits reign at Sundance". [[The Independent]].
19. Tsiokos, Basil. (May 23, 2010). "UPDATE: "Kaboom" Claims First Queer Palm". [[Indiewire]].
20. Grobar, Matt. (October 28, 2024). "Daveed Diggs, Mason Gooding, Chase Sui Wonders, Johnny Knoxville & Margaret Cho Round Out Cast Of Gregg Araki's 'I Want Your Sex' For Black Bear".
21. O'Neill, Phelim. (August 5, 2011). "Gregg Araki's films are giving the US a crash course in shoegazing". The Guardian.
22. O'Neill, Phelim. (August 5, 2011). "Gregg Araki's films are giving the US a crash course in shoegazing". [[The Guardian]].
23. "FILMMAKER ON THE EDGE". [[Provincetown International Film Festival]].
24. "God Help Me: Gregg Araki".
25. (August 19, 2013). "Never-Aired MTV Pilot & Master Class at Museum of Art Design's Gregg Araki Retrospective".
26. (September 17, 2013). "Cult filmmaker Gregg Araki talks career retrospective". New York University.
27. Yutani, Kimberly. (1996). "Asian American Sexualities: Dimensions of the Gay and Lesbian Experience". Psychology Press.
28. Szymanski, Michael. (July 20, 1997). "Having It Both Ways". [[Los Angeles Times]].
29. Turner, Megan. (September 8, 1999). "STRANGE BEDFELLOWS: GAY DIRECTOR FALLS FOR ''90210'' BABE". [[New York Post]].
30. Lim, Dennis. (January 14, 2011). "Young and Restless Never Gets Old". [[The New York Times]].
31. Musto, Michael. (October 20, 2014). "Gregg Araki on His New Movie, White Bird in a Blizzard, and Being Gay in Hollywood". [[Out (magazine).