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Giulio Mancini
Italian physician, art collector, art dealer and writer
Italian physician, art collector, art dealer and writer
| Field | Value |
|---|---|
| name | Giulio Mancini |
| image | |
| birth_date | 21 February 1559 |
| birth_place | Siena |
| death_date | |
| death_place | Rome |
| nationality | Italian |
| occupation | physician, art critic |
Giulio Mancini (21 February 1559 – 22 August 1630) was a seicento physician, art collector, art dealer and writer on a range of subjects. His writings on contemporary artists like Caravaggio and Annibale Carracci remain one of our earliest sources of biographical information; his Considerazioni being an important source on art in early 17th-century Rome.
Biography
Mancini was born in Siena and attended the University of Padua, where he studied medicine, astrology and philosophy. He went to Rome in 1592, where he practised medicine; from 1595 at the Hospital of Santo Spirito.
Mancini's writings went unpublished until the 20th century; his Considerazioni sulla pittura (thoughts on painting), written between 1617 and 1621, remaining so until 1956. His advice to the collector gives us insight into the contemporary art market in Rome; his notes on spotting fakes were the first indication of how sophisticated these pastiches had already become by the early 17th century.
In the Considerazioni, he distinguishes four tracts of painting in his contemporary Rome: that of Caravaggio; that of Carracci; the third of Giuseppe Cesari; and the fourth of everybody else, the mannerist painter Cristoforo Roncalli for instance. Mancini was also well acquainted with Caravaggio's benefactor, Francesco Maria del Monte.
As dealer he most notably sold Caravaggio's The Death of the Virgin to Vincenzo Gonzaga, Duke of Mantua for 280 scudi in 1607; a transaction proposed to the Duke by Peter Paul Rubens and brokered by Giovanni Magno.
In his private life, Mancini was known as a self-confessed atheist, an art lover and a connoisseur. He was a member of the Accademia degli Umoristi, a literary club founded in 1603, which members included Giovanni Battista Guarini, Alessandro Tassoni, and Gian Vittorio Rossi. He also wrote on such diverse subjects as dancing and the ways of courtiers.
Upon his death, Mancini left his fortune to be distributed among the students of Siena.
Footnotes
References
- "Mancini, Giulio". Rijksbureau voor Kunsthistorische Documentatie.
- Witcombe, Christopher. (Spring 1993). "Two 'avvisi', Caravaggio, and Giulio Mancini". Source: Notes in the History of Art.
- Brown, Jonathan. (1970). "Italian and Spanish Art, 1600-1750: Sources and Documents". Northwestern University Press.
- Langdon, Helen. (2000). "Caravaggio: A Life". Westview Press.
- Graham-Dixon, Andrew. (2011). "Caravaggio: A Life Sacred and Profane". W. W. Norton.
This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page.
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