Gentlemen Prefer Blondes (1953 film)

Plot

Lorelei Lee and Dorothy Shaw are American showgirls and companions, although the two are very different. Lorelei thinks more of a man's financial wealth and likes men who can support her passion for diamonds, such as her fiancé Gus Esmond Jr., who can provide all of her financial needs. Dorothy prefers men who are attractive and fit, and she does not care about their wealth.

Lorelei plans to wed Gus in France, but they are forbidden to travel together by Gus's strict father Esmond Sr., who despises Lorelei although he hasn't met her. Lorelei decides to travel to France with or without Gus, and before she leaves, he gives her a letter of credit to cover expenses upon her arrival, and promises to later meet her in France. However, he also warns her to behave, noting that his father will prohibit their marriage if Esmond Sr. hears rumors of misdeeds. Gus and Lorelei are unaware that Esmond Sr. has hired private detective Ernie Malone to spy on Lorelei.

During the Atlantic crossing, Malone immediately falls in love with Dorothy, but she has already been drawn to the members of the male US Olympic team who are also on board. Lorelei meets the rich and foolish Sir Francis "Piggy" Beekman, the owner of a diamond mine, and is attracted by his wealth. Although Piggy is married, Lorelei naively returns his geriatric flirtations, which annoys his wife, Lady Beekman.

Lorelei invites Piggy to the cabin that she shares with Dorothy, where he recounts his travels to Africa. Malone spies through the window and takes pictures of them but is seen by Dorothy as he walks away. She tells Lorelei, who fears for her reputation. They devise a scheme to intoxicate Malone and search him to recover the incriminating film while he is unconscious. They find the film in his pants, and Lorelei prints and hides the negatives. Revealing her success to Piggy, she persuades him to give her Lady Beekman's tiara. However, Malone reveals that he had planted a recording device in Lorelei's cabin and has heard her discussion with Piggy about the pictures and the tiara. Malone implies that Lorelei is a gold digger and when Dorothy scolds him for his actions, he admits to being a liar. However, Dorothy reveals to Lorelei that she is falling for Malone, and Lorelei chastises her for choosing a poor man when she could easily have a rich one.

The ship arrives in France, and Lorelei and Dorothy spend time shopping. However, they discover that Lorelei's letter of credit has been canceled and are then evicted from their hotel because of the information that Malone shared with Esmond Sr. They are forced to find work as showgirls in Paris, headlining a lavish revue. When Gus appears at their show, Lorelei rebuffs him and then performs "Diamonds Are a Girl's Best Friend". Meanwhile, Lady Beekman has filed charges regarding her missing tiara, and Lorelei is arraigned for theft. Dorothy persuades Lorelei to return the tiara, but they discover that it is missing from her jewelry box. Piggy tries to deny his part in the affair when Malone catches him at the airport.

Dorothy stalls for time in court by pretending to be Lorelei, disguised in a blonde wig and mimicking her friend's breathy voice and mannerisms. When Malone appears in court and is about to unmask Dorothy, she reveals to Malone in covert language that she loves him but would never forgive him if he hurts Lorelei. Malone withdraws his comments but then reveals that Piggy has the tiara, exonerating Lorelei.

Back at the nightclub, Lorelei impresses Esmond Sr. with a speech on the subject of paternal money and argues that if Esmond Sr. had a daughter instead of a son, he would want the best for her. He agrees and consents to the marriage. A double wedding is held for Lorelei and Dorothy and their grooms.

Cast

• Jane Russell as Dorothy Shaw
• Marilyn Monroe as Lorelei Lee
• Charles Coburn as Sir Francis "Piggy" Beekman
• Elliott Reid as Ernie Malone
• Tommy Noonan as Gus Esmond Jr.
• George Winslow as Henry Spofford III
• Marcel Dalio as the magistrate
• Taylor Holmes as Mr. Esmond Sr.
• Norma Varden as Lady Beekman
• Howard Wendell as Watson
• Steven Geray as the hotel manager
• Henri Letondal as Grotier (uncredited)
• Noel Neill as passenger (uncredited)
• Jean Del Val as Ship's Captain (uncredited)
• George Chakiris as Man in "Diamonds" song pursuing Lorelei (uncredited){{cite web | access-date = September 1, 2024

Production

Director Howard Hawks had never before made a musical film, but he owed Fox one more film, so he agreed. The stage musical, starring Carol Channing, had already been running for two years on Broadway when Fox paid $250,000 for the film rights. The original intention was a vehicle for Betty Grable and Ginger Rogers; however, after the success of Monroe's appearance in Niagara (1953), the studio believed it had a more potent, and less expensive, sex symbol than Grable.{{cite web | access-date = September 1, 2024 | access-date = September 1, 2024

Although Hawks is credited as the sole director of the film, Russell and assistant choreographer Gwen Verdon contend that all musical numbers were actually staged by Jack Cole. Hawks later confirmed this in an interview with author Joseph McBride: "I did a musical called Gentlemen Prefer Blondes, and I didn't do the production numbers. I didn't have any desire to."

An uncredited George Chakiris, future Oscar winner for Best Supporting Actor (as Bernardo in West Side Story, 1961 version), can be glimpsed as one of the wealthy men pursuing Marilyn in "Diamonds Are a Girl's Best Friend". Two other uncredited "suitors" in this musical number are Larry Kert and Matt Mattox.

According to Monroe's last interview before her death, she was paid her usual contract salary of $500 a week,

Release

Box office

The film earned $5.3 million at the box office worldwide, and was the seventh-highest-grossing film of 1953, while Monroe's next feature, How to Marry a Millionaire (also 1953), was the fourth-highest.

Critical reception

The film received positive reviews from critics. Monroe and Russell were both praised for their performances even by critics who panned the film.

Bosley Crowther of The New York Times called Howard Hawks' direction "uncomfortably cloddish and slow" and found the gags for Russell "devoid of character or charm," but concluded, "And yet, there is that about Miss Russell and also about Miss Monroe that keeps you looking at them even when they have little or nothing to do."

Variety wrote that Hawks "maintains a racy air that brings the musical off excellently at a pace that helps cloak the fact that it's rather lightweight, but sexy, stuff. However, not much more is needed when patrons can look at Russell-Monroe lines as displayed in slick costumes and Technicolor."

Harrison's Reports wrote: "Both Jane Russell and Marilyn Monroe are nothing short of sensational in the leading roles. They not only act well, but the sexy manner in which they display their song, dance and pulchritude values just about sets the screen on fire and certainly is crowd-pleasing, judging by the thunderous applause at the preview after each of the well-staged musical numbers."

John McCarten of The New Yorker wrote that the two leads "have a good deal of enthusiasm, and occasionally their exuberance offsets the tedium of one long series of variations on the sort of anatomical joke that used to amuse the customers of Minsky so inordinately."

Britain's Monthly Film Bulletin praised Jane Russell for her "enjoyable Dorothy, full of gusto and good nature," but thought that the film had been compromised from the play "by the casting of Marilyn Monroe, by the abandonment of the 20s period and the incongruous up-to-date streamlining, by inflating some bright, witty songs into lavish production numbers, and by tamely ending the whole thing by letting two true loves conventionally come true. There is too, a lack of grasp in Howard Hawks' handling, which is scrappy and uninventive."

On review-aggregation website Rotten Tomatoes, the film has an approval rating of 88% based on 88 reviews, with an average rating of 7.8/10. The site's critical consensus reads, "Anchored by Marilyn Monroe and Jane Russell's sparkling magnetism, Gentlemen Prefer Blondes is a delightfully entertaining 1950s musical."

German film director Rainer Werner Fassbinder declared the film one of the ten best ever.

Recent reviews have noted that the film is groundbreaking for its depiction of female friendships and agency for women. Writing for Bust magazine, Samantha Mann wrote, "Throughout the entire film, the main characters Lorelei (Marilyn Monroe) and Dorothy (Jane Russell) display consistent loyalty to one another. There is no back-stabbing, shit-talking, or degrading one another to come out on top or gain the affection of a man. The women remain steadfast in their loyalty to one another, and tolerate no one speaking ill of the other. Providing support and comfort to one another takes priority over finding ways to secure their desired men." Caroline Siede of The A.V. Club wrote the story may appear to be a "90-minute misogynistic punchline about the desperate schemes of two devious social-climbing showgirls, ditzy Lorelei Lee (Monroe) and witty man-eater Dorothy Shaw (Jane Russell). Thankfully, Gentlemen Prefer Blondes is quite the opposite. It's a cheeky social satire about gender and class that doubles as a celebration of female ingenuity and solidarity, all glammed up in a ballgown and diamonds."

Accolades

AccoladesMonroe and Russell left their handprints and footprints in cement in the forecourt of Grauman's Chinese Theatre in a spectacle that generated a great deal of publicity for the actresses and the film.

Notes

References

References

1. "Gentlemen Prefer Blondes - Details".
2. Solomon, Aubrey. (2002). "Twentieth Century Fox: A Corporate and Financial History". [[Scarecrow Press]].
3. (1 December 1954). "With 20th's Widescreen Jump".
4. Solomon, Aubrey. (2002). "Twentieth Century Fox: A Corporate and Financial History". [[Scarecrow Press]].
5. Vagg, Stephen. (2 January 2026). "Not Quite Movie Stars: George Chakiris".
6. McCarthy, Todd. (1997). "Howard Hawks: The Grey Fox of Hollywood". Grove Press.
7. McBride, Joseph. (2013). "Hawks on Hawks". University Press of Kentucky.
8. Bramesco, Charles. (2023-07-01). "Gentlemen Prefer Blondes at 70: Marilyn Monroe remains a dazzling star". The Guardian.
9. (January 6, 1960). "All Time Domestic Champs".
10. Prial, Frank J.. (March 6, 2007). "Voice of the Many, but Rarely Herself". The New York Times.
11. Crowther, Bosley. (July 16, 1953). "The Screen In Review; Gentlemen Prefer Blondes' at Roxy, With Marilyn Monroe and Jane Russell". The New York Times.
12. Brogdon, William. (July 1, 1953). "Gentlemen Prefer Blondes". [[Variety (magazine).
13. (June 27, 1953). "'Gentlemen Prefer Blondes' with Marilyn Monroe, Jane Russell and Charles Coburn". [[Harrison's Reports]].
14. McCarten, John. (July 25, 1953). "The Current Cinema".
15. (September 1953). "Gentlemen Prefer Blondes". [[The Monthly Film Bulletin]].
16. "Gentlemen Prefer Blondes". [[Flixster]].
17. "Gentlemen Prefer Blondes".
18. (January 24, 2019). ""Gentlemen Prefers Blondes" Is A Feminist Buddy Comedy".
19. (July 5, 2019). "Gentlemen Prefer Blondes is bubbly and smart, just like Marilyn Monroe".
20. (June 17, 1953). "Actresses Marilyn Monroe and Jane Russell putting signatures, hand and foot prints in cement at Grauman's Theater, 1953". [[Los Angeles Times]].
21. "Writers Guild of America, USA: Awards for 1954".
22. (1954). "Photoplay (Jan-Jun 1954)". New York, MacFadden Publications, Inc..
23. Super, John C.. (2005). "The Fifties in America". [[Salem Press]].