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Folk music of Punjab
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Punjabi folk music (, or Punjabi Folk) is the traditional music on the traditional musical instruments of the Punjab region of the Indian subcontinent. There is a great repertoire of music from the time of birth through the different stages of joy and sorrow till death. The folk music invokes the traditions as well as the hardworking nature, bravery and many more things that the people of Punjab get from its gateway-to-India geographical location. Due to the large area with many sub-regions, the folk music has minor lingual differences but invokes the same feelings. The sub-regions Bar, Malwa, Doaba, Majha, Pothohar, and hills areas, have numerous folk songs. Punjabi dance OP Bhangra music which is a genre of Punjabi modern music invented in Britain by the Punjabi diaspora.
General features of musical style
Rhythm
The rhythm of Punjabi folk music is very simple. unlike the rhythms of Bhangra music which are generally complex
Melody
Some songs like Heer and Mirza are sung using the traditional compositions.
Folk songs
Punjab has folk songs on birth, marriage, funeral, death, love, separation, beauty, social and economical status, village lifestyle, food, nature, bravery, folklores and folktales, folk romances, folk and historical heroes, festivals and many more. The songs of professional castes of Punjab are also included in the folk songs. They can be divided into the following categories:
Occasion for singing
Controversy
Punjabi folk music is associated with a traditional lifestyle and culture. Many of the themes associated with the songs of today, which are mostly relevant in Bhangra songs, involve the promotion of the ills of Punjabi society such as the caste system and substance abuse as well as superstitious beliefs. Many revolutions in Punjab such as the Sikh revolution were in direct opposition of Punjabi folk songs.
Life-cycle rituals
A large part of Punjabi folk songs presents the picture of incidents from birth to death Ghorhian, Bolian, Tappe, Sithnian, Chhand, Heara, Lorian, etc.
Fairs and festivals
Every festive occasion has music associated with it. Lohri and Maghi are associated with the change of season while Vaisakhi is a harvest festival. Men dance Bhangra and women dance Giddha. The month of Sawan is one of great joy for females in which they celebrate the festival of Teeyan. The married ones come back to their parents' home and meet their family and friends and in an open ground they dance Giddha. They wear colorful dresses like Phulkari, and adorn their hands with Mehndi and glass bangles.
Types of textual themes
Romantic
Jugni, Mahia, Tappe, Jindua, Dhola, Kafian, Dohre, Bolian, Sadda, Jhokan and the folk romances of Punjab region like Heer Ranjha, Mirza Sahiban, Sohni Mahiwal, Sassi Punnun are main folk love songs. Heer and Mirza are sung using traditional compositions.
Heroic
In heroic or bravery, the folk song includes about the Punjabi heroes like Dulla Bhatti, Raja Rasalu, Jagga Jatt, S. Bhagat Singh, S. Udham Singh, Sucha Soorma and Jeona Morh.
Religious
Main article: Sikh music
Songs about worship, religious ceremonies and festivals represents the religious feelings.
Sikhism is closely related with music. The sixth Sikh guru, Guru Hargobind, established the singers called Dhadis to sing the Gurbani, Vaars (English: heroic ballads) and other folk genres using the normally two folk instruments, Dhad and Sarangi.
The other religions like Islam have Qawwalis, Naats and Hamds and Hinduism have Bhajans and Punjabi have Punjabi songs.
Instruments
Main article: Folk instruments of Punjab

Punjabi singers may sing unaccompanied or along with such traditional instruments as dhol, tumbi, dhadd, sarangi, gharha, gagar, chimta, or algoze, Iktara, Bugchu, Chhaine, Kainchi, Sapp, Kato.
References
References
- Pande, Alka. (1999). "Folk music and musical instruments of Punjab". Mapin Publishers.
- Thind, Karnail Singh. (2002). "Punjab Da Lok Virsa". [[Punjabi University, Patiala.
- "The Music of Punjab". SadaPunjab.com.
- "ਪੰਜਾਬ ਦੇ ਲੋਕ-ਗੀਤ".
- Sharma, Manorma. (2009). "Musical heritage of India".
- (October 1, 2011). "Punjab heritage comes alive on concluding day". [[The Tribune (Chandigarh).
- (May 21, 1999). "Power failure hits show". [[The Tribune (Chandigarh).
- (February 19, 2011). "Two plays staged". [[The Tribune (Chandigarh).
- Maini, Darshan Singh. (1979). "Studies in Punjabi poetry". Vikas.
- Shivnath. (1976). "History of Dogri literature". [[Sahitya Akademi]].
- (January 8, 2012). "Lahore's Crumbling Gateways". [[The Tribune (Chandigarh).
- (January 13, 2010). "'Dulla Bhatti' traces heroic deeds of folk character". [[The Tribune (Chandigarh).
- (January 20, 1999). "The all-pervading spirit". [[The Tribune (Chandigarh).
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