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F (musical note)

Musical note


Summary

Musical note

} F is a musical note, the fourth above C or fifth below C. It is the fourth note and the sixth semitone of the solfège. It is also known as fa in fixed-do solfège. It is enharmonic equivalent with E (E-sharp) and G (G-double flat), amongst others.

When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle F (F4) is approximately 349.228 Hz. See pitch (music) for a discussion of historical variations in frequency.

Designation by octave

Scientific designationHelmholtz designationOctave nameFrequency (Hz)MIDI note number
F−1F͵͵͵ or ͵͵͵F or FFFFOctocontra5
F0F͵͵ or ͵͵F or FFFSubcontra17
F1F͵ or ͵F or FFContra29
F2FGreat41
F3fSmall53
F4One-lined65
F5Two-lined77
F6Three-lined89
F7Four-lined101
F8Five-lined113
F9Six-lined125
F10Seven-linedN/A

Scales

Common scales beginning on F

  • F major: F G A B C D E F
  • F natural minor: F G A B C D E F
  • F harmonic minor: F G A B C D E F
  • F melodic minor ascending: F G A B C D E F
  • F melodic minor descending: F E D C B A G F

[[Diatonic scale]]s

  • F Ionian: F G A B C D E F
  • F Dorian: F G A B C D E F
  • F Phrygian: F G A B C D E F
  • F Lydian: F G A B C D E F
  • F Mixolydian: F G A B C D E F
  • F Aeolian: F G A B C D E F
  • F Locrian: F G A B C D E F

[[Jazz scale#Modes of the melodic minor scale|Jazz melodic minor]]

  • F ascending melodic minor: F G A B C D E F
  • F Dorian 2: F G A B C D E F
  • F Lydian augmented: F G A B C D E F
  • F Lydian dominant: F G A B C D E F
  • F Mixolydian 6: F G A B C D E F
  • F Locrian 2: F G A B C D E F
  • F altered: F G A B C D E F

E-sharp

} E () is a common enharmonic equivalent of F, but is not regarded as the same note. E is commonly found before F in the same measure in pieces where F is in the key signature, in order to represent a diatonic, rather than a chromatic semitone; writing an F with a following F is regarded as a chromatic alteration of one scale degree. Though E and F sound the same in any 12-tone temperament, other tunings may define them as distinct pitches.

References

Sources

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References

  1. {{harvtxt. Demorest. 2001
  2. {{harvtxt. Griffiths. 2004
  3. {{harvtxt. Zundel. 1848
  4. Suits, B. H.. (1998). "Physics of Music Notes - Scales: Just vs Equal Temperament". Michigan Technological University.
  5. {{harvtxt. Griffiths. 2004
Wikipedia Source

This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page.

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