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F (musical note)
Musical note
Musical note
} F is a musical note, the fourth above C or fifth below C. It is the fourth note and the sixth semitone of the solfège. It is also known as fa in fixed-do solfège. It is enharmonic equivalent with E (E-sharp) and G (G-double flat), amongst others.
When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle F (F4) is approximately 349.228 Hz. See pitch (music) for a discussion of historical variations in frequency.
Designation by octave
| Scientific designation | Helmholtz designation | Octave name | Frequency (Hz) | MIDI note number |
|---|---|---|---|---|
| F−1 | F͵͵͵ or ͵͵͵F or FFFF | Octocontra | 5 | |
| F0 | F͵͵ or ͵͵F or FFF | Subcontra | 17 | |
| F1 | F͵ or ͵F or FF | Contra | 29 | |
| F2 | F | Great | 41 | |
| F3 | f | Small | 53 | |
| F4 | One-lined | 65 | ||
| F5 | Two-lined | 77 | ||
| F6 | Three-lined | 89 | ||
| F7 | Four-lined | 101 | ||
| F8 | Five-lined | 113 | ||
| F9 | Six-lined | 125 | ||
| F10 | Seven-lined | N/A |
Scales
Common scales beginning on F
- F major: F G A B C D E F
- F natural minor: F G A B C D E F
- F harmonic minor: F G A B C D E F
- F melodic minor ascending: F G A B C D E F
- F melodic minor descending: F E D C B A G F
[[Diatonic scale]]s
- F Ionian: F G A B C D E F
- F Dorian: F G A B C D E F
- F Phrygian: F G A B C D E F
- F Lydian: F G A B C D E F
- F Mixolydian: F G A B C D E F
- F Aeolian: F G A B C D E F
- F Locrian: F G A B C D E F
[[Jazz scale#Modes of the melodic minor scale|Jazz melodic minor]]
- F ascending melodic minor: F G A B C D E F
- F Dorian 2: F G A B C D E F
- F Lydian augmented: F G A B C D E F
- F Lydian dominant: F G A B C D E F
- F Mixolydian 6: F G A B C D E F
- F Locrian 2: F G A B C D E F
- F altered: F G A B C D E F
E-sharp
} E () is a common enharmonic equivalent of F, but is not regarded as the same note. E is commonly found before F in the same measure in pieces where F is in the key signature, in order to represent a diatonic, rather than a chromatic semitone; writing an F with a following F is regarded as a chromatic alteration of one scale degree. Though E and F sound the same in any 12-tone temperament, other tunings may define them as distinct pitches.
References
Sources
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References
- {{harvtxt. Demorest. 2001
- {{harvtxt. Griffiths. 2004
- {{harvtxt. Zundel. 1848
- Suits, B. H.. (1998). "Physics of Music Notes - Scales: Just vs Equal Temperament". Michigan Technological University.
- {{harvtxt. Griffiths. 2004
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