Eurovision Song Contest 1963

Location

The British Broadcasting Corporation (BBC) was willing to host the contest instead of the previous year's winner 's Radiodiffusion-Télévision Française (RTF), as was the case in . They would do so again in , , and because the winning broadcasters of the previous year declined to produce the contest. The host venue was the BBC Television Centre, White City, London, which opened in 1960. It is one of the most readily recognisable facilities of its type having appeared as the backdrop for many BBC programmes. It remained one of the largest broadcasting facilities in the world until the property was redeveloped in March 2013.

Participants

All countries which participated in the edition also participated in the 1963 edition.

Only one of the performing artists had previously competed representing the same country in past editions: Ronnie Carroll had represented the .

Production and format

The production mode was unusual in comparison with other Eurovision Song Contests: In contrast to most previous and following editions which were filmed in concert halls or theatres, the staging of 1963 was done in television studios. Two studios (TC3 and TC4) were used: one for the mistress of ceremonies Katie Boyle, the audience, and the scoreboard (TC3); the other for the performers and the orchestra accompanying them (TC4). Unusually, a boom microphone (normally used for drama and comedy shows) was employedthe viewer could not see this, so it appeared as if the artists were miming to their vocals. This was not the case, but this innovation was to create a new look for the contest. The use of television studios allowed a broader variety of staging elements not seen before in the contest, and the use of close-ups so to create an atmosphere of intimacy for television viewers.

After the was the only one to be held on a Sunday, the contest was held on a Saturday again in 1963.

Contest overview

Spokespersons

Each participating broadcaster appointed a spokesperson who was responsible for announcing the votes for their respective country via telephone. Known spokespersons at the 1963 contest are listed below.

• Finland
• Sweden

Detailed voting results

Each participating broadcaster assembled a 20-member jury panel who awarded their five favourite songs 5, 4, 3, 2, and 1 points in order. All those points would then be added up and the five songs with the most points got 5, 4, 3, 2, and 1 votes in order. Errors in the Norwegian (see below) and the Monegasque votes meant their scores had to be announced twice, with an adjustment to the scores being made in each case before the final score was verified.

One controversy this year was during the voting. When it was 's turn to announce their votes, the spokesman in Oslo did not use the correct procedure in that the song number, followed by the name of the country, should have been announced before awarding the points. Boyle asked Norway to repeat their results, but the Norwegian spokesman asked Boyle to return to them after all the other results were in. When Boyle went back to Norway again the votes had been altered, thus changing the outcome of the contest and giving the victory to at 's expense. In fact, the Norwegian spokesman had not given the correct votes on the first occasion, because votes from the 20 jury members were still being tallied. It was confirmed a month after the contest that the Norwegian jury didn't change their votes.

Monaco was also asked to repeat their voting a second time as initially Monaco gave one point to both the United Kingdom and Luxembourg. However, when Boyle went back to Monaco to receive the votes again Monaco's one vote to Luxembourg was efficiently discarded (although this did not have any effect on the positions of the countries).

5 points

Below is a summary of all 5 points received:

Broadcasts

Each participating broadcaster was required to relay the contest via its networks. Non-participating EBU member broadcasters were also able to relay the contest as "passive participants". Broadcasters were able to send commentators to provide coverage of the contest in their own native language and to relay information about the artists and songs to their television viewers. Reports estimate that 50 million people would see the contest.

Known details on the broadcasts in each country, including the specific broadcasting stations and commentators are shown in the tables below.

Notes

References

References

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11. (26 March 1963). "Le jury norvégien n'avait pas modifié son vote". Feuille d'Avis de Neuchatel.
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