Ethel Barrymore Theatre

Site

The Ethel Barrymore Theatre is on 243 West 47th Street, on the north sidewalk between Eighth Avenue and Broadway, near Times Square in the Theater District of Midtown Manhattan in New York City, New York, U.S. The square land lot covers 10050 ft2, with a frontage of 100 ft on 47th Street and a depth of 100 feet. The Barrymore shares the block with the Samuel J. Friedman Theatre to the west, the Longacre Theatre to the north, and the Morgan Stanley Building to the east. Other nearby buildings include the Eugene O'Neill Theatre and Walter Kerr Theatre to the north; Crowne Plaza Times Square Manhattan to the northeast; 20 Times Square to the east; the Hotel Edison and Lunt-Fontanne Theatre to the south; and the Lena Horne Theatre and Paramount Hotel to the southwest.

Design

The Ethel Barrymore Theatre was designed by Herbert J. Krapp in several styles and was constructed in 1928 for the Shubert brothers. The theater is named after actress Ethel Barrymore (1879–1959), a prominent member of the Barrymore family of actors, and is operated by the Shubert Organization. The Barrymore has been used continuously as a legitimate house and, unlike most Broadway theaters, has never been sold or renamed since its opening. The Barrymore was the last theater to be built by the Shubert Organization until 2003.

Facade

The facade is symmetrically arranged. The ground floor is clad in rusticated blocks of terracotta, painted in a limestone color, above a granite water table. At ground level, the auditorium entrance includes two arched openings, each with four aluminum and glass doors. The voussoirs of the arches are made of rusticated blocks, while the keystones at the centers of each arch are shaped like brackets. Within each arch, the spaces above the doors are infilled with black glazed tiles; originally, these spaces were filled with metal tracery. Between the arched doors is a smaller doorway, which is topped by a large keystone. Above all of these openings is a marquee with the name "Barrymore", which is supported by ornate bronze brackets. The presence of the large marquee obscures the contrast between the ground floor and upper stories. The brackets originally supported a smaller bronze-and-glass canopy, which curved upward in front of either arch.

On either side of the doors are terracotta niches with bronze-framed sign boards. Above the signboards are terracotta wreaths, which surround circular panels with the gilded letters "The Barrymore Theatre". Each wreath is topped by a curved pediment. The western and eastern portions of the facade are recessed slightly and contain recessed openings. The opening to the east is marked as the stage door. A frieze, decorated with leaf and wave moldings, runs above the first floor. To the east, there was originally a stage house with fire escapes on its facade, but this has since been replaced with the Morgan Stanley Building.

The upper stories are faced in bonded glazed-white brick. The central part of the facade includes a terracotta screen with an Ancient Roman-inspired pattern, surrounded by a cord molding. The screen includes a grid of squares, each of which contain central medallions with bars radiating in eight directions. To the left of the screen, the wall contains a sign with the name "Barrymore" and a metal fire escape. A metal sign hangs from the facade to the right. The top of the screen curves upward in a manner resembling a proscenium arch, and a brick parapet rises above the screen. A Greek key frieze and a cornice with talon moldings runs above the entire facade. Contemporary media from the theater's opening cited the top of the facade as being 62 ft above the sidewalk, while the screen was 52 ft wide.

Auditorium

The auditorium has an orchestra level, one balcony, boxes and a stage behind the proscenium arch. The space is designed with plaster decorations in low relief. The auditorium is shaped almost as a square. According to the Shubert Organization, the auditorium has 1,058 seats; meanwhile, Playbill cites 1,039 seats and The Broadway League cites 1,096 seats. The physical seats are divided into 582 seats in the orchestra, 196 at the front of the balcony, 256 at the rear of the balcony, and 24 in the boxes. There were originally 1,100 seats, divided into 570 in the orchestra, 494 in the balcony, and 36 in the boxes.

The seats were designed to be "unusually comfortable", with steel backs and bottoms. A source from the theater's opening cited the auditorium as having an old-gold and brown color scheme. The interior uses a combination of Elizabethan, Mediterranean, and Adam-style design motifs.

Seating areas

The rear of the orchestra contains a promenade. The rear wall of the promenade contains three doorways, above which is a frieze. The promenade ceiling is curved and contains Elizabethan strapwork patterns. There is a wrought iron balustrade between the orchestra promenade and the last row of orchestra seating. Two staircases lead from either end of the promenade to the balcony level; they contain wrought-iron railings with shield and strapwork motifs. The orchestra is raked, sloping down toward the stage. The side walls of the orchestra contain a wainscoting that is divided into panels. The walls were originally painted cinnamon and gold. There are lighting sconces on the walls.

The balcony level is cantilevered above the orchestra and is divided into front and rear sections by an aisle halfway across its depth. The crossover aisle connects to segmentally arched exit doors on both of the side walls. There are console brackets above the arched exit doors, which support terraces that project slightly from an opening on either wall. The rest of the balcony's side walls are made of simple plaster and contain wall sconces. The front rail of the balcony contains high-relief strapwork patterns, which have been covered over with light boxes. The underside of the balcony has plasterwork panels with crystal light fixtures suspended from medallions. The original lighting fixtures, consisting of inverted bowls of cut glass, have since been replaced. Air-conditioning vents are placed along some of the panels under the balcony, as well as at the balcony's rear. There is a technical booth behind the balcony's rear wall.

On either side of the proscenium are three boxes, raised about 9 ft from the orchestra floor, which curve toward the side walls. At orchestra level is a wainscoted wall interrupted by three segmental-arched openings, one beneath each box. The undersides of the boxes contain moldings and crystal light fixtures similar to those on the balcony. The box fronts are decorated with three Elizabethan-style plasterwork bands. From bottom to top, the bands depict shields with putti's faces; rosettes; and strapwork around shields. Immediately behind the boxes are six gold-colored, fluted pilasters with Ionic capitals. There are half-columns in front of the pilasters that flank the center box. Above the pilasters is an architrave with plaster strapwork reliefs, as well as a balustrade containing vase-shaped balusters. There is a lunette above the balustrade; it includes a square shield motif, which is connected by latticework bands to sphinxes on either side. The lunette is surrounded by strapwork bands and several concentric semicircular arches. The semicircular arches have design motifs such as shells, shields, anthemia, and half-columns. The arches, combined with the lunette, constitute a sunburst pattern. The boxes and semicircular arches are surrounded by a plaster frame.

Other design features

Next to the boxes is a three-centered proscenium arch. The archway is surrounded by a wide band with strapwork motifs, with narrow bands of leaves on either side. The spandrels, above the corners of the proscenium arch, contain decorative motifs. The proscenium measures 24 ft high and 39 ft wide. The depth of the auditorium to the proscenium is 28 ft, while the depth to the front of the stage is 31 ft. According to sources from the theater's completion, the proscenium opening was 40 ft wide, while the arch itself was 34 ft high. As arranged, the stage itself measured 28 ft deep by 81 ft wide. The stage gridiron was placed 65 ft above the stage. There are traps throughout the entire stage, as well as a counterweight fly system.

The ceiling rises 49 ft from the floor of the orchestra. The coved ceiling contains a dome at its center, measuring 36 ft wide. At the center of the dome is a grilled centerpiece, which is surrounded by several Elizabethan-style circles, as well as four medallions placed at 90-degree angles. A glass chandelier hangs from the center of the dome. The rest of the dome is divided into wedge-shaped sections, which are arranged in a circular pattern around the centerpiece. Outside of the dome, the coved ceiling contains latticework panels, surrounded by a strapwork pattern. Where the coved ceiling curves onto the side walls, there is a band with water-leaf motifs. Originally, this band was colored in green, gold, and gray.

Other interior spaces

The theater was built with a general lounge in the basement, which measured 25 by. Separate spaces in the lounge were provided for women and men, and there was also a telephone booth. According to contemporary news articles, the basement lounge was decorated with an ivory-colored strapwork ceiling, modeled after English designs. The lounge had antique Elizabethan furniture, a mulberry-and-taupe carpet, and walls with an "old English texture in antique color". When the theater opened, Gilbert Miller lent a bronze bust of Ethel Barrymore, which was designed by A. C. Laddy. The basement also had a large dressing room for choruses.

On the first floor, Ethel Barrymore had her own modern-style reception and dressing room. The second floor had a chorus room and a smaller dressing room. The theater was built with three additional floors, each with four dressing rooms.

History

Times Square became the epicenter for large-scale theater productions between 1900 and the Great Depression. During the 1900s and 1910s, many theaters in Midtown Manhattan were developed by the Shubert brothers, one of the major theatrical syndicates of the time. The Shuberts originated from Syracuse, New York, and expanded downstate into New York City in the first decade of the 20th century. The brothers controlled a quarter of all plays and three-quarters of theatrical ticket sales in the U.S. by 1925. The Shuberts continued to build Broadway theaters in the 1920s, with the construction of four theaters on 48th and 49th Streets, as well as the Imperial Theatre on 45th Street.

Development and early years

In 1927, playwright Zoe Akins told Ethel Barrymore about an offer from the Shubert brothers, who proposed developing a Broadway theater and naming it in her honor if she agreed to be represented by the Shuberts. Barrymore agreed, and the Shuberts hired Krapp to design the theater, construction of which started in late April or early May 1928. At the time, Barrymore was 48 years old{{efn|The actress celebrated her 49th birthday on August 15, 1928, while the theater was under construction. she had been represented by the Frohman brothers for almost her entire career. In September 1928, Lee Shubert announced that the theater would open the next month, with Barrymore starring in G. Martinez Sierra's play The Kingdom of God. The theater's completion was delayed, prompting The Kingdom of God to go on a several-week tour.

The Barrymore Theatre ultimately opened on December 20, 1928. During the opening, which was attended by many New York City socialites, Ethel Barrymore received seven curtain calls before she was able to give a speech thanking the Shuberts. The Barrymore Theatre received so many items of Barrymore memorabilia that, within a month of the theater's opening, the Shuberts considered creating a library to house these gifts. Ethel Barrymore appeared at her eponymous theater again in 1929, when she co-starred with Louis Calhern in The Love Duel, which ran for 88 performances. The Barrymore's next several plays did not feature Ethel Barrymore. These included a transfer of John Drinkwater's comedy Bird in Hand in September 1929, as well as Death Takes a Holiday that December, the latter of which had a comparatively long run of 181 performances.

1930s and 1940s

In 1930, the theater staged the comedy Topaze and the romance His Majesty's Car. Ethel Barrymore's next appearance at the Barrymore was in the short-lived blackface comedy Scarlet Sister Mary in November 1930, which saw the Broadway debut of the actress's daughter, Ethel Barrymore Colt. More successful was The Truth Game with Ivor Novello and Billie Burke, which opened that December and had 105 performances. In 1931, the Barrymore hosted Mélo with Edna Best and Basil Rathbone, followed that November by Ethel Barrymore in The School for Scandal, whose son John Drew Colt made his first Broadway appearance in that show. The Barrymore's productions in 1932 included a 144-performance run of Whistling in the Dark, as well as the short-lived comedy Here Today and a transfer of There's Always Juliet. The same year, Ethel Barrymore stopped performing under the Shuberts' management, prompting the brothers to remove her first name from the marquee. At the end of 1932, Fred Astaire and Claire Luce starred in the musical Gay Divorce, where Astaire performed without his sister Adele for the first time.

The theater's plays in 1933 included Design for Living with Alfred Lunt, Lynn Fontanne, and Noël Coward, as well as the mystery Ten Minute Alibi and the drama Jezebel. The Barrymore went into receivership the same year, and the receiver deeded the theater to the Barrymore Theater Corporation. The Barrymore had seven flops in 1934. Coward, Lunt, and Fontanne returned in January 1935 for the play Point Valaine, which lasted for only 56 performances. The Barrymore hosted a transfer of the play Distaff Side that March, and Philip Merivale and Gladys Cooper staged revivals of Shakespeare's Macbeth and Othello that October. The play Parnell opened in November 1935 and ran for 98 performances; it was followed by a double bill of Irwin Shaw's Bury the Dead and Prelude in April 1936, then Emlyn Williams's Night Must Fall that September. Clare Boothe Luce's The Women opened with an all-female cast in December 1936 and was a hit, running for 657 performances.

The Playwrights' Company next presented the musical Knickerbocker Holiday with Walter Huston in 1938. The next year, the Barrymore hosted No Time for Comedy with Katharine Cornell, Laurence Olivier, and Margalo Gillmore for 185 performances, and Key Largo with Paul Muni, Uta Hagen, and José Ferrer for 105 performances. In 1940, Ethel Barrymore appeared in the short-lived play An International Incident, her last appearance at her namesake theater. The musical Pal Joey, featuring Gene Kelly and Vivienne Segal with a score by Rodgers and Hart, opened later that year and ran for 270 performances before transferring to another theater. The next hit was Best Foot Forward with Rosemary Lane in 1941, which had 326 performances. Walter Kerr and Leo Brady's Count Me In had a short run in 1942, but Anton Chekhov's The Three Sisters with Katharine Cornell was more successful, with 123 performances. Another success was the war drama Tomorrow the World in 1943, which had 499 performances.

Revivals predominated at the theater in the mid-1940s. These included The Barretts of Wimpole Street and Pygmalion in 1945, as well as The Duchess of Malfi and Cyrano de Bergerac in 1946. In 1947, Gian Carlo Menotti presented a double bill of the musical plays The Telephone and The Medium at the theater, which ran for 212 performances. Later that year, the Barrymore presented Tennessee Williams's A Streetcar Named Desire, originally featuring Marlon Brando, Kim Hunter, Karl Malden, and Jessica Tandy. The play, one of several that Irene Mayer Selznick produced at the theater, ran for 855 performances over the next two years.

1950s to 1970s

Menotti hosted another show at the Barrymore in 1950: the opera The Consul with Patricia Neway and Marie Powers. Later that year, the Barrymore hosted Bell, Book and Candle with husband-and-wife team Rex Harrison and Lilli Palmer, which ran for 233 performances. Another married couple starred in another hit in 1951: The Fourposter with Jessica Tandy and Hume Cronyn, who stayed for 632 performances. This was followed in 1953 by a transfer of Misalliance. The same year, the Barrymore staged Tea and Sympathy with Deborah Kerr, Leif Erickson, and John Kerr, which had 712 total performances. Shows in 1955 included The Desperate Hours; a personal appearance by Marcel Marceau; and the drama The Chalk Garden. Leonard Sillman's revue New Faces of 1956 ran for 220 performances, featuring Maggie Smith in her Broadway debut, as well as female impersonator T. C. Jones. Ketti Frings's adaptation of Look Homeward, Angel premiered in 1957 and ran 530 performances.

A Raisin in the Sun opened in March 1959, staying for seven months and running 530 total performances. When Ethel Barrymore died in June of that year, the theater's lights were dimmed in its namesake's honor. Another comedy, A Majority of One with Gertrude Berg and Cedric Hardwicke, moved to the Barrymore later that year and ran through June 1960. The Barrymore's productions of the early 1960s included Critic's Choice with Henry Fonda and Mildred Natwick in 1960; The Complaisant Lover with Michael Redgrave, Richard Johnson, and Googie Withers in 1961; and A Gift of Time with Fonda and Olivia de Havilland in 1962. Later in the decade, the theater hosted The Amen Corner in 1965, followed the next year by Wait Until Dark and a limited engagement by Les Ballets Africains. This was followed in 1967 by Peter Shaffer's twin production of Black Comedy and White Lies. The Barrymore's last hit of the 1960s was a revival of The Front Page in 1969.

The Barrymore hosted several hits in the 1970s, several of which won Tony Awards and other accolades. In 1970, Conduct Unbecoming opened at the Barrymore, featuring Michael Barrington and Jeremy Clyde. The next year, Alec McCowen appeared in The Philanthropist, as well as Melvin Van Peebles's musical Ain't Supposed to Die a Natural Death. The New Phoenix Repertory Company premiered at the Barrymore in late 1973, with three works: The Visit, Chemin de Fer, and Holiday. This was followed in 1974 by Noël Coward in Two Keys with Tandy, Cronyn, and Anne Baxter, a double bill of Coward's plays A Song at Twilight and Come Into the Garden, Maud. The Barrymore hosted the play Travesties with John Wood in 1975, as well as American Buffalo with Robert Duvall and I Love My Wife in 1977. The Barrymore's last hit of the decade was the 1979 play Romantic Comedy, featuring Mia Farrow and Anthony Perkins. During the run of Romantic Comedy, the Barrymore Theatre became one of the first theaters to distribute electronic headsets to help hard-of-hearing visitors. The theater also hosted a party in December 1979 to celebrate what would have been Ethel Barrymore's birthday.

1980s and 1990s

The Barrymore continued to host hits in the early 1980s. These included Lunch Hour, which opened in 1980 with Gilda Radner and Sam Waterston, followed in 1981 by The West Side Waltz with Katharine Hepburn and Dorothy Loudon. Hume Cronyn returned to the Barrymore in 1982, making his playwriting debut with Foxfire, in which he costarred with Jessica Tandy and Keith Carradine. This was followed at the end of 1983 by Baby, which ran for 241 performances. The next year, David Rabe's Hurlyburly transferred from off-Broadway and ran for 343 performances. The Barrymore's productions in 1986 included the solo show Lillian with Zoe Caldwell, as well as Social Security, the latter of which ran for 385 performances through 1987. The August Wilson musical Joe Turner's Come and Gone opened at the Barrymore in 1988. The following year, the Barrymore hosted Metamorphosis with Mikhail Baryshnikov, as well as a 12-performance run of David Hare's The Secret Rapture. During the late 1980s, the Shuberts renovated the Barrymore as part of a restoration program for their Broadway theaters, and the Shuberts also sold the Barrymore's air rights for development.

The New York City Landmarks Preservation Commission (LPC) had started to consider protecting the Barrymore as a landmark in 1982, with discussions continuing over the next several years. The LPC designated the Barrymore's facade as a landmark on November 4, 1987, followed by the interior on November 10. This was part of the commission's wide-ranging effort in 1987 to grant landmark status to Broadway theaters. The New York City Board of Estimate ratified the designations in March 1988. The Shuberts, the Nederlanders, and Jujamcyn collectively sued the LPC in June 1988 to overturn the landmark designations of 22 theaters, including the Barrymore, on the merit that the designations severely limited the extent to which the theaters could be modified. The lawsuit was escalated to the New York Supreme Court and the Supreme Court of the United States, but these designations were ultimately upheld in 1992.

In 1990, the play Lettice and Lovage opened at the Barrymore, featuring Margaret Tyzack and Maggie Smith from the West End version of the play. The next year, the Lincoln Center Theater brought Mule Bone, a never-performed play written in 1930 by Langston Hughes and Zora Neale Hurston; it ran at the Barrymore for 67 performances. A limited revival of A Streetcar Named Desire, featuring Alec Baldwin and Jessica Lange, opened in 1992. Afterward, the off-Broadway hit The Sisters Rosensweig moved to the Barrymore in 1993, with 556 Broadway performances. The play Indiscretions opened in 1995 and had 220 performances; it was followed the next year by a 306-performance revival of Oscar Wilde's An Ideal Husband. Cy Coleman's off-off-Broadway musical The Life transferred to the Barrymore in 1997 and saw 465 performances. The Barrymore next hosted a revival of the Greek tragedy Electra in 1998, then the West End hit Amy's View and the musical Putting It Together in 1999.

2000s to present

The Donmar Warehouse's production of The Real Thing and the Manhattan Theatre Club's version of The Tale of the Allergist's Wife were both performed at the Barrymore in 2000. The 777-performance run of The Tale of the Allergist's Wife was followed by shorter runs of Imaginary Friends in 2002, Salome in 2003, and Sly Fox in 2004. As part of a settlement with the United States Department of Justice in 2003, the Shuberts agreed to improve disabled access at their 16 landmarked Broadway theaters, including the Barrymore. The Barrymore Theatre was then renovated for $9 million in 2004. Next came a revival of Tennessee Williams's The Glass Menagerie in 2005 and the short-lived musical Ring of Fire in 2006. Later in 2006, a revival of Stephen Sondheim's Company opened at the Barrymore, running for 247 performances. The band Duran Duran, performing its album Red Carpet Massacre in November 2007, was forced to relocate due to the 2007 Broadway stagehand strike. The Barrymore's exterior was renovated as part of a two-year project that was completed in 2008.

The Barrymore hosted three David Mamet plays in the late 2000s: November and Speed-the-Plow in 2008, as well as Race in 2009. Eugène Ionesco's Exit the King was also performed at the Barrymore in 2009. The 2010 play Elling had nine performances before it flopped. This was followed in 2011 by the play Arcadia, as well as a special appearance, An Evening with Patti LuPone and Mandy Patinkin. When The Curious Incident closed, the food show presenter Alton Brown had a limited appearance at the Barrymore in November 2016.

In 2017, the Barrymore hosted the plays The Present and Six Degrees of Separation. At the end of the same year, the Barrymore staged the musical The Band's Visit, which ran through early 2019. when the Barrymore temporarily closed on March 12, 2020, due to the COVID-19 pandemic. The theater reopened on September 4, 2021, with a limited revival of Waitress, which closed at the end of the year. The musical Paradise Square ran for three months from April to July 2022, followed by the first Broadway revival of the play The Piano Lesson, which opened at the theater in October 2022 and ran for three months. A transfer of the West End play Peter Pan Goes Wrong opened at the Barrymore in April 2023, running for three months. This was followed in August 2023 by a limited run of Antonio Díaz's magic show El Mago Pop, then in October 2023 by Barry Manilow and Bruce Sussman's musical Harmony. The play Patriots opened at the Barrymore in April 2024 and was followed in October by a limited run of Our Town. A revival of Othello then opened at the Barrymore in March 2025.

Notable productions

Productions are listed by the year of their first performance.

1920s to 1990s

2000s to present

Box office record

Waitress achieved the box office record for the Ethel Barrymore Theatre. It grossed $197,878 in ticket sales on September 3, 2021, breaking the previous single-performance house record at the Ethel Barrymore Theatre set by the production of Betrayal ($184,476). This record was broken in August 2023 by El Mago Pop which grossed $2.717 million in one week of ticket sales. In March 2025, Othello garnered $2,818,297 in ticket sales over eight performances, breaking the all-time box office record for any Broadway theater; this was in part due to high average ticket prices.

References

Notes

Citations

Sources

References

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2. {{harvnb. Landmarks Preservation Commission Interior. 1987
3. {{cite aia5
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86. (April 12, 1940). "'Medicine Show' on Tonight's List; Living Newspaper Play to Be Given by Wharton-Gabel at the New Yorker Theatre". The New York Times.
87. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
88. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
89. (December 25, 1940). "Christmas Brings Two Shows Here; 'Pal Joey,' Musical Comedy, to Be Seen at the Ethel Barrymore Tonight". The New York Times.
90. (August 15, 1941). "Shubert Theatre to Get 'Pal Joey'; Musical, Closing Tomorrow at Barrymore, to Reopen Labor Day at Larger House". The New York Times.
91. (October 1, 1941). "Musical Will Open at the Barrymore; ' Best Foot Forward' Tonight Will Be First of the Season to Appear on Broadway". The New York Times.
92. (June 30, 1942). "Abbott's Musical Closes Saturday; ' Best Foot Forward' to Halt After 325 Performances -- To Reopen Late in August". The New York Times.
93. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
94. The Broadway League. (October 8, 1942). "Count Me In – Broadway Musical – Original".
95. The Broadway League. (December 21, 1942). "The Three Sisters – Broadway Play – 1942 Revival".
96. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
97. (April 14, 1943). "Play of Nazi Boy Will Open Tonight; Ideology of 12-Year-Old to Be Projected on Stage Here in 'Tomorrow the World'". The New York Times.
98. The Broadway League. (April 14, 1943). "Tomorrow the World – Broadway Play – Original".
99. {{harvnb. Botto. Mitchell. 2002
100. Nichols, Lewis. (April 1, 1945). "'Barretts of Wimpole Street'; The Return". The New York Times.
101. Nichols, Lewis. (December 27, 1945). "The Play in Review; 'Dunnigan's Daughter' Makes Its Broadway Debut at the Golden--Shaw's 'Pygmalion' Has Revival at Barrymore Miss Lawrence Returns". The New York Times.
102. Calta, Louis. (November 5, 1946). "'Duchess of Malfi' Will Leave Nov. 16; Bergner Play to Quit After 38 Performances at Barrymore --Star Has New Role". The New York Times.
103. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
104. Atkinson, Brooks. (May 11, 1947). "Words and Music; Menotti's Two Operas, 'The Telephone' And 'The Medium,' Come to Broadway". The New York Times.
105. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
106. Atkinson, Brooks. (December 4, 1947). "First Night at the Theatre". The New York Times.
107. Downes, Olin. (March 16, 1950). "Menotti 'Consul' Has Its Premiere; Scene From Menotti's 'the Consul'". The New York Times.
108. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
109. Atkinson, Brooks. (November 15, 1950). "At the Theatre". The New York Times.
110. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
111. The Broadway League. (November 14, 1950). "Bell, Book and Candle – Broadway Play – Original".
112. Atkinson, Brooks. (October 25, 1951). "First Night at the Theatre; Jessica Tandy and Hume Cronyn in Two-Character Play About Marriage". The New York Times.
113. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
114. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
115. Shanley, J. P.. (February 21, 1953). "The Show Goes on for 'Misalliance'; City Center Will Present Shaw Revival at Barrymore After Run at Civic Playhouse". The New York Times.
116. Atkinson, Brooks. (October 1, 1953). "First Night at the Theatre; Deborah Kerr Stars in 'Tea and Sympathy' at the Ethel Barrymore Playhouse". The New York Times.
117. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
118. Atkinson, Brooks. (February 11, 1955). "Theatre: The Guests Came From Jail; Family Is Held Captive in 'Desperate Hours'". The New York Times.
119. Atkinson, Brooks. (October 27, 1955). "The Theatre: Sparkling Cut Glass; ' Chalk Garden' Opens at Barrymore". The New York Times.
120. The Broadway League. (June 14, 1956). "New Faces of 1956 – Broadway Musical – Original".
121. {{harvnb. Botto. Mitchell. 2002
122. Valente, Brooks Atkinsonalfredo. (November 29, 1957). "The Theatre:'Look Homeward, Angel'; Luminous Adaptation of Wolfe Novel Opens The Cast". The New York Times.
123. Atkinson, Brooks. (March 12, 1959). "The Theatre: 'A Raisin in the Sun'; Negro Drama Given at Ethel Barrymore". The New York Times.
124. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
125. (May 16, 1960). "Majority of One' to Close June 25; Comedy to End After 570th Showing -- French Star Is Signed by 'Molly Brown'". The New York Times.
126. Taubman, Howard. (December 15, 1960). "Theatre: Integrity Comes First in 'Critic's Choice'; Comedy by Ira Levin in Debut at Barrymore Henry Fonda Stars as Drama Reviewer Whose Playwright-Wife Feels Barbs". The New York Times.
127. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
128. The Broadway League. (October 1, 1961). "The Complaisant Lover – Broadway Play – Original".
129. Taubman, Howard. (November 2, 1961). "'Complaisant Lover' in Debut at Barrymore; Redgrave in Work by Graham Greene". The New York Times.
130. The Broadway League. (February 22, 1962). "A Gift of Time – Broadway Play – Original".
131. Taubman, Howard. (April 16, 1965). "Theater: 'The Amen Corner,' Baldwin's First Play; 12-Year-Old Drama Is Staged at Barrymore". The New York Times.
132. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
133. Kauffmann, Stanley. (February 3, 1966). "Theater: Lee Remick Stars in 'Wait Until Dark'; Mystery Drama Bows at Ethel Barrymore". The New York Times.
134. Barnes, Clive. (November 17, 1966). "Dance: Les Ballets Africains Opens at Barrymore; Exciting Show Offered by Guinean Troupe Parisian Design Linked to Primitive Energy". The New York Times.
135. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
136. The Broadway League. (February 12, 1967). "Black Comedy / White Lies – Broadway Play – Original".
137. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
138. Barnes, Clive. (May 12, 1969). "Theater: 'Front Page' Gaily Revived; Hecht-MacArthur Play at Ethel Barrymore Period Style Retained -- Costumes Helpful". The New York Times.
139. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
140. Barnes, Clive. (October 13, 1970). "Theater: Good Whodunit". The New York Times.
141. (May 15, 1971). "'Philanthropist' to Close". The New York Times.
142. Barnes, Clive. (November 26, 1973). "Stage: 'Visit' Opens Phoenix Season". The New York Times.
143. The Broadway League. (November 26, 1973). "Chemin de Fer – Broadway Play – 1973 Revival".
144. Barnes, Clive. (November 27, 1973). "Stage: 'Chemin de Fer'". The New York Times.
145. Barnes, Clive. (December 27, 1973). "Stage: Having a Wonderful 'Holiday'". The New York Times.
146. The Broadway League. (February 28, 1974). "Noël Coward in Two Keys – Broadway Play – Original".
147. Barnes, Clive. (March 1, 1974). "Stage: Hume Cronyn Dances Through 'Coward in Two Keys'". The New York Times.
148. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
149. Leonard, John. (November 14, 1975). "Critic's Notebook: Stoppard 'Travesties' Stirs New Thoughts of Lenin and Zurich". The New York Times.
150. Barnes, Clive. (February 17, 1977). "Stage: Skilled 'American Buffalo'". The New York Times.
151. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
152. Barnes, Clive. (April 18, 1977). "Stage: Tuneful 'I Love My Wife'". The New York Times.
153. Kerr, Walter. (November 9, 1979). "Stage: Slade's 'Romantic Comedy'". The New York Times.
154. Shepard, Richard F.. (February 18, 1980). "Theaters Starting to Aid the Deaf; Company Paid for Installation Expansion Considered Other Aids Planned". The New York Times.
155. Buckley, Tom. (December 18, 1979). "Broadway Pays Tribute to Ethel Barrymore". The New York Times.
156. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
157. Rich, Frank. (November 13, 1980). "Stage: Jean Kerr's 'Lunch Hour' Opens at Barrymore Theater; From Pretense to Tense". The New York Times.
158. The Broadway League. "Lunch Hour – Broadway Play – Original".
159. Rich, Frank. (November 20, 1981). "Stage: Miss Hepburn Saves Us a 'Waltz'". The New York Times.
160. Lawson, Carol. (August 6, 1982). "Broadway; For Hume Cronyn, Broadway debut as a playwright.". The New York Times.
161. {{harvnb. Botto. Mitchell. 2002. Landmarks Preservation Commission. 1987
162. Rich, Frank. (November 12, 1982). "Theater: Jessica Tandy in 'Foxfire'". The New York Times.
163. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
164. Rich, Frank. (December 5, 1983). "Stage: 'Baby,' a Musical Exploring Parenthood". The New York Times.
165. Bennetts, Leslie. (July 18, 1984). "Inside the Ensemble Play of 'Hurlyburly'". The New York Times.
166. (June 4, 1985). "'Hurlyburly' Closes". The New York Times.
167. {{harvnb. Botto. Mitchell. 2002
168. Rich, Frank. (January 17, 1986). "The Stage: Zoe Caldwell as Hellman in 'Lillian'". The New York Times.
169. (March 19, 1987). "'Social Security' to Close". The New York Times.
170. {{harvnb. Botto. Mitchell. 2002
171. Rich, Frank. (March 28, 1988). "Review/Theater; Panoramic History Of Blacks in America In Wilson's 'Joe Turner'". The New York Times.
172. Rich, Frank. (March 7, 1989). "Review/Theater; Baryshnikov in 'Metamorphosis'". The New York Times.
173. (November 4, 1989). "'Secret Rapture' Closing". The New York Times.
174. Bennetts, Leslie. (1986-04-22). "Theater Gets Raves for Decor". The New York Times.
175. Scardino, Albert. (1987-06-13). "New Offices Changing the Theater District". The New York Times.
176. Dunlap, David W.. (October 20, 1982). "Landmark Status Sought for Theaters". The New York Times.
177. Shepard, Joan. (August 28, 1985). "Is the final curtain near?". New York Daily News.
178. (November 11, 1987). "Legitimate: Landmarks Panel Names 5 Theaters". Variety.
179. Dunlap, David W.. (November 5, 1987). "5 More Broadway Theaters Classified as Landmarks". The New York Times.
180. Dunlap, David W.. (November 11, 1987). "Three Manhattan Theaters Are Given Landmark Status". The New York Times.
181. (November 11, 1987). "3 theaters get landmark status". New York Daily News.
182. Dunlap, David W.. (November 22, 1987). "The Region; The City Casts Its Theaters In Stone". The New York Times.
183. Purdum, Todd S.. (March 12, 1988). "28 Theaters Are Approved as Landmarks". The New York Times.
184. Dunlap, David W.. (June 21, 1988). "Owners File Suit to Revoke Theaters' Landmark Status". The New York Times.
185. Dunlap, David W.. (May 27, 1992). "High Court Upholds Naming Of 22 Theaters as Landmarks". The New York Times.
186. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
187. Rich, Frank. (March 26, 1990). "Review/Theater; One and Many Maggie Smiths". The New York Times.
188. {{harvnb. Botto. Mitchell. 2002
189. Rich, Frank. (February 15, 1991). "Review/Theater; A Difficult Birth For 'Mule Bone'". The New York Times.
190. (April 11, 1991). "'Mule Bone' to Close". The New York Times.
191. Rich, Frank. (April 13, 1992). "Review/Theater: A Streetcar Named Desire; Alec Baldwin Does Battle With the Ghosts". The New York Times.
192. (March 19, 1993). "Review/Theater; The Sisters Rosensweig Take Up Residence on Broadway". The New York Times.
193. Canby, Vincent. (April 28, 1995). "Theater Review: Indiscretions; Cocteau's Ferocious View Of the Rolls-Royce of Families". The New York Times.
194. {{harvnb. Botto. Mitchell. 2002
195. (October 31, 1995). "'Indiscretions' Closing". The New York Times.
196. {{harvnb. Botto. Mitchell. 2002
197. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
198. Brantley, Ben. (April 28, 1997). "Lively Women, but Very Tired". The New York Times.
199. (June 4, 1998). "'The Life' Is Closing". The New York Times.
200. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
201. Canby, Vincent. (December 13, 1998). "Theater; An 'Electra' Powerfully Current". The New York Times.
202. Brantley, Ben. (April 16, 1999). "Theater Review; Stardom Drives 'Amy's View'". The New York Times.
203. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
204. Brantley, Ben. (November 22, 1999). "Theater Review; Side by Side, a Veiled Spirit And a Heart Upon the Sleeve". The New York Times.
205. Brantley, Ben. (April 18, 2000). "Theater Review; Poor Henry! He's So Clever, So Glib . . . So Vulnerable". The New York Times.
206. {{harvnb. Bloom. 2007. Botto. Mitchell. 2002
207. (November 3, 2000). "Theater Review; Skidding as She Chases Profundity". The New York Times.
208. "At This Theatre: Ethel Barrymore Theatre".
209. Tavernise, Sabrina. (2003-09-26). "Shuberts Revamp 16 Theaters, Improving Access for Disabled". The New York Times.
210. (2003-09-28). "Broadway theaters accessible to disabled". Press and Sun-Bulletin.
211. Collins, Glenn. (May 3, 2008). "On Broadway, Revivals Aren't Only for Shows". The New York Times.
212. (June 14, 2007). "Despite Honors, Misery for 'Company'". The New York Times.
213. Ryzik, Melena. (November 3, 2007). "Duran Duran Continues Its Revival With a Debut on a Broadway Stage". The New York Times.
214. (November 13, 2007). "Mayor's Offer of Mediator in Theater Strike Goes Nowhere". The New York Times.
215. Sommers, Michael W.. (July 6, 2008). "Renovations spur another wave of change for Times Square".
216. McGee, Celia. (February 19, 2009). "Geoffrey Rush". The New York Times.
217. Healy, Patrick. (November 25, 2010). "'Elling' to Close on Broadway".
218. Brantley, Ben. (October 6, 2014). "Plotting the Grid of Sensory Overload". The New York Times.
219. Lang, Brent. (February 20, 2020). "'The Inheritance' Closing in March After Box Office Struggles".
220. "Supersized play 'The Inheritance' sets Broadway closing date".
221. Paulson, Michael. (March 12, 2020). "Broadway, Symbol of New York Resilience, Shuts Down Amid Virus Threat". The New York Times.
222. Paulson, Michael. (September 3, 2021). "Musicals Return to Broadway With 'Waitress' and 'Hadestown'". The New York Times.
223. The Broadway League. (December 26, 1929). "Death Takes a Holiday – Broadway Play – Original".
224. {{harvnb. Landmarks Preservation Commission. 1987
225. The Broadway League. (August 18, 1930). "Topaze – Broadway Play – 1930 Revival".
226. The Broadway League. (December 27, 1930). "The Truth Game – Broadway Play – Original".
227. The Broadway League. (April 16, 1931). "Melo – Broadway Play – Original".
228. The Broadway League. (November 10, 1931). "The School for Scandal – Broadway Play – 1931 Revival".
229. {{harvnb. Landmarks Preservation Commission. 1987
230. The Broadway League. (October 27, 1932). "There's Always Juliet – Broadway Play – 1932 Revival".
231. The Broadway League. (November 29, 1932). "Gay Divorce – Broadway Musical – Original".
232. The Broadway League. (January 24, 1933). "Design For Living – Broadway Play – Original".
233. The Broadway League. (May 21, 1933). "Both Your Houses – Broadway Play – Original".
234. The Broadway League. (December 26, 1934). "Ruth Draper – Broadway Special – Original".
235. The Broadway League. (January 16, 1935). "Point Valaine – Broadway Play – Original".
236. The Broadway League. (September 27, 1935). "Othello – Broadway Play – 1935 Revival".
237. The Broadway League. (October 7, 1935). "Macbeth – Broadway Play – 1935 Revival".
238. The Broadway League. (April 18, 1936). "Bury the Dead – Broadway Play – Original".
239. The Broadway League. (September 28, 1936). "Night Must Fall – Broadway Play – Original".
240. {{harvnb. Landmarks Preservation Commission. 1987
241. The Broadway League. (December 26, 1936). "The Women – Broadway Play – Original".
242. The Broadway League. (October 19, 1938). "Knickerbocker Holiday – Broadway Musical – Original".
243. The Broadway League. (November 27, 1939). "Key Largo – Broadway Play – Original".
244. The Broadway League. (December 25, 1940). "Pal Joey – Broadway Musical – Original".
245. The Broadway League. (October 1, 1941). "Best Foot Forward – Broadway Musical – Original".
246. The Broadway League. (December 3, 1942). "R. U. R. – Broadway Play – 1942 Revival".
247. {{harvnb. Landmarks Preservation Commission. 1987
248. The Broadway League. (January 18, 1945). "Rebecca – Broadway Play – Original".
249. The Broadway League. (March 26, 1945). "The Barretts of Wimpole Street – Broadway Play – 1945 Revival".
250. The Broadway League. (July 18, 1945). "Marinka – Broadway Musical – Original".
251. The Broadway League. (December 26, 1945). "Pygmalion – Broadway Play – 1945 Revival".
252. The Broadway League. (October 15, 1946). "The Duchess of Malfi – Broadway Play – Original".
253. The Broadway League. (October 8, 1946). "Cyrano de Bergerac – Broadway Play – 1946 Revival".
254. The Broadway League. (May 1, 1947). "The Telephone / The Medium – Broadway Musical – Original".
255. The Broadway League. (December 3, 1947). "A Streetcar Named Desire – Broadway Play – Original".
256. The Broadway League. (December 22, 1949). "The Rat Race – Broadway Play – Original".
257. The Broadway League. (March 15, 1950). "The Consul – Broadway Musical – Original".
258. The Broadway League. (October 24, 1951). "The Fourposter – Broadway Play – Original".
259. The Broadway League. (December 2, 1952). "I've Got Sixpence – Broadway Play – Original".
260. {{harvnb. Landmarks Preservation Commission. 1987
261. The Broadway League. (March 6, 1953). "Misalliance – Broadway Play – 1953 Revival".
262. The Broadway League. (September 30, 1953). "Tea and Sympathy – Broadway Play – Original".
263. The Broadway League. (February 10, 1955). "The Desperate Hours – Broadway Play – Original".
264. The Broadway League. (September 20, 1955). "Marcel Marceau – Broadway Special – Original".
265. The Broadway League. (October 26, 1955). "The Chalk Garden – Broadway Play – Original".
266. The Broadway League. (January 3, 1957). "Small War on Murray Hill – Broadway Play – Original".
267. The Broadway League. (January 21, 1957). "Waiting for Godot – Broadway Play – 1957 Revival".
268. The Broadway League. (November 28, 1957). "Look Homeward, Angel – Broadway Play – Original".
269. {{harvnb. Landmarks Preservation Commission. 1987
270. The Broadway League. (March 11, 1959). "A Raisin in the Sun – Broadway Play – Original".
271. The Broadway League. (February 16, 1959). "A Majority of One – Broadway Play – Original".
272. The Broadway League. (September 20, 1960). "The Hostage – Broadway Play – Original".
273. The Broadway League. (December 14, 1960). "Critic's Choice – Broadway Play – Original".
274. The Broadway League. (November 28, 1962). "Moby Dick – Broadway Play – Original".
275. The Broadway League. (February 11, 1964). "The Passion of Josef D. – Broadway Play – Original".
276. The Broadway League. (April 15, 1965). "The Amen Corner – Broadway Play – Original".
277. {{harvnb. Landmarks Preservation Commission. 1987
278. The Broadway League. (February 2, 1966). "Wait Until Dark – Broadway Play – Original".
279. The Broadway League. (October 19, 1966). "We Have Always Lived in the Castle – Broadway Play – Original".
280. The Broadway League. (November 16, 1966). "Les Ballets Africains – Broadway Special – 1966 Revival".
281. The Broadway League. (October 26, 1967). "The Little Foxes – Broadway Play – 1967 Revival".
282. The Broadway League. (November 17, 1966). "Don't Drink the Water – Broadway Play – Original".
283. The Broadway League. (March 27, 1968). "The Seven Descents of Myrtle – Broadway Play – Original".
284. The Broadway League. (May 11, 1968). "Happiness Is Just a Little Thing Called a Rolls Royce – Broadway Play – Original".
285. The Broadway League. (December 3, 1968). "The Goodbye People – Broadway Play – Original".
286. The Broadway League. (May 10, 1969). "The Front Page – Broadway Play – 1969 Revival".
287. {{harvnb. Landmarks Preservation Commission. 1987
288. The Broadway League. (October 12, 1970). "Conduct Unbecoming – Broadway Play – Original".
289. The Broadway League. (March 15, 1971). "The Philanthropist – Broadway Play – Original".
290. The Broadway League. (October 20, 1971). "Ain't Supposed to Die a Natural Death – Broadway Musical – Original".
291. The Broadway League. (April 17, 1972). "Captain Brassbound's Conversion – Broadway Play – 1972 Revival".
292. The Broadway League. (May 16, 1972). "Don't Play Us Cheap! – Broadway Musical – Original".
293. The Broadway League. (November 25, 1973). "The Visit – Broadway Play – 1973 Revival".
294. The Broadway League. (December 26, 1973). "Holiday – Broadway Play – 1973 Revival".
295. {{harvnb. Landmarks Preservation Commission. 1987
296. The Broadway League. (February 26, 1975). "The Night That Made America Famous – Broadway Musical – Original".
297. The Broadway League. (October 30, 1975). "Travesties – Broadway Play – Original".
298. The Broadway League. (May 13, 1976). "Legend – Broadway Play – Original".
299. The Broadway League. (October 20, 1976). "Poor Murderer – Broadway Play – Original".
300. The Broadway League. (February 16, 1977). "American Buffalo – Broadway Play – Original".
301. The Broadway League. (April 17, 1977). "I Love My Wife – Broadway Musical – Original".
302. The Broadway League. (November 8, 1979). "Romantic Comedy – Broadway Play – Original".
303. The Broadway League. (November 19, 1981). "The West Side Waltz – Broadway Play – Original".
304. The Broadway League. (May 7, 1982). "Is there life after high school? – Broadway Musical – Original".
305. {{harvnb. Landmarks Preservation Commission. 1987
306. The Broadway League. (November 11, 1982). "Foxfire – Broadway Play – Original".
307. The Broadway League. (December 4, 1983). "Baby – Broadway Musical – Original".
308. {{harvnb. Landmarks Preservation Commission. 1987
309. The Broadway League. (August 7, 1984). "Hurlyburly – Broadway Play – Original".
310. The Broadway League. (April 17, 1986). "Social Security – Broadway Play – Original".
311. The Broadway League. (March 27, 1988). "Joe Turner's Come and Gone – Broadway Play – Original".
312. The Broadway League. (October 26, 1989). "The Secret Rapture – Broadway Play – Original".
313. The Broadway League. (November 17, 1988). "Rumors – Broadway Play – Original".
314. The Broadway League. (March 25, 1990). "Lettice and Lovage – Broadway Play – Original".
315. The Broadway League. (February 14, 1991). "Mule Bone – Broadway Play – Original".
316. The Broadway League. (April 12, 1992). "A Streetcar Named Desire – Broadway Play – 1992 Revival".
317. The Broadway League. (March 18, 1993). "The Sisters Rosensweig – Broadway Play – Original".
318. The Broadway League. (April 27, 1995). "Indiscretions – Broadway Play – Original".
319. The Broadway League. (May 1, 1996). "An Ideal Husband – Broadway Play – 1996 Revival".
320. The Broadway League. (April 26, 1997). "The Life – Broadway Musical – Original".
321. The Broadway League. (December 3, 1998). "Electra – Broadway Play – 1998 Revival".
322. The Broadway League. (April 15, 1999). "Amy's View – Broadway Play – Original".
323. The Broadway League. (November 21, 1999). "Putting It Together – Broadway Musical – Original".
324. The Broadway League. (April 17, 2000). "The Real Thing – Broadway Play – 2000 Revival".
325. The Broadway League. (November 2, 2000). "The Tale of the Allergist's Wife – Broadway Play – Original".
326. The Broadway League. (December 12, 2002). "Imaginary Friends – Broadway Play – Original".
327. The Broadway League. (April 30, 2003). "Salome – Broadway Play – 2003 Revival".
328. The Broadway League. (April 1, 2004). "Sly Fox – Broadway Play – 2004 Revival".
329. The Broadway League. (March 22, 2005). "The Glass Menagerie – Broadway Play – 2005 Revival".
330. The Broadway League. (March 12, 2006). "Ring of Fire – Broadway Musical – Original".
331. The Broadway League. (November 29, 2006). "Company – Broadway Musical – 2006 Revival".
332. The Broadway League. (November 1, 2007). "Duran Duran: Red Carpet Massacre – Broadway Special – Original".
333. The Broadway League. (January 17, 2008). "November – Broadway Play – Original".
334. The Broadway League. (October 23, 2008). "Speed-the-Plow – Broadway Play – 2008 Revival".
335. The Broadway League. (March 26, 2009). "Exit the King – Broadway Play – 2009 Revival".
336. The Broadway League. (December 6, 2009). "Race – Broadway Play – Original".
337. The Broadway League. (November 21, 2010). "Elling – Broadway Play – Original".
338. The Broadway League. (March 17, 2011). "Arcadia – Broadway Play – 2011 Revival".
339. The Broadway League. (November 21, 2011). "An Evening with Patti LuPone and Mandy Patinkin – Broadway Special – Original".
340. Isherwood, Charles. (November 22, 2011). "Old Friends Reunited Once Again". The New York Times.
341. The Broadway League. (March 15, 2012). "Death of a Salesman – Broadway Play – 2012 Revival".
342. Healy, Patrick. (May 16, 2012). "'Salesman' Revival on Broadway to Turn a Profit".
343. The Broadway League. (September 10, 2012). "Chaplin – Broadway Musical – Original".
344. Schuessler, Jennifer. (December 3, 2012). "'Chaplin' to Close Next Month".
345. The Broadway League. (April 21, 2013). "Macbeth – Broadway Play – 2013 Revival".
346. Piepenburg, Erik. (May 7, 2013). "In Performance: Alan Cumming of 'Macbeth'".
347. The Broadway League. (October 27, 2013). "Betrayal – Broadway Play – 2013 Revival".
348. Healy, Patrick. (October 7, 2013). "Record Sales for Broadway's 'Betrayal'".
349. The Broadway League. (April 3, 2014). "A Raisin in the Sun – Broadway Play – 2014 Revival".
350. Brantley, Ben. (April 4, 2014). "No Rest for the Weary". The New York Times.
351. The Broadway League. (October 5, 2014). "The Curious Incident of the Dog in the Night-Time – Broadway Play – Original".
352. Chow, Andrew R.. (March 22, 2016). "'Curious Incident' to Close in September".
353. The Broadway League. (November 22, 2016). "Alton Brown Live: Eat Your Science – Broadway Special – Original".
354. Soloski, Alexis. (November 24, 2016). "Review: Alton Brown, a Mad Culinary Scientist in a Broadway Laboratory". The New York Times.
355. The Broadway League. (January 8, 2017). "The Present – Broadway Play – Original".
356. Brantley, Ben. (January 9, 2017). "Review: 'The Present': Even in Russia, It's Hard to Turn 40". The New York Times.
357. The Broadway League. (April 25, 2017). "Six Degrees of Separation – Broadway Play – 2017 Revival".
358. Brantley, Ben. (April 26, 2017). "Review: A Scam Artist's Masterwork in 'Six Degrees of Separation'". The New York Times.
359. The Broadway League. (November 9, 2017). "The Band's Visit – Broadway Musical – Original".
360. Brantley, Ben. (November 10, 2017). "Review: 'The Band's Visit' Is a Ravishing Musical That Whispers With Romance". The New York Times.
361. The Broadway League. (November 17, 2019). "The Inheritance – Broadway Play – Original".
362. Brantley, Ben. (November 18, 2019). "'The Inheritance' Review: So Many Men, So Much Time". The New York Times.
363. The Broadway League. (September 2, 2021). "Waitress – Broadway Musical – Original".
364. The Broadway League. "Paradise Square – Broadway Musical – Original".
365. Paulson, Michael. (2022-07-11). "'Paradise Square' Will Close on Broadway After Winning One Tony". The New York Times.
366. The Broadway League. (March 29, 2022). "The Piano Lesson – Broadway Play – 2022 Revival".
367. Phillips, Maya. (2022-10-14). "'The Piano Lesson' Review: August Wilson's Phantom Notes". The New York Times.
368. The Broadway League. (April 19, 2023). "Peter Pan Goes Wrong – Broadway Play – Original".
369. Green, Jesse. (2023-04-20). "Review: Flying High and Falling Hard in 'Peter Pan Goes Wrong'". The New York Times.
370. The Broadway League. (March 27, 2023). "El Mago Pop – Broadway Special – Original".
371. Soloski, Alexis. (August 21, 2023). "'El Mago Pop' Review: Antonio Díaz's Magic Show Is Charming". The New York Times.
372. The Broadway League. (April 28, 2023). "Harmony – Broadway Musical – Original".
373. Paulson, Michael. (2023-04-28). "'Harmony,' a Manilow Musical Set Under Nazis, Is Broadway-Bound". The New York Times.
374. The Broadway League. (January 22, 2024). "Patriots – Broadway Play – Original".
375. Paulson, Michael. (January 22, 2024). "'Patriots,' About Putin's Falling Out With an Oligarch, Is Broadway Bound".
376. The Broadway League. (April 3, 2024). "Our Town – Broadway Play – 2024 Revival".
377. Huston, Caitlin. (April 3, 2024). "Jim Parsons, Katie Holmes, Zoey Deutch to Star in 'Our Town' Revival on Broadway".
378. The Broadway League. (September 4, 2024). "Othello – Broadway Play – 2025 Revival".
379. Evans, Greg. (September 4, 2021). "Broadway's 'Waitress' Sets Single-Performance Box Office House Record".
380. Evans, Greg. (August 29, 2023). "'El Mago Pop' And 'Good Night, Oscar' Take Final Bows To Big Numbers – Broadway Box Office".
381. Evans, Greg. (March 11, 2025). "'Othello' Breaks Record For Top-Grossing Play In Broadway History; Newcomer 'Mincemeat' Sells Out Again – Broadway Box Office".
382. Huston, Caitlin. (March 11, 2025). "Star-Studded 'Othello' Breaks Record for Highest Weekly Gross for a Broadway Play".
383. Paulson, Michael. (March 15, 2025). "With $921 Seats, Denzel Washington's 'Othello' Breaks a Box Office Record".