Erika Lopez

Life and education

Erika Lopez was born in New York City, New York and is the daughter of two civil rights activists, a Puerto Rican father, Rafael Lopez-Sanchez; and a German-American mother, Deborah Reese. Both of her parents converted to Quaker and she was raised attending Quaker meetings. During early childhood she was raised in Philadelphia, while her parents were still married. During most of her high school years, her parents divorced and she lived with her mother and her mother's lesbian partner, the family was often moving.

Lopez attended the Pennsylvania Academy of the Fine Arts in Philadelphia, and also studied at Moore College of Art and Design and the University of the Arts. She moved to San Francisco, California in 1994.

Novels

As a struggling artist, Lopez applied for and received grants from the Ludwig Vogelstein Foundation and the Pennsylvania Council on the Arts, each of which gave her $2500 to write. That same year she published a book of cartoon stories called Lap Dancing for Mommy. Lopez went on to publish two additional illustrated novels with Simon & Schuster, They Call Me Mad Dog! (1998) and Hoochie Mama: The Other White Meat (2001) before her relationship with Simon & Schuster's publisher, David Rosenthal, soured (they've since kissed and made up and are actually friends, as she now refers to Rosenthal as her "maker" for letting her have her way with her career right away, making her the "megalomaniacal monster" she says she is today). These three books form a trilogy of very-loosely autobiographical novels which describe the exploits of "Tomato Rodríguez" (Lopez has stated that the novels are not autobiographical, but that there are intersections between her life and the experiences of Tomato).

After a stint on welfare, and while touring her show, Lopez decided that the people in the suits didn't know how to run the arts industries, or the country's economy, and so she decided to take her fate into her own hands and become a "mini-mogul." Along with James Swanson, Kamala Lopez, and Jeffrey Hicken, they started a book publishing company, Monster Girl Media to go along with Monster Girl Movies, as a part of their coalition of Do-it-Yourself businesses in charge of their own development, production, merchandising, and promotion. Their first publication is "The Girl Must Die: A Monster Girl Memoir" (2010) along with the matching, "The Girl Must Die: 18 Postcards."

They work with a rotating roster of other Monster Girls Mujers and Men like Alison Penton Harper, Bianca Laureano, Kate Gottli, Suzanne Rush, and Peter Maravelis.

Performance art

Lopez is best known for the performance art characters of “Grandma Lopez” and "The Welfare Queen" which she created after she began to receive welfare after her fight with Simon & Schuster.

In April 2004, Flaming Iguanas was presented onstage at Theatre Rhino in the Mission District of San Francisco.

Published works

• I Love You Like a Sister Said Erika Lopez. San Francisco: Erika Lopez, 1995.
• Lap Dancing for Mommy: Tender Stories of Disgust, Blame and Inspiration. Seattle: Seal Press, 1997.
• Flaming Iguanas: An Illustrated All-Girl Road Novel Thing. New York: Simon and Schuster, 1997.
• They Call Me Mad Dog!: A Story for Bitter, Lonely People. New York: Simon and Schuster, 1998.
• Hoochie Mama: La otra carne blanca (The Other White Meat). New York: Simon and Schuster, 2001.
• Grandma López's Country-Mad Fried Chicken Book. Nothing Left But the Smell: A Republican on Welfare. San Francisco: Tiny-Fisted Book Publishers, 2003.
• The Girl Must Die: A Monster Girl Memoir. Monster Girl Media, 2010.

References

References

1. Torres, Lourdes. [https://www.redalyc.org/pdf/377/37719112.pdf "Boricua Lesbians: Sexuality, Nationality, and the Politics of Passing."] {{Webarchive. link. (2012-09-20 ''CENTRO: Journal of the Center for Puerto Rican Studies'' 19.1 (Spring 2007): 230-49. Retrieved on July 7, 2009.)
2. [[Lawrence La Fountain-Stokes. La Fountain-Stokes, Lawrence]]. ''Queer Ricans: Cultures and Sexualities in the Diaspora.'' Minneapolis: [[University of Minnesota Press]], 2009, page 126. {{ISBN. 0-8166-4092-0
3. May, Sandra. [http://www.citypaper.net/articles/071797/article001.shtml "Erika Lopez: 20 Questions"] {{webarchive. link. (January 5, 2009 . ''Philadelphia City Paper'' July 17–24, 1997. Retrieved on July 7, 2009.)
4. [http://www.erikalopez.com/bio.html Bio on Erika Lopez Home Page] {{Webarchive. link. (2009-06-18 , retrieved on July 7, 2009.)
5. "Erika Lopez".
6. A cross-country [[motorcycle]] trip served as inspiration for her first illustrated novel, ''Flaming Iguanas'' (1997), which includes numerous images made with [[rubber stamp]]s and was published by [[Simon & Schuster]].La Fountain-Stokes, Lawrence. "Cultures of the Puerto Rican Queer Diaspora." In ''Passing Lines: Sexuality and Immigration'', eds. Brad Epps, Keja Valens, and Bill Johnson González, 275-309. Cambridge, Massachusetts: David Rockefeller Center for Latin American Studies and Harvard University Press, 2005. {{ISBN. 0-674-01885-0
7. Laffrado, Laura. "Postings from Hoochie Mama: Erika López, Graphic Art, and Female Subjectivity." In ''Interfaces: Women, Autobiography, Image, Performance'', eds. [[Sidonie Smith]] and Julia Watson, 406-29. Ann Arbor: University of Michigan Press, 2002. {{ISBN. 0-472-09814-4
8. Cooper, Sara. [http://www.lehman.cuny.edu/ciberletras/v16/cooper.html "Queer Family and Queer Text in ''Flaming Iguanas''"]. ''CiberLetras'' 16 (January 2007). Retrieved on July 7, 2009.
9. Mite. [http://www.thechickenfishspeaks.com/erikalopezinterview.htm "Interview with Erika Lopez"]. ''The Chickenfish Speaks''. Summer 1999. Retrieved on July 7, 2009.
10. (2004-03-31). "Fiery Lizards".