Double cloth

Compound fabrics

Compound fabrics or Double-faced fabrics are a form of double cloth made of one warp and two sets of wefts, or (less often) two warps and one weft. These fabrics have two right sides or faces and no wrong side, and include most blankets, satin ribbons, and interlinings.

Double weaving is an ancient technique. Surviving examples from the Paracas culture of Peru have been dated to before AD 700.

Modern applications of double cloth include haute couture coats, blankets, furnishing fabrics, and some brocades.

Characteristics

Double weave constructions are generally thick, heavy, reversible and warm. Examples are Albert cloth and Biretz.

Uses

Double cloth textiles are a characteristic artifact of Pre-Columbian Peru, where they were woven of cotton and alpaca yarns in various combinations.

In Medieval England, double weaves called compound weft-faced twills featured weft or filling yarns in multiple colors, with the design completely covering the face warp yarns and the unused colors for any particular section woven into a binding warp on the reverse side.

In early 19th century America, double cloth wool and cotton woven coverlets were made by professional weavers from wool that was spun (and often dyed) at home and then delivered to a local weaver who made up the coverlet.

In the later 19th century, craftsman and designer William Morris offered wool and silk double cloth fabrics for furnishing through his firm Morris, Marshall, Faulkner & Co. (later Morris & Co.). These double-woven fabrics had separate warps of wool and silk yarn and were woven by Alexander Morton & Co. of Darvel, Scotland, who would later weave similar fabrics from designs by C.F.A. Voysey and others.

Contemporary couture designers use "true" double cloth to make self-lined or reversible coats and jackets by using hand-finishing techniques such as separating the two layers at the hem and turning the raw edges under. Double cloth garments may also be made reversible by binding or overcasting edges.

Notes

References

1. Parry, Linda: ''William Morris Textiles'', New York, Viking Press, 1983, pp. 66–67, {{ISBN. 0-670-77074-4
2. Kadolph, Sara J., ed.: ''Textiles'', 10th edition, Pearson/Prentice-Hall, 2007, pp. 254–255, {{ISBN. 0-13-118769-4
3. Jerde, Judith. (1992). "Encyclopedia of textiles". New York : Facts on File.
4. "Double Cloth 400 B.C.-700 A.D.".
5. Random House Unabridged Dictionary, Random House, Inc., 1997
6. Jerde, Judith. (1992). "Encyclopedia of textiles". New York : Facts on File.
7. Nystrom, Paul Henry. (1916). "Textiles". D. Appleton.
8. Picken, Mary Brooks. (2013-07-24). "A Dictionary of Costume and Fashion: Historic and Modern". Courier Corporation.
9. "Fragment of a Double Cloth c. 1100-1400".
10. Crawford, M. D. C., ''Peruvian Fabrics'', Anthropological Papers of the American Museum of Natural History, Vol. XII Part IV, 1916
11. Crowfoot, Elisabeth, Frances Pritchard, and Kay Staniland, ''Textiles and Clothing: Medieval Finds from Excavations in London, c.1150-c.1450'', HMSO Books, 1991, {{ISBN. 0-11-290445-9
12. Weissman, Judith Reiter and Wendy Lavitt: ''Labors of Love: America's Textiles and Needlwork, 1650-1930'', New York, Wings Books, 1987, pp. 80–97, {{ISBN. 0-517-10136-X
13. Mazur, Anna: "Reversible Techniques for Double Cloth", ''Threads Magazine'', Taunton Press, February/March 2006 (#123)