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Dasam Granth
Secondary scripture of Sikhism
Secondary scripture of Sikhism
| Field | Value |
|---|---|
| religion | Sikhism |
| name | Dasam Granth |
| ਦਸਮ ਗ੍ਰੰਥ | |
| image | The "Jaap Sahib" from the 1765 "Patna Missal" Dasam Granth Manuscript (cropped).jpg |
| caption | Folio of the Jaap Sahib chapter from the 1765 Patna Missal manuscript of the Dasam Granth |
| author | Guru Gobind Singh |
| language | Sant Bhasha (specifically predominantly Braj, with influences of Awadhi, Punjabi, Kauravi, Arabic, and Persian) |
ਦਸਮ ਗ੍ਰੰਥ The pa (Gurmukhi: ਦਸਮ ਗ੍ਰੰਥ dasama gratha) is a collection of various poetic compositions attributed to Guru Gobind Singh. It is differentiated from the Guru Granth Sahib due to its focus on martial themes and imagery, such as warfare, weaponry, and other warrior-matters, known collectively as bir ras (heroic strain of expression), as opposed to the Guru Granth Sahib's shanti ras (verses that inspire peace). According to Kamalroop Singh and Gurinder Singh Mann, the text was composed to prepare the Sikhs for warfare against their Mughal enemy.
The text previously enjoyed an equal status with the Adi Granth, or Guru Granth Sahib, in the eighteenth and nineteenth centuries and were installed side by side on the same platform. The Dasam Granth lost favor during the colonial period when reformist Singh Sabha Movement scholars couldn't contextualise the reworkings of Puranic stories or the vast collection of 'Tales of Deceit' Sri Charitropakhyan. A section of Sikhs oppose the scripture and question its authenticity based upon its authorship.
The standard edition of the text contains 1,428 pages with 17,293 verses in 18 sections. These are set in the form of hymns and poems mostly in the Braj language (Old Western Hindi), with some parts in Avadhi, Punjabi, Hindi and Persian. The script is written almost entirely in Gurmukhi, except for the Guru Gobind Singh's letters to Aurangzeb—Zafarnama and the Hikaaitaan—written in the Persian alphabet.
The Dasam Granth contains hymns, from Hindu texts, which are a retelling of the feminine in the form of goddess Durga, an autobiography, letter to the Mughal emperor Aurangzeb, as well as reverential discussion of warriors and theology. The scripture was recited in full within Nirmala Sikhs in the contemporary era. Parts of it are retold from Hindu Puranas, for the benefit of the common man, who had no access to Hindu texts of the time. Compositions of the Dasam Granth include Jaap Sahib, Tav-Prasad Savaiye and Kabiyo Baach Benti Chaupai which are part of the Nitnem or daily prayers and also part of the Amrit Sanchar or initiation ceremony of Khalsa Sikhs.
Zafarnama and Hikayats in a different style and format appended to it in the mid 18th century. Other manuscripts are said to include the Patna Birs and the Mani Singh Vali Bir all originated in mid to late 18th century. One of the 1698 CE Patna Manuscripts includes various apocryphal writings such as the Ugradanti and Bhagauti Astotar.
Authorship
Although the compositions of the Dasam Granth are traditionally accepted to be written by Guru Gobind Singh, there have been questions of the authenticity of the entirety of Dasam Granth from time of compilation. There are three major views on the authorship of the Dasam Granth:
- The traditional view is that the entire work was composed by Guru Gobind Singh himself.
- The entire collection was compiled by the poets in the Guru's entourage.
- Only a part of the work was composed by the Guru, while the rest was composed by the other poets.
In his religious court at Paonta and Anandpur, Guru Gobind Singh had employed 52 poets, who translated several classical texts into Braj Bhasha. Most of the writing compiled at Anandpur was lost while the Guru's camp was crossing the Sirsa river before the Battle of Chamkaur in 1704. There were copiers available at the Guru's place who made several copies of the writings, and other writings may have been included too which may have led to authenticity issues. There is a theory that later, Bhai Mani Singh compiled all the available works under the title Dasam Granth.
Traditionalist scholars claim that all the works in Dasam Granth were composed by the Guru himself, often on the basis of a letter attributed to Bhai Mani Singh. The veracity of this letter has been examined by scholars and found to be unreliable. Some others dispute the claim of the authorship, saying that some of the compositions included in Dasam Granth such as Charitropakhyan are "out of tune" with other Sikh scriptures, and must have been composed by other poets. Syan (2013) notes, "Neither in colonial nor post-colonial Sikhism has the issue of the Dasam Granth authorship been satisfactorily resolved. What is germane, however, is that pre-colonial Sikh society wholeheartedly accepted the Dasam Granth as the work of Guru Gobind Singh."
Historical writings
The following are historical books after the demise of Guru Gobind Singh which mention that the compositions in the present Dasam Granth was written by Guru Gobind Singh:
- Rehitnama Bhai Nand Lal mentioned Jaap Sahib is an important Bani for a Sikh.
- Rehitnama Chaupa Singh Chibber quotes various lines from Bachitar Natak, 33 Swiayey, Chaupai Sahib, Jaap Sahib.
- In 1711, Sri Gur Sobha was written by the poet Senapat and mentioned a conversation of Guru Gobind Singh and Akal Purakh, and written three of its Adhyay on base of Bachitar Natak.
- In 1741, Parchian Srvadas Kian quoted lines from Rama Avtar, 33 Swaiyey, and mentioned Zafarnama with Hikayats.
- in 1751, Gurbilas Patshahi 10 – Koyar Singh Kalal, mentioned Guru Gobind Singh composed Bachitar Natak, Krisna Avtar, Bisan Avtar, Akal Ustat, Jaap Sahib, Zafarnama, Hikayats etc. This is first Granth mentioned Guruship of Guru Granth Shahib.
- In 1766, Kesar Singh Chibber in Bansavalinama writes that Guru Gobind Singh ordered the Guru Granth Sahib and Dasam Granth be kept separate. Kesar Singh frequently quotes Ugardanti, Bachitar Natak, Khalsa Mehima and many other compositions.
- In 1766, Sri Guru Mahima Parkash – Sarup Chand Bhalla, mentioned about various Banis of Guru Gobind Singh and compilation of Dasam Granth
- In 1790, Guru Kian Sakhian – Svarup Singh Kashish, mentioned Guru Gobind Singh composed, Bachitar Natak, Krishna Avtar, Shastarnaam Mala, 33 Swaiyey etc.
- In 1797, Gurbilas Patshahi 10 – Sukkha Singh, mentioned compositions of Guru Gobind Singh.
- In 1812, J. B. Malcolm, in Sketch of Sikhs mentioned the Dasam Granth as Bani of Guru Gobind Singh.
Structure
The standard print edition of the Dasam Granth, since 1902, has 1,428 pages. However, many printed versions of the text in the contemporary era skip a major section (40%) because it is controversial.
The standard official edition contains 17,293 verses in 18 sections. These are set in the form of hymns and poems mostly in the Braj Bhasha (Old western Hindi), with some parts in Avadhi, Punjabi, Hindi, and the Persian language. The script is almost entirely the Gurmukhi script except for the letter of the Sikh Guru to Aurangzeb – Zafarnama, and the Hikayat in the Persian script.
Main compositions
The Dasam Granth has many sections covering a wide range of topics:
| No. | Bani Title | Alternate Name | Native Script | Description | |||
|---|---|---|---|---|---|---|---|
| 1 | Jaap Sahib | ||||||
| 2 | Akal Ustat | ||||||
| 3 | Bachittar Natak | ||||||
| 4 | Chandi Charitar Ukti Bilas | ||||||
| 5 | Chandi Charitar II | ||||||
| 6 | Chandi Di Var | ||||||
| 7 | Gyan Prabodh | ||||||
| 8 | Chaubis Avtar | ||||||
| 9 | Brahma Avtar | ||||||
| 10 | Rudra Avtar | ||||||
| 11 | Shabad Hazare Padishah | ||||||
| 12 | 33 Savaiye | ||||||
| 13 | Khalsa Mahima | ||||||
| 14 | Shastar Naam Mala | ||||||
| 15 | Sri Charitropakhyan | ||||||
| 16 | Chaupai Sahib | ||||||
| 17 | Zafarnama | ||||||
| 18 | Hikayats |
Other compositions
Ugardanti
Ugardanti (, pronunciation: ) is a poetic composition said to be written by Guru Gobind Singh, after the creation of the Khalsa Panth at Anandpur Sahib. The composition is present in Dasam Granth Bir Patna Sahib. The bani contains information about the creation of the Khalsa Panth, the dress code of the Sikhs, and is strictly against ritualism.
Etymologically, Ugardanti is a feminine term made of two words, Ugar means Fierce and Danti means Tooth. One having Fierce Tooth, is called Ugardanti. Guru Gobind Singh Ji invokes Adi Shakti in the form of the Fierce Toothed Ugardanti, writing various attributes of Ugardanti and asking for blessings and protection for the prosperity of the new Panth which is free from hypocrisy, ritualism, casteism, human worship and worships only One Non-Dual God.
In Bansavalinama Dasan Patshahian ka (1769), the author Kesar Singh Chibbar explains and quotes a few passages from Guru Gobind Singh's Ugardanti.
In Hum Hindu Nahi(1898 ), the author Bhai Kahn Singh Nabha, believed that Ugardanti Bani was not written by Guru Gobind Singh but by Bhai Sukha Singh, a priest at Patna. However, Sukha Singh's works came into being after the Bansavalinama of Kesar Singh Chibbar.
Nihang and Namdhari Sikhs believe it to be written by Guru Gobind Singh and is part of their daily liturgy. It was and is read to inspire warriors to stand up for truth and righteousness in the face of tyranny and oppression. The Composition is divided into six verses called Chhands in which the syllables and the rhythm are arranged in a precisely controlled pattern. The Type of Chhandd used is Bhagvati Chhand.
Tav-Prasad Savaiye
Tav-Prasad Savaiye (, pronunciation: , lit. ‘exclusively you, in war song meter’) is a short composition of 10 stanzas which is part of daily liturgy among Sikhs (Nitnem). It was penned down by Guru Gobind Singh and is part of his composition Akal Ustat (The praise of God).{{cite encyclopedia
Tavprasad means with thy grace.{{cite encyclopedia
Tav-Prasad Savaiye is very important part of the Nitnem. Among other things Nitnem works as a shield for the Khalsa (Khalsa is a perfect human being, which is the vision of Guru Gobind Singh by the orders of Akal Purkh. Such a human is perfectly capable of defending himself and others from the attacks of enemy(both spiritual and temporal)). Specifically Savaiye act as a shield against the attacks of Pride, Ignorance, Hatred, Hypocrisy and Delusions.
Role in Sikh liturgy and access
The compositions within Dasam Granth play a huge role in Sikh liturgy, which is prescribed by Sikh Rehat Maryada:
- Jaap Sahib is part of Nitnem, which Sikh recites daily in morning.
- Tav-Prasad Savaiye, again a bani of Nitnem, is part of Akal Ustat composition, which is recited daily in morning along with above.
- Benti Chaupai, is part of Sri Charitropakhyan, which is recited in morning as well as evening prayers.
- Jaap, Tav Prasad Savaiye and Chaupai are read while preparing Khande Batey Ki Pahul for Khalsa initiation.
- The first stanza of the Sikh ardās is from Chandi di Var.
- As per Sikh Rehat Maryada, a stanza of Chaubis Avtar, "pae gahe jab te tumre", should be comprised in So Dar Rehras.
In the Nihang tradition, the Dasam Granth is given equal scriptural status as the Adi Granth (first volume). Chandi di Var is also an important prayer among Nihang and Namdhari Sikhs.
Except for the liturgical portions and some cherrypicked verses of the Dasam Granth that are widely shared and used, few Sikhs have read the complete Dasam Granth or know its contents. Most do not have access to it in its entirety, as the generic printed or translated versions do not include all its sections and verses. In its history, the entire text was in the active possession of the Khalsa soldiers.
Opposition to the scripture
Opposition to the Dasam Granth arose during the colonial-period, particularly during the Singh Sabha movement. The debate regarding the scripture revolves around the nature of its authorship.
According to Kamalroop Singh, during the Akali movement in the 1920's, the Dasam Granth codex that was installed in the Akal Takht in Amritsar was attacked by reformist Sikhs allied with Teja Singh Bhasauria, who speared it and threw it out of the window of the building. Also in the 1920's, the pages of the Dasam Granth installed at Gurdwara Ramsar Sahib was desecrated using knives. Between 1920–40, many Dasam Granth manuscripts were desecrated by Sikhs who opposed the scripture. Contemporary writer Bhagat Singh blames these desecrations on so-called Ingrez Sikhs ("English Sikhs") that were influenced by the British. Kartar Singh Jhabbar took-control of the Akal Takht from its Nihang custodians in 1920, with the Dasam Granth installed there (supposedly dated to 1698) being desecrated in the process of the takeover. According to the Nihang Sikh Anup Singh, who was active during the period of the Nihang leader Sahib Singh Kaladhari, the SGPC used women to takeover the Akal Takht from the Nihangs, as the Akali-Nihangs would not attack women.
Following these incidents, the SGPC stopped holding parkash (enthronement) of the scripture at Sikh gurdwaras, except on special occasions such as the Gurpurab of Guru Gobind Singh, where an akhand path of the Dasam Granth was performed. After 1947, it was no longer installed at SGPC-controlled gurdwaras even on Guru Gobind Singh's gurpurab.
Manuscripts

The oldest manuscript of Dasam Granth is likely the Anandpuri Hazuri Bir (Not to be confused with the Anandpuri Marco Adi Granth). It is dated to 1698 CE. A few folio pages were definitely added later (Zafarnama and Hikayats), because they were composed after 1700 (circa 1705 CE), and are in a different style and format, and lack the folio numbers present on all pages elsewhere. These letters of Guru Gobind Singh may have been appended in the early 18th century. According to another view, the earliest surviving manuscript of the complete text is dated to 1713 CE (Bhai Mani Singh's manuscript), and the early manuscript versions have minor variations with apocryphal writings.
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Other important manuscripts include two Patna manuscripts both from 1698 CE found in Bihar, and the Mani Singh Vali Bir (1713 CE) in New Delhi. The Mani Singh Bir is a combined recension of the Adi Granth and Dasam Granth. It presents the Zafarnama and Hikayats in the Perso-Arabic Nastaliq script.
The early Anandpuri, Patna, and Mani Singh manuscripts include writings that are disputed in the contemporary era, as well as sections such as the Ugradanti and Sri Bhagauti Astotra that were removed from the Dasam Granth codified in the 20th century by the Sodhak Committee. There is also a manuscript of the Dasam Granth attributed to Bhai Daya Singh with many Apocryphal Writings, as well as the 1765 Illuminated Patna Missal manuscript from Jammu.
According to the Indologist Wendy Doniger, many orthodox Sikhs credit the authorship and compilation of the earliest Dasam Granth manuscript to Guru Gobind Singh directly, while other Sikhs and some scholars consider the text to have been authored and compiled partly by him and partly by many poets in his court at Anandpur.
Prior to 1902, there were numerous incomplete portions of manuscripts of Dasam Granth in circulation within the Sikh community along with the complete, but somewhat variant, major versions such as the Anandpuri and Patna birs. In 1885, during the Singh Sabha Movement, an organization called the Gurmat Granth Pracharak Sabha was founded by Sikhs to study the Sikh literature. This organization, with a request from Amritsar Singh Sabha, established the Sodhak Committee in 1897. The members of this committee studied 32 manuscripts of Dasam Granth from different parts of the Indian subcontinent. The committee deleted some hymns found in the different old manuscripts of the text, merged the others and thus created a 1,428-page version thereafter called the standard edition of the Dasam Granth. The standard edition was first published in 1902. It is this version that has predominantly been distributed to scholars and studied in and outside India. However, the prestige of the Dasam Granth was well established in the Sikh community during the Sikh Empire, as noted in 1812 by colonial-era scholar Malcolm. According to Robin Rinehart – a scholar of Sikhism and Sikh literature, modern copies of the Dasam Granth in Punjabi, and its English translations, often do not include the entire standard edition text and do not follow the same ordering either. File:Opening folio of a Dasam Granth manuscript authored by Baba Deep Singh.jpg|Opening folio of a Dasam Granth manuscript authored by Baba Deep Singh File:'Khas Patra' (important page) containing a correction authored by Guru Gobind Singh from the 'Anandpuri Hazuri bir' (manuscript) of the Dasam Granth.png|A correction authored by Guru Gobind Singh from the 'Anandpuri Hazuri Bir' (manuscript) of the Dasam Granth from 1698 CE File:Guru Gobind Singh's handwriting in non-calligraphic script.webp|Page from the Bhai Mani Singh combined Adi-Dasam Maniscript authored in 1713 CE File:Decorated page of the Dasam Granth from the Patna Sahib bir (manuscript) 03.jpg|Decorated page of the Dasam Granth from a Patna Manuscript File:Patna Sahib bir (manuscript) of the Dasam Granth, traditionally dated to 1755 Bikrami (1698 CE).jpg|Another Patna Manuscript of the Dasam Granth authored in 1698 CE File:Folio of the Charitropakhyan from the Patna Missal Dasam Granth manuscript from 1765.jpg|Illuminated Charitropakhyan folio from the Patna Missal Dasam Granth manuscript from 1765 CE File:Folio of the Apocryphal "Bhagauti Astotar" Composition in the "Aurangabadi Dasam Granth Bir" attributed to Bhai Daya Singh.png|Folio of the Apocryphal "Bhagauti Astotar" Composition in the "Aurangabadi Dasam Granth Bir" attributed to Bhai Daya Singh
Musicology
Similar to the Guru Granth Sahib, the verses found within the Dasam Granth are set to Indic classical music, known as gurmat sangeet. All-together, a total of 21 raags are employed in the Dasam Granth, compared to the 174 found in the Sarbloh Granth and the 62 found in the Guru Granth Sahib (which also contains 17 taals).
Other compilations
Das Granthi
A Das Granthi (ਦਸ ਗ੍ਰੰਥੀ) is a small religious booklet containing only few selected compositions from Dasam Granth. Das stands for Ten and Granthi stands for booklet. It means Booklet of 10th Guru of Sikhism. This booklet was created for beginners and lay readers for reading these compositions in daily liturgy for proper understanding.
There is no standardization of this booklet and various sects in Sikhism have their own versions. The Shiromani Gurdwara Parbandhak Committee contains eight texts namely, Jaap, Bachitra Natak, Chandi Charitra I, Shabad Hazare Patshahi 10, Akal Ustati, Chandi Charitra 2, Gian Prabodh and Chandi di Var.
Apocryphal Dasam Granth writings

- Asfottak Kabitt
- Sahansar Sukhmana
- Gobind Gita
- Rubai P. 10
- Uggardanti
- Raag Sorath P. 10 (Rajput Ghode)
- Raag Asa P. 10
- Fatehnama
- Indra Kavach
- Malkaus Ki Vaar
- Lakhi Jungle Khalsa (Shabad)
- Ras Mandal
- Brahm Kavach
- Var Bhagat Bhagauti
- 34th Savaiya (Additional couplet for the 33 Savaiye)
- 325th Charitar (Missing in a plethora of Dasam Granth manuscripts)
- Sri Kal Astotar
- Sikhi Rehit/Nishan E Sikhi
- Additional Hikayat found in Bhai Mani Singh Bir (1713 CE)
Notes
References
References
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