Cissie and Ada

Act

Cissie and Ada sketches featured the two women gossiping. Their comedic mannerisms included stoical pursing of lips and constantly heaved bosoms. Cissie and Ada became a hit with the British public.

History

Dawson explained that this mouthing of words (or "mee-mawing") was a habit of Lancashire millworkers trying to communicate by lip reading over the tremendous racket of the looms. Millworkers then resorted to this practice in daily life to discuss delicate subjects.

The pair created the characters in rehearsals, in homage to the music hall star Norman Evans, who appeared in drag a 1950 film, Over the Garden Wall, playing the lead character, Fanny Lawton. They were persuaded by the producer to use them in sketches in the show Sez Les. Although Dawson needed persuading to don drag, and Barraclough was nervous that he would not be able to match Dawson's talent for ad-libbing, the characters became permanent features of the show.

Barraclough recalled that his characterisation of Cissie "was drawn from an aunt of mine who always thought she was slightly above the rest of the family, Auntie Annie. You know, she would always have a sherry. And the rest of the family always took the piss out of her." Key to Dawson's portrayal of Ada was a handbag "tightly clutched to the waist in a manner suggesting infinite disapproval".

The characters were revisited by the pair in a series of commercials for fresh cream cakes in 1984. They were portrayed in animation (voiced by Dawson and Barraclough) in television advertisements for the Post Office in the early 1990s.

Stage show

A new play written by Graham Warrener, (incorporating Cissie and Ada original sketches from Dawson's BBC days, written by Terry Ravenscroft), and directed by JJ (John-Jackson) Almond, Cissie And Ada: An Hysterical Rectomy, began a UK tour at the Grand Theatre, Blackpool on 15 July 2013, in Les Dawson's hometown. The show starred Eric Potts as Ada/Les, Steve Nallon as Cissie/Roy, Steven Arnold as the writer and Natasha Magigi as the dresser.{{cite web |title=Interview: Steve Nallon #1 – "A Celebration of Les"

Critical reception

In 2006, Sir Ian McKellen, writing in The Independent, named them the tenth best drag act ever created, commenting that they "were as real as the crones in the Rover's Return".

Notes

References

References

1. Marion McMullen. "Go! Theatre: It's Alec Girl-Roy", ''Evening Telegraph'' (Coventry), 26 October 2001. p. 33
2. David Hopps. "Cricket: Second Division: Resigned to Chilton Hundred: Lancashire 379 & 291-5 Yorkshire 335", ''The Guardian'', 11 June 2005. p. 17
3. "Hooray for Hollywood", ''Burnley Express'', 6 October 2005.
4. Craig Brown. "Sons, Lovers and Mothers-in-Law", ''The Daily Telegraph'' (London), 11 February 2006. p. 25. Many of the scripts were written by Terry Ravenscroft. "I always find Dawson's portrait of the two gossiping Lancashire women Cissie and Ada far more observant than any of the creations of D.H. Lawrence, especially when the two women start mouthing silently to each other about such unmentionable matters as sex or illness."
5. (2007-03-05). "Statue Appeal for Comedian Dawson". [[BBC]].
6. Matthew, Henry Colin Gray; Brian Howard Harrison & British Academy. ''Oxford Dictionary of National Biography'' (2004), Oxford University Press. p. 565. {{ISBN. 0-19-861411-X
7. Andrew Billen. "Race to Get Laid, and Then You Die". ''The Guardian'', 22 May 1994.
8. Ian Herbert North. "Cooper's Fez Fetches Five Times Reserve Price at Auction 'Just Like That'". ''The Independent'', 28 September 2005. p. 18
9. "A Real Mouthful for Les", ''Sunday Mirror'', 17 June 1984.
10. [http://www.cissieandadaonstage.co.uk] {{webarchive. link. (7 February 2014)
11. Ian McKellen. "The Ten Best Drag Acts". ''The Independent'', 27 June 2006. p. 24.