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Catherine Martin (designer)

Australian designer and producer (born 1965)

Catherine Martin (designer)

Summary

Australian designer and producer (born 1965)

FieldValue
nameCatherine Martin
honorific_suffix
imageCatherine Martin (Australian designer).jpg
captionMartin in 2013
birth_date
birth_placeLindfield, New South Wales, Australia
education{{Ubl
occupation
years_active1988–present
children2
spouse
website

| Sydney College of the Arts | East Sydney Technical College | National Institute of Dramatic Arts Catherine Martin Luhrmann (born 26 January 1965) is an Australian costume designer, production designer, set designer, and film producer, best known for her frequent collaborations with director Baz Luhrmann. She has received numerous accolades, including four Academy Awards, six BAFTA Awards, and a Tony Award. Martin was appointed a Companion of the Order of Australia in 2025.

Martin came to international prominence for providing both the costumes and production design on Strictly Ballroom (1992), Luhrmann's feature directorial debut which later became the first installment of the "Red Curtain Trilogy". She won both the Academy Award for Best Costume Design and the Academy Award for Best Production Design for her work on Curtain's final chapter Moulin Rouge! (2001). Martin became just the second woman to win multiple Oscars in a single year (after Edith Head) and the first to accomplish this feat twice, winning the same two categories for The Great Gatsby (2013). She was also Oscar-nominated for Romeo + Juliet (1996), Australia (2008), and Elvis (2022). Having won four awards out of nine nominations, she holds the record for the most Oscar wins of any Australian.

Early life and education

The [[National Institute of Dramatic Art]] in [[Kensington, New South Wales]], where Martin studied

Martin was born on January 26, 1965, in Lindfield, New South Wales, to a French mother and an Australian father, both academics who met at the Sorbonne; her father was pursuing his expertise in 18th-century French literature, and her mother was studying mathematics at university. She and her brother grew up in Sydney but spent a lot of time with their grandparents in France's Loire Valley, visiting "every art gallery, every museum" along the way. Martin was fascinated from an early age by the vintage clothing parades occasionally thrown by her Australian grandmother and her church friends. She would beg her parents to take her to London's Victoria and Albert Museum so she could dig through the costume section, and recalled "being blown away by the costume gallery, being able to see a pleated lace ruff in reality" when she finally got there. Her mother taught her to use a sewing machine at age 6, and by age 15 she was creating her own patterns to make herself dresses. Martin cited The Wizard of Oz as her childhood inspiration and an extraordinary journey to take when she was 10, and then Gone with the Wind as the movie that, at age 13, changed her life from a fashion perspective.

Martin attended North Sydney Girls High School and, while a student, got a part-time job as an usherette at the Roseville theatre. She was first enrolled at Sydney College of the Arts and spent a year studying the visual arts before deciding to drop out for a career change. Then she studied pattern cutting at East Sydney Technical College. She was accepted into the National Institute of Dramatic Art (NIDA) and graduated in 1988 with a diploma in design. In her last year at university, she met and started collaborating with a fellow student, Baz Luhrmann, whom she later married. At that time, Luhrmann returned to NIDA looking for young designers with whom he planned to stage his one-act play, Strictly Ballroom, and Martin did some work on that production.

Career

Martin's first professional engagement came after graduation when she began working on Luhrmann's environmental opera experiment, Lake Lost, staged at a television studio in Melbourne to celebrate the Australian Bicentenary in 1988. Their collaboration continued at Opera Australia when she provided set designs for Luhrmann's 1990 production of Giacomo Puccini's *La bohème as well as the 1993 production of Benjamin Britten's *A Midsummer Night's Dream.

Martin gained international acclaim when she entered the film industry, recreating her designs in Luhrmann's feature directorial debut, Strictly Ballroom (1992), the first part of the "Red Curtain Trilogy". It was a major financial success and received widespread acclaim from critics and audiences, who lauded the acting, direction, and production values. Among other accolades, the film cleaned up at the AFI Awards, picking up leading eight wins from 13 nominations and also winning three of its eight nominations at the BAFTAs, including both the Best Costume Design and the Best Production Design for Martin's visuals. She then received her first Oscar nomination for art direction in the trilogy's second installment, Romeo + Juliet (1996).

Their third feature film collaboration which concluded Curtain's Trilogy was Moulin Rouge! (2001). She earned both the Academy Award for Best Costume Design and the Academy Award for Best Production Design for her richly designed sets and dazzling costumes, which received widespread recognition from critics and audiences alike. She shared the former prize with Angus Strathie, the latter with Brigitte Broch (for the film's set decoration). Martin's double wins makes her just the second woman to win multiple Oscars in a single year, after fellow costume designer Edith Head.

For their next project together, the pair teamed up adaptating Luhrmann's earlier Australian production of La bohème for Broadway theatre, which opened to critical acclaim in December 2002. She won the Tony Award for Best Scenic Design and, alongside Strathie, was nominated for the Tony Award for Best Costume Design the following year.

Martin went to co-produce Luhrmann's epic Australia (2008) and was also the film's production and costume designer. It earned her another Oscar nomination. She has stated that the tailoring on the clothing produced for the film is one of her proudest achievements.

''The Great Gatsby''

Luhrmann and Martin started working on the cinematic reinvention of F. Scott Fitzgerald's classic, The Great Gatsby, a novel that she had not read since adolescence and had not much appreciated as a teenager. Nevertheless, Martin ended up being the book's biggest fan after her husband's insistence that she revisit it. Luhrmann thought about doing a new film version for about a decade, although he began writing a script only three years before actual filming started. For their ambitious purpose of trying to achieve an authentic feeling for the film but also something connective for a modern audience, the pair consulted academic texts about the novel as well as historical analyses pertaining to both Fitzgerald and his work. In particular, they went to libraries at the Metropolitan Museum of Art and the Fashion Institute of Technology to further their research on the project. Martin described herself during this time as being "like a detective".

Overall, Martin was charged with creating about 500 outfits for various cast members. She collaborated with Brooks Brothers and Miuccia Prada to design the costumes, as well as Tiffany & Co., which agreed to supply the film's jewelry. In particular, Prada created some twenty dresses for the film's first party scene as well as an additional twenty for the second one. Before filming started, Luhrmann said that since the book took place in 1922 and was published in 1925 but foreshadowed the economic crash of 1929, anything within that decade was appropriate to borrow for design purposes. This approach gives Martin more room to play with trends and flattering pieces, such as her choice to dress lead actor Leonardo DiCaprio in slimmer-cut suits, a decision that otherwise would not be typical for the time period in which the depicted events are taking place. Furthermore, she erred towards the decade's end for women's clothes, wanting to focus on slimmer silhouettes. She also took artistic liberties when it came to the actresses' footwear, telling Vogue that she found heels from the era to be "stumpy". Martin rationalized her anachronistic use of thinner-heeled shoes by telling herself she was copying what was found in fashion illustrations from the time.

Martin created a total of 42 lavish sets for the film, which all were constructed under her vision in a span of 14 weeks. Her inspiration came from the works of 1920s British designer Syrie Maugham as well as the iconic turn-of-the-century houses on Long Island, such as Beacon Towers for Gatsby's mansion and Old Westbury Gardens for the Buchanans' estate. She also gave credit to the 1920s silent film designs, particularly those of Sunrise (1927) and Speedy (1928), for inspiring Gatsby's high-gloss Art Deco visual style.

Martin once again received universal acclaim for creating film's visuals, winning her two more Oscars for both Best Costume Design and Best Production Design, the latter of which she shares with Beverley Dunn. Having won her fourth career Academy Award, she claimed the record for the most Oscar wins of any Australian, overtaking fellow costume designer Orry-Kelly, who won three in the 1950s.

Shortly after the release of Gatsby, Martin collaborated with Brooks Brothers to release a limited edition menswear collection. She has also launched a range of home wares, featuring paints, wallpaper and rugs.

Other ventures

In 1997, Martin and Luhrmann founded a production company to manage their various creative projects.

Martin was named a Glamour Magazine Woman of the Year in 2013. Discussing her and Luhrmann's progression as artists, Marin told the magazine, "We've gone from me staying up all night to paint the floor to where I am now, with 300 carpenters working for me. I feel like the Queen of England". For her spread in their December issue, her husband photographed her alongside their children.

Martin's work was featured in fellow costume designer Deborah Nadoolman Landis' 2013 book Hollywood Costume.

Martin has stated that she prides herself on ensuring the costumes she produces are beautifully made, comfortable, and easy to take on and off. She also said that she is no longer tempted to keep any wardrobe mementos from the films she works on, telling Fashionista, "... I realised through long and hard experience the best record of your work, is the work itself."

In 2016, Martin and Luhrmann developed the Netflix television series The Get Down, which takes place in 1970s South Bronx. She served as an executive producer of the series.

Personal life

Martin met her husband, Baz Luhrmann, at university, and the pair married on Australia Day 1997, her 32nd birthday. The couple has two children together. In July 2015, the couple placed their Darlinghurst mansion on the market for $16 million AUD, in favour of establishing a more settled family life in New York City, where their family has been spending more and more time.

Filmography

Feature films

YearTitleDirectorCredited asNotesCostume DesignerProduction DesignerProducer
1989Out of the BodyBrian Trenchard-Smith
1992Strictly BallroomBaz LuhrmannCo-designed costumes with Angus Strathie
Martin designed street costumes, whereas Strathie designed ballroom attire
Also titles design
1996Romeo + JulietAlso title designer
2001Moulin Rouge!Co-designed costumes with Angus Strathie
2008Australia
2013The Great GatsbyCo-designed sets with Karen Murphy as associate production designer
2022ElvisCo-designed sets with Karen Murphy
Also titles concept design
2025EPiC: Elvis Presley in ConcertDocumentary

Short films

YearTitleDirectorCredited asNotesCostume DesignerProduction DesignerProducer
1988InterimJean-Pierre Améris
2004No. 5 the FilmBaz LuhrmannCommissioned by Chanel
2012Hard ChicCreated for the 2012 Met Gala and accompanying exhibition at the Metropolitan Museum of Art
Naif Chic
Schiaparelli & Prada: Impossible Conversations
The Classical Body
The Exotic Body
The Surreal Body
Ugly Chic
Waist Up/Waist Down
2014Channel No. 5: The One That I WantCommissioned by Chanel
2017ERDEM x H&M: The Secret Life of Flowers
2025Grande EnvieHerselfAlso story writer
Commissioned by Miu Miu

Television

YearTitleContributionNotesCostume DesignerProduction DesignerExecutive Producer
1994Great PerformancesDesigned sets and co-designed costumes for the episode "La boheme"
Co-designed costumes with Angus Strathie
2016–2017The Get DownCo-designed costumes and sets for the episode "Where There Is Ruin, There Is Hope for a Treasure"
Co-designed costumes with Jeriana San Juan and sets with Karen Murphy
2023Faraway DownsAlternate and extended cut of Australia

Awards and nominations

;Major associations Academy Awards

YearCategoryNominated workResultRef.
1997Best Production DesignRomeo + Juliet
2002Best Costume DesignMoulin Rouge!
Best Production Design
2009Best Costume DesignAustralia
2014The Great Gatsby
Best Production Design
2023Best PictureElvis
Best Costume Design
Best Production Design

BAFTA Awards

YearCategoryNominated workResultRef.British Academy Film Awards
1993Best Costume DesignStrictly Ballroom
Best Production Design
1998Romeo + Juliet
2002Best Costume DesignMoulin Rouge!
Best Production Design
2014Best Costume DesignThe Great Gatsby
Best Production Design
2023Best FilmElvis
Best Costume Design
Best Production Design

Tony Awards

YearCategoryNominated workResultRef.
2003Best Costume DesignLa bohème
Best Scenic Design

;Miscellaneous awards

AwardYearCategoryTitleResultRef.AACTA AwardsADG Excellence in Production Design AwardsAPDG AwardsAstra Film and Creative Arts AwardsCapri Hollywood International Film FestivalChicago Film Critics Association AwardsCostume Designers Guild AwardsCritics' Choice Movie AwardsDrama Desk AwardsFilm Critics Circle of Australia AwardsFlorida Film Critics Circle AwardsGeorgia Film Critics Association AwardsGold Coast Film FestivalGreen Room AwardsHelpmann AwardsHollywood Music in Media AwardsInside Film AwardsInternational Cinephile Society AwardsLas Vegas Film Critics Society AwardsLondon Film Critics' Circle AwardsLos Angeles Film Critics Association AwardsOnline Film Critics Society AwardsOuter Critics Circle AwardsOvation AwardsPhoenix Film Critics Society AwardsProducers Guild of America AwardsRodeo Drive Walk of StyleSan Diego Film Critics Society AwardsSanta Barbara International Film FestivalSatellite AwardsSaturn AwardsSeattle Film Critics Society AwardsSet Decorators Society of America AwardsSt. Louis Film Critics Association AwardsWashington D.C. Area Film Critics Association AwardsWhatsOnStage Awards
1992Best Production DesignStrictly Ballroom
1999Byron Kennedy Award
2001Best Costume DesignMoulin Rouge!
Best Production Design
2009Best Costume DesignAustralia
Best Production Design
2014Best FilmThe Great Gatsby
Best Costume Design
Best Production Design
2022Best FilmElvis
Best Costume Design
Best Production Design
Longford Lyell Award
2002Excellence in Production Design for a Period or Fantasy FilmMoulin Rouge!
2014Excellence in Production Design for a Period FilmThe Great Gatsby{{Cite webdate=February 8, 2014title=Art Directors Guild Awards: 'Her', 'Gravity', 'The Great Gatsby' Win Top Film Prizes; HBO Cleans Up On TV Side; Martin Scorsese Honoredurl=https://deadline.com/2016/02/cdg-award-winners-2016-full-list-costume-designers-guild-1201707438/access-date=August 12, 2022website=Deadlinearchive-url=https://web.archive.org/web/20140830000800/https://deadline.com/2014/02/adg-award-winners-2014-art-directors-guild-awards-679982/url-status=live}}
2023Elvis
Cinematic Imagery Award
2013Award for Title DesignThe Great Gatsby
Award for Visual Effects Design
Award for Costume Design for Screen
Award for Design on a Feature Film
2021Cameron Creswell Outstanding Contribution to Design Award
2023Award for Set Decoration for a Feature Film or Television ProductionElvis
Award for Design on a Feature Film
2023Best Costume Design
Best Production Design
2023Best Costume Design
Best Production Design
Capri Producers of the Year
2013Best Art Direction/Production DesignThe Great Gatsby
2014Excellence in Period Film
2023Elvis
2014Best Costume DesignThe Great Gatsby
Best Production Design
2023Best Costume DesignElvis
Best Production Design
2003Outstanding Costume DesignLa bohème
Outstanding Scenic Design of a Musical
2014Best FilmThe Great Gatsby
Best Production Design
2023Best FilmElvis
2013Best Art Direction/Production DesignThe Great Gatsby
2022Elvis
2023Best Production Design
2023Chauvel Award
1995Best Design in OperaA Midsummer Night's Dream
2014Best Costume DesignStrictly Ballroom The Musical
2022Best Music Themed Film, Biopic, or MusicalElvis
2009Best Production DesignAustralia
2009Best Production Design
2014The Great Gatsby
2002Best Costume DesignMoulin Rouge!
2022Best Art DirectionElvis
Best Costume Design
2023Technical Achievement Award
2001Best Production DesignMoulin Rouge!
2023Best Costume DesignElvis
Best Production Design
2003Outstanding Costume DesignLa bohème
Outstanding Set Design
2004Costume Design (Large Theater)
Set Design (Large Theater)
2002Best Costume DesignMoulin Rouge!
Best Production Design
2013Best Costume DesignThe Great Gatsby
Best Production Design
2023Best Theatrical Motion PictureElvis
2014Rodeo Drive Walk of Style Award
2001Best Production DesignMoulin Rouge!
2013The Great Gatsby
2023Best Costume DesignElvis
2023Variety Artisans Award
1997Best Art Direction & Production DesignRomeo + Juliet
2002Moulin Rouge!
Best Costume Design
2008Best Art Direction & Production DesignAustralia
Best Costume Design
2014Best Art Direction & Production DesignThe Great Gatsby
Best Costume Design
2023Best Art Direction & Production DesignElvis
Best Costume Design
2002Best Costume DesignMoulin Rouge!
2009Australia
2014Best Costume DesignThe Great Gatsby
Best Production Design
2023Best Costume DesignElvis
Best Production Design
2023Best Achievement in Decor/Design of a Period Feature Film
2022Best Costume Design
Best Production Design
2013Best Art DirectionThe Great Gatsby
2022Elvis
2019Best Costume DesignStrictly Ballroom

;Honorary degrees

SchoolYearDegreeRef.University of Sydney
2025Doctor of Letters (honoris causa)

Other honours

  • Martin was awarded the Centenary Medal in 2001 for service to Australian society and Australian film production.
  • Martin was appointed a Companion of the Order of Australia in the 2025 King's Birthday Honours for "eminent service to the arts, to costume, production and set design, and to fostering emerging artistic talent."

Notes

References

References

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  3. (24 March 2002). "Oscar Honors "Moulin Rouge" and Boheme Designer Catherine Martin". Playbill.
  4. Marks, Peter. (9 December 2002). "The 'Boheme' Next Door". The Washington Post.
  5. (23 January 2009). "Catherine Martin nabs Oscar nomination for Australia". The Sydney Morning Herald.
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  8. Staff. (2015-06-12). "Strictly love and business". business.nab.com.au.
  9. Denley, Susan. (2013-10-30). "'Great Gatsby' costumer Catherine Martin a Glamour Woman of the Year". Los Angeles Times.
  10. Nadoolman Landis, Deborah. (2012). "Hollywood Costume". V&A Publishing.
  11. (12 August 2015). "Baz Luhrmann's Netflix Series 'The Get Down' To Take Production Hiatus".
  12. Brow, Jason. (2023-01-25). "Baz Luhrmann's Wife: Meet His Spouse Catherine Martin".
  13. "Baz Luhrmann and Catherine Martin list Darlinghurst mansion for $16 million".
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  87. (March 11, 2009). "Saturn Nominations Unveiled".
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  92. (February 14, 2023). "SDSA Awards: Everything Everywhere All at Once Named Best Picture; Three Other Oscar Nominees Honored".
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  96. Bowie-Sell, Daisy. (5 December 2018). "Hamilton leads 19th Annual WhatsOnStage Awards nominations".
  97. "Oscar-winning designer Catherine Martin receives honorary doctorate". The University of Sydney.
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  100. Bullock, Maggie. (2013-05-03). "Baz Luhrmann's Leading Lady".
  101. Borrelli-Persson, Laird. (2015-04-20). "Costume Designer Catherine Martin on Hip-Hop, ''Gatsby'', and Working with Husband, Baz Luhrmann".
  102. Marshall, Alexandra. (2013-10-30). "Catherine Martin: The Fashion Wizard".
  103. Overington, Caroline. (2002-03-26). "Two Oscars, but only one Baz".
  104. (2013-05-08). "The Great Gatsby's Catherine Martin on Designing the Jay-Z-Scored Party Scenes ("No Hip Thrusting") and Gatsby's "Pimped Out" Yellow Convertible".
  105. Yang, Sarah. (2013-05-21). "A Look at the Set of The Great Gatsby with Production and Costume Designer Catherine Martin".
  106. Phelan, Hayley. (2013-04-29). "CATHERINE MARTIN ON CREATING THE COSTUMES FOR THE GREAT GATSBY".
  107. Whitlock, Cathy. (2013-04-26). "Designer Catherine Martin Teases the Decadence of Baz Luhrmann's 'The Great Gatsby'".
  108. (2014-03-03). "Catherine Martin wins two Oscars for The Great Gatsby, makes history for most Academy Awards by an Australian".
  109. Hawker, Philippa. (2014-12-26). "Catherine Martin is strictly sensational".
  110. (2018-04-01). "Catherine the great".
  111. Bennett, Sally. (2015-01-15). "20 things you didn't know about Strictly Ballroom".
  112. Rosenfeld, Austen. (2015-04-19). "The Costume Designer for "Moulin Rouge!," "Romeo + Juliet," and "The Great Gatsby" Talks Fashion".
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