Busan International Film Festival

History

1990s

• 1st Busan International Film Festival, 13–21 September 1996 : Films screened: 173 films from 31 countries : Opening Film: Secrets & Lies, Mike Leigh, UK/France : Closing Film: In Expectation, Ming Zhang, China : Participating guests: 224 guests from 27 countries : Total audience: 184,071
• 2nd Busan International Film Festival, 10–18 October 1997 : Films screened: 163 films from 33 countries : Opening Film: Chinese Box, Wayne Wang, UK/France/USA/Japan : Closing Film: Eighteen Springs, Ann Hui, Hong Kong-China : Participating guests: 450 guests from 30 countries : Total audience: 170,206
• 3rd Busan International Film Festival, 24 September – 1 October 1998 : Films screened: 211 films from 41 countries : Opening Film: The Silence, Mohsen Makhmalbaf, Iran/France : Closing Film: Kanzo sensei, Shohei Imamura, Japan : Participating guests: 659 guests from 25 countries : Total audience: 192,547 (paid audiences: 174,870)
• 4th Busan International Film Festival, 14–23 October 1999 : Films screened: 207 films from 53 countries : Opening Film: Peppermint Candy, Lee Chang-Dong, Korea : Closing Film: Not One Less, Zhang Yimou, China : Participating guests: 555 guests from 36 countries : Total audience: 180,914

2000s

• 5th Busan International Film Festival, 6–14 October 2000 : Films screened: 207 films from 55 countries : Opening Film: The Wrestlers, Buddhadeb Dasgupta, India : Closing Film: In the Mood for Love, Wong Kar-wai, Hong Kong-China : Participating guests: 3017 guests from 39 countries : Total audience: 181,708 people
• 6th Busan International Film Festival, 9–17 November 2001 : Films screened: 201 films from 60 countries : Opening Film: The Last Witness, Bae Chang-ho, Korea : Closing Film: The Legend of Suriyothai, Chatrichalerm Yukol, Thailand : Participating guests: 3,761 guests from 30 countries : Total audience: 143,103 people
• 7th Busan International Film Festival, 14–23 November 2002 : Films screened: 226 films from 57 countries : Opening Film: The Coast Guard, Kim Ki-duk, Korea : Closing Film: Dolls, Kitano Takeshi, Japan : Participating guests: 4,387 guests from 35 countries : Total audience: 167,349 people
• 8th Busan International Film Festival, 2–10 October 2003 : Films screened: 243 works from 61 countries : Opening Film: Doppelganger, Kiyoshi Kurosawa, Japan : Closing Film: Acacia, Park Ki-hyung, Korea : Participating guests: 2,523 people from 44 countries : Invited guests: 4,387 people from 50 countries (Inc. PPP& Press) : Total audience: 165,102(paid audiences: 145,041)
• 9th Busan International Film Festival, 7–15 October 2004 : Films screened: Total 262 films from 63 countries : Opening Film: 2046, Wong Kar-wai, Hong Kong-China : Closing Film: The Scarlet Letter, Daniel H. Byun, Korea : Participating guests: Total 5,638 guests from 50 countries : Total audience: 166,164
• 10th Busan International Film Festival, 6–14 October 2005 : Films screened: 307 films from 73 countries : Opening Film: Three Times, Hou Hsiao-hsien, Taiwan : Closing Film: Wedding Campaign, Hwang Byung-kook, Korea : Participating guests: 6,088 from 55 countries : Total audience: 192,970
• 11th Busan International Film Festival, 12–20 October 2006 : Films screened: 245 films from 63 countries : Opening Film: Traces of Love, Kim Dae-seung, Korea : Closing Film: Crazy Stone, Ning Hao, China/Hong Kong-China : Participating guests: 8,321 from 51 countries (inc. ASIAN FILM MARKET & press) : Total audience: 162,835
• 12th Busan International Film Festival, 4–12 October 2007 : Films Screened: 271 films from 64 countries in 770 screenings : Opening Film: Assembly, Feng Xiaogang, China : Closing Film: Evangelion 1.0: You Are (Not) Alone, Kazuya Tsurumaki, Hideaki Anno, Masayuki, Japan : Participating guests: 7,361(exc. ASIAN FILM MARKET) : Total audience: 198,603
• 13th Busan International Film Festival, 2–10 October 2008 : Films screened: 315 films from 60 countries. 827 screenings. : Opening Film: The Gift to Stalin, Rustem Abdrashev, Russia/Kazakhstan/Israel/Poland : Closing Film: I Am Happy, Yoon Jong-chan, Korea : Participating guests: 11,110 in total (inc. ASIAN FILM MARKET) : Total audience: 198,818
• 14th Busan International Film Festival, 8–16 October 2009 : Films Screened: 355 films from 70 countries. 803 screenings. : World Premiere: 98 Films (72 Feature Films, 26 Short Films) : International Premiere: 46 Films (41 Feature Films, 5 Short Films) : Opening Film: Good Morning President, Jang Jin, Korea : Closing Film: The Message, Gao Qunshu, Chen Kuo-fu, China : Invited Guests (exc. Asian Film Market): 8,602 in total (Guests: 6,400, Press: 2,202) : Total audience: 173,516

2010s

• 15th Busan International Film Festival, 7–15 October 2010 : Films Screened: 306 films from 67 countries（101 World Premieres / 52 International Premieres） : Screening Venue: Total of 232,851 seats and 36 screens at 6 theaters : Opening Film: Under the Hawthorn Tree, Zhang Yimou, China : Closing Film: Camellia, Wisit Sasanatieng, Isao Yukisada, Jang Joon-hwan, Thailand/Japan/Korea : Participating guests: 9,367 : 3,784 from Korea : 906 from out of Korea : 1,651 Cinephiles : 789 Market participants : 2,237 Press Accreditations : Total audience: 182,046
• 16th Busan International Film Festival, 6–14 October 2011 : Films Screened: 307 films from 70 countries（86 World Premieres / 45 International Premieres） : Screening Venue: Total of 235,907 seats and 36 screens at 5 theaters : Opening Film: Always, Song Il-gon, South Korea : Closing Film: Chronicle of My Mother, Masato Harada, Japan : Participating guests: 11,268 : Domestic: 4,482 : International: 765 : Cinephile: 1,999 : Market: 1,080 : Busan Cinema Forum: 502 : Accredited Press: 2,440 : * Market and Forum participants include only the numbers accredited with the Badge : Total audience: 196,177
• 17th Busan International Film Festival, 4–13 October 2012 : Films Screened: 304 films from 75 countries（96 World Premieres / 39 International Premieres） : Screening Venue: 37 screens at 7 theaters : Opening Film: Cold War, Longman Leung, Sunny Luk, Hong Kong : Closing Film: Television, Mostofa Sarwar Farooki, Bangladesh : Participating guests: 11,519 : Domestic: 4,830 : International: 806 : Cinephile: 2,149 : Market: 1,098 : Busan Cinema Forum: 279 : Accredited Press: 2,357 : Total audience: 221,002
• 18th Busan International Film Festival, 3–12 October 2013 : Films Screened: 299 films from 70 countries（94 World Premieres / 40 International Premieres） : Screening Venue: 35 screens at 7 theaters (Market and unofficial screenings excluded) : Opening Film: Vara: A Blessing, Khyentse Norbu, Bhutan : Closing Film: The Dinner, Kim Dong-hyun, Korea : Participating guests: 9,991 : Domestic: 3,423 : Foreign: 751 : Cinephile: 1,667 : Market: 1,272 : BC&F: 616 : Accredited Press: 2,262（Domestic: 1,963, Foreign:299） : Total audience: 217,865
• 19th Busan International Film Festival, 2–11 October 2014 : Films Screened: 312 from 79 countries（96 World Premieres / 36 International Premieres） : Screening Venue: 33 screens at 7 theaters (Market and unofficial screenings excluded) : Opening Film: Paradise in Service, Doze Niu, Taiwan : Closing Film: Gangster Payday, Lee Po-cheung, Hong Kong : Participating guests: 10,173 : Domestic: 3,362 : Foreign: 775 : Cinephile: 1,429 : Market: 1,566 : BC&F: 750 : Accredited Press: 2,291 : Total audience: 226,473
• 20th Busan International Film Festival, 1–10 October 2015 : Films Screened: 302 from 75 countries（94 World Premieres / 31 International Premieres） : Screening Venue: 35 screens at 6 theaters (Market and unofficial screenings excluded) : Opening Film: Zubaan, Mozez Singh, India : Closing Film: Mountain Cry, Larry Yang, China/United States : Participating guests: 9,685 : Domestic: 3,226 : Foreign: 775 : Cinephile: 1,405 : Market: 1,571 : BC&F: 403 : Accredited Press: 2,325 : Total audience: 227,377
• 21st Busan International Film Festival, 6–15 October 2016 : Films Screened: 299 from 69 countries : Opening Film: A Quiet Dream – Zhang Lu, Korea : Closing Film: The Dark Wind, Hussein Hassan, Iraq/Germany/Qatar : Participating guests: 5,759, excluding the press : Total audience: 165,149
• 22nd Busan International Film Festival, 12–21 October 2017 : Films Screened: 300 from 76 countries : Opening Film: Glass Garden – Shin Su-won, South Korea : Closing Film: Love Education, Sylvia Chang, China/Taiwan : Total audience: 192,991
• 23rd Busan International Film Festival, 4–13 October 2018 : Films Screened: 324 from 79 countries : Opening Film: Beautiful Days - Jéro Yun, South Korea : Closing Film: Master Z: The Ip Man Legacy, Yuen Woo-ping, Hong Kong/China : Total audience: 191,000
• 24th Busan International Film Festival, 3–12 October 2019 : Films Screened: 299 from 85 countries : Opening Film: The Horse Thieves. Roads of Time - Yerlan Nurmukhambetov, Lisa Takeba, Kazakhstan/Japan : Closing Film: Moonlit Winter - Lim Dae-hyung, South Korea : Total audience: 189,116

2020s

• 25th Busan International Film Festival, 21–30 October 2020 : Films Screened: 192 films from 68 countries : Opening Film: Septet: The Story of Hong Kong - Johnnie To, Ringo Lam, Hark Tsui, Sammo Hung, Ann Hui, Patrick Tam Yuen, Wo Ping, Hong Kong, China/China : Closing Film: Josee, the Tiger and the Fish - Tamura Kotaro, Japan : Total audience: 20,135

• 26th Busan International Film Festival, 6 to 15 October 2021 : Films Screened: 223 films from 70 countries : Opening Film: Heaven: To the Land of Happiness by Im Sang-soo : Closing Film: Anita by Longman Leung : Total audience:76,072

• 27th Busan International Film Festival, 5 to 14 October 2022. : Films Screened: 242 films from 71 countries : Opening Film: Scent of Wind - Hadi Mohaghegh, Iran : Closing Film: A Man - Ishikawa Kei, Japan

• 28th Busan International Film Festival, 4 to 13 October 2023. : Films Screened: 269 films from 69 countries : Opening Film: Because I Hate Korea - Jang Kun-jae, South Korea : Closing Film: The Movie Emperor - Ning Hao, China

• 29th Busan International Film Festival, 2 to 11 October 2024. : Films Screened: 279 films from 63 countries : Opening Film: Uprising – Kim Sang-man, South Korea : Closing Film: Spirit World – Eric Khoo, France, Singapore, Japan

• 30th Busan International Film Festival, 17 to 26 September 2025. Starting with this edition, the festival introduced a new competition section to Asian cinema. This section showcased around 14 selected Asian films competing for five major honors: the Grand Prize, Best Director, Special Jury Prize, Best Actor/Actress, and Award for Artistic Contribution. Marking a significant departure from tradition, the film that wins the Grand Prize is presented as the festival’s closing screening, replacing the previously chosen standalone title.

Official program sections

The Busan International Film Festival is organised in various sections :

• Competition section for Asian cinema: From its 30th edition in 2025, the festival launched a competition section for the Asian cinema. Fourteen Asian films will compete in the festival’s official competition, contending for five primary awards: the Grand Prize, Best Director, Special Jury Prize, Best Actor/Actress, and Artistic Contribution. The film awarded the Grand Prize will be presented as the festival’s closing feature instead of separately selected film.

• Gala Presentation: Gala Presentation screens new master cineastes, films, and premieres.

• Icons: A showcase of the latest films of contemporary iconic filmmakers from around the world.

• Vision: This section showcases the latest independent films from Korea and Asia with outstanding artistry and original vision. Various awards are given out.

• A Window on Asian Cinema: A showcase of new and/or representative films by Asian filmmakers.

• Korean Cinema Today: Selected Korean feature films are shown in three sub-sections, Special Premiere, Panorama and Vision. These three sub-sections recognise the current production trend of Korean cinema and anticipate its future.

• Korean Cinema Retrospective: Revisiting the history of Korean cinema by spotlighting films of a certain notable director or films with a significant theme.

• World Cinema: Presentation of new works by filmmakers along with films that help understanding the recent trends in world cinema.

• Flash Forward: This section is a collection of first or second films of up-and-coming filmmakers from non-Asian countries.

• Wide Angle: A section showing short films, animation, documentaries, and experimental films.

• Open Cinema: outdoor screening venue where a collection of new films, combining both art and mass popularity, are shown.

• Midnight Passion: A collection of horror, SF, and thriller films that are certain to keep diehard film fans awake throughout the night.

• On Screen: Presentation of highly anticipated or most talked about drama series of the year.

• Special Programs in Focus /Special Planning Program: A retrospective and special showcase of films of a certain notable director or genre.

• Withdrawn sections

  • Jiseok: A competition section for established Asian filmmakers with three or more feature films. The two best films are presented with the Kim Jiseok Award.The award was created in commemoration of the late Kim Jiseok, program director who devoted his life to nurture and support Asian cinema.
  • New Currents: The only international competition section featuring the first or the second feature films by future directors of Asian cinema.

Official divisions

• Asian Contents & Film Market (ACFM): Launched in 2006 as a marketplace for the industry events at the Busan International Film Festival.
  • Asian Project Market (former PPP: Pusan Promotion Plan) is a pre-market.
• Asian Cinema Fund: The Asian Cinema Fund is a funding program to help activate more independent film productions and to set up a stable production environment. It supports projects in various stages and categories. The 900 million won (approximately US$900,000) Asian Cinema Fund will be used to provide support to seven projects in script development, five post-productions, and thirteen documentary films.
  • The Script Development Fund is aimed at helping screenwriters complete their scripts.
  • The Post-Production Fund is made possible through the support of Korean post-production companies and the Korean Film Council. With this fund, the director is invited to Korea to work on sound and DI with Korean post-production houses. It will help the director complete his or her film in 35mm.
  • The Asian Network of Documentary Fund was initiated in 2002 and sponsored by six universities and corporations in the Busan region. As a part of the Busan International Film Festival, and holds master classes and clinics to stabilise the environment for documentary productions.
• BIFF Asian Film Academy (BAFA) is an educational program where prospective filmmakers and established directors from Asia gather to deliberate and prepare for the future of Asian cinema.

• Busan Cinema Forum (BCF) is an academic event for filmmakers and scholars, launched on 10 October 2011. It aims to enhance the knowledge and support of the film industry and film aesthetics.

• Platform BUSAN

• BIFF Film Academy

• Community BIFF

Direction and management

Chairpersons:

• 1996–1998: Moon Jung-soo
• 1998–2004: Ahn Sang-yeong
• 2004–2014: Hur Nam-sik
• 2014–2016: Suh Byung-soo
• 2016–2017: Kim Dong-ho
• 2018–2023: Lee Yong-gwan
• 2024-: Park Kwang-su Festival Directors:
• 1996–2010: Kim Dong-ho
• 2007–2016: Lee Yong-gwan
• 2015–2017: Kang Soo-yeon
• 2018–2020: Jeon Yang-jun
• 2021–2023: Huh Moon-yung
• 2025–present: Jung Hanseok Managing Directors:
• 2023: Cho Jong-kook

Awards

A number of awards are handed out each year, including:

The Asian Filmmaker of the Year

The Asian Filmmaker of the Year () is granted to the Asian filmmaker who has made the most significant contribution to the advancement of Asian film industry and culture throughout the year.

Korean Cinema Award

The Korean Cinema Award () is presented to cineastes that have made a notable contribution in the globalization of Korean cinema.

The Choon-yun Award

The Choon-yun Award () was established in honor of the late Chairman of the Korean Association of Film Art & Industry, Lee Choon-yun. This award is given to one newly emerging producer with a cash prize of KRW 10,000,000, sponsored by IOK Company.

New Currents Award

Main article: New Currents

The New Currents Award () is given to the two best feature films selected from the first or second feature of new Asian directors introduced in the New Currents section. A grand prize of USD 30,000 is awarded to each film. The jury consists of world-renowned film experts who will choose winners to discover and encourage the hidden jewels of Asian cinema.

Kim Jiseok Award

Main article: Kim Jiseok Award

The KIM Jiseok Award (), Established in 2017, is to remember and honor the late Kim Jiseok who devoted his whole life to discovering and supporting the growth of Asian cinema. The award is given to the films in the competition category for the Korean and Asian directors who have directed more than 3 feature films, and two best films are selected and awarded a cash prize of USD 10,000 each sponsored by BIFF Supporters Association.

BIFF Mecenat Award

BIFF Mecenat Award () is granted to the best documentary from Korea and Asia in Wide Angle competitive section. The winner will be granted KRW 10,000,000 with the purpose of assisting their next production.

Sonje Award

Sonje Award () is given to the best Korean and Asian short films in the Wide Angle section, to assist them in producing next project by providing KRW 10,000,000 to each director.

Actor & Actress of the Year

The Actor of the Year () is the award to focus on the newcomer in the independent Korean films among the New Currents and Korean Cinema Today – Vision section. The renowned Korean actor and actress select one actor and one actress with outstanding performance. The winners will be awarded at the closing ceremony with a cash prize of KRW 5,000,000 each.

KB New Currents Audience Award

KB New Currents Audience Award(KB 뉴 커런츠 관객상; formerly KNN Award) is given to the film that is most highly rated by festival audiences from the New Currents section. Sponsored by KB Kookmin Bank, KRW 20,000,000 is awarded to the director.

Flash Forward Audience Award

Flash Forward Audience Award () is given to the film that is most highly rated by festival audiences from the Flash Forward section. Sponsored by BIFF Supporters Association, KRW 10,000,000 is awarded to the director.

FIPRESCI Award

FIPRESCI (International Federation of Film Critics) Award () is given to well-made works that reflect its experimental and progressive spirit, among those presented in the New Currents section.

NETPAC Award

The NETPAC Award () is given to the best film selected by the NETPAC(The Network for the Promotion of Asian Cinema) jury among the films screened in the New Currents section.

LG OLED New Currents Award

The LG OLED New Currents Award(LG 올레드 뉴 커런츠상) is established in 2023, is given to an Asian feature film in the New Currents section, that demonstrates an innovation in visual aesthetics. The award recipient will be chosen by the New Currents jurors, and will be granted prizes sponsored by LG OLED including 30,000,000 cash award.

LG OLED Vision Award

The LG OLED Vision Award(LG 올레드 비전상; formerly Daemyung Culture Wave Award, KTH Award, Watcha Award) is given to one Korean film in the Korean Cinema Today - Vision and New Currents section, that demonstrates an innovation in visual aesthetics. The award recipient will be granted prizes sponsored by LG OLED including 30,000,000 cash award.

DGK PLUS M Award

The DGK PLUS M Award(한국영화감독조합 플러스엠상; formerly DGK Award) goes to two Korean films from the Korean Cinema Today - Vision section. Each winner will be granted KRW 5,000,000. This cash prize is sponsored by Directors Guild of Korea and PLUS M.

CGV Award

CGV Award(CGV상) was newly created in 2011 in collaboration with CJ CGV to shed new light on the Korean Cinema Today - Vision section. The winner will receive a cash prize of KRW 10,000,000 sponsored by CJ CGV.

KBS Independent Film Award

The KBS Independent Film Award(KBS독립영화상) is given to support Korean independent films. One Korean film will be selected among Korean Cinema Today - Vision and New Currents section to receive KRW 10,000,000. This cash prize is sponsored by Korean Broadcasting System.

CGK Award

The CGK Award(CGK촬영상), sponsored by Cinematographers Guild of Korea, is given to one Korean film from either New Currents or Korean Cinema Today - Vision section. The winner's cinematographer will be granted KRW 5,000,000.

Critic b Award

Critic b Award(크리틱b상) is given to one film chosen by Busan Film Critics Association among the selections in the New Currents and the Korean Cinema Today - Vision section. The winner will receive KRW 10,000,000.

Watcha Short Award

Watcha Short Award () is established to support short film directors in Korean cinema. Two short films chosen from Wide Angle - Korean Short Competition section will be given a cash prize of KRW 5,000,000. This cash prize is sponsored by Watcha.

Aurora Media Award

Aurora Media Award () is established to support new directors in Korean cinema. Two Korean films chosen from the New Currents and the Korean Cinema Today - Vision section will be given a cash prize of KRW 10,000,000 respectively. This cash prize is sponsored by Aurora Media.

Citizen Critics' Award

Citizen critics from the Busan Cinematheque choose the best film from those screened in Korean Cinema Today - Vision section. Citizen Critics' Award () is awarded KRW 10,000,000 for supporting the director's next production.

Busan Cinephile Award

Busan Cinephile Award () is given to the best Korean and Asian documentary film presented in the Wide Angle documentary showcase section. The winner is awarded KRW 5,000,000. The jury of college students, including numerous students from the cinema-related departments of six universities in Busan region, select the winner.

Camellia Award

In 2024, the "Camellia Award" was introduced, named after Busan's city flower, the camellia. This award, established with the involvement of Chanel, aims to elevate the status of women in the film industry. The first recipient of this honor was Ryu Seong-hie, a South Korean film art director.

Gallery

File:Busan Cinema Center, Busan, South Korea.jpg|Busan Cinema Center, the BIFF's headquarters File:Busan Film Center.jpg|Busan Cinema Center File:Busan-PIFF-Film.festival-01.jpg|2006 BIFF Pavilion in Haeundae Beach File:Opening Film "Under the Hawthorn Tree".jpg|The Opening Film Under the Hawthorn Tree by the dir. Zhang Yimou, 2010 File:Handprinting, Juliette Binoche.jpg|Handprinting, Abbas Kiarostami Juliette Binoche, 2010 File:Handprinting, Williem Dafoe.jpg|Handprinting, Willem Dafoe, 2010 File:Master Class, Carlos Saura.jpg|Master Class, Carlos Saura, 2010

References

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