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Architectural design competition
Type of design competition
Type of design competition
An architectural competition is a type of design competition, in which an entity that intends to build new work, or is just seeking ideas, invites architects to submit design proposals. The winning proposal is usually chosen by an independent panel of design professionals, stakeholders (such as government and local representatives, the leadership of a cultural institution, etc.) or public opinion. The effect of architectural competitions varies with competition format.
Public engagement
Architectural design competitions are often used to generate new ideas for building and/or landscape design, stimulate public engagement, generate publicity for the project and the commissioning entity, and help emerging designers gain exposure (and potentially win commissions that might be out of reach to them otherwise). Architectural competitions are often, though not exclusively, used to award commissions for public buildings: In some countries, government procurement rules for tendering public building contracts stipulate some form of open architectural competition.
History
Architectural competitions have existed for more than 2,500 years. The design of the Acropolis, in Athens, resulted from an architectural competition in 448 B.C., as did several European cathedrals in the Middle Ages. During the Renaissance, many projects initiated by the papacy or other top religious bodies were decided through design competition. Examples are the Spanish Steps in Rome and, famously, the competition for the dome of the Florence Cathedral, won by Filippo Brunelleschi in 1419. Open competitions emerged in the late 18th century in countries including the United States, Great Britain, Ireland, France, and Sweden.
In 19th century England and Ireland, more than 2,500 competitions were held within five decades, with 362 in London alone. The Royal Institute of British Architects drafted its first set of rules in 1839 and its first formal regulations in 1872. German regulations had been introduced in 1867. In the same period, in the Netherlands, an association for the advancement of architecture (Maatschappij tot Bevordering van de Bouwkunst) started organizing conceptual competitions to stimulate creativity among architects.
Competition types
Various competition paradigms exist, most prominently the following types or combinations of them:{{cite web |access-date=12 September 2013 |archive-url=https://web.archive.org/web/20160303235221/http://www.architecture.com.au/docs/default-source/events-and-awards/guidelines-for-architectural-design-competitions.pdf?sfvrsn=2 |archive-date=3 March 2016 |url-status=dead
Open vs, Invited (or Otherwise Limited) Competitions:
- Open Competitions: international, national, regional, or otherwise defined in scope, they typically have little or no restrictions on who may enter.
- Invited, Limited, Pre-Qualified, or otherwise Non-Open Competitions restrict who may participate (and, in many cases, also provide stipends or honorariums to participants) Project vs. Ideas Competitions:
- Project Competitions: seek schemes for specific building and/ or landscape projects that the commissioning entities intend to realize
- Ideas Competitions: held for the purpose of generating new ideas (in some cases, particularly novel, provocative, or visionary ones) Single- vs. Multi-stage Competitions
- Single-Stage Competitions:
- Multi-Stage Competitions (two stages or more), many of which invite only short-listed participants, a limited group of chosen semi-finalists, to continue to the next stage(s), for which they might receive a stipend or honorarium to help cover costs Anonymous vs. Non-Anonymous Competitions:
- Anonymous Competitions: judged or juried, for greater objectivity, with no knowledge of the names or identities of participating individuals and firms
- Non-Anonymous (or Cooperative) Competitions: Competing architects and firms are openly identified from the start (competitors might even be invited to present their projects in person to the jury to explain design strategies and provide for project-specific dialogue) Recurrent vs. One-Time Competitions:
- Seasonal or Annual Competitions: These recurrent competitions, including Europan, put out periodical calls for entries. They may, or may not, result in an actual constructed project, depending on the set-up.
- One-Time Competitions, held for a specific project
- Student Design Competitions
Rules and guidelines
The rules of each competition are defined by the organizer; they often, however, follow the guidelines provided by the International Union of Architects or the relevant national or regional architectural organization. Competition guidelines define roles, responsibilities, processes, and procedures within a competition and provide guidance on possible competition types, eligibility criteria, jury composition, participation conditions, payments, prizes, publication of results, and other aspects.
In France and Germany, design competitions are compulsory for all public buildings exceeding a certain cost.
Winning first prize in a competition does not guarantee that the project will be realized. The commissioning body often has the right to veto the winning design, and both requirements and finances may change, thwarting the original intention. (Many competitions have been held and won before the financing was even in place.) The 2002 World Trade Center site design competition is an example of a highly publicized competition, in which only the basic elements of the winning design by Daniel Libeskind appeared in the finished project.
Major international architectural design competitions
Most significant among architectural competitions are the ones which are internationally open, attract a large number of design submissions, and the winning design is built.
| Competition Name | Location | Year | Winner(s) | Design entries |
|---|---|---|---|---|
| Grand Egyptian Museum | EGY Giza | 2002 | Heneghan Peng Architects | 1,557 |
| White House | USA Washington D.C. | 1792 | James Hoban | 9 |
| Walhalla memorial | DE Donaustauf | 1816 | Leo von Klenze | |
| Houses of Parliament | UK London | 1835 | Charles Barry | 98 |
| Vienna Ring Road | AUT Vienna | 1858 | Ludwig Förster - Friedrich August von Stache - Eduard van der Nüll and August Sicard von Sicardsburg | 85 |
| Hofoper | AUT Vienna | 1860 | Eduard van der Nüll and August Sicard von Sicardsburg | |
| Paris Opera | FRA Paris | 1860 | Charles Garnier | 171 |
| Rijksmuseum | NED Amsterdam | 1863 | P.J.H. Cuypers | |
| Law Courts | ENG London | 1866 | George Edmund Street | 11 |
| Reichstag | DE Berlin | 1872 | Paul Wallot | |
| Beurs | NED Amsterdam | 1884 | Hendrik Petrus Berlage | |
| World Exhibition tower | FRA Paris | 1889 | Gustave Eiffel | |
| Austrian Postal Savings Bank | AUT Vienna | 1903 | Otto Wagner | |
| Stockholm City Hall | SWE Stockholm | 1903 | Ragnar Östberg | |
| Helsinki Central railway station | FIN Helsinki | 1903 | Eliel Saarinen | 21 |
| Peace Palace | NED The Hague | 1905 | Louis Marie Cordonnier and J.A.G. van der Steur | |
| Tribune Tower | US Chicago | 1922 | John Mead Howells and Raymond Hood | 260 |
| League of Nations Building | SUI Geneva | 1926 | Henri Paul Nénot & Julien Flegenheimer; Carlo Broggi; Camille Lefèvre; Giuseppe Vago | 377 |
| Lenin Library | RUS Moscow | 1928 | Vladimir Shchuko | |
| ANZAC War Memorial | AUS Sydney | 1929 | Charles Bruce Dellit | 117 |
| Termini Station | ITA Rome | 1947 | Leo Calini, Eugenio Montuori, Massimo Castellazzi, Vasco Fadigati, Achille Pintonello and Annibale Vitellozzi | |
| Town Hall and Church | FIN Seinäjoki | 1950 | Alvar Aalto | |
| Sydney Opera House | AUS Sydney | 1955 | Jørn Utzon | 233 |
| Toronto City Hall | CAN Toronto | 1956 | Viljo Revell | 500 |
| Amsterdam City Hall | NED Amsterdam | 1967 | Wilhelm Holzbauer, Cees Dam, B. Bijvoet and G.H.M. Holt | 804 |
| Supreme Court | JPN Tokyo | 1968 | Shin-ichi Okada | 217 |
| Centre Georges Pompidou | FRA Paris | 1971 | Renzo Piano and Richard Rogers | 681 |
| San Cataldo Cemetery | ITA Modena | 1971 | Aldo Rossi and Gianni Braghieri | |
| Hong Kong and Shanghai Bank | HKG Hong Kong | 1979 | Foster Associates | |
| Parliament House of Australia | AUS Canberra | 1979 | Romaldo Giurgola | 329 |
| Cité des Sciences et de l'Industrie | FRA Paris | 1980 | Adrien Fainsilber and Sylvain Mercier | |
| La Grande Arche de la Défense | FRA Paris | 1982 | Johan Otto von Spreckelsen | 420 |
| Parc de la Villette | FRA Paris | 1982 | Bernard Tschumi | 471 |
| Opéra Bastille | FRA Paris | 1983 | Carlos Ott | 750 |
| Carré d'Art | FRA Nîmes | 1984 | Norman Foster | 12 |
| Shonandai Cultural Centre | JPN Fujisawa | 1985 | Itsuko Hasegawa | 215 |
| New National Theatre | JPN Tokyo | 1984 | Takahiko Yanagisawa and Tak Associates | 228 |
| Tokyo International Forum | JPN Tokyo | 1987 | Rafael Viñoly | 395 |
| Kansai Airport | JPN Osaka | 1988 | Renzo Piano Building Workshop | 48 |
| Jewish Museum | GER Berlin | 1989 | Daniel Libeskind | 165 |
| Bibliotheca Alexandrina | EGY Alexandria | 1989 | Snøhetta | 523 |
| Bibliothèque Nationale de France | FRA Paris | 1989 | Dominique Perrault | 244 |
| Centre for Japanese Culture | FRA Paris | 1989–1990 | Masayuki Yamanaka, Kenneth Armstrong & Jennifer Smith | 453 |
| Guggenheim Museum Bilbao | ESP Bilbao | 1991 | Frank Gehry | |
| Kiasma Contemporary Art Museum | FIN Helsinki | 1992 | Steven Holl | 516 |
| Austrian Cultural Forum | US New York | 1992 | Raimund Abraham | 226 |
| Royal Danish Library | DEN Copenhagen | 1993 | Schmidt Hammer Lassen | 179 |
| Osanbashi Yokohama International Passenger Terminal | JPN Yokohama | 1995 | Foreign Office Architects | 660 |
| Felix Nussbaum Museum | GER Osnabrück | 1995 | Daniel Libeskind | 296 |
| Millennium Bridge | UK London | 1996 | Norman Foster, Sir Anthony Caro, and Ove Arup | 200 |
| Federation Square | AUS Melbourne | 1997 | Lab Architecture Studio | 177 |
| GeoCenter Møns Klint | DEN Møn Island | 2002 | PLH Architects | 292 |
| Philharmonie de Paris | FRA Paris | 2011 | Jean Nouvel | 98 |
References
References
- (2023-07-04). "Architectural design competitions: the effects of competition format on design processes and outcomes". The Journal of Architecture.
- [https://web.archive.org/web/20110709014736/http://places.designobserver.com/media/pdf/France_--_Comp_217.pdf Jacques Cabanieu: ''Competitions and Architectural Excellence, in Places 9:2, MIT, 1994''], retrieved 2009-09-25
- [https://web.archive.org/web/20091103044724/http://www.safa.fi/archive/327_130years-publication.pdf 130 Years of Finnish architectural competitions], retrieved 2009-09-23
- De Jong, Cees and Mattie, Erik: ''Architectural Competitions 1792-1949'', [[Taschen]], 1997, {{ISBN. 3-8228-8599-1
- [http://www.uia-architectes.org/texte/england/Menu-7/UIAguideIC.html UIA competition guide] {{webarchive. link. (14 July 2009 , retrieved 2009-10-10)
- [http://www.raic.org/architecture_architects/architectural_competitions/raic_e.htm Canadian competition rules] {{webarchive. link. (9 October 2009 , retrieved 2009-10-10)
- link. (13 March 2016 , retrieved 2009-10-10)
- [http://www.coa.gov.in/practice/competition.htm Indian competition guidelines] {{webarchive. link. (12 December 2009 , retrieved 2009-10-10)
- [http://www.bda-bund.de/aktuelles/veroeffentlichungen/artikel/2014/08/14/bda-kommentierung-der-rpw-2013.html German competition guidelines] {{webarchive. link. (25 September 2015 , retrieved 2015-09-24)
- Scarpa, Lawrence. (November 26, 2019). "Fair Pay for Fair Work: Lawrence Scarpa on paid competitions". The Architect's Newspaper.
- (2003). "The Grand Museum of Egypt: International Architecture Competition". Egyptian Ministry of Culture.
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