Aquiline nose

In racist discourse

In racist discourse, especially that of post-Enlightenment Western writers, a Roman nose has been characterized as a marker of beauty and nobility. A well-known example of the aquiline nose as a marker contrasting the bearer with their contemporaries is the protagonist of Aphra Behn's Oroonoko (1688). Although an African prince, he speaks French, has straightened hair, thin lips, and a "nose that was rising and Roman instead of African and flat". These features set him apart from most of his peers, and marked him instead as noble and on par with Europeans.

In the context of scientific racism, writers have attributed aquiline noses as a characteristic of different "races"; e.g. Jan Czekanowski claimed that it was characteristic of the Arabid race, Armenoid race, Mediterranean race, and Dinarid race. In 1899, William Z. Ripley claimed that it was characteristic of peoples of Teutonic descent. The supposed science of physiognomy, popular during the Victorian era, made the "prominent" nose a marker of Aryanness: "the shape of the nose and the cheeks indicated, like the forehead's angle, the subject's social status and level of intelligence. A Roman nose was superior to a snub nose in its suggestion of firmness and power, and heavy jaws revealed a latent sensuality and coarseness".

References

References

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