Alma Mater (Illinois sculpture)

Description

The Alma Mater is a bronze figure of a woman in academic robes. She stands in front of a stylized throne, or klismos, with her arms outstretched in welcome. The attendant figure "Labor" is a male who stands to her proper right and wears a blacksmith's apron. At his feet lies a sheaf of papers. The proper left figure "Learning" is a female robed a classical gown with a sun bas-relief on front. Learning and Labor extend their hands in a handshake over the throne. The work stands approximately 13-feet tall. The granite base carries three inscriptions:

• Front: "ALMA MATER / To thy happy children / of the future / those of the past / send greetings"
• Left (Green St side): "Given to the University / by the sculptor / the alumni fund / and the senior classes of / 1923, 1924, 1925, 1926, 1927, 1928, 1929."
• Right (Altgeld Hall side): "Her children arise up and call her Blessed" Proverbs 31:28. The long flowerbed stretching from the front of the Alma Mater to the corner of Green Street and Wright Street is known as the Alma Mater Plaza.

History

Lorado Taft, who graduated from the University of Illinois in 1879, wrote in correspondence that he began to consider sculpting on the theme of "Labor and Learning", the motto of the University of Illinois in 1883, while home from Paris{{cite book

He did not however begin to seek funding for the project until 1916, thirteen years after Daniel Chester French's Alma Mater was unveiled at Columbia University. Taft was familiar with French's reserved, seated Alma Mater treatment and desired to create a more generous and "cordial" figure suitable for a Midwest mother." He began to correspond that year about the work, writing of it on a grand scale and in terms of the figures in position, pose and dress. The central matriarch would stand "at least twelve feet high" and risen from her throne, advancing a step with outstretched arms, "a gesture of generously greeting her children." Taft envisioned a sculpture that students would climb on and, indeed, climbing on the statue and sitting on the throne have become campus traditions.

On the theme of the motto, he would pose two more figures on the same scale yet subordinate. He based Learning on Lemnia Athena as an heraldic gesture, clasping hands with a sturdy figure of Labor over the back of the chair. The subordination of figures was accomplished by sculpting them "with less accent" so as to make them appear "out of focus." According to financier Roland R. Conklin, an alumnus of the class of 1880, an initial completion date of October, 1918 was pushed back due to Taft's other commissions. Having secured the necessary patronage, Taft and Conklin announced the gift on November 27, 1916.{{cite book

The Alma Mater was cast in 1929 by the American Art Bronze Foundry with materials paid for by donations by the Alumni Fund and the classes of 1923–1929, and with time donated by the sculptor himself. Taft insisted that his aim was not personal glory: he wished that his signature appear on the bronze and nowhere else, and even spoke decidedly of forgoing the dedication ceremony. But attend he did, and at the statue's dedication on June 11, 1929, the university bestowed on Taft an honorary Doctor of Laws degree.

For 33 years, the statue's provisional location was on the south campus behind Foellinger Auditorium, but the Alumni Association moved Alma Mater to Altgeld Hall on August 22, 1962, despite student dissent. The Daily Illini protested the new location as in the "worst possible taste; it makes the Alma Mater a debased, commercial ‘advertisement’ for the University.” Taft, whose father was the first geology professor at the university, lived for many years in Champaign at 601 E. John Street, less than two blocks from the site at Altgeld.

2012–14 restoration

headerimage=[[File:U of I Alma Mater detail.JPG|210px]] | video1 = University of Illinois Facilities & Services – Conservation of the Alma Mater, University of Illinois, 2013 (6:31) On August 7, 2012, the statue was removed for a planned, $100,000 restoration to repair surface corrosion, cracks, and water penetration into the sculpture. According to the campus historic preservation officer, a previous 1981 attempt to waterproof the statue by university staff had the unintended effect of sealing water inside the sculpture, causing serious internal damage. The statue was restored by Conservation Sculpture and Objects Studio Inc. of Forest Park, Illinois.

The Alma Mater was expected to return before the commencement for the Class of 2013. However, the director of the restoration, Andrzej Dajnowski, reported that the damage was worse than original estimates and that the timeline was to be extended. Restoration costs tripled original estimates to more than $360,000. The statue was not returned until April 2014. Rumors amongst the student body speculated that the statue had actually been damaged, lost, or stolen.

Anticipating student reaction to the statue's absence for the 2013 commencement, the university announced extensive plans to provide alternative photo opportunities, including replica statues by School of Art and Design to be placed around campus, green screen photos for a virtual photo with the statue, and improving other landmarks on the campus.

The university decided to restore the original bronze color of the statue rather than leave the natural green patina that is associated with the image. Initially, the restoration committee had not announced a decision on the issue. The oxidation was removed by laser, and the metal was sealed with a wax compound.

Symbol and impact

The Alma Mater has long been a public symbol of the University of Illinois. Her image is currently the profile image for the official University Twitter account, figures prominently on the university website, and the statue is featured on the i-Card, the official university identification card for the flagship Urbana-Champaign campus.

The statue is sometimes adorned to reflect current events. In 2005, during the Final Four, the Alma Mater sported an Illini jersey. In late 2007, the Alma Mater was decorated with a variety of red, orange, and blue roses to signify the Illinois football team's 2008 Rose Bowl appearance. In 2010, the Alma Mater was decorated with a UIUC cap and gown custom-made by Herff Jones to signify the university's graduation exercises. In March 2021, the Alma Mater donned a face mask, similar to the one Ayo Dosunmu wore in the 2021 NCAA Tournament after breaking his nose.

In the 2012–13 absence of the statue, it was popular for students to don costumes mimicking the ''Alma Mater'''s robes and pose on the empty granite base.

References

References

1. Gregory, Ted. (8 October 2012). "Missing Alma Mater: University's beloved icon takes a sabbatical at the sculpture spa". Chicago Tribune.
2. Timmons, Mary. (Spring 2014). "Lady in Waiting". Illinois Alumni.
3. (1992). "Alma Mater Group, (sculpture)". Smithsonian American Art Museum.
4. Leetaru, Kalev. "Alma Mater". UI Histories Project.
5. (December 15, 1916). "Mother of us all". [[University of Illinois]].
6. Scheinman, Muriel. (March 22, 2010). "Labors Of Love: Lorado Taft – the sculptor behind the 'Alma Mater' – embraced both his art and his University". Illinois Alumni Magazine.
7. (May 15, 1922). "Wiki editor failed to get title". [[University of Illinois]].
8. "University of Illinois Campus Tour- Alma Mater".
9. "Photo: Alma Mater Dedication with Taft and Kinley". University of Illinois Archives.
10. "Taft House". University of Illinois.
11. Rohr, Lauren. (May 7, 2012). "Alma Mater to be removed for crack, stain repair". Daily Illini.
12. "Alma Restoration Begins!". University of Illinois.
13. "Alma Mater taking leave after commencement".
14. "Alma Mater to be dismantled in one day".
15. "Alma Mater to be taken down Aug. 7".
16. Wurth, Julie. (4 March 2013). "Updated: Alma Mater won't be back in time for commencement; repair cost triples". The News-Gazette.
17. Anna. (1 October 2012). "Alma Mater restoration update". WCIA.
18. "Home – i-card".
19. "Herff Jones: HERFF JONES SAYS, "ALMA MATTERS"".