Akihiko Shiota

Career

Shiota attended Rikkyo University, where he was in a film club with other students such as Makoto Shinozaki and Shinji Aoyama and began making 8mm films in the tradition of other Rikkyo students like Kiyoshi Kurosawa. His independently made films were recognized at the Pia Film Festival and he began writing film criticism and working as an assistant for Kurosawa and other filmmakers. He also studied screenwriting under Atsushi Yamatoya, who wrote scenarios for Seijun Suzuki, and worked as the cinematographer for films by Takayoshi Yamaguchi.

His first two films as a director, Moonlight Whispers and Don't Look Back, were both released in 1999 and earned Shiota the Directors Guild of Japan New Directors Award. Don't Look Back also won the Jury Prize at the Three Continents Festival. Harmful Insect (2002) screened at the Venice Film Festival and earned two more awards at the Three Continents Festival. His first major commercial film, Yomigaeri, was the fourth biggest grossing Japanese film of 2003. Canary, his 2005 film inspired by the killings of Aum Shinrikyo in 1995, won the top prize at the Raindance Film Festival. Dororo, based on a manga by Osamu Tezuka, was the eighth top-grossing Japanese film of 2007.

Style and influence

In a San Francisco Bay Guardian interview, Shiota talked about his influences: "Sam Peckinpah, Robert Aldrich, and Don Siegel were directors that I'd admired as the gods of movies since I was in elementary school. [...] In terms of films using youth as protagonists, I love the works by Vitali Kanevsky, the Russian filmmaker. [...] I also have deep admiration for Richard Fleischer and Joseph Losey."

Filmography

• Moonlight Whispers (1999)
• Don't Look Back (1999)
• Gips (2001)
• Harmful Insect (2002)
• Yomigaeri (2003)
• Canary (2005)
• A Heartful of Love (2005)
• Dororo (2007)
• Dakishimetai: Shinjitsu no Monogatari (2014)
• Wet Woman in the Wind (2016)
• Farewell Song (2019)
• The World with Maki (2022)
• Picture of Spring (2023)

Bibliography

• Eigajutsu: Sono Enshutsu wa Naze Kokoro o Tsukamunoka (2014)

References

References

1. "Akihiko Shiota". Nippon Cinema.
2. Mes, Tom. (November 21, 2001). "Midnight Eye interview: Akihiko Shiota". Midnight Eye.
3. Ōba, Masaaki. (March 2005). "Shiota Akihiko intabyū". Criss Cross.
4. "Nihon Eiga Kantoku Kyōkai Shinjinshō". Directors Guild of Japan.
5. "21ème Festival des 3 Continents, 1999". Festival des 3 Continents.
6. "23ème Festival des 3 Continents". Festival des 3 Continents.
7. "Kako kōgyō shūnyū jōi sakuhin: 2003-nen". Motion Picture Producers Association of Japan.
8. (October 10, 2005). "'Canary' sings at Raindance fest". Variety.
9. "Kako kōgyō shūnyū jōi sakuhin: 2007-nen". Motion Picture Producers Association of Japan.
10. Huston, Johnny Ray. "A film for trapped things". San Francisco Bay Guardian.
11. (16 November 2017). "Review: 'Wet Woman in the Wind' is a Queasy Sex Romp". The New York Times.
12. "塩田明彦の新作「麻希のいる世界」2022年1月公開、新谷ゆづみと日高麻鈴がW主演". Natalie.
13. "春画先生". eiga.com.