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Ain't No Stoppin' Us Now


FieldValue
nameAin't No Stoppin' Us Now
imageAin't No Stoppin' Us Now.png
altcover art
captionDutch/European single picture sleeve
typesingle
artistMcFadden & Whitehead
albumMcFadden & Whitehead
B-sideI Got the Love
releasedApril 1979
recorded1978
studioSigma Sound, Philadelphia, Pennsylvania
genreDisco
length7:02 (album version)
3:38 (single edit)
10:45 (12-inch version)
labelPhiladelphia International
writer
producer
next_titleI've Been Pushed Aside
next_year1979
misc

| B-side = I Got the Love 3:38 (single edit) 10:45 (12-inch version)

"Ain't No Stoppin' Us Now" is a 1979 disco song performed by American R&B duo McFadden & Whitehead, from their debut album McFadden & Whitehead (1979). They wrote and produced the song along with keyboard player Jerry Cohen.

Background

"Ain't No Stoppin' Us Now" is about succeeding despite having faced previous disadvantages ("so many things that held us down"). It was widely interpreted to be about the experience of the African American community. After it gained popularity, it was often referred to as "the new black national anthem" (the original being the 1900 song "Lift Every Voice and Sing").

Kelefa Sanneh noted the song was, "an exuberant number often interpreted as an expression of Black pride". He also noted that the authors of the song were in a dispute over royalties with their record label Philadelphia International. Singer Whitehead said, "If anything, the song was a declaration of our independence from Gamble."

Production

Although the song was taken as social commentary, in an interview conducted by Philadelphia video producer Bob Lott, Whitehead and McFadden revealed that the song expressed their frustration with Philadelphia International owners Kenny Gamble and Leon Huff. For many years the pair were encouraged to remain as house songwriters and not performers. Gamble has confirmed that upon first hearing "Ain't No Stoppin' Us Now", he tried unsuccessfully to convince McFadden and Whitehead to give the song to the O'Jays. He believed it was better for them to write and produce for the prominent recording artists of the day than to try to compete with them as on-stage performers.

This song features a female chorus in the repeated refrain. Electronic beeping feedback sounds are heard towards the ending of the longer version of the song.

Chart performance

Released as the lead single from the album, the song spent a week at number one on the R&B singles chart. It also proved to be a successful crossover hit, peaking at number 13 on the Billboard Hot 100. The single also made it to number 10 on the disco charts, and reached number 5 in the UK. It eventually went double Platinum for selling 2 million copies.

Cover versions

In 1995, Luther Vandross released his version of the song, which charted in the UK at number 22 and in New Zealand at number 50. His version of the song was also performed as a duet with British girl group the Spice Girls for their An Audience with... special on the UK channel ITV1 in 1997. It later appeared as a B-side to their single "Stop".

Samples

The bassline of the track was used in Ma quale idea by Italian singer Pino D'Angiò, although he claimed he wrote that bassline himself.

Personnel

  • Gene McFadden – lead vocals
  • John Whitehead – lead vocals
  • Jerry Cohen – keyboards
  • Dennis Harris – guitar
  • Bobby Eli – guitar
  • Jimmie Williams – bass
  • Keith Benson – drums
  • Barbara Ingram, Carla Benson, Evette Benton – backing vocals
  • Don Renaldo And His String & Horn Sections – orchestral accompaniment

Charts

Weekly charts

Chart (1979)Peak
positionAustralia (Kent Music Report)Canada Top Singles (RPM)UK Singles (OCC)US Billboard Hot 100US Billboard Hot Soul Singles (Billboard)US Billboard Disco (Billboard)US Cash Box Top 100
56
25
5
13
1
10
12
Chart (2025)Peak
positionJamaica Airplay ()
9

Year-end charts

Chart (1979)RankCanada Top Singles (RPM)UK Singles (OCC)US Billboard Hot 100US Cash Box
169
53
65
82

Certifications

References

References

  1. Marsh, Dave. (1989). "The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made". [[Plume (publisher).
  2. Echols, Alice. (March 29, 2010). "Hot Stuff: Disco and the Remaking of American Culture". [[W. W. Norton & Company]].
  3. "Ain't No Stoppin' Us Now by McFadden & Whitehead Songfacts".
  4. [https://books.google.com/books?id=ZS9dzY9PvfIC&pg=PA228 ''A House on Fire: The Rise and Fall of Philadelphia Soul''], John A. Jackson, 2004, page 228
  5. Kelefa Sanneh. (2021). "Major Labels". Canongate.
  6. (August 2013). "John Whitehead".
  7. Whitburn, Joel. (2004). "Top R&B/Hip-Hop Singles: 1942-2004". Record Research.
  8. Whitburn, Joel. (2004). "Hot Dance/Disco: 1974-2003". Record Research.
  9. New Zealand singles charts]
  10. Vacalebre, Federico. (15 November 2020). "Pino D'Angiò dopo i tumori: «Jazz, donne e altre storie»". Il Mattino.
  11. "Ain't No Stoppin' Us Now".
  12. Kent, David. (1993). "[[Kent Music Report". Australian Chart Book.
  13. "Item Display - RPM - Library and Archives Canada".
  14. "officialcharts.com".
  15. "Top 100 1979-07-28". [[Cashbox (magazine).
  16. "JAMMS – BMAT Charts – Top 10". {{Ill.
  17. "Item Display - RPM - Library and Archives Canada".
  18. "Chart Archive – 1970s Singles". everyHit.com.
  19. "Top 100 Hits of 1979/Top 100 Songs of 1979".
  20. "Top 100 Year End Charts: 1979". [[Cashbox (magazine).
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