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ADAT

Digital audio tape format

ADAT

Summary

Digital audio tape format

FieldValue
nameAlesis Digital Audio Tape (ADAT)
logoADAT logo.svg
imageVictor XG180 S-VHS videocassette.jpg
captionAn S-VHS tape, which is also used for ADAT
typeMagnetic cassette tape
encodingLossless real-time
readRotating head
writeRotating head, helical scan
ownerAlesis
useProfessional digital audio
extended fromS-VHS
released

the digital tape format

An ADAT XT 8-channel digital audio recorder

Alesis Digital Audio Tape, commonly referred to as ADAT, is a magnetic tape format used for the recording of eight digital audio tracks onto the same S-VHS tape used by consumer VCRs, and the basis of a series of multitrack recorders by Alesis. Although originally a tape-based format, the term ADAT later also referred to hard disk recorders like the Alesis ADAT HD24. In 2004, recognizing the ADAT for "beginning a revolution of affordable recording tools," it was inducted into the first-ever TEC Awards TECnology Hall of Fame.

History

Alesis announced the first ADAT model at the NAMM Show in Anaheim, California in January 1991, with the first ADAT recorders shipping over a year later in February or March 1992. This original ADAT model recorded up to 8 tracks of 16-bit digital audio on a standard S-VHS tape cartridge. Additionally, up to 16 ADATs could be connected to each other to record up to 128 tracks simultaneously with sample-accurate timing. This capability and the ADAT's low cost (it was originally introduced at ) were largely responsible for the rise of project studios in the 1990s.

Alesis produced several models of ADAT recorders. The original ADAT (later referred to as Blackface) and the ADAT XT record 16 bits per sample (ADAT Type I). A later generation of machines—the XT-20, LX-20 and M-20—support 20 bits per sample (ADAT Type II). All ADAT machines use the same high-quality S-VHS tape media. Tapes recorded in the older Type I format can be read and written in the more modern machines, but not the other way around. Later generations are capable of recording at a sample rate of either 44.1 or 48 kHz, common in the audio industry. Pitch control is available by varying the sample rate, and thus tape speed accordingly.

With locate points it was possible to store sample-exact positions on tape, making it easy to find specific parts of digital recordings. Using auto play and auto record functions made it possible to punch in/out at predetermined points, rather than relying on human timing ability to start and stop recording at precisely the right instant.

ADAT machines could be controlled externally with the Alesis LRC (Little Remote Control), which could be attached to the ADAT with a 1/4" tip/sleeve plug, and featured the transport controls and most commonly used functions. Alternatively, the BRC (Big Remote Control) could be used, which included many more features that the stand-alone ADAT did not have.

References

References

  1. Cooper, Michael. (July 1, 2002). "Alesis ADAT HD24". Future plc.
  2. (2004). "TECnology Hall of Fame 2004".
  3. Peterson, George. (1999). "Alesis ADAT: The Evolution of a Revolution". Mixbooks.
  4. (September 1992). "Alesis ADAT". SOS Publications Group.
  5. Petersen, George. (August 25, 2010). "In Memoriam: Keith Barr 1949-2010".
  6. (September 1, 2006). "1991 Alesis ADAT Modular Digital Multitrack". Future PLC.
  7. (August 2001). "ADAT HD24 Reference Manual". Alesis.
Wikipedia Source

This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page.

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