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51st National Film Awards
Film awards in India
Film awards in India
| Field | Value |
|---|---|
| number | 51 |
| award | National Film Awards |
| caption | 51st National Film Awards |
| awarded_for | Best of Indian cinema in 2003 |
| award_org | Directorate of Film Festivals |
| presenting_org | Dr. A. P. J. Abdul Kalam |
| (President of India) | |
| announced_date | |
| presented_date | |
| website | dff.nic.in |
| lifetime_achievement | Mrinal Sen |
| best_feature | Shwaas |
| best_non_feature | War and Peace |
| Kaya Poochhe Maya Se | |
| best_book | Filmi Jagat Mein Ardhashakti Ka Romanch |
| best_critic | Saibal Chatterjee |
| most_wins | Bhalo Theko |
| Chokher Bali | |
| Abar Aranye | |
| Koi... Mil Gaya (3) | |
| last | 50th |
| next | 52nd |
(President of India) Kaya Poochhe Maya Se Chokher Bali Abar Aranye Koi... Mil Gaya (3)
The 51st National Film Awards, presented by the Directorate of Film Festivals, is the organisation set up by the Ministry of Information and Broadcasting, India to felicitate the best of Indian Cinema released in the year 2003.
Awards were announced by the committee headed by Basu Chatterjee, Bhimsain and K. N. T. Sastry for the feature films, non-feature films and books written on Indian cinema, respectively, on 14 August 2004; whereas award ceremony took place on 3 February 2005 and the awards were given away by then President of India, A. P. J. Abdul Kalam.
With the 51st National Film Awards, new category for Non-feature Film for Best Narration / Voice Over was introduced and awarded with 'Rajat Kamal (Silver Lotus)'.
Awards
Awards were divided into feature films, non-feature films and books written on Indian cinema.
Lifetime Achievement Award
| Name of Award | Image | Awardee(s) | Awarded As | Awards | |||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Dadasaheb Phalke Award | [[File:Mrinal-sen.jpg | 75px]] | url=http://dff.nic.in/PhalkeAward.aspx | title=Dadasaheb Phalke Award Past Recipients | publisher=Directorate of Film Festivals | access-date=3 September 2020 | archive-date=18 July 2020 | archive-url=https://web.archive.org/web/20200718171203/http://dff.nic.in/PhalkeAward.aspx | url-status=live}} | director | Swarna Kamal, and a Shawl |
Feature films
Feature films were awarded at All India as well as regional level. For 51st National Film Awards, a Marathi film, Shwaas won the National Film Award for Best Feature Film; whereas three Bengali films, Abar Aranye, Bhalo Theko and Chokher Bali, along with a Hindi film, Koi... Mil Gaya won the maximum number of awards (3). Following were the awards given in each category:
Juries
A committee headed by Basu Chatterjee was appointed to evaluate the feature films awards. Following were the jury members:
- Jury Members
- Basu Chatterjee (Chairperson)Vijaya NirmalaN. Krishnakumar (Unni)SumalathaK. B. TilakShailaja BajpaiVirendra Saini
- Madhu JainRashmi DoraiswamyGayatri ChatterjeeRaj DattMakhonmani MongsabaSher ChoudharyMohan Kondajji
- Alaya Kumar MohantyJyoti SarupNimmala Shankar
All India Award
Following were the awards given:
Golden Lotus Award
Official Name: Swarna Kamal
All the awardees are awarded with 'Golden Lotus Award (Swarna Kamal)', a certificate and cash prize.
| Name of Award | Name of Film | Language | Awardee(s) | Cash prize |
|---|---|---|---|---|
| Best Feature Film | Shwaas | Marathi | Producer: Arun Nalawade | |
| director: Sandeep Sawant | 50,000/- Each | |||
| Citation: For its sensitive and moving portrayal of the relationship between a grandfather and his grandson when the child is about to lose his vision. | ||||
| Best Debut Film of a Director | Margam | Malayalam | Producer: Rajiv Vijay Raghavan | |
| Director: Rajiv Vijay Raghavan | 25,000/- Each | |||
| Citation: For poignantly capturing the troubled journey of a middle-aged individual re-examining his political past in the light of prevailing socio-political values. | ||||
| Best Popular Film Providing Wholesome Entertainment | Munna Bhai M.B.B.S. | Hindi | Producer: Vidhu Vinod Chopra | |
| Director: Rajkumar Hirani | 40,000/- Each | |||
| Citation: For dealing with social issues with humor and compassion. | ||||
| Best Children's Film | Tora | Assamese | Producer: Children's Film Society | |
| Director: Jahnu Barua | 30,000/- Each | |||
| Citation: For showing how a child brings down the boundaries and barriers created by adults. | ||||
| Best Direction | Abar Aranye | Bengali | Gautam Ghose | 50,000/- |
| Citation: For his complex weaving of human destines across a wide range of socio-political and cinematic histories. |
Silver Lotus Award
Official Name: Rajat Kamal
All the awardees are awarded with 'Silver Lotus Award (Rajat Kamal)', a certificate and cash prize.
| Name of Award | Name of Film | Language | Awardee(s) | Cash prize |
|---|---|---|---|---|
| Best Feature Film on National Integration | Pinjar | Hindi | Producer: Lucky Star Entertainment Ltd | |
| Director: Chandraprakash Dwivedi | 30,000/- Each | |||
| Citation: For exploring the power of human relationships in overcoming social and religious schisms. | ||||
| Best Film on Family Welfare | Paadam Onnu: Oru Vilapam | Malayalam | Producer: Aryadan Shaukat | |
| Director: T. V. Chandran | 30,000/- Each | |||
| Citation: For raising a voice against early marriage and for its advocacy of women's education in a conservative society. | ||||
| Best Film on Other Social Issues | Koi... Mil Gaya | Hindi | Producer: Rakesh Roshan | |
| Director: Rakesh Roshan | 30,000/- Each | |||
| Citation: For its compassionate portrayal of a mentally challenged young man who is able to reach out to the wonders of the universe. | ||||
| Gangaajal | Hindi | Producer: Prakash Jha | ||
| Director: Prakash Jha | ||||
| Citation: For its stark delineation of a wide range of wrongs pervading society, and state. | ||||
| Best Film on Environment / Conservation / Preservation | Juye Poora Xoon | Assamese | Producer: Sanjib Sabhapandit | |
| Director: Sanjib Sabhapandit | 30,000/- Each | |||
| Citation: For its representation of large-scale migration and the erosion of a way of life by floods and industrialisation. | ||||
| Best Actor | Pithamagan | Tamil | Vikram | 10,000/- |
| Citation: For his powerful performance in a difficult and demanding role. | ||||
| Best Actress | Paadam Onnu: Oru Vilapam | Malayalam | Meera Jasmine | 10,000/- |
| Citation: For her sustained and subtle portrayal of a young girl trapped in an early, polyandrous marriage and her ability to convey her little joys and large sorrows. | ||||
| Best Supporting Actor | Maqbool | Hindi | Pankaj Kapoor | 10,000/- |
| Citation: For his riveting yet understated performance as a mafia don. | ||||
| Best Supporting Actress | Abar Aranye | Bengali | Sharmila Tagore | 10,000/- |
| Citation: For the grace with which she handles social and personal relationships. | ||||
| Best Child Artist | Shwaas | Marathi | Ashwin Chitale | 5,000/- Each |
| Citation: For his haunting performance as a child who realises he is going to lose his eyesight. | ||||
| Ente Veedu Appoontem | Malayalam | Kalidasan | ||
| Citation: For his versatility in portraying a range of complex emotions. | ||||
| Best Male Playback Singer | Kal Ho Naa Ho | |||
| ("Kal Ho Naa Ho") | Hindi | Sonu Nigam | 10,000/- | |
| Citation: For his memorable rendition of the title song that captures the spirit of the film. | ||||
| Best Female Playback Singer | Akashitorar Kothare | Assamese | Tarali Sarma | 10,000/- |
| Citation: For her tuneful rendition of a devotional song without instrumental accompaniment. | ||||
| Best Cinematography | Bhalo Theko | Bengali | Cameraman: Abhik Mukhopadhyay | |
| Laboratory Processing: Rainbow Color Lab | 10,000/- Each | |||
| Citation: For enriching the narrative with tranquility and beauty. | ||||
| Best Screenplay | Abar Aranye | Bengali | Gautam Ghose | 10,000/- |
| Citation: For weaving together the strands of time creating a resonant dialogue between the past and the present. | ||||
| Best Audiography | Bhalo Theko | Bengali | Anup Mukhopadhyay | |
| Deepon Chatterjee | 10,000/- | |||
| Citation: For the innovative use of sound, its quality and timbre. | ||||
| Best Editing | Samay: When Time Strikes | Hindi | Aarif Sheikh | 10,000/- |
| Citation: For its crisp cutting that successfully sustains the tempo of the film's suspense. | ||||
| Best Art Direction | Chokher Bali | Bengali | Indranil Ghosh | 5,000/- Each |
| Citation: For his muted recreation of a period and its ambiance. | ||||
| Meenaxi: A Tale of Three Cities | Hindi | Sharmishta Roy | ||
| Citation: For creating a colourful ambiance which effectively supported the narrative. | ||||
| Best Costume Design | Chokher Bali | Bengali | Bibi Ray | |
| Sushanto Pal | 10,000/- | |||
| Citation: For evoking a period in harmony with the spirit of the film's art direction. | ||||
| Best Music Direction | Kal Ho Naa Ho | Hindi | Shankar–Ehsaan–Loy | 10,000/- |
| Citation: For its wide range of styles and modes, enriching the themes of the film. | ||||
| Best Lyrics | Tagore | |||
| ("Nenusaitham") | Telugu | Suddala Ashok Teja | 10,000/- | |
| Citation: For relating Sri Sri's poem to contemporary times in order to awaken the masses against social evils. | ||||
| Best Special Effects | Koi... Mil Gaya | Hindi | Creator Bimmini Special Fx and Design Studios – James Colmer and Lara Denman | |
| Digital Art Media – Marc Kolbe and Craig Mumma | 10,000/- | |||
| Citation: For its apt incorporation of special effects in its depiction of fantasy. | ||||
| Best Choreography | Koi... Mil Gaya | |||
| ("Idhar Chala Main Udhar Chala") | Hindi | Farah Khan | 10,000/- | |
| Citation: For its seamless weaving of different dance styles, in the best traditions of the musical. | ||||
| Special Jury Award | Pinjar | Hindi | Manoj Bajpai (Actor) | 12,500/- |
| Citation: For his portrayal of the dilemma of a man caught between the dictates of his community and his love for his wife. | ||||
| Bhalo Theko | Bengali | Roopkatha (Producer) | ||
| Goutam Halder (director) | 6,250/- Each | |||
| Citation: For its quiet but masterful foray into the new cinematic idioms. | ||||
| Special Mention | Mouni | Kannada | H. G. Dattatreya (Actor) | Certificate Only |
| Citation: For his tremendous screen presence that makes the film. | ||||
| Malayalam | Nedumudi Venu (Actor) | |||
| Citation: For his extra ordinary versatility in a range of roles in Malayalam films made in 2003. |
Regional Awards
The award is given to best film in the regional languages in India.
| Name of Award | Name of Film | Awardee(s) | Cash prize |
|---|---|---|---|
| Best Feature Film in Assamese | Akashitarar Kathare | Producer: Sangeeta Tamuli | |
| Director: Manju Borah | 20,000/- Each | ||
| Citation: For its juxtaposition of a woman's search for her cultural heritage and its loss. | |||
| Best Feature Film in Bengali | Chokher Bali | Producer: Shrikant Mohta and Mahendra Soni | |
| Director: Rituparno Ghosh | 20,000/- Each | ||
| Citation: For its operatic play of passions, breaking social norms and taboos. | |||
| Best Feature Film in Hindi | Raghu Romeo | Producer: NFDC | |
| Director: Rajat Kapoor | 20,000/- Each | ||
| Citation: For a zestful spoof of popular culture where the boundaries of illusion and reality collapse and the common man turns into hero. | |||
| Best Feature Film in Kannada | Preethi Prema Pranaya | Producer: Kavitha Lankesh | |
| Director: Kavitha Lankesh | 20,000/- Each | ||
| Citation: For depicting the contrasting values of three generations in a light hearted manner. | |||
| Best Feature Film in Malayalam | Saphalam | Producer: Anil Thomas | |
| Director: Asok R. Nath | 20,000/- Each | ||
| Citation: For its sensitive portrayal of an old couple in their loneliness and togetherness. | |||
| Best Feature Film in Marathi | Not Only Mrs. Raut | Producer: Aditi Deshpande | |
| Director: Gajendra Ahire | 20,000/- Each | ||
| Citation: For its treatment of two women's struggle against male exploitation and domination. | |||
| Best Feature Film in Odia | Aw Aaakare Aa | Producer: Subash Das | |
| Director: Subash Das | 20,000/- Each | ||
| Citation: For a passionate call for reforms in the present education system. | |||
| Best Feature Film in Tamil | Iyarkai | Producer: V. R. Kumar | |
| Director: S. P. Jananathan | 20,000/- Each | ||
| Citation: For a rich visual portrayal of a love story set against a unique canvas. | |||
| Best Feature Film in Telugu | Aithe | Producer: Gangaraju Gunnam | |
| Director: Chandra Sekhar Yeleti | 20,000/- Each | ||
| Citation: For its portrayal of frustration in the youth, successfully solving it through a positive approach almost making the characters role models. |
Best Feature Film in Each of the Language Other Than Those Specified in the Schedule VIII of the Constitution
| Name of Award | Name of Film | Awardee(s) | Cash prize |
|---|---|---|---|
| Best Feature Film in English | Dance Like A Man | Producer: NFDC | |
| Director: Pamela Rooks | 20,000/- Each | ||
| Citation: For a human drama that engages issues of creativity and gender dynamics. |
Non-Feature Films
Short Films made in any Indian language and certified by the Central Board of Film Certification as a documentary/newsreel/fiction are eligible for non-feature film section.
Juries
A committee headed by Bhim Sen was appointed to evaluate the non-feature films awards. Following were the jury members:
- Jury Members
- Bhim Sen (Chairperson)Jose SebastianSatyabrata KalitaHaimanti BanerjeeRajiv KhandagleN. S. ShankarAnwar Jamal
Golden Lotus Award
Official Name: Swarna Kamal
All the awardees are awarded with 'Golden Lotus Award (Swarna Kamal)', a certificate and cash prize.
| Name of Award | Name of Film | Language | Awardee(s) | Cash prize |
|---|---|---|---|---|
| Best Non-Feature Film | War and Peace | English | Producer: Anand Patwardhan | |
| Director: Anand Patwardhan | 10,000/- Each | |||
| Citation: For setting out to search for the roots of violence manifest in many forms in the current times- from communal forces to nuclear race, Shot in India, Pakistan, Japan and USA, the film achieves a multi-layered understanding of these deep rooted tensions- at the same time recording the aspirations for peace, harmony and secularism, in the backdrop of Gandhian thought. | ||||
| Kaya Poochhe Maya Se | Hindi | Producer: Arvind Sinha | ||
| Director: Arvind Sinha | ||||
| Citation: For a probing, thoughtful, intense, yet a non-judgmental record of the myriad faces of humanity floating around the Howrah Station that lies by the side of the river Ganga. The director with just his keen eye and an unpredictable symmetry of images, gains an inner eye into the mystery called people. It is as though an entire civilisation is reconstructed through images of floating faces, people and sounds. | ||||
| Best Non-Feature Film Direction | Kaya Poochhe Maya Se | Hindi | Arvind Sinha | 10,000/- Each |
| Citation: For the teeming surge of humanity in Howrah station with compassion and warmth. |
Silver Lotus Award
Official Name: Rajat Kamal
All the awardees are awarded with 'Silver Lotus Award (Rajat Kamal)' and cash prize.
| Name of Award | Name of Film | Language | Awardee(s) | Cash prize |
|---|---|---|---|---|
| Best First Non-Feature Film | An Encounter with a Life Living | Hindi and English | Producer: Vinu Abraham | |
| Director: Suja | 10,000/- Each | |||
| Citation: For depicting the plight of a physically incapacitated Sarasu and her cheerful will to live. The director achieves this bringing out the totality, spiritual richness of a "life lived only in the mind" – through an innovative narrative idiom. | ||||
| Best Anthropological / Ethnographic Film | Aur Ghumantu Thhahar Gaye | Hindi | Producer: Leo Arts Communication | |
| Director: Meenakshi Vinay Rai | 10,000/- Each | |||
| Citation: For records the life of the nomadic tribe Ghumantu and their peculiar plight of being labelled "habitual offenders". It also records the efforts made at rehabilitating them. | ||||
| Best Historical Reconstruction / Compilation Film | Vaidyaratnam P.S. Varrier | English | Producer: Kerala State Film Development Corporation | |
| Director: T. Krishnan Unni | 10,000/- Each | |||
| Citation: For records the life of a pioneer in Ayurvedic medicine Dr. P.S. Varrier. The film also brings out his many faceted personality along with his contribution to performing arts and literature. | ||||
| Best Arts / Cultural Film | Picasso Metamorphoses | English | Producer: Y. N. Engineer for Films Division | |
| Director: Nandkumar Sadamate | 10,000/- Each | |||
| Citation: For its rare attempt at interpreting the works of the legendary painter making him accessible even to those uninitiated to his art. The film examines the troubled times that Picasso lived in, his ideals, his relationships and the inevitable symbiosis of his life and work. | ||||
| Best Scientific Film / Best Environment / Conservation / Preservation Film (Jointly given) | The 18 Elephant – Three Monologues | Malayalam | Producer: Savithri Divakaran | |
| Director: P. Balan | 10,000/- Each | |||
| Citation: For using the novel method of elephants narrating their own story (in human voice) to raise a cry against "man centric" concept of development. The film also succeeds in raising bigger issues of ecological balance, and cruelty to animals. | ||||
| Best Promotional Film | Ladakh – The Land Of Mystery | English | Producer: Biyot Projna Tripathy | |
| Director: Biyot Projna Tripathy | 10,000/- Each | |||
| Citation: For capturing the shining landscape, the people, their culture, beliefs and way of life in pleasing visuals. | ||||
| Best Agricultural Film | Seeds Of Life | English | Producer: Rajiv Mehrotra | |
| Director: Usha Albuquerque | 10,000/- Each | |||
| Citation: For its focus on "Navadanya" the movement launched to retrieve the traditional wisdom in alternative farming methods. The film's importance emerges in the face of the current globalisation-led agrarian uncertainties. | ||||
| Best Film on Social Issues | Way Back Home | Bengali | Producer:Rajasri Mukhopadhyay | |
| Director: Supriyo Sen | 10,000/- Each | |||
| Citation: For its recounting of a remarkable journey to a homeland lost for ever, as a result of partition. A family driven out of East Pakistan during partition, undertakes a journey back after fifty years to their "homeland". The journey eventually turns into a story of painful memories, lost relationships and the madness of partition- all achieved through a touching personal narrative. | ||||
| Best Educational / Motivational / Instructional Film | Fiddlers on the Thatch | English | Producer: Rajiv Mehrotra | |
| Director: Trisha Das | 10,000/- Each | |||
| Citation: This film is the story of "The Gandhian Ashram School" in Kalimpong but it is also a story of the deprived kids gaining their dignity and hope of a teacher who fed their bodies and spirit – all bound by the common thread of music. The director achieves a poignant blend of visual narrative and music to create a heartwarming tale of "sharing and caring" in this film. | ||||
| Best Exploration / Adventure Film | Madness in the Desert | English | Producer: Aamir Khan | |
| Director: Satyajit Bhatkal | 10,000/- Each | |||
| Citation: For explores the spirit, the effort and the mammoth ambition behind the making of "Lagaan". The director has rendered this into a gripping and slick tale. | ||||
| Best Investigative Film | A Silent Killer | English | Producer: Dhananjoy Mondal | |
| Director: Dhananjoy Mondal | 10,000/- Each | |||
| Citation: The film is a forceful statement on the disastrous consequences of millions of people drinking water contaminated with "arsenic". In a simple but effective manner, the filmmaker explores and then brings out the enormity of the problem. | ||||
| Best Animation Film | Jeo Aur Jeene Do | Hindi | Producer: Children's Film Society | |
| Director: B. R. Sarnaik | ||||
| Animator: Harshad Sayeed Noori | 10,000/- Each | |||
| Citation: In a humorous, colourful but effective way, the film conveys the message of wild life protection. The imaginative use of animation techniques enhances the appeal of the film, especially to children. | ||||
| Best Short Fiction Film | Sati Radhika | Assamese | Producer: Anjali Das | |
| Director: Anjali Das | 10,000/- Each | |||
| Citation: For a popular tale relating to the great 14th century reformer Shankara Deva who stood against caste inequality. The tale narrates an allegory wherein Sati Radhika a fisherwoman perform a miraculous feat, which others could not, thus bringing out the noble concept of social equality. | ||||
| Best Cinematography | Kaya Poochhe Maya Se | Hindi | Cameraman: Ranjan Palit | |
| Laboratory Processing: Prasad Film Laboratory | 5,000/- Each | |||
| Citation: For a cinematic observation of myriad shades of humanity and breathtaking chiaroscuro of light and shade. | ||||
| The 18 Elephants – 3 Monologues | Malayalam | Cameraman: K. G. Jayan | ||
| Laboratory Processing: Prasad Film Laboratory | ||||
| Citation: For his camera vision, which is a manifesto of exploring the reality, and transporting it to the surreal, to beyond the manifest. | ||||
| Best Audiography | Bhaba Paagla | Bengali | Ramesh Birajdar | 10,000/- |
| Citation: For sound design which evokes a vision of a world far, far away from the madding crowd, which oscillates between the silences and nature's pristine sounds. | ||||
| Best Editing | Unni | Malayalam | Beena Paul | 10,000/- |
| Citation: For the way she supports the eerie pace of a story that swings from here to beyond. | ||||
| Best Music Direction | Fiddlers on the Thatch | English | Julius Packiam | 10,000/- |
| Citation: For creating an ambience of music that effectively works also as part of the main narrative. | ||||
| Best Narration / Voice Over | The 18 Elephants – 3 Monologues | Malayalam | Balachandran Chullikkadu | 10,000/- Each |
| Citation: For lending feel and depth to the agonies of elephants through his voice. | ||||
| Special Jury Award | The Lijjat Sisterhood | English | Kadhambari Chintamani (Director) | |
| Ajit Oommen (director) | 2,500/- Each | |||
| Citation: For documenting the inspiring story of hundreds of women workers in the Lijjat papad making, selling and exporting. Through the first person interviews ranging from the oldest to the youngest, it is a vibrant narration of a unique experiment turned famously successful. | ||||
| Ek Aakash | Silent | Sudhakar Reddy (Director) | 10,000/- | |
| Citation: For starting off as a simple rivalry of two kids from different backgrounds – in kite flying, becomes a battle of one-upmanship. Both are led by their ego and aggressive instincts, but eventually reach a point when they need others help. | ||||
| Special Mention | Mangali – An Exorcision | Shilpi Dasgupta (Director) | Certificate Only | |
| Citation: For the thoughtful and laudable craft that shaped the film. | ||||
| Water | English | Aseem Bose (Cameraman) | ||
| Citation: For enhancing the impact of the film with his eloquent lens, that captures the spirit of the subject of the film. |
Best Writing on Cinema
The awards aim at encouraging study and appreciation of cinema as an art form and dissemination of information and critical appreciation of this art-form through publication of books, articles, reviews etc.
Juries
A committee headed by K. N. T. Sastry was appointed to evaluate the writing on Indian cinema. Following were the jury members:
- Jury Members
- K. N. T. Sastry (Chairperson)Kodalli ShivaramAruna Anant Damle
Golden Lotus Award
Official Name: Swarna Kamal
All the awardees are awarded with 'Golden Lotus Award (Swarna Kamal)' and cash prize.
| Name of Award | Name of Book | Language | Awardee(s) | Cash prize |
|---|---|---|---|---|
| Best Book on Cinema | Filmi Jagat Mein Ardhashakti Ka Romanch | Hindi | Author: Bharatiya Jnanpith | |
| Publisher: Ramakrishna | 15,000/- Each | |||
| Citation: For a unique style of chronicling the flip side of film personality through his own biography. It gives an insight into the history of cinema and film journalism in a refreshingly different style | ||||
| Best Film Critic | Saibal Chatterjee | 15,000/- | ||
| Citation: For incisive, bold and realistic criticism of the film industry couched in a refreshing style of writing. |
Special Mention
All the award winners are awarded with Certificate of Merit.
| Name of Award | Name of Book | Language | Awardee(s) | Cash prize |
|---|---|---|---|---|
| Special Mention (Book on Cinema) | Kathapurush | Bengali | Author: Deepankar Mukhopadhyay | Certificate Only |
| Citation: For a commendable revelation of the personality of the filmmaker (Mrinal Sen). | ||||
| Chalanchitra Nirdeshaka | Kannada | Author: P. N. Srinivas | ||
| Citation: For a unique presentation of the technicalities of film-making and international film personalities. | ||||
| Special Mention (Film Critic) | Telugu | Vasiraju Prakashan | ||
| Citation: For introducing film personalities of parallel cinema in the parched atmosphere of Telugu filmdom. |
Awards not given
Following were the awards not given as no film was found to be suitable for the award:
- Best Feature Film in Manipuri
- Best Feature Film in Punjabi
- Best Biographical Film
- Best Non-Feature Film on Family Welfare
References
References
- "51st National Film Awards". Directorate of Film Festivals.
- "51st National film Awards (Feature Films)". Press Information Bureau (PIB), India.
- "President gives away 51st national film awards". Press Information Bureau (PIB), India.
- "Dadasaheb Phalke Award Past Recipients". Directorate of Film Festivals.
- "Jury for 51st National Film Awards constituted". Press Information Bureau (PIB), India.
- "51st National film Awards Non-Feature Film category announced". Press Information Bureau (PIB), India.
- "51st National film Awards (Non-Feature Films)". [[Directorate of Film Festivals]].
- "51st National film Awards (Books)". Press Information Bureau (PIB), India.
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