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Contrary to the hard rock of Midnight Oil's previous albums, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 has been described as new wave and art rock, with difficult time signatures. Drummer Rob Hirst added, "With that album, we were one of the first Australian bands to get into sequencers and synthesisers. It was quite a landmark album at the time, and still stands up really well, because it managed to combine all the aggression and frustration of Midnight Oil with some amazing studio stuff courtesy of Nick."
The album's closing track "Somebody's Trying to Tell Me Something" contains a note held by the group which continues into the album's runout groove, and emulated on the CD version for just over 40 seconds. This is an approximation of a locked groove, a method used a number of times on vinyl albums (such as Diamond Dogs and Sgt. Pepper's Lonely Hearts Club Band) wherein the ending sound continues into the runout groove indefinitely until the turntable arm is lifted or the automatic return, present on some turntables, kicks in.
Singer Peter Garrett noted: "We wanted, as a band, to make this album lyrically stronger, because these are fucking desperate times. It's very important for us to get immediate, because we can't go on making records like this for years and years and people can't go on ignoring it."