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The Devil Smokes (and Saves the Burnt Matches in the Same Box)
The Devil Smokes (and Saves the Burnt Matches in the Same Box) (Spanish: El Diablo Fuma (y guarda las cabezas de los cerillos quemados en la misma caja)) is a 2025 Mexican drama film co-written and directed by Ernesto Martínez Bucio.
| The Devil Smokes (and Saves the Burnt Matches in the Same Box) |
|---|
| Promotional release poster |
| El Diablo Fuma (y guarda las cabezas de los cerillos quemados en la misma caja) |
| Ernesto Martínez Bucio |
| Karen PlataErnesto Martínez Bucio |
| Alejandro DuranGabriela GavicaCarlos Hernandez Vazquez |
| Carmen RamosDonovan SaidMariapau Bravo AvinaRafael Nieto MartínezRegina AlejandraLaura Uribe RojasGamboa BernardoMicaela Gramajo |
| Odei Zabaleta |
| Ernesto Martínez BucioKaren PlataOdei Zabaleta |
| Emilio Hinojosa |
| Mandarina Cine |
| .mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0} |
| February 15, 2025 (2025-02-15) (Berlinale) |
| April 23, 2026 (2026-04-23) (Mexico) |
| 97 minutes |
| Mexico |
| Spanish |
The Devil Smokes (and Saves the Burnt Matches in the Same Box) (Spanish: El Diablo Fuma (y guarda las cabezas de los cerillos quemados en la misma caja)) is a 2025 Mexican drama film co-written and directed by Ernesto Martínez Bucio.
The film centres on five siblings — Vanessa (Laura Uribe Rojas), Victor (Donovan Said), Elsa (Mariapau Bravo Avina), Marisol (Regina Alejandra) and Tomas (Rafael Nieto Martinez) — who are abandoned by their parents Judith (Micaela Gramajo) and Emiliano (Bernardo Gamboa), and must find ways to survive while in the care of their paranoid schizophrenic grandmother Romana (Carmen Ramos).
The film premiered in February 2025 at the 75th Berlin International Film Festival. The film is scheduled to be released commercially on 23 April 2026, in Mexican theaters.
Jonathan Holland of Screen Daily wrote that "the formal experimentation of The Devil Smokes, is sometimes effective, sometimes not. It delivers most strongly in the oppressive atmospherics as Odei Zabaleta’s busy camera roams around the cluttered interiors of this shadowy house, taking us on a journey into a claustrophobic, dark little world from which we emerge, blinking and slightly traumatized, at the end."
For Variety, Guy Lodge wrote that "the singed sepia tones favored by Martínez Bucio and Zabaleta may recall sun-faded or ill-developed images from a family album, to the extent that some shots appear edged with film burn, but the effect isn’t one of warm nostalgia. Instead, there’s a vague end-of-days feel to the film’s parched, shadowy visuals, as Zabaleta’s prowling camera renders the layout of the home smaller with each passing minute. In so many such stories of children in crisis, the hovering presence of social services is presented as a threat; here, the authorities may well be letting the light in."
| Award | Date of ceremony | Category | Recipient(s) | Result | .mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}Ref. |
|---|---|---|---|---|---|
| Berlin International Film Festival | 2025 | GWFF Best First Feature Award | Ernesto Martínez Bucio | Won | |
| Festival du nouveau cinéma | 2025 | FIPRESCI Award for Best First Feature Film | Won | ||
| Hong Kong International Film Festival | 2025 | Best Director, Young Cinema Competition | Won | ||
| Morelia International Film Festival | 2025 | Best Screenplay | Karen Plata | Won | |
| New Horizons Film Festival | 2025 | Audience Award | Ernesto Martínez Bucio | Won |
- The Devil Smokes at IMDb
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