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List of academic publishing works on Madonna


Madonna seen on the Celebration Tour, in 2023.

Madonna's life and work has generated various academics works, which includes scholarly articles and other published works, mostly covered by literary and academic journals as well as by others educational publishers like those from university pressess. The list is limited to only those that appeared first by a peer-reviewed outlet, or published in compendiums. Also, these works have been published in different languages other than English.

First scholarly articles about her is believed to be dated on 1985. Scholar Suzanna Danuta Walters commented that academic writings about her, "has produced at least one major academic text devoted to Madonna", while for professor Jane Desmond, "the relevant bibliography is vast". Australian historian Robert Aldrich once commented she is a "performer of inimitable ubiquity" in the academia as she "has saturated the pages of academic journals". To Alina Simone, in her academic studies "there is no dearth of material about Madonna, but an overwhelming excess". Associate professor José F. Blanco, wrote in The Journal of Popular Culture that "it can be argued that Madonna is overexposed in academic research".

Thesis such as Like a thesis: postmodern readings of Madonna music videos (1991) by Madonna scholar, Charles W Wells are included because they received academic and press coverage. In 1998, French academic Georges-Claude Guilbert wrote his thesis Madonna: un mythe postmoderne. Others of these publications received citations from other scholars and observers appearing in citation indexes, or were preserved by university libraries. In addition, others thesis were published as books. Music professor Antoni Pizà noted that during the late 20th century, it became a fad in the United States to write doctoral dissertations on Madonna. American journalist Hank Stuever said that Madonna's dissertations piled up and some were collected into a tome called The Madonna Connection (1993). She has been part of multiple lectures around the world.

TitleYearAuthor(s)JournalPagesIdentifiersNotesRef(s).
1987Harold JaffePerforming Arts Journal17–20.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#bf3c2c)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#bf3c2c)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}ISSN 0735-8393 OCLC 5547996728 Vol. 10issue 3An essay about Madonna.
1990Susan McClaryGenders148–166ISSN 0894-9832 OCLC 8162179881 issue 7A study on Madonna and her music.
1990Jane D. BrownLaurie SchulzeJournal of Communication88–102ISSN 0021-9916 OCLC 4636223012 Vol. 40issue 2An audience reception using Madonna's videos "Papa Don't Preach" and "Open Your Heart".
1991Stephen E. YoungPopular Music and Society59–68ISSN 0300-7766 OCLC 4804765831 Vol. 15issue 1A study on video of "Like a Prayer".
1991/92Jane MillerPloughshares221–230ISSN 0048-4474 OCLC 5542946647 Vol. 17issue 4Literary studies on Madonna.
1992Greta GaardThe Journal of the Midwest Modern Language Association41–46ISSN 0742-5562 OCLC 5552824344 Vol. 25issue 1A study on Madonna and her music.
1992Carla FrecceroBoundary 2163–183ISSN 0190-3659 OCLC 5552668908 Vol. 19issue 2Commentaries about Madonna and her video "Like a Prayer" as well, the Madonna scholars.
1992Cathy SchwichtenbergSouthern Communication Journal120–131ISSN 1041-794X OCLC 4804864726 Vol. 57issue 2Essay about how Madonna used postmodernism to challenge accepted norms of sex and gender.
1992Janelle L. WilsonGerald E. MarklePopular Music and Society75–84ISSN 0300-7766 OCLC 936733513 Vol. 16issue 2A criticism and analysis of the music video for Madonna's song, "Justify My Love" (1990).
1992Barbara BradbyCultural Studies73–96ISSN 0950-2386 OCLC 936734005 Vol. 6issue 1A criticism and analysis of the music video for Madonna's song, "Material Girl" (1984).
1993Daniel HarrisThe Antioch Review503–518ISSN 0003-5769 OCLC 5544132373 Vol. 51issue 4Talks about press reaction towards Madonna's book Sex.
1993Douglas F. MorganAdministrative Theory & Praxis37–51ISSN 1084-1806 OCLC 5790952095 Vol. 15issue 2Examines reaction towards Madonna's book Sex.
1993Steve AllenThe Journal of Popular Culture1–12ISSN 0022-3840 OCLC 439255149 Vol. 27issue 1A criticism and analysis of Madonna as a public figure.
1996D. Lynn O'Brien HallsteinQuarterly Journal of Speech125–141ISSN 0033-5630 OCLC 4659170142 Vol. 82issue 2A feminist‐schizoanally piece noted that the hallmark of Madonna's career was her contradictory play with gender roles and images.
1996Mark WattsNew Theatre Quarterly99–107ISSN 1474-0613 Vol. 12issue 46Studied Madonna's image in terms of the concept of "punctum" a concept defined by Roland Barthes.
1996Andreas HägerScripta Instituti Donneriani Aboensis151–174ISSN 0582-3226 OCLC 8081124376 Vol. 16An analysis on "Like a Prayer" since Christian and art perspectives.
1997John CastlesCultural Studies138–187ISSN 0950-2386 OCLC 196712006 Vol. 11issue 1—.mw-parser-output .sr-only{border:0;clip:rect(0,0,0,0);clip-path:polygon(0px 0px,0px 0px,0px 0px);height:1px;margin:-1px;overflow:hidden;padding:0;position:absolute;width:1px;white-space:nowrap}N/a
1998Carol VernallisPopular Music153–185ISSN 0261-1430 OCLC 206572402 Vol. 17issue 2Focused in her video "Cherish".
1999Laurie SchulzeVelvet Light Trap37 (pages)ISSN 1542-4251 OCLC 358970432 Vol. 22issue 5Examines the criticism towards Madonna scholars by her own experience.
2000Pamela G. TaylorStudies in Art Education376–389ISSN 0039-3541 OCLC 5544294596 Vol. 41issue 4Examines the use of computer hypertext as a base for art education in high school and used Madonna's videos as example.
2001Carmen R. Lugo-LugoFrontiers: A Journal of Women Studies118–130ISSN 0160-9009 OCLC 936906159 Vol. 22issue 2Talks about Madonna's Puerto Rican performance from her Girlie Show in 1993, and the impact she had in the country.
2002Christoph LindnerThe Yearbook of English Studies36–51ISSN 0306-2473 Vol. 32Essay takes the 'Madonna phenomenon' as its point of departure to propose that, far from being unique to postmodernity, the representational project that emerges from Madonna's "Material Girl" song already motivated cultural production in the nineteenth century.
2003Stephen BrownBusiness Horizons2–10ISSN 0007-6813 OCLC 4636197942 Vol. 46issue 4Talks about Madonna's brand in the perspective of business and marketing.
2005Boaz HussThe Jewish Quarterly Review611–624ISSN 0021-6682 OCLC 5792119843 Vol. 95issue 4Madonna's study of Kabbalah and integrating Kabbalistic themes in her cultural productions.
2006David SiglerStudies in Popular Culture77–97ISSN 0888-5753 OCLC 5543266231 Vol. 29issue 1—N/a
2012José I. Prieto‐ArranzThe Journal of Popular Culture173–196ISSN 0022-3840 OCLC 4824619896 Vol. 45issue 1Talks about Madonna's long -standing success.
2013Marguerite van den BergClaartje L ter HoevenCelebrity Studies144–154ISSN 1939-2397 OCLC 5140465648 Vol. 4issue 2Discuss the communication of social and cultural tensions embodied in Madonna.
2013Kristyn GortonJoanne Garde-HansenFeminist Media Studies288–302ISSN 1468-0777 OCLC 4824619896 Vol. 13issue 2Commentaries about Madonna's age and body since a feminist perspective.
2014José Blanco F.The Journal of Popular Culture1153–1166ISSN 0022-3840 OCLC 5730312405 Vol. 47issue 6Talks about Madonna's image, such as her reinvention, identities and her cultural impact.
2020Manav RattiJournal of American Studies184–211ISSN 0021-8758 OCLC 8515369715Examines Madonna's success of her first book Sex.
TitleYearAuthor(s)JournalLanguagePagesIdentifiersNotesRef(s).
1996Ute BechdolfEssen: Die blaue Eule.mw-parser-output span.smallcaps{font-variant:small-caps}.mw-parser-output span.smallcaps-smaller{font-size:85%}German23–44OCLC 936805311An essay on Madonna and her cultural impact.
2002Olivier SécardinL'Esprit CréateurFrench66–75ISSN 0014-0767 OCLC 203572273 Vol. 42issue 4Socio-cultural study on Madonna.
2002Boaz Huss (בועז הוס)Zmanim: A Historical Quarterly (זמנים: רבעון להיסטוריה)Hebrew4–11ISSN 1565-5261 OCLC 5559592424 issue 91A study of Madonna's song "Die Another Day".
2008Çağlar ÖzbekToplum ve Demokrasi DergisiTurkish91–106ISSN 1307-4687 OCLC 8254476820 Vol. 4issue 2The study analysis through Madonna, as an important representation of postmodern identity the feminism, postmodernism and identity.
2011Samuel dos Santos PereiraLenise LantelmeRevista científica da faminasPortuguese1–38ISSN 1807-6912 Vol. 7issue 1A post-structuralism analysis on Madonna's work.
2011Patricia CoralisComunicação & culturaPortuguese99–115ISSN 1646-4877 issue 12As part of the "Fãs e celebridades" commentaries.
2014Iolanda TortajadaNúria AraünaÁrea AbiertaSpanish23–41ISSN 2530-7592 OCLC 5698925424 Vol. 14issue 3A study based on Madonna's videos analyzing post-feminism theory.
2014Cláudia da SilvaPereira AfiliaciónEstudos FeministasPortuguese173–193ISSN 1806-9584 OCLC 5584893330Vol. 22issue 1It focuses on Madonna and her age and modern media's reflection of what it means to be over 50 for a woman.
2019Roney GusmãoSociologia: Revista da Faculdade de Letras da Universidade do PortoPortuguese71–87ISSN 0872-3419 OCLC 8562112102Vol. 38A postdoctoral research.
2022Massimiliano StramagliaCuadernos De Investigación MusicalSpanish & English151–162ISSN 2530-6847 OCLC 9524424982issue 15Studies of Madonna's performances.
TitleYearAuthor(s)JournalPagesIdentifiersNotesRef(s).
1993John StreetInnovation: The European Journal of Social Science Research277–289ISSN 1351-1610 OCLC 4814972514 Vol. 6issue 3Studies how the popular music has been dominated largely by sociology, rather than musicology with a particular focus on Madonna.
1993Janis Bergman-CartonTexas Studies in Literature and Language440–452ISSN 0040-4691 OCLC 936740050 Vol. 35issue 4Explores Frida Kahlo-Madonna relation and how her art proliferated throughout the world since the singer confessed to being her fan.
1994Duncan KennedyStanford Law Review1835–1861ISSN 0038-9765 OCLC 201509703 Vol. 46issue 6Piece was reviewed by legal scholar Naomi Mezey.
1995Elizabeth SchaferContemporary Theatre Review7–16ISSN 1477-2264 OCLC 264473208 Vol. 2issue 3Cross-reference male gaze analysis on Cleopatra and Madonna.
1997Linda LeungJournal of Gender Studies33–42ISSN 0958-9236 OCLC 838734562 Vol. 6issue 1The article reviews a selection of the plethora of academic literature available on Madonna and the limited amount on Thatcher. Explores subjects such as matriarchy.
2007Veronica S RootChicago Journal of International Law323–354ISSN 1529-0816 OCLC 779241243 Vol. 8issue 1art. 1Explore the issues of the international adoptions by celebrities, focused in the cases of Angelina Jolie and Madonna.
2010Mario PandelaereKobe MilletBram Van den BerghJournal of Consumer Psychology442–451ISSN 1057-7408 OCLC 8086884823 Vol. 20issue 4Talks about the effects of order; for example listening to one version of a song before another. They used as an example Don McLean's "American Pie" and Madonna's cover of that song.
2013Danuta FjellestadMaria EngbergReconstruction: Studies in Contemporary Culture1–2ISSN 1547-4348 OCLC 924306621 Vol. 12issue 4An essay that talks about post-postmodernism with the Gaga-Madonna relation.
2014Misha KavkaCelebrity Studies59–74ISSN 1939-2397 OCLC 5575739865 Vol. 5issue 1–2Explore criticisms towards Madonna's film W.E., and commentaries from Naomi Wolf on the case, comparing how Tom Ford received "rapturous" reviews with A Single Man to further suggests a gender bias to Madonna as artist.
2015Karin G. WilkinsCommunication, Culture & Critique163–181ISSN 1753-9129 OCLC 6895822158 Vol. 8issue 2Explore the global philanthropy by media figures through the case of Oprah Winfrey, Angelina Jolie and Madonna.

Madonna has been part of multiple lectures around the world. Following, a few examples:

TitleYearAuthor(s)InstitutionLanguagePagesIdentifiersNotesRef(s).
1993Women's CenterUniversity of California, Santa BarbaraEnglishHeld in January 1993, Santa Barbara, University of California, and organized by the Women's Center.
1993Polly McLeanUniversity of ColoradoEnglishAccording to Polly McLean, an assistant journalist professor, the point of the class was "to get students to apply critical means of analysis to areas that are contemporary in society". She played Madonna songs and videos as part of the class, emphasizing issues raised in their images.
1994VariousUniversity of ColoradoEnglishThe objective of the course was to formulate new ways to look at performance, via the performer. Using Madonna's videos and films explore the presentation of gender in costuming, makeup, gesturing and movement.
1997Andrew Japless et aliiUniversity of AmsterdamDutchA 40-hours class examining just what makes Madonna tick. More than 200 students signed to the course and their knowledge was tested in a final examination. They used resources such as the book The Madonna Connection (1993) or a Dutch book about Madonna's lyrics of more than 200 songs recorded by the singer.
2001Call for papersCambridge University PressEnglish293–294ISSN 0261-1430 OCLC 206572402 Vol. 20issue 2Talks about Madonna's 20 years of career covering topics such as multiculturalism, all-American culture and motherhood among others. According to academic journal Music Theory Online, it was also presented to the International Association for the Study of Popular Music (IASPM). It was published in the academic journal Popular Music.
2005Lydia BruguéComillas Pontifical UniversitySpanish703–712ISBN 84-8468-151-3 OCLC 758227582Translation studies based on Madonna's music presented in the international congress at the Asociación de Investigación y Especialización sobre Temas Iberoamericanos (AIETI).
2008Robert M. GrantWiley-BlackwellEnglish1–4A case study of Madonna's enduring success and applied in the marketing discourse.
2008Matthias GroßUniversity of LeipzigEnglish22 (pages)ISBN 978-3640104598Seminar paper from the year 2007 and published in 2008. Discuss psychoanalysis with Sigmund Freud theories using Madonna and her music videos in particular.
2012Bruna Fernandes BarrosRafael Jose BonaSociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom)Portuguese14 (pages)Congress n. XIIIHeld at the XIII congress of Congresso de Ciências da Comunicação na Região Sul – Chapecó as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom).
2012Salvatore BartolottaCongreso Internacional de la Asociación Universitaria de Estudios de las Mujeres (AUDEM)Spanish65–76Presented by Salvatore Bartolotta from National University of Distance Education at the Congreso Internacional de la Asociación Universitaria de Estudios de las Mujeres (AUDEM).
2015VariousUniversity of OviedoSpanishA series of classes started in September and finished in December 2015 by a varied of academic experts in different areas. It marked the first time Oviedo devoted a course to a female singer.
2016Mateus SilomarAlan Mangabeira MascarenhasEmerson da Cunha de SousaMaurício de NassauSociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom)Portuguese15 (pages)Congress n. XVIIIHeld at the XVIII congress of Congresso de Ciências da Comunicação na Região Nordeste – Caruaru as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom) in which, was explored Madonna's career since the digital music era.
2018Tatyane LarrubiaLeonam Casagrande DallaSociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom)Portuguese15 (pages)Congress n. 41Held at the 41st congress of Congresso Brasileiro de Ciências da Comunicação – Joinville as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom).
2019Chang LiuXi'an Jiaotong-Liverpool UniversityChineseFocuses on the construction of Madonna's star image in China and explores how Madonna's music was introduced to China.
TitleYearAuthor(s)InstitutionPages (total)IdentifiersNotesRef(s).
1991Charles W WellsFlorida State University230OCLC 25334230It received academic attention and press coverage by outlets such as Orlando Sentinel and Tampa Bay Times.
1992Margaret A PeverillSan Diego State University68OCLC 26435720M.A. thesis.
1992Carlos IglesiasUniversity of Houston135OCLC 27450076Archived at University of Houston Libraries.
1992Elaine Marion GrodaesUniversity of Windsor234OCLC 30974548 ISBN 0315830352Preserved also at the National Library of Canada and Leddy Library.
1993Charlotte SiobhanAntonia O'SullivanUniversity of California, Berkeley134OCLC 31175003M.A. in English.
1997Megan J DistlerCedar Crest College35OCLC 39841810A senior honors thesis.
1999Wesley ChinnHarvard University42OCLC 41121575It was featured in the guide of thesis at the university.
2000Audra GauglerLehigh University60OCLC 46542029As part of the department of history.
2006Melissa WestYork University349OCLC 231656076 ISBN 978-0494295373Also preserved at Université du Québec à Rimouski.
2007Shawna J StrayhornHarvard University70OCLC 406696891It was featured in the guide of thesis at the university.
2008Courtney C LangilleMemorial University of Newfoundland85OCLC 456151487Honours dissertation of B.A. Preserved at the Centre for Newfoundland Studies.
2008Ross Joseph FenimoreUniversity of California, Los Angeles218OCLC 811147445Ph.D dissertation.
2014Yingzi ZhaoHong Kong Polytechnic University117OCLC 900239717M.A. thesis.
TitleYearAuthor(s)InstitutionLanguagePages (total)IdentifiersNotesRef(s).
1998Georges-Claude GuilbertParis Nanterre UniversityFrench2 (vol.)OCLC 249286928Thesis for English studies.
1998Carina Schmiedke-RindtAugsburg UniversityGerman347OCLC 1071011779 ISBN 978-3926794338A thesis that was later published as a book. It is preserved at the Harvard Library.
2002Jan-Oliver DeckerChristian-Albrecht University of KielGerman559OCLC 181435915To apply a doctorate in music videos.
2004Matthias WeißFree University of BerlinGerman301OCLC 723656039 OCLC 884475351 ISBN 3496013621It was later published as a book.
2006Natalia Vieira De MeloUniversidade Santa CecíliaPortuguese94—N/a
2008Lydia BruguéUniversity of Vic - Central University of CataloniaCatalan222OCLC 747615250Explored the usage of subtitles through Madonna's music.
2009Anže PerneUniversity of LjubljanaSlovene100OCLC 781160704—N/a
2011Rodrigo Ribeiro BarretoFederal University of BahiaPortuguese200Based on Madonna's videography and image.
2012Henrike WielkUniversity of TübingenGerman193OCLC 913200268 ISBN 978-3868215731It was later published as a book in 2014.
2013Adam Louis TroldahlUniversity of ViennaGerman75OCLC 7378245230Published both in English and German.
2015Maria Helena Guerra MonteiroFederal University of ParaíbaPortuguese150It was cited in A revista Tropos: Comunicação, Sociedade e Cultura of Universidade Federal do Acre.
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