Skip to content
Surf Wiki
Save to docs
general/grammy-award-categories

From Surf Wiki (app.surf) — the open knowledge base

Grammy Award for Best Contemporary (R&R) Performance

Music award category


Music award category

The Grammy Awards in the Best Contemporary (R&R) Performance categories were awarded in 1966, 1967 and 1968. They appeared in different guises at the Grammys, aimed at male and female soloists and duos/groups. The Recording Academy used these categories to distinguish contemporary or rock 'n' roll recordings from traditional pop recordings, which had their own Best Pop Vocal Performance categories for male and female soloists and for duos or groups.

Winners and nominees

YearRecipientNominee1968Best Contemporary Male Solo Vocal PerformanceBest Contemporary Group Performance (Vocal or Instrumental)Best Contemporary SingleBest Contemporary Album1967Best Contemporary (R&R) Solo Vocal Performance - Male or FemaleBest Contemporary (R&R) Group Performance - Vocal or InstrumentalBest Contemporary (R&R) Recording1966Best Contemporary (R&R) Vocal Performance – FemaleBest Contemporary (R&R) Vocal Performance – MaleBest Contemporary (R&R) Performance – Group (Vocal or Instrumental)Best Contemporary (Rock and Roll) Single
Best Contemporary Female Solo Vocal Performance
"Ode to Billie Joe" by Bobbie Gentry
"By the Time I Get to Phoenix" by Glen Campbell
"Up, Up and Away" by The 5th Dimension
"Up, Up and Away" by The 5th Dimension
Sgt. Pepper's Lonely Hearts Club Band by The Beatles (performer) and George Martin (producer)
"Eleanor Rigby" by Paul McCartney (performed by The Beatles)
"Monday, Monday" by The Mamas & the Papas
"Winchester Cathedral" by The New Vaudeville Band
"I Know a Place" by Petula Clark
"King of the Road" by Roger Miller
"Flowers on the Wall" by The Statler Brothers
"King of the Road" by Roger Miller

After 1968, the contemporary/rock and roll categories and the pop vocal categories merged into the Best Contemporary/Pop Vocal Performance categories. The fact that in 1968, the three winners in the Male, Female and Group categories of the Best Contemporary Performance were identical to the winners of the Best Vocal Performance categories (Bobbie Gentry, Glen Campbell and The Fifth Dimension), had shown that the distinction between the two category groups was difficult to recognise.

The Best Contemporary Single category returned in 1970 and 1971, when it was renamed Best Contemporary Song.

Info: Wikipedia Source

This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page.

Want to explore this topic further?

Ask Mako anything about Grammy Award for Best Contemporary (R&R) Performance — get instant answers, deeper analysis, and related topics.

Research with Mako

Free with your Surf account

Content sourced from Wikipedia, available under CC BY-SA 4.0.

This content may have been generated or modified by AI. CloudSurf Software LLC is not responsible for the accuracy, completeness, or reliability of AI-generated content. Always verify important information from primary sources.

Report